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People or Planes Committee (P.O.P.) was established in the village of Pickering, Ontario in 1972 in response to the Canadian government's plans to build a major airport in the area and Ontario government's plans to develop an adjacent city. The organization was developed along geographic lines. It had a council with an executive and other committees and a volunteer office. The Pickering airport proposal became moot in 1975 when the province refused to build the service infrastructure necessary for the airport.

Planet in Focus, an Environmental Film Festival based in Toronto, Ontario, is an incorporated not-for-profit organization. Mark Haslam, a York University alumnus, founded the festival promote awareness, discussion and engagement on a broad range of environmental issues.

"Plants and Animals are a Canadian indie-rock band from Montreal (featuring two members originally from Nova Scotia) which comprises guitarist-vocalists Warren Spicer and Nic Basque and drummer-vocalist Matthew Woody Woodley. The trio began playing together as kids and emerged on the international scene in 2008." http://en.wikipedia.org/wiki/Plants_and_Animals

“Port Cities is a Canadian band based in Halifax, Nova Scotia. Formed in 2015, Port Cities is composed of Dylan Guthro, Breagh MacKinnon, and Carleton Stone —each already a singer/songwriter with an established solo career.” https://en.wikipedia.org/wiki/Port_Cities

The PCDA (1959-2007) was a Toronto based anti-fascist organization, composed of political exiles and other oppositionists of the Salazar/Caetano dictatorial regime in Portugal. The PCDA was very active in the Toronto, especially during the years leading up to and immediately after the Carnation Revolution of 1974 in Portugal. Besides engaging in political activism, locally and abroad, the PCDA also invested a great deal in cultural development, bringing important artists and intellectuals from Portugal and organizing high-cultural activities for the members of the Portuguese community of Toronto.

The Portguese Canadian History Project is a non-profit community outreach organization that aims to democratize and preserve the collective memory and historical knowledge of Portuguese immigrants and their descendants in Canada. Incorporated in 2008, Dr. Gilberto Fernandez and Dr. Susana Miranda founded the project, and were later joined by Dr. Raphael Costa and Dr. Emanuel da Silva.

In September 2009, PCHP partnered with the Clara Thomas Archives & Special Collections to facilitate the donation of archival records from individuals and organizations associated with Toronto's Portuguese community. In November 2015, the PCHP became associated with the Robarts Centre for Canadian Studies at York University, which hired Gilberto Fernandes as a postdoctoral visitor.

The Portuguese Interagency Network (PIN) was founded in 1978. PIN was a community-based, non-profit organization which connected agencies and individuals who were concerned with the provision of Portuguese-speaking Canadians in Ontario. Member agencies in the early years included: The Doctors Hospital Social Work Department, The Working Women Community Centre, Parkdale Community Legal Services, St Christopher House, St Stephen’s House, C.R. Sanderson Public Library, and the COSTI-Education Centre. PIN’s membership eventually grew to include over 200 member agencies in addition to many individual members.

PIN’s objectives included: ensuring the provision of services through community development and active cooperation of individuals and agencies; providing on-going professional development and support to its membership; acting as a consulting and resource body for organizations and individuals; providing referrals aimed at linking individuals with services in the community; developing and promote research and planning projects for educational purposes on community needs; encouraging the exchange of information among member agencies and individuals; provide community educational programs; and granting scholarships to support and encourage youth to attend post-secondary institutions.

PIN was managed by an elected twelve-member Board of Directors and an Executive Director. The programs of the P.I.N. were carried out by working committees which focused on the following areas: Adult Education, Child Education, Family and Community Services, Health, Special Needs, and Seniors. Project-based or ad-hoc committees, included: “Ready or Not,” “Youth Committee,” “Lusophone,” and “Employment Equity.” PIN produced several studies and reports on Toronto’s Portuguese-Canadian community. It also conducted a number of public education campaigns in the areas of health, adult education, literacy, sexual assault, and skills training.

PIN helped develop organizations such as Kensington Clinic, Portuguese Mental Health Clinic, Downtown Employment Services, Portuguese Family Crisis Centre, Access Alliance Multicultural Health Centre, and Bradford Immigrant Community Services. PIN played a role in the organization of several conferences for the Portuguese-Canadian community across Canada. In 1993, a conference held in Ottawa, titled “From Coast to Coast: A Community in Transition,” brought together Portuguese-Canadians nation-wide to discuss social, economic, and political issues affecting the community. During the conference, the Portuguese-Canadian National Congress was founded.

Following spending cuts by the Ontario Provincial government in the mid-1990s, PIN discontinued its work in 2009.

The Professional Librarians' Association of York University was established in 1970. The objectives of PLAYU were to support and improve library service to the York community, to foster professional development of the librarians, and to promote the interests of its members. Membership was open to all professional librarians on campus, the Director of Libraries and all those who reported to that officer. The Association had a President, Vice-President, Secretary and Treasurer, and an annual meeting. The Association played a role in establishing the professional status of librarians on campus. Librarians were placed on par with faculty and they were eventually admitted to the York University Faculty Association. With the development of the Library Council in 1976 and in the light of the librarians' membership in YUFA, the reasons for PLAYU's existence disappeared and the organization was disbanded in 1975.

The Progressive Conservative Party of Canada was established in 1942 when John Bracken, a Progressive party premier of Manitoba, became leader of the national Conservative Party and Leader of the Opposition in the House of Commons. The Party enjoyed electoral success under John Diefenbaker, forming governments in 1957, 1958 and 1962, but losing the elections of 1963 and 1965. Diefenbaker was ousted from the leadership in 1967.

Project Ossington was opened in 1967 on Portland Street, Toronto, as a hostel for distressed children. It soon moved premises to Ossington Avenue, Toronto (1968). The hostel took in all young people including those turned away from other facilities. A strict regimen was followed at the hostel. It was closed in 1971 by its director, Mrs. Patricia Whitehead, because of a drop in attendance. In its four years of existence it was host to 3,000 youths.

"Prosad has been studying classical sitar for many years both in Toronto an dIndia. His original music fuses edgy electronic beats and live percussion with sitar, didgeridoo, flute and vocals to create a unique and captivating style called 'Trance Sitar'. In 2008, Prosad was invited to perform for His Royal Highness Prince Edward of Great Britain. In the same year, Prosad's song "Bryon Bay," was used in the Hollywood movie, The Love Guru, starring the Canadian comedy superstar Mike Myers. Prosad is a remarkable guitar player as well. [...]" Mariposa Folk Festival programme, 2009, p.51

“PrufRock Shadowrunner is a well-known veteran of the slam poetry scene in Canada. Based in Ottawa, he's a member of the city's slam team, and also DJs, raps and acts.” https://www.cbc.ca/lite/story/1.4266637

“Quartette is a Canadian country-folk group consisting of Cindy Church, Caitlin Hanford, Gwen Swick and Sylvia Tyson. Each of the four members also record as solo artists in addition to their work as a group.” Colleen Peterson was a past member. https://en.wikipedia.org/wiki/Quartette_(band)

Radio York was established in 1969 as a student-operated radio station that broadcast throughout York University. In 1987 the station received Canadian Radio and Television Commission approval to begin public broadcasting as radio station CHRY 105.5 FM. The station has limited revenues from advertising sales and receives the bulk of its operating monies from a levy on York University students. It has a Board of Directors made up of students, alumni, radio alumni and members of the external community. The Board is elected annually, and oversees the operations of the station. The daily decision-making power at the station rests with the Program Director.

"Red Wanting Blue (also known as RWB) is a rock and roll band led by Scott Terry that formed in Athens, Ohio in 1996. In 1999, the band relocated its headquarters to Columbus, Ohio, the city Red Wanting Blue now calls home. RWB has been touring for nearly two decades playing around 200 live shows a year. Members: Scott Terry (vocals, ukulele, tenor guitar), Mark McCullough (bass, Chapman Stick, vocals), Greg Rahm (guitar, keyboard, vocals), Dean Anshutz (drums, percussion), Eric Hall (guitar, lap steel guitar, mandolin, vocals)."https://en.wikipedia.org/wiki/Red_Wanting_Blue

The Regent Park Film Festival is Toronto's longest running free-of-charge community film festival, dedicated to showcasing local and international independent works relevant to inner-city life. In 2003, Chandra Siddan, a filmmaker and student in the York University’s “Regent Park Community Education Program”, founded the RPFF as an alternative educational setting for an assignment with support from her instructor Jeff Kugler, principal of Nelson Mandela Park Public School, who offered his school as the venue for the event, and Prof. Harry Smaller who garnered broadly-based support from the University.

For seven years, the festival screened at the Nelson Mandela Park Public School before moving to the Lord Dufferin Public School for 2010 and 2011. On the tenth anniversary in 2012, the festival and its offices moved into the Daniels Spectrum cultural hub and started delivering year-round programming such as workshops and community screenings.

In 2007, a year after RPFF incorporated, Siddan stepped down as Festival Director and was replaced by Karin Haze until 2010, Richard Fung in 2011, Ananya Ohri from 2012 to 2018, and Tendisai Cromwell as of 2018.

In 2017, the RPFF embarked on a three-year home movie archive project titled “Home Made Visible” after receiving funding from the Canadian Council for the Arts New Chapter. The three-part nationwide project digitized home movies from the Indigenous and visible minority communities and donated a selection of clips for preservation, commissioned six artist films, and exhibited the artworks and selected home movie clips across Canada to encourage discussions around diverse histories and futures.

The Rendezvous Club of Toronto, a social club for retired teachers, was formed in 1937. The goal of the organization was to provide a way for members to maintain friendships made during the teaching years through social activities. The group's constitution details the duties of the executive, including liaising with the Women Teachers' Association of Toronto, and maintaining and documenting the history of the organization.

During the late 1940s and early 1950s, small groups of retired women teachers began meeting in various parts of Ontario for fellowship, and to discuss issues of mutual concern. A group in Toronto known as the Rendezvous Club organized the inaugural meeting of the Ontario Association of Superannuated Women Teachers of Ontario in April 1956 for the purpose of persuading the provincial government to raise the level of pensions for retired women teachers to the same amount as that of male teachers. The organization grew steadily over the next 20 years, introduced a unique post-hospital insurance plan in 1963, and won the government's agreement to raise the pension rates for retired women teachers in 1967. The Provincial Office was established in Peterborough in 1971, when Cora Bailey was appointed the association's first Executive Secretary. Major changes were made to the constitution in 1999, when the name of the organization was changed to the Retired Women Teachers of Ontario. It continues to operate as a support system for the special interests and well being of over 5,700 retired women teachers. Meetings, excursions and other events organized by more than 50 branches throughout Ontario provide a forum for networking, socializing, and sharing information about health, hobbies and emerging issues such as telephone fraud. The branches also support numerous charitable causes such as food banks, women's shelters, the homeless, sick children, the Salvation Army and the Canadian Cancer Society, and provide support to members who are ill, home bound or have suffered a loss in their families. In addition, the RWTO commemorates the contributions of women teachers through published profiles, donations in memory of deceased teachers, and entries in a book of remembrance.

"Reuben and the Dark are a Canadian indie folk band from Calgary, Alberta. Led by singer and songwriter Reuben Bullock, the band also currently includes Sam Harrison (guitar/keys/vocals) Brock Geiger (guitar/keys/vocals), Nathan da Silva (bass/vocals), and Brendan 'Dino' Soares (drums)." https://en.wikipedia.org/wiki/Reuben_and_the_Dark

“RéVeillons! is a wellknown quartet involving crowd with arrangements simmered in the authentic Quebec’s culture, a resolutely urban, assumed and scouring traditional music, with its rush hours and its traffic jam, its terrace and its barbecue. Music made in Quebec, traditionnal with a crude energy.” https://soundcloud.com/reveillons

Rhombus Media Inc. was formed in 1978 at the York University Film Department, when Barbara Willis Sweete and Niv Fichman created, Opus One, Number One, a documentary short that established the company's musical direction. Larry Weinstein joined soon after, and the trio have since produced and directed numerous television programs, and they are known as one of Canada's leading independent producer of television programs on the performing arts. Rhombus Media has received nominations for many international awards and has won two International Emmys, for 'Le Dortoir' in 1991, and for 'Pictures on the Edge' in 1992, and several Canadian Genie Awards, including Best Motion Picture in 1993 for 'Thirty-Two Short Films about Glenn Gould' and for 'The Red Violin' in 1999. 'The Red VIolin' also garnered an Oscar for best musical score in 2000. Rhombus also produced the award-winning television series 'Slings & Arrows'. In recent years Rhombus projects have been internationally co-produced with many of the major European television networks.

"Ronnie Douglas is an Ojibway from the Chippewas of Rama First Nation, (located near the City of Orillia) and has been performing in clubs and on festival stages throughout Southern Ontario since the early 1990’s. A roots vocalist/guitarist in the blues tradition, he cites Howlin’ Wolf as a primary influence. Since forming the group in the mid nineties, notable festival performances include the Great Canadian Blues Festival, the Mariposa Folk Festival, the Southside Shuffle, and the Orillia Spring Blues Festival, in addition to appearances on the Aboriginal Peoples Television Network (APTN)." https://culturedays.ca/en/events/e4de90a4-3934-42f5-a2ec-6dd750f9f6ad

See http://www.runwiththekittens.ca/bio.

The Ruskin Literary and Debating Society was established in Toronto in 1900 as a voluntary organization devoted to literature and discussion of topics of the day. The second meeting of the Society witnessed debates on government ownership of railways, canals and gas companies. James Simpson, the Toronto labour politician was a member of the Society in its first decade. While it continued to meet annually throughout the century, by the 1960s the membership began to decline, and reforms to the constitution were introduced, the result of which led to a revitalization of the society in the 1970s. In the 1980s' topics of debate at society meetings included, an elected senate for Canada, the banning of nuclear arms, the reinstatement of capital punishment, immigration laws, and the Meech Lake constitutional proposal. The officers of the Society include an honourary president, a secretary, a historian, and a critic whose role is to offer criticism of the members' debating styles, arguments and presentation. The society holds an annual banquet, and bequeaths prizes to members in the areas of best essay, and best debating skills. Each meeting of the society is presented with a programme of discussion topics.

“The Russell deCarle Trio [performs] an eclectic mix of blues, jazz, country, Latin, R&B and Western swing with Briggs and accordionist Denis Keldie (The Extras, Denis Keldie Trio, Jeff Healey, Etta James, Doug Riley).” https://kawarthanow.com/2019/02/12/russell-decarle/

"Samantha Martin is a Canadian singer and songwriter who has garnered critical acclaim for her blend of roots rock, blues, soul and gospel music, and exceptional vocals. […] In 2014, Martin formed the soul and blues focused band "Samantha Martin & Delta Sugar". [...] In 2018, Samantha Martin & Delta Sugar signed a record deal with Gypsy Soul Records based out of Toronto. Her record Run To Me was released on April 28th, 2018. Eleven months after releasing their recording Run to Me, the 11-piece blues/soul band was nominated for a Juno Award for Blues Album of the Year." http://en.wikipedia.org/wiki/Samantha_Martin

“Samantha Martin & Delta Sugar are an eleven-piece band from Toronto, Canada, who are known for their blend of blues, soul, gospel and rock, and exceptional vocals.” https://en.wikipedia.org/wiki/Samantha_Martin_%26_Delta_Sugar

"Samantha Martin is a Canadian singer and songwriter who has garnered critical acclaim for her blend of roots rock, blues, soul and gospel music, and exceptional vocals. […] In 2014, Martin formed the soul and blues focused band "Samantha Martin & Delta Sugar". [...] In 2018, Samantha Martin & Delta Sugar signed a record deal with Gypsy Soul Records based out of Toronto. Her record Run To Me was released on April 28th, 2018. Eleven months after releasing their recording Run to Me, the 11-piece blues/soul band was nominated for a Juno Award for Blues Album of the Year." http://en.wikipedia.org/wiki/Samantha_Martin

The Samuel J. Zacks Gallery was opened in 1970 and dedicated to Zacks, an industrialist, philanthropist and member of the Board of the Art Gallery of Ontario. The Gallery has exhibited works by international, Canadian and York student artists. It is staffed by student Directors.

SAVAC (South Asian Visual Arts Centre) is the only non-profit, artist-run centre in Canada dedicated to supporting South Asian artists. For over two decades, SAVAC has increased the visibility of culturally diverse artists by curating and exhibiting their work, providing mentorship, and facilitating professional development.

Our mission is to produce programs that explore issues and ideas shaping the identities and experiences of people from the region and its diasporas. We encourage work that is challenging, experimental and engaged in critical discussions that offer new perspectives on the contemporary world.

SAVAC develops and produces a range of contemporary visual art interventions and programs. We work without a gallery space, and typically in collaboration with other artist-run centres, public galleries and visual arts organizations. This unique, collaborative model allows for SAVAC to play a vital role in Canada’s visual arts ecology by expanding the frameworks that support culturally diverse perspectives in art.

1987 Khush: South Asian Gay Men of Toronto is founded. Khush has an active membership of around 100 people, with a mandate to “educate South Asian gay men and the wider gay community about South Asian culture, as well as to forge connections amongst the South Asian community, South Asian cultural producers/artists, and the gay community”.

1988 Khush and Gay Asian Toronto organize “Unity Among Asians,” a conference for Asian lesbians and gay men in North America.

1989 Members of Khush organize SALAAM TORONTO, a one-day celebration at the 519 Community Centre, featuring arts, literature, food, culture, games, and performance, drawing a crowd of around 800 people.

1990 Khush hosts Khalla (later to become Desh Pardesh), a three-evening event of video and film, music and dance, hosted at Euclid Theatre, “intended to provide a forum for South Asian artists” aiming to “incite dialogue […] and to begin an interrogation of what South Asian culture is”. (Clara Thomas Archives)

1990 Festival undergoes name change from Khalla Festival to Des/Pardes or Desh Pardesh.

1992 Desh lengthens and broadens programming, funding and staffing, and includes film/video, poetry/fiction, theatre/performance, dance, live music, DJs, non-fiction/criticism/journalism, visual art/photography.

1993 Desh is established as a permanent organization with a small membership fee and working board.

1993/94 A group of visual artists who had been working together to curate the visual arts component of Desh, come together to form South Asian Visual Arts Collective (later to be named the South Asian Visual Arts Centre, or SAVAC)

1994 Desh and ASAAP (Alliance for South Asian AIDS Prevention) are incorporated as non-profit organizations.

1997 SAVAC is formally established as an artist-run centre, working in close collaboration with Desh.

2001 Desh Pardesh festival and its administrative body are closed, due largely to the financial crisis.

2001 SAVAC is provincially incorporated.

2004 SAVAC celebrates its 10th anniversary.

2008 SAVAC changes its name from South Asian Visual Arts Collective to South Asian Visual Arts Centre to more accurately reflect its organizational purpose and structure as an artist-run centre. In this year, SAVAC also becomes federally incorporated and celebrates its 15th anniversary.

2009 SAVAC is awarded charitable status.

2013 SAVAC is awarded multi-year the Ontario Trillium Foundation funding for a project that will involve the creation of an archive that traces the history of SAVAC as an organization, and the people and groups that preceded it.

2014 SAVAC celebrates 20 years of existence and 10 years of Monitor: South Asian Experimental Film + Video program.

For more information see: https://www.savac.net/about/ .

"Since meeting in 1995, Scott Macmillan and Brian Doyle have been blending their musical intuitions in ever fresh and innovative ways." http://www.scott-macmillan.ca/product/scott-macmillan-brian-doyle/

"Since meeting in 1995, Scott Macmillan and Brian Doyle have been blending their musical intuitions in ever fresh and innovative ways." http://www.scott-macmillan.ca/product/scott-macmillan-brian-doyle/

“Seryn is an American folk-rock band formed in Denton, Texas, in 2010. The band was subsequently based in Nashville, TN. Band members were Nathan James Allen, Trenton Wheeler, Aaron David Stoner, and Chase Johnson. The band played its final annual Christmastime show at the Kessler Theater in Dallas, TX, on 29 December 2016. Having begun playing together in March 2009, Seryn created something truly special in their short existence. Using a variety of instruments including guitar, ukulele, kalimba, accordion, bass, drums, viola, percussion and more, Seryn’s understanding of dynamics shines brightly and has earned them a sound that is not easily defined, but proven triumphant.” https://www.last.fm/music/Seryn/+wiki

"Shane Koyczan is a Canadian author and spoken word poet. He teams up with his band The Short Story Long to provide folk instrumentation to several of his albums." https://genius.com/artists/Shane-koyczan-and-the-short-story-long

“Sharon and Bram have carried on together since Lois Lillenstein stepped aside from live performing in 2000. This incarnation of one of North America’s most popular family acts ranges from a “sweet and simple” folksy duo performance, to a larger production featuring members of the versatile Skinnamarink Band. A Sharon and Bram show is a sing-along concert for the entire family, featuring such well-loved favourites as “She’ll Be Coming ‘Round the Mountain", “Five Little Monkeys", “One Elephant", “Tingalayo", and, of course, “Skinnamarink".” https://www.sharonloisandbram.com/sharon-bram

“Sheesham Crow and Lotus Wight originally came together, as Teilhard Frost and Sam Allison, for the fiddle band Flapjack, in 1998. During their seven years with this group, they discovered their mutual interest in the folk traditions of North America, particularly the American south. Through personal instruction, perseverance and osmosis, they learned harmonica, jaw-harp, flatfoot and song and started playing as a duo. Their musical and creative style is a unique blend of folk music and traditional instrumentation. Dressed in the old style, they play fiddle and banjo as well as an array of other curiosities, including gourd banjos, jaw harps, ham-bone percussion and an invention called the contra-bass harmoniphoneum. This season, Sheesham & Lotus are on tour with a third member, sousaphone player Son Sanderson.” https://deeprootsmusic.ca/2012/06/sheesham-lotus-son/

“ Shelley Bean and the Duckety Muds will be performing an interactive entertaining children’s concert. An ECMA winner and Canadian Folk Music Award nominee who will have your little one dancing in the aisle in this entertaining and active show. Full of folk songs and fun the children will be part of a special celebration of growing and singing right here in Newfoundland and Labrador.” https://artsandculturecentre.com/stjohns/online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=42178AC2-454D-4FCE-A353-91D71A7BE907

"Combine Rachel Davis with her close friends, Steppin' n It, and you have a whole new and wonderful musical experience called Shout Sister Shout. Old-time radio fanatics Steppin' In It provide the perfect backdrop for Davis, who possesses a voice that demands attention. With musical influences that range from jazz stylings of Ella Fitzgerald to the soulful pop vocals of Patty Griffin, Davis is a contemporary songwriter who is equally at home singing traditional ballads or Cole Porter or Joe Henry. Although known nationally for its folk repertoire, Shout Sister Shout focuses on old-time American Jazz featuring torch swing numbers alongside bluesy ballads." Mariposa Folk Festival programme, 2009, p. 53

“Emerging from the majestic landscapes of the Canadian Rockies, Shred Kelly is a powerhouse band that seamlessly blends elements of alternative, folk, and rock music. With a captivating live act that leaves audiences in awe, they have become a mainstay in the Canadian music scene. But it's not just their energetic performances that set them apart—Shred Kelly's heartfelt songwriting strikes a chord with listeners, connecting deeply as each band member brings their eclectic musical influences to the table, shaping the group's unique musical direction.” http://www.shredkelly.com/

“Sing Along Tim & The Pacifiers play Fully Interactive Folk Rock for Kids. From Classic and Traditional to New and Original via some of "The Greats" like Woody Guthrie, Leadbelly, Pete Seeger and Canada's own Sharon Lois & Bram.” https://singalongtim.ca/about

"The Sisters of Sheynville is a high-energy, all-female sextet that brings to life Yiddish swing, klezmer and roots music; inspired by the Barry Sisters of the 1930s-40s old time radio era. The band’s original music and arrangements of both traditional and jazz material combine serious musicianship, complexity and intricate musical thought with a fun approach to performance. The Sisters is the brainchild of Isabel Fryszberg, and Lenka Lichtenberg two talented vocalists who while from separate sides of the Atlantic share the Eastern European Jewish family experience and a driving passion for their music." http://therex.ca/rex_bands/sisters-of-sheynville/

"Skydiggers are a Canadian roots rock band from Toronto formed by Andy Maize and Josh Finlayson." http://en.wikipedia.org/wiki/Skydiggers

“The Slocan Ramblers are a Canadian bluegrass music group from Toronto, Ontario. [...] The Slocan Ramblers formed in 2011; the band is named for the Slocan Valley in British Columbia. The group consists of mandolinist Adrian Gross, banjo player Frank Evans, guitarist Darryl Poulsen, and bassist Alastair Whitehead. Evans, Whitehead and Poulsen all perform vocals depending on the song.” https://en.wikipedia.org/wiki/The_Slocan_Ramblers

"Snowblink is an indie pop band based in Toronto, Ontario, Canada. Snowblink is now a duo of singer/songwriter Daniela Gesundheit and multi-instrumentalist Dan Goldman." https://en.wikipedia.org/wiki/Snowblink

"'The Soul Surfers’, are a Russian funk band formed by Igor Zhukovsky and his classmates. Their music crosses a lot of genres: deep funk; lowrider soul; psychedelic rock; and exotic music. [...] [They] have been doing shows in Europe, the US, the Middle East and all over the Russia." http://thesoulsurfers.bandcamp.com/

The Southern Conference Educational Fund (SCEF) was established in 1946 as the educational arm of the Southern Conference for Human Welfare (SCHW). SCEF became a completely separate organization the following year and based most of its activities out of its New Orleans, Louisiana, office. James Anderson Dombrowski directed the group and edited its monthly newspaper, the Southern Patriot. Dombrowski and Aubrey Williams became the most visible figures in SCEF during the 1950s, and they helped establish the organization as a leading proponent of integration and civil rights in the South. Veteran journalists and civil rights activists Anne and Carl Braden directed SCEF from the mid 1960s into the 1970s. They forged close ties with regional and local southern civil rights groups, kept civil rights issues in the national media and strengthened SCEF fundraising activities. SCEF worked closely with the Student Nonviolent Coordinating Committee (SNCC) from the early 1960s on. Anti-communists in Congress and state government frequently attacked SCEF as a communist front. In 1963, police raided the New Orleans offices and arrested several officials for violating Louisiana's anti-communist laws. The United States Supreme Court overturned the laws in 1965, after SCEF challenged the arrests in court. The Bradens moved SCEF's offices from New Orleans to Louisville, Kentucky, in 1966. The organization continued to work toward the goal of a southern interracial future. In July of 1973, a group of Black Panthers kidnapped, at gunpoint, two SCEF officials, Helen Greever and Earl Scott. The two eventually escaped, but the incident caused deep divisions within SCEF that were evidenced over the following few months. At a SCEF board meeting in Birmingham, Alabama, in October of 1973, board member Walter Collins denounced several Communist Party members, including Greever, arguing that they had placed the policies of the party over the best interests of SCEF. Collins argued that the Communists had caused the disputes with the Panthers. He and other board members voted to oust the Communists over the opposition of the Bradens. Eventually, SCEF moved to Atlanta, Georgia where internal disputes and financial problems plagued the organization. The Southern Patriot changed its name to the Southern Struggle. Several local chapters, in Florida, West Virginia, and North Carolina, remained particularly active. By 1981, however, financial problems caused the group to consider moving to Dallas, merging with other organizations, or disbanding altogether.

Archival records of the SCEF are held by Georgia State University. Finding aid available at: http://digitalcollections.library.gsu.edu/cdm/ref/collection/findingaids/id/1241.

The General Meeting is the highest legislative body in the College. Its membership includes all students, College officers (Master, Academic Adviser, Residence Tutor, Dons), Fellows and honourary members appointed by the Master. The General Meeting is convened at least three times each academic year with all members present eligible to vote. The Meeting has the power to alter the College constitution and to pass legislation which is of benefit to the general membership of Stong College.
Much of the power of the General Meeting is held by standing committees of the General Meeting which are made up of volunteers from among the College membership. These standing committees are charged with responsibility for the social, financial and governmental aspects of College student life. The Standing Committees are: Athletic Committee, which is responsible for the organization and coordination of representative teams in inter-college athletics; College Aid Committee, which provides short-term loans to students; College Planning Committee, which gives direction in matters of the philosophy and aims of the College; Curriculum Committee, to assist the Academic Advisor and Master on the administration of the College Course Programme with special concern for the evaluation of courses; and the Don's Selection Committee, which reviews all Don's and the Residence Tutor annually, recommends them for renewal and serves as the Residence Tutor 's Selection Committee. The Executive Committee consists of the Chairs of each committee along with the Orange Management Board Chair, elected officers and the Programmes Committee Chair. The Executive Committee has overall governance of the College with the power to make decisions which are subsequently ratified by the General Meeting. It has power over the budget, and is responsible for the care and maintenance of the rooms, furniture, and equipment in all
student-controlled areas of the College. This includes the Coffee Shop, leisure facilities, and the selection of managers for student services, particularly the Orange Snail.
Several Committees of General Meeting are no longer in operation, including the Communications Committee, the Cultural Committee, the Social Committee and the Services Committee. Many of the functions of these bodies are now performed by the Programmes Committee which is responsible for social and cultural affairs at the College and includes in its membership representatives of the
General Meeting as well as the Manager of the Coffee Shop/Pub, the Beckett Theatre and the Director of the Zacks Gallery.

The Master is the senior officer of the College, and is the principal channel of communication between the College and the University. The Master is appointed by the Board of Governors and serves at its pleasure. The Master assists in the organization and functioning of the College government, initiates procedures for and selection of student-related College staff (Academic Advisor, Residence Tutor, Dons, Assistant to the Master and Fellows). The Master also allocates and supervises the expenditure of the College budget and gives leadership to the College. The following people have served as Master of Stong College: Virginia Rock (1969-1977), Hedi Bouraoui (1978-1987), Allen Koretsky (1988-).

Stong College (originally known as 'College ''E" ') was established in 1969. Like all the colleges at York University, Stong has a defined relationship with one of the university faculties, in this case the Faculty of Arts, with particular reference to programmes in literatures and languages. Stong College also promotes active community involvement and multicultural studies. The College is home to the Samuel Zacks Art Gallery, which exhibits Canadian, international and York student art and the Samuel Beckett Theatre which stages College productions.
The College is presided over by a Master with a General Meeting that is open to all members of the College. There is an Executive Committee made up of the chairs of various College committees with the Master and the Academic Adviser. There are also the Fellows of Stong College, who promote academic interests at the College.

Stop Spadina Save Our City Co-ordinating Committee was established in the autumn of 1969 as an advocacy group attempting to halt the extension of the William R. Allen Road (popularly termed the Spadina Expressway) into the core of the City of Toronto. The group organized rallies and marches, petitioned politicians at the local and provincial level, and distributed information materials encouraging citizens to protest the extension of the road. In 1975, the provincial government effectively halted the extension of the Allen by ceding a strip of land in the city's north end to the City of Toronto. Allan Powell was the chair of Stop Spadina.

The Student Representative Council of York University was established in August 1966 as a body to represent student interests in the University. The Council was largely the creature of the Colleges who assigned to it the power to collect fees from students, to plan activities and to operate a student newspaper.
It also had responsibility for external relations and campus-wide activities. Although its powers were largely determined by the College Councils (eg. Founders, Vanier), Glendon College was not a full participant. By January 1967 the structure of SRC proved unworkable and it resolved to abolish itself by March 1967. SRC was replaced by the York Student Council in the academic year 1967-1968.

“Sultans of String are an instrumental music group based in Toronto, Ontario, combining elements of Spanish flamenco, Arabic folk, Cuban rhythms, and French Manouche Gypsy-jazz. The group's leader is producer and Canadian musician Chris McKhool.” Members include Kevin Laliberté, Eddie Paton, Drew Birston, and Chendy Leon. https://en.wikipedia.org/wiki/Sultans_of_String

The Sussex Area Residents' Association was established in 1966. It attempted to prevent the implementation of a City of Toronto Planning Board proposal to raze the housing and commercial buildings in its area in favour of new apartment buildings. The area is bounded by Spadina Avenue, Bathurst, Bloor and Harbord Streets (Toronto). The plan was ultimately abandoned.

“Sussex is a sextet that features Montreal singer-songwriter Rob Lutes and his childhood friend from New Brunswick, Michael Emenau. They play a mixture of folk, jazz, ragtime, dixieland and other styles. The sound quality on this live video isn’t flawless, but if you’re patient with it, you’ll start losing yourself in Rob’s evocative songwriting and world-weary vocal style – and in the subtle, slightly jazzy arrangements that feature Michael on vibraphone. [...] Also, as an added bonus, Jesse Zubot’s in this band.” https://www.rootsmusic.ca/2019/12/28/sussex-dustbowl-daddies-rob-murphy-and-kate-weekes/

“Taj Weekes is a dreadlocked Rastafarian singer-songwriter who fronts a dynamic reggae band named Adowa.” https://tajweekes.com/bio/

“Ten Strings and a Goat Skin was a Canadian folk music group from Rustico, Prince Edward Island, who performed traditional Celtic and Acadian folk music, in English and French. The band's members were Rowen Gallant (vocals, fiddle, tenor banjo, and viola), Jesse Périard (guitar, vocals, and pump organ), and Caleb Gallant (bodhran, foot percussion, snare, cajon, vocals, clawhammer banjo).” https://en.wikipedia.org/wiki/Ten_Strings_and_a_Goat_Skin

“Perfecting what they call “Roadhouse Trucker Slop Country”, this 5 piece honky-tonk band hailing from Orillia, ON, CA, is sure to keep floors filled from the first note. Coming together over a passion for keeping country music raw and true to its roots but at the same time adding an energetic kick that has been winning over all audiences from folkies to metal heads and punkers. The personnel that make up this outfit are Terry Savage (tele spanking/lead vocal), Timmay Kehoe (crying pedal steel guitar), Stanton McKinon (honky-tonk piano/other assorted keys), and let’s not forget the thundering rhythm section from hell that is Grant Lauer (bass guitar/harmony vocals) and Aaron Bennet (drums/voices).” https://cottagecountrybeertrail.ca/jv_events/terry-savage-and-the-wonky-honkees/

Tessera was founded in 1981 as result of conversations among its founding editors, Barbara Godard, Daphne Marlatt, Kathy Mezei and Gail Scott at a York University conference on feminist literary theory in Canada. Their goal was to foster the development of new modes of writing both creative and critical texts which was being pioneered in Quebec. Tessera

began publishing in 1984 out of Simon Fraser University and Stong College at York University. The first four issues of Tessera appeared as special issues of already established periodicals, "Doubleness in language" (Room of one's own); "Reading as

writing/l'ecruture comme lecture" (La nouvelle barre du jour); "fiction/theorie" (Canadian fiction magazine) and "The state of feminist criticism/la situation de la theorie litteraire feministe"(Contemporary verse II). Between 1988 and 1993, Tessera explored poststructuralist theory in conjunction with feminist poetics in such issues as "Translating women" (1989)

and "Performance/transformance" (1991). In 1993, a new editorial collective was formed by Katherine Binhammer, Jennifer Henderson and Lianne Moyes. Adding "feminist interventions in writing and culture" to the journal's title, the new collective invited contributors to include cultural studies and began to profile feminist visual artists such as Ginette Legare, Joanne Todd and Jamelie

Hassan on its covers and in portfolios included within the journal. Since 1988, Tessera has been an independent publication appearing twice a year in a book-size format, printed at Coach House Printing in Toronto, and supported by

grants from the Canada Council and the Ontario Arts Council.

“Tethera is the name for a group of Cambridge, Kitchener and Hamilton musicians; Paul Morris (Concertina, Melodeon and Vocals), Brad McEwen (Citterns and Vocals) and Brian Sinclair (Mandocello, Guitar, Mandolin and various other unique stringed instruments), Gwen Potter (Vocals & Viola D’ Amore) and Bill Nesbitt (Concertina Harmonica and Vocals). The repertoire consists of mainly traditional English dance tunes and songs. However, other things have been known to creep in from Ireland, France, Brittany, Belgium as well as Canadian variants of British ballads and some Newfoundland dance tunes.” https://tethera.webs.com/

"The Arrogant Worms are a Canadian musical comedy trio that parodies many musical genres. They are well known for their humorous on-stage banter in addition to their music. Members are Trevor Strong (vocals), Mike McCormick (guitar, vocals) and Chris Patterson (bass, vocals)." http://en.wikipedia.org/wiki/The_Arrogant_Worms

“The Barr Brothers is an indie folk band founded in Montreal, Quebec in 2006, consisting of two American brothers Andrew (drums, percussion, vocals, keyboards) and Brad Barr (guitar, vocals), as well as bassist Morgan Moore, pedal steel guitarist Brett Lanier, and harpist Eveline Gregoire-Rousseau.” https://en.wikipedia.org/wiki/The_Barr_Brothers

“Established in 2012, The Barrel Boys are a 5-piece acoustic string band based in Ontario, Canada. The band’s sound is built around rich vocal harmonies and virtuosic instrumental playing, and their unique repertoire of original material is informed by their fluency in classic bluegrass, old-time, country, and Americana. Each of the 5 members writes and sings their own songs, making for a wide stylistic range within the band’s sound.” https://thebarrelboys.com/about

The Beauties is a Canadian alternative roots/country group from Toronto, Ontario. "The band members are Shawn Creamer, Derek Downham, Paul Pfisterer, Jud Ruhl and Darin McConnell." In 2009 they were named the best roots/country band in Toronto by NOW Magazine. http://en.wikipedia.org/wiki/The_Beauties

“a Toronto-based band bringing an acoustic folk sound and original music to the indie scene.” Their music has been described as bluegrass & roots inspired indie folk and Rowdy Folk. https://thebelleregards.bandcamp.com/album/east-to-west

"Canadian Folk Music Award nominees The Bombadils, comprised of folk darlings Luke Fraser and Sarah Frank, bring together bluegrass and contemporary folk music with poetic lyrics and classical grace. Canadian arts journalist Bob Mersereau describes their music as "folk tunes done with musical adventure and sophistication" and Elmore Magazine calls it "an enchanting folk romp."" https://thebombadils.com/about

“The Breakmen formed in 2005 when four of Vancouver BC's best young songwriters and acoustic musicians got together to work on each others' songs. They quickly found an enthusiastic audience for what they were doing, performing to sold out houses and playing a leading role in the flourishing West Coast roots music scene. The band's sound has matured into a potent blend of acoustic roots and bluegrass music. Known for tight vocal harmonies, creative instrumental work, and contagious stage energy the band has attracted national and international attention.” https://www.last.fm/music/The+Breakmen/+wiki

"The Brights is an exciting new duo formed by estbalished singer-songwriters and respected instrumentalists, Don Bray and Alyssa Wright. Roots music, tinged with gospel, country and blues is accompanied by guitar, cello, dobro, accordion, mandolin, and whatever new sounds have tickled their fancy. Bray and WRight have shared their musical stylings an dplayful banter with audiences at the Orilia and Newmarket Folk Societies, Museum on the Boyne, Sunflower Studios, Mersey House, and a variety of house concerts in Ontario and the East Coast." Mariposa Folk Festival programme, 2009, p. 55

“The Austin-based trio of Melissa Carper [upright bass], Beth Chrisman [fiddle], and Jenn Miori [guitar] applies their signature, stunning three-part harmonies to bluegrass, old-time, country and swing tunes of the standard and original variety, pushing and honoring American musical traditions at every step.” https://www.carperfamilyband.com/bio.html

"The Dardanelles are a Canadian folk music group from Newfoundland and Labrador. Led by vocalists and guitarists Tom Power and Matthew Byrne, the band also includes Emilia Bartellas on fiddle, Aaron Collis on accordion and Rich Klaas on bodhran and percussion. [...] The band's recording of "Polly Moore", from The Eastern Light, was included on the soundtrack to the 2013 film The Grand Seduction." http://en.wikipedia.org/wiki/The_Dardanelles_(band)

“The Deep Dark Woods are a Canadian folk band from Saskatoon. [...] First established in 2005, the band consisted of singer and guitarist Ryan Boldt, bass guitarist Chris Mason, guitarist Burke Barlow and drummer Lucas Goetz. Pianist and organist Geoff Hilhorst joined the group in 2009 after the release of their breakout album Winter Hours. Founding member Burke Barlow played guitar until 2012 when he left the group and was replaced by Clayton Linthicum. Founding Member Lucas Goetz left the group in late 2014, after which the band went on hiatus. In 2017 Chris Mason officially left the group.” https://en.wikipedia.org/wiki/The_Deep_Dark_Woods

"The Dixie Flyers were a Canadian bluegrass band based in London, Ontario, Canada. The band first came together in 1974, and became one of Canada's best known bluegrass bands. Original members of the band were guitarist Bert Baumbach, mandolinist Ken Palmer, harmonica player Willie P. Bennett, bassist Brian Abbey and Dennis LePage on the banjo.[3] Although lead vocalists Baumbach and Palmer have been continuous members, over the years the band has seen a number of changes in the lineup." http://en.wikipedia.org/wiki/Dixie_Flyers

“Toronto’s folk-bluegrass troubadours” https://www.vancouverisawesome.com/courier-archive/community/whats-on-this-week-aug-20-27-3016793

“he East Pointers are a Canadian contemporary folk music group from Prince Edward Island, who won the Juno Award for Traditional Roots Album of the Year for their album Secret Victory at the Juno Awards of 2017. The group originally consisted of guitarist Jake Charron, banjoist Koady Chaisson, and fiddler Tim Chaisson. They perform Celtic-influenced original songs and instrumentals with contemporary influences.” https://en.wikipedia.org/wiki/The_East_Pointers

“A family group consisting of fiddling and step dancing siblings – Tom, Kerry & Julie Fitzgerald and Alanna Jenish on guitar. These siblings, from just outside of Canada’s renowned Ottawa Valley, have come a long way from their small town roots. Featuring 3-time Canadian Grandmaster Fiddle Champions and Ontario Open Step Dance Champions, this unique act features high-energy fiddling and mind-blowing step dancing. It is the rare combination of exceptional musicianship, incomparable step dancing, audience interaction, evident love of performing, and genuine sibling connection that resonates with audiences of all ages and sets this group apart.” https://www.thefitzgeraldsmusic.com/bio