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File includes the manuscript and photocopy of “Caminhando a Dois,” composed by Theresa Catharina de Góes Campos, Priscila Uppal’s estranged mother.

File includes the manuscript and photocopy of “A Balada Do Sorriso-Estrêla” written by Theresa Catharina de Góes Campos, Priscila Uppal’s estranged mother.

Accession consists of drafts of unpublished poems and stories, many of which were written for creative writing courses taken at York, drafts of poems written for Uppal’s published collections “Confessions of a Fertility Expert” and “Pretending to Die”, correspondence and drafts of her novel “The Divine Economy of Salvation” and correspondence and edited drafts of submissions for “Uncommon Ground: A Celebration of Matt Cohen”.

Accession consists of agendas, e-mail correspondence and drafts of “Live Coverage”.

Accession consists of records created by Uppal in connection with her work as a graduate student, poet, and editor, including drafts of her doctoral dissertation, correspondence with other authors, edited contributions to a book of essays on the works of Barry Callaghan, drafts for her books of poetry, and manuscripts by other authors.

Accession consists of drafts of unpublished poems, correspondence, drafts of poems written for Uppal’s published collections “We are What We Mourn,” “Winter Sport,” “Summer Sport,” “Cover Before Striking,” her novel “Projection: Encounters with My Runaway Mother, and her theatrical plays “6 Essential Questions” and “What Linda Said.”

File includes newspaper clippings and correspondence relating to Uppal’s material for her Ink Movement workshop. Ink Movement focused on “found poetry” in newspaper clippings, exemplifying a form of poetry consisting of borrowed text from outside sources.