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Mavor Moore fonds
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Mavor Moore fonds

  • F0359
  • Fonds
  • 1911-2006

The fonds consists of material that documents Moore's activities as actor, writer, critic, educator and public servant. It documents his careers with the Canada Council, the British Columbia Arts Council, the Canadian Broadcasting Corporation (CBC), the New Play Society, 'Spring Thaw' and the Charlottetown Festival, and includes correspondence, manuscripts, scores, minutes of meetings, speeches, reports, clippings, photographs and other audio-visual materials.

Moore, Mavor

Writing and production files

Series consist of works written, translated or adapted by Moore including typescripts and drafts for radio plays such as 'Ottawa man' (1960), 'Three enigmas' (1969-1970), and 'The store' (1972), as well as a series of 'Ontario School broadcasts' for the CBC on ancient and Canadian history, literature and the arts. There are also typescripts and drafts of scripts for television both by Moore and by others including, 'Getting in' (1971), 'Catch my death,' 'Crime lab,' as well as various literary works turned into scripts by Moore such as 'The fall' (Camus), 'To tell the truth' (Morley Callaghan), and 'Yesterday the children were dancing' (Gratien Gelinas, translated by Moore). There are files of correspondence, notes, scripts, and background material related to productions with which Moore was associated (1948-1963) and there are audio recordings of various productions including 'Belinda 75,' 'Louis Riel,' and 'Sunshine town.' The series also includes correspondence, newspaper clippings, programmes and other material related to Moore's treatment of 'Johnny Belinda' (based on a play by Elmer Harris), staged at the Charlottetown Festival, as well as scripts, correspondence, musical scores, posters, photographs and other material related to the writing of 'Sunshine town.' The series contains six scrapbooks of Moore's column, 'About the theatre,' from the Toronto Telegram (1959-1960), notes, drafts and manuscripts of Moore's memoirs entitled 'Re-Inventing Myself' and extensive documentation of Mavor Moore and Louis Applebaum's collaboration on the opera 'Erewhon.' It also contains records of Moore's production company Mavor Moore Productions.

Correspondence and subject files

Series consists of copies of letters received and, in many cases, copies of letters sent by Moore to friends and colleagues as well as general correspondence with companies, conferences, agencies and/or organizations with which he was affiliated. It includes correspondence and material related to BMI Canada Limited, the St. Lawrence Centre in Toronto, the Canadian Conference of the Arts, the National Film Board, Expo 67 and the Stratford Festival. It also includes newspaper clippings related to Moore's activities with the Canadian Opera Company, the Crest Theatre (Toronto), the St. Lawrence Centre and other theatre organizations. It also contains Moore's appointment books for the years 1946 to 1989.

Moore family files

Series consists of material that documents Moore's personal life and, in particular, his relationship to his family. It includes personal family correspondence and photographs from Moore's childhood onward, biographical material, financial records, legal records, material that documents his military service. There are successive copies of Moore's will, lists of the titles of books in his personal library, correspondence exchanged between Moore and his wife Darwina (Dilly) Moore and with other members of his family. It also contains a poster on which the Mavor family genealogy has been plotted, as compiled by Fergus W. Mavor Moore.

Academic and teaching files

Series consists of material that documents Moore's academic career and courses of study at the University of Toronto and includes essays, notes, and exams as well as material that documents his interest in student theatre. It includes various student publications and contains copies of 'The Twig' and 'The Undergraduate.' It also contains material related to his tenure as a professor at York University in Toronto and includes correspondence relating to the Theatre Department and to the Faculty of Fine Arts, copies of minutes of the University Senate and other bodies within the University on which Moore sat, scripts and musical scores for 'Review of revues,' a Theatre Department production of satirical sketches based on 'Spring Thaw' (1977), as well as rare photographs of theatre productions at York.

Arts administration files

Series consists of material that documents Moore's long standing affiliation with the Canada Council and includes council by-laws, agendas for general meetings, committees and sections such as the Audit Committee and the Advisory Arts Panel. It also includes minutes of general meetings including those of the Executive Committee (1974-1983), the Arts Committee (1974-1977) and the Humanities and Social Science joint meetings, among others. In addition, there is correspondence, arranged alphabetically by individual author and/or institution including the Canadian Cultural Institute in Rome to External Affairs and the Federal Cultural Policy Review Committee to Public Relations. There are also speeches and reports (alphabetically arranged), printed material, press releases, catalogues, photographs and other material that document Moore's work with the Canada Council. It also contains minutes, reports, clippings, correspondence and other material that documents his service on the British Columbia Arts Council.

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