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Audio recordings : "Medea"-organized sound

Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die. / James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.

Tape Music - 1961

Consists of an audio recording of "The First of Three Improvisations from Medea." from February, 1961 and "Collage #1 - Blue Suede," from April, 1961 by James Tenney.

Mariposa Folk Festival

Item consists of a folded program for the first Mariposa Folk Festival, held 18-19 August, 1961. Also includes festival envelope and ticket reservation for admission and accommodation.

Official Opening Mariposa Folk Festival (For Broadcast)

Radio station recording of the opening ceremonies of the Mariposa Folk Festival, August 17, 1961, featuring an introduction by Orillia's mayor and performances on bagpipes. (ASCA00089)

Recording of final concert performance of 1961 festival by The Travellers, including the songs "This Land", "Black Flies", Jacques Labreque's "The Road to Ol' Grandmere", two unknown Spanish songs, and unknown song in English, "Old Swansea Town Once More", "The Squid-Jiggin' Ground", "The Frozen Logger", "Zemerl?" (an Israeli harvest song), "Sita Ram?", the Puerto Rican song "Que Bonita Bandera", a medley of South African folk songs and closing the concert (and the 1961 festival) with "The Quilting Bee". There are occassional pauses in the recording and several songs are cut-off or faded out prematurely. (ASCA00090)

Recording of an unknown duo or trio of male and female singers [Mary Jane and Winston Young? Finvola Redden?] singing Irish folk songs at the 1961 Mariposa Festival, including "Eggs and Marrow Bones | There Was An Old Woman In Our Town", Go From My Window", "Whiskey In The Jar", "Liverpool Gals". (ASCA00091)

Recording of a bluegrass group (The York County Boys?) performing several songs at the 1961 Mariposa Folk Festival. (ASCA00091)

Recording of a square dance (held Friday August 18, 1961?) with a caller. (ASCA00091)

Recording of a performance by a male singer (Omar Blondahl?), including "Lots Of Fish In Bonavist' Harbour" an unknown ballad and "Cod Liver Oil". (ASCA00091)

Recording of a performance by a female performing a Mexican song in Spanish at the 1961 Folk Music Festival. May be Bonny Dobson, Sylvia Tyson or Mary Jane Young. (ASCA00091)

Recording by male and female duo (Mary Jane and Winston Young?) on banjo performing the Australian folk song ""On The Road. (ASCA00091)

Recording of a female singer performing "Jam on Gerry's Rock". May be Bonnie Dobson, Finvola Redden, Mary Jane Young or Sylvia Tyson. (ASCA00091)

Recording of a female singer performing "The Blues Jumped The Rabbit". May be Bonnie Dobson, Finvola Redden, Mary Jane Young or Sylvia Tyson. (ASCA00091)

Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963

Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963

Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967

Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"

Mariposa Folk Festival

Item consists of a folding pamphlet for the second Mariposa Folk Festival, held in Orillia, Ontario from 10-12 August 1962. The pamphlet includes schedule of performances, a synopsis of the history of Orillia, a map with directions, and accommodation information.

Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)

Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)

3rd Annual Mariposa Folk Festival

Item consists of the 24 page Mariposa Folk Festival program for 1963, held in Orillia, Ontario from 9-11 August 1963. The program was designed and edited by Ed Cowan with possible assistance from festival designer Larry Schafer. Program includes a listing of evening and day concerts and discussion panels, as well as a listing of performer biographies.

Sixth annual Mariposa Folk Festival

Item consists of the 29 page Mariposa Folk Festival program for 1966, held at Innis Lake, Ontario from 5-7 August, 1966. The program was edited by Anne Hershoran, assisted by programme advisor, Randy Ferris, with illustrations provided by Showcards Unlimited. Program includes a schedule of concerts and workshops, as well as a listing of performer biographies. Also features four articles, including "Ontario Folk" by Edith Fowke, "Gospel Music" by Dick Flohill, "Chicago Blues" By John Norris, "Old Time Music" by Leigh Cline. Also features photographs from 1965 festival by Bill Smith.

Seventh annual Mariposa Folk Festival Innis Lake Ontario

Item consists of the 34 page Mariposa Folk Festival program for 1967, held near Innis Lake, Ontario from 11-13 August, 1967. The program was edited by Raymond Gallinger, and featured a cover design by Gary Preet. Program includes an illustrated schedule of concerts and workshops, as well as a listing of performer biographies. Also features three articles, including "Richard Waterman's Short History of the Blues", The Revolving Trends of Popular Music" by Leigh Cline, an anonymous short article about the University Settlement International Folk Dancer, "Traditional Folk Songs, Dances, and Tales of England - Scotland - Ireland" by Roger Deveer Renwick, "A Canadian Sampler" by Edith Fowke and a farewell letter from Ruth M. Jones, founder of Mariposa.

Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed

Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed

Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

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