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contain slides that were used in Pollock's productions and include stills of street scenes in Ireland, Italy, Paris, that have relevance for Joyce's works. Also included are portraits of personalities of the early twentieth century, intertitles, drawings
and prints (the Seven Deadly Sins, religious images, Joycean characters), posters of World War One, and similar material. As well, there are hundreds of slides that were used in Pollock's productions which are primarily identified by the names of the plays, 'Night boat from Dublin,' and 'Giacomo de Trieste'.

Series consists of research notes, correspondence, and copies of correspondence, abstracts of land titles and other instruments of ownership, property plans, and wills compiled by Sheldon and Judy Godfrey in preparation to write books on Canadian Jewish history and articles for the "Dictionary of Canadian Biography," as well as speeches to various historical and genealogical societies.

Series consists of handwritten drafts and typed manuscripts of three works of non-fiction, based on diary entries, written by Mackenzie.
The first manuscript Aussies and Englishmen, a travel memoir, was submitted for publication in 1966. The second manuscript The English Canadian Nation, a historical reflection of the role of English-speakers in Canada from the age of the Vikings to the twentieth century was written and submitted around 1990. The third manuscript Watching the Neighbours Next Door based on extractions from his journals regarding American politics was submitted for publication in August of 1996.

Series consists of twelve photo albums created by Lloyd Mackenzie and seven of his Canadian passports. Photographs document Lloyd Mackenzie's childhood and adolescence in Toronto, as well as some photographs of his parents, family and friends; his military service as a clerk during World War II; his daily life, friendships and living arrangements in Toronto, England and Australia; and his extensive travels within Canada, the United States, Europe, the Mediterranean, the Caribbean and Australia.

Series consists of journals and day planners maintained by Jeanne Randolph from the early 1970s to 2013. Also included in the series are travel journals and address books.

Series consists of records that pertain to the production of "For the record" television drama series. Records include correspondence, memoranda with CBC officials and colleagues, reports regarding the series' objectives and mandate, analysis of audiences and feedback ratings broken down by age and gender, meeting notes, handwritten script ideas and notes, copies of scripts, story proposals, press releases, promotional material and newspaper clippings. The series also includes files for several episodes that contain background research into production subjects, correspondence from viewers about episodes, budget estimates and resource requisition forms, various production-related schedules, and call sheets. Series also contains one file with photographs and six videocassettes of fourteen episodes.

Series consists of records created by Sig Gerber as a result of his work as a producer with the Canadian Broadcasting Corporation (CBC). These records include training manuals, booking calendars, show run-downs, production files, reports on broadcasting policy, press releases, producers' and directors' magazines, internal CBC memoranda and correspondence, program outlines, reports, promotional materials, scripts, photographs, and newspaper clippings about programs produced by Gerber. Also included in this series is a file of ephemera and photographs from Gerber's time at CHUM radio station in Toronto, where he worked before he joined the CBC.

Series consists of textual records and audiovisual materials pertaining to Gerber’s work as a trainer and educator in television journalism and production for the CBC Training and Development Department and for Ryerson University’s School of Journalism. Subject areas taught include investigative journalism, reporting for television, and television documentary. Included in this series are CBC training manuals, Gerber’s course lecture notes, handouts and outlines, and videocassettes containing sample news footage and clips, mostly from the CBC, used in his training sessions and courses. Lecture notes from talks given by Gerber as a guest speaker and/or workshop leader are also part of the series.

Series consists of records pertaining to Maguire’s activities as a dancer, choreographer, teacher and arts organizer. These records, which include grant applications, photographs, letters of agreement, correspondence, proposals and notes, document Maguire’s work as an instructor in dance in the Faculty of Fine Arts at the York University, her independent choreography and dance projects, and her involvement with community arts education and dance instruction.

Series consists of certificates of appreciation and membership from organizations such as The National Organization of Child Care Worker Associations Inc., The Christian Festival, The Board of Governors of Humber College of Applied Arts and Technology, The Coalition for Gun Control, the Canadian Criminal Justice Association, and a certificate of appreciation from the African National Congress signed by Nelson R. Mandela in 1995. Series includes reports, meeting minutes, research updates, memoranda, notes and articles from organizations such as the Vanier Institute of the Family, the Law Commission of Canada, the Round Table on Citizen Agency, Big Brothers of Canada, and the Church Council on Justice and Corrections, as well as correspondence between officials of the institutions and Mohr. Included in the series is the report, "Restorative justice discussion paper" from 1999, and a signed letter from Prime Minister Pierre Elliott Trudeau acknowledging receipt of Mohr's paper, "The politics of the family and the family in politics."

Series consists of physical and electronic versions of manuscripts written by Mohr.

Series consists of article, reports, lectures, and presentations written by Mohr throughout his career on topics such as psychiatry, mental health, homosexuality, family equality, children's rights, sentencing, criminology, criminal law, legal reform, legal education, and sociology, as well as copies of his book reviews. Many of his articles are original annotated drafts, final editions or in offprint format. Series includes seminar papers on his course about structuralism, his course "Sociology 92-456 : The sociology of law," "Law 324 : Children and the law," his seminar on "Theory and empiricism in law," and his graduate seminar "Legal research, policy and reform." Series also includes evaluations written in 1981 by students in courses "Social foundations of law" and "Law and psychiatry." In addition, series includes drafts of conference papers and articles written by friends and colleagues such as Peter Fitzpatrick, Harry W. Arthurs, Roderick A. Macdonald, Kurt Wolff, and Marie Andree Bertrand. Some of these drafts have annotations made by Mohr. Series also includes: offprints inscribed to Mohr by friends and colleagues such as Alan Hunt, Douglas Hay and Charles David Axelrod; newspaper articles about Mohr and his work with law, psychiatry, sentencing, criminal law, and law reforms; and a collection of research articles on similar topics.

The series consists of newsletters edited by Margaret Norquay, research notes and drafts of articles for the newsletters.

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

The series consists of chronologically arranged diaries or agendas that contain a record of Christie's day to day appointments and activities.

Consists of Herzberg's files related to his research on the memoir he wrote about his mother, astrophysicist Luise Herzberg. Records include research notes, book proposal, correspondence with relatives, colleagues, publishers, photocopies of certificates, translations, genealogical notes, photocopies of original diaries, letters, etc., working files and a few photographs.

The series consists of research files, time lines, successive drafts of scripts with revisions, casting lists, publicity films and other material relating to films produced and/or directed by John Smith including "The Boys of St. Vincent", "Dieppe", "Dangerous Minds", "A Cool Dry Place", "Random Passage" and "Prairie Giant : The Tommy Douglas Story" among others as well as numerous minor productions such as the award winning films as "Bargain Basement" (1976), "Revolution's Orphans" (1979) and "First Winter" (1980).

Series consists of correspondence received by John Smith during the course of his career as a director and producer and business records of Smith's company, Dunany Productions Inc., including copies of year end files.

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of material pertaining to ICCSASW’s special program focused on women sugar workers. This work was undertaken with the help of an intern between 1987 and 1991. In the case of intern, Joan Atlin, this was made possible by a Canadian International Development Agency (CIDA) Award for Canadians and consisted of networking, seminars, exchanges of visits and publications. Files include correspondence, research, reports and notes.

Series contains various general information and correspondence related to sugar-producing countries, including notes, newspaper clippings, photographs, pamphlets and reports. Files are organized alphabetically by country name. Some photographs may be disturbing.

Series contains typescripts of Harris' thesis on Giovanni Gentile, as well as typescripts, corrected drafts, galleys and page proofs of 'Hegel's development' (vols. I and II), 'Between Kant and Hegel: texts in the development of post-Kantian idealism,' (a series of lectures translated and annotated by Harris and George di Giovanni), and for 'Origins and legacies'. There are also typescripts and drafts of translations of works by Hegel ('Difference between Fichte's and Schelling's system of Philosophy,', 'Faith and knowledge', 'Encyclopedia of logic,' ). In addition, there are photocopies of Harris' revision of 'Lectures on the philosophy of religion'. The fonds also includes typescripts and drafts of several articles by written by Harris on Hegel, Croce, Hume, and copies of typescripts and off-prints of reviews written by Harris.

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series consists of information related to ICCSASW’s work on various programs and projects for the benefit of the sugar workers. These included hosting visiting union staff at the Toronto secretariat, a documentation centre, exchanges among specific countries, building regional networks, etc. Files contain notes and correspondence, copies of labour agreements, minutes, reports, registration forms, newsletters and other program-related materials.

Series includes correspondence relating to aspects of ICCSASW administration, such as staffing, office lease and some financial matters. Series also includes correspondence, notes and proposals relating to the development of submissions for various projects proposed or undertaken by ICCSASW, such as conferences and seminars.

Series includes financial records from the Anglican Church of Canada, who maintained the ICCSASW accounts.

Series consists of field recording and research files pertaining to a variety of musical genres.

Series consists of notebooks, day planners and sketchbooks created and/or used by Crosbie, as well as a number of calendars and an address book. The notebooks in this series include a variety of writing, including general notes, lists, notes pertaining to Crosbie’s writing projects and PhD research, as well as personal writing and drawings. Some items in this series contain loose ephemeral items, notes, letters, and photographs.

Series consists of records pertaining to Crosbie’s career as a writer, reviewer and editor. Records include draft manuscripts, poems and articles, research materials, page proofs, notes, invoices, correspondence, speaking notes, programmes, posters and photographs. These records document the writing, publication and promotion of Crosbie’s books of poetry, prose and non-fiction, including Miss Pamela’s Mercy (1992), The Girl Wants To (1993), VillainElle (1994), Pearl (1995), Paul’s Case (1997), Click: Becoming Feminists (1997), Queen Rat (1998), Dorothy L’Amour (1999), Missing Children (2003), Liar (2006), Life Is About Losing Everything (2012) and Where Did You Sleep Last Night (2015), as well as her writing for newspapers, magazines and literary journals. Also included in this series are reviews of Crosbie’s books, manuscripts by other writers sent to Crosbie for comment or review, and copies of her published poems, literary reviews, newspaper and magazine articles.

Series consists of pro-life literature and other records pertaining to Gentles’ research on bioethical issues, primarily abortion and assisted suicide. Also includes administrative and research records related to the deVeber Institute for Bioethics and Social Research (formerly the Human Life Research Institute), a pro-life think-tank of which Gentles is Vice-President and Research Director. Contains notes, correspondence, drafts, articles, clippings, meeting minutes, agendas, reports, financial statements, and other material.

Series consists of materials accumulated by Hutchman primarily pertaining to his early life, family, travels and career as a poet. These records include an award certificate, posters and notices for his poetry readings, newspaper and magazine clippings featuring his published poems, essays and reviews about his work, notes from presentations given, ephemera, and copies of publishers’ catalogues featuring his books. Included in this series are personal photographs of Hutchman, his family and friends, as well as other poets and writers.

Series primarily consists of incoming correspondence to Hutchman from friends, colleagues, publishers and other writers. Correspondents include Margaret Avison, Brian Bartlett, Clark Blaise, Robert Bly, Roo Borson, Fred Cogswell, Barry Dempster, Louis Dudek, Gary Geddes, Ralph Gustafson, Don Hensley, George Johnston, P.K. Page, Al Purdy, James Reaney, and many others. A number of these letters concern interviews conducted by Hutchman with prominent Canadian poets, later published in his non-fiction book, In the Writers' Words: Conversations with Eight Canadian Poets. Some files consisting of Hutchman’s outgoing correspondence are also included in this series, and many files consist of printed e-mail correspondence created and maintained by Hutchman.

Series consists of 30 posters which have been labeled and described.

Series consists of photographs, video cassettes, audio cassettes and audio reels documenting several aspects of Pocock's career including video footage of the ceremony at which she received the Order of Ontario and sound recordings of a number of programs on which Pocock appeared as a guest.

Series consists of applications prepared by the TDT for submission to the Canada Council for grants to support its general operations, to earn funding for its tours or to receive financial assistance for specific projects. Series also includes budgets, post-performance stage managers reports and correspondence related to the grant applications. (Copies of Canada Council applications may appear in the General Manager's and Engagement Files.)

Series consists of completed grant applications prepared by the TDT for submission to the Toronto Arts Council, Metro Toronto Cultural Affairs and to various Provincial and Federal Ministries for general operations grants, tour funding and targeted grants as well as post-performance stage managers reports and related correspondence.

Series consists of historical and bibliographic information on the company, the school, and individuals employees.

Series consists of press releases, newsletters, press kits, correspondence and other material used in promoting TDT productions and in promoting the Toronto Dance Theatre itself.

Series consists of minutes of meetings and agendas for projects directly related to the Toronto Dance Theatre Board of Directors and some of its committees. Series may also include budgets and some School material.

Series consists of Axelrod's high school, undergraduate and graduate school essays, speeches, drafts of articles written for student newspapers and other materials that document his involvement with student organizations including the Council of the York Student Federation, the Ontario Federation of Students and the Ontario Union of Students, as well as his research interest in post-secondary education and the student union movement. These records include publications, papers, articles and news releases.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of job advertisements, correspondence, job applications, employee evaluations, legal documents, working files, and resumes for Desh Pardesh staff members, as well as correspondence and administrative records related to the Desh Pardesh offices located at 401 Richmond Street, Toronto, Ontario.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

Series consists of Jarrell's professional correspondence and memoranda, including incoming letters and copies of his outgoing correspondence. These records pertain to Jarrell's work as a York University faculty member, his research and writing projects, his work as the editor of "HSTC Bulletin" (later "Scientia Canadensis"), and his participation as a member of the Canadian Science and Technology Historical Association (CSTHA). Some items in this series are photocopies, and some items have been marked according to subject by Martha Jarrell.

Series consists of records pertaining to Jarrell's various academic research and writing projects, including his book "Educating the Neglected Majority". Records include notes, lists, statistics, draft articles and manuscripts, bibliographies, copies of membership lists and directories, reproductions of archival records, publications, photographs, and Jarrell's research index cards, organized by research subject. Also included in this series are textbooks written and used by Jarrell to teach his classes at York University.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

Series consists of materials related to Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time period. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Series contains notes and notebooks, pamphlets, programmes, correspondence, and clippings, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

The series consists of Ernesto Vinci's general professional correspondence with the editors of publications, broadcasters, publishers, festivals, governments and schools, and associations. There are also birthday and greeting cards to Vinci. Later accessions include some personal correspondence between Vinci and his wife, and friends.

The series consists of Ernesto Vinci's diaries for the period (incomplete), as well as memoranda, address books and related material.

The series consists of programmes, pamphlets and notes for examinations, concerts and single performances, for the Faculty of Music, the Banff Centre, Dalhousie University musical auditorium, Royal Conservatory performance night, Toronto Symphony Orchestra, the Modern Library, Teatro Alla Scala, the New Music Concerts and others.

Series consists clippings, note books, journals, photographs, publications, ephemera and other material which documents bissett's personal life and interests including his material that documents his years as an undergraduate at the University of British Columbia. It includes collected memorabilia such as buttons and name plates, identification cards and expired passports, a vest worn by bissett when giving poetry readings, tee shirts designed by bissett and a rattle used in poetry readings.

Series consists of records created and maintained by Rita Greer Allen that document the extent of her travels, primarily outside of Canada and mostly undertaken in the 1960s and 1970s. These records include correspondence, photographs, newspaper clippings, research materials, maps, notes, itineraries, stamps, brochures and pamphlets, postcards and airplane tickets. A number of Greer Allen's trips to Europe and Asia documented in this series were taken with the Canadian Women's Press Club.

Series consists of production files pertaining to completed film and music projects created by Larry Weinstein. Projects are as follows:

1. All that Bach (1985): Records pertaining to the 1985 TV movie All That Bach, directed by Larry Weinstein. Includes scripts, credits, reviews, music cues, and photographs.

Dates of creation: 1985
Extent: less than 1 cm of textual records. - 10 photographic slides : col. ; 35 mm.

2. Beethoven’s Hair (2005): Records pertaining to the production, release, and reception of the 2005 documentary film Beethoven's Hair, directed by Larry Weinstein and co-produced by Weinstein, Jody Shapiro, and Jessica Daniel. Also includes records related to the interactive new media site of the same name (www.beethovenshair.ca), a project produced collaboratively by Rhombus Media and Xenophile Media. Records include notes, correspondence, reference and research material, proposals, scripts, treatments, applications, agreements, cast and crew records, music and interview recordings, video recordings, award and festival records, press and reviews, photographs, and other material.

Dates of creation: 1984-2009
Extent: 24 cm of textual records. - 54 photographs : col. ; 15 x 21 cm or smaller. - 24 optical disks : CD. - 2 optical disks : DVD. - 6 videocassettes : VHS

3. Burnt Toast (2005): Records pertaining to the 2005 television opera Burnt Toast, a series of comedic shorts written and directed by Larry Weinstein. Includes notes, correspondence, proposals, overviews, scripts, budgets, call sheets, sound recordings, set drawings, schedules, cast and crew records, storyboards, sheet music, promotional material, festival records, and other material.

Dates of creation: 2003-2006
Extent: 14 cm of textual records. - 2 photographs : b&w and col. ; 25 x 20 cm. - 1 optical disk : CD

4. Concerto! (1993): Records pertaining to the 1993 television series Concerto! co-directed by Larry Weinstein, Niv Fichman, and Barbara Willis Sweete. Includes schedules, minutes, synopses and other material

Dates of creation: 1992
Extent: 3 cm of textual records

5. Devil’s Delight (2010): Records pertaining to the 2010 short film Devil's Delight, for which Larry Weinstein was the executive producer. Includes notes, correspondence, reference material, synopses, funding applications, agreements, casting records, and schedules.

Dates of creation: 2009
Extent: 3 cm of textual records

6. For the Whales (1989): Records pertaining to the 1989 documentary For the Whales, directed by Larry Weinstein, featuring artists such as John Cage, Margaret Atwood, Bill Reid, and others. Includes notes, interview transcripts, sheet music, photographs, reviews and other material.

Dates of creation: 1989-1990
Extent: 4 cm of textual records. - 2 photographs : col. ; 12.5 x 17.5 cm. - 48 photographic slides : col. ; 35 mm

7. Greta Kraus [198-?]: Records pertaining to the 1980s Arts Council short Greta Kraus, created by Larry Weinstein. Includes notes, reference material and photographs.

Dates of creation: [198-?]
Extent: 1 cm of textual records. - 1 photograph : col. ; 10 x 15 cm

8. Hong Kong Symphony: Heaven-Earth-Mankind (1997): Records pertaining to the 1997 documentary Hong Kong Symphony: Heaven-Earth-Mankind, directed by Larry Weinstein and featuring a performance by cellist Yo-Yo Ma. Includes notes, correspondence, scripts, proposals, photographs, press, and festival records.

Dates of creation: 1997-1999
Extent: 3 cm of textual records. - 73 photographic slides : col. ; 35 mm

9. Inside Hana’s Suitcase (2009): Records pertaining to the production, release and reception of the 2009 documentary Inside Hana's Suitcase, directed and produced by Larry Weinstein. Includes research and reference material, correspondence, production notes, scripts, budgets, proposals, agreements, schedules, casting records, interview transcripts, promotional and educational material, press and reviews, film festival records, and other material. Records also include photographs and video recordings pertaining to the film, including stock and raw footage, dailies, and animation samples.

Dates of creation: 1995-2012
Extent: 54 cm of textual records. - 58 optical disks : DVD. - 6 optical disks : CD. - 3 videocassettes : VHS. - 103 videocassettes : DVCAM. - 1 photograph : b&w ; 8 x 13.5 cm

10. Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993); Concierto de Aranjuez (1993): Records pertaining to two films directed by Larry Weinstein on the life and music of Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993) and Concierto de Aranjuez (1993). Includes notes, correspondence, scripts, photographs, press, festival and award records, and other material.

Dates of creation: 1987-2007
Extent: 16 cm of textual records. - ca. 150 photographs : b&w and col. ; 22 x 29 cm or smaller. - ca. 450 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - 10 contact sheets : b&w ; 30 x 24 cm. - 140 photographic slides : col. ; 35 mm

11. Making Overtures: The Story of a Community Orchestra (1985): Records pertaining to the 1985 short documentary film Making Overtures: The Story of a Community Orchestra, directed by Larry Weinstein. The film was nominated for an Oscar for best documentary short in 1986. Includes scripts, reviews, credits, and music cues.

Dates of creation: 1985-1986
Extent: less than 1 cm of textual records

12. Manuel de Falla: Master Peter’s Puppet Show; Nights in the Garden of Spain; When the Fire Burns [198-?]: Records pertaining to three films created in the 1980s by Larry Weinstein about the Spanish composer Manuel de Falla: Nights in the Gardens of Spain, Master Peter's Puppet Show and When the Fire Burns. Includes notes, correspondence, reference material, outlines, photographs, promotional material, reviews, and other material.

Dates of creation: 1989-[ca. 1991]
Extent: 7 cm of textual records. - 29 photographs : b&w and col. ; 16.5 x 12 cm or smaller. - 20 photographic negatives : b&w ; 35 mm. - 153 photographic slides : col. ; 35 mm

13. Mozartballs (2006): Records pertaining to the 2006 TV movie Mozartballs, directed by Larry Weinstein. Includes notes, correspondence, research materials, proposals, stock footage records, cast and crew records, sheet music, audio recordings, interview transcripts, press and reviews, festival and workshop records, and other material.

Dates of creation: 1994-2009
Extent: 10 cm of textual records. - 1 optical disk : CD

14. Mulroney: The Opera (2011): Records pertaining to the musical film Mulroney: The Opera, directed and co-produced by Larry Weinstein. Includes agreements, lists, and press.

Dates of creation: 2009-2011
Extent: ca. 84 cm of textual records. – 2 cm of set designs. -- 60 film reels; 35 mm. – 52 optical disks : DVD. – 9 optical disks : CD.

15. My War Years: Arnold Schoenberg (1992): Records pertaining to the 1992 film My War Years: Arnold Schoenberg, directed by Larry Weinstein and co-written by Weinstein and Thomas Wallner. Includes research and reference material, correspondence, scripts, music cues, credits, photographs, press and reviews, award and festival records, and other material.

Dates of creation: [ca. 1907]-2003, predominant 1991-2003
Extent: 16 cm of textual records. - 81 photographs : b&w and col. ; 29 x 25 cm or smaller. - 444 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - 210 photographic slides : col. ; 35 mm

16. The Radical Romantic: John Weinzweig (1990): Records pertaining to the 1990 TV documentary The Radical Romantic: John Weinzweig, written and directed by Larry Weinstein. Includes notes, correspondence, reference material, scripts, photographs, and other material.

Dates of creation: 1987-2013
Extent: 4 cm of textual records. - 7 photographs : col. ; 10 x 14.5 cm. - 66 photographic slides : col. ; 35 mm

17. Ravel (1987): Records pertaining to the 1987 documentary Ravel, written and directed by Larry Weinstein. Includes notes, correspondence, outlines, budgets, scripts, reference material, photographs, festival records, press, and other material. Also contains some material related to the 2001 film Ravel’s Brain.

Dates of creation: 1975-2001
Extent: 8 cm of textual records. - 124 photographs : b&w and col. ; 30.5 x 24 cm or smaller. - 26 contact sheets : b&w ; 25 x 20 cm. - ca. 625 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - ca. 225 photographic slides : col. ; 35 mm

18. Ravel’s Brain (2001): Records pertaining to the production, release and reception of the 2001 film Ravel's Brain, written and directed by Larry Weinstein and co-produced by Weinstein, Pierre-Olivier Bardet, and Niv Fichman. Includes notes, correspondence, research materials, scripts, treatments, agreements, fundraising records, interview transcripts, schedules, call sheets, travel records, drawings, prop and costume records, casting and location material, sheet music, audio recordings, photographs, promotional material, festival records, press and other material.

Dates of creation: 1993-2003
Extent: 18 cm of textual records. - 60 photographs : b&w and col. ; 16 x 24 cm or smaller. - 75 photographic negatives : col. ; 35 mm. - 53 photographic slides : col. ; 35 mm. - 3 optical disks : CD. - 1 videocassette : VHS

19. Satie and Suzanne (1994): Photographs pertaining to the 1994 film Satie and Suzanne.

Dates of creation: [ca. 1994]
Extent: 4 photographs : b&w ; 17.5 x 12.5 cm. - 3 photographic negatives : col. ; 12 x 10 cm. - 60 photographic slides : col. ; 35 mm

20. September Songs: The Music of Kurt Weill (1994): Records pertaining to the production, release, and reception of the 1994 tribute film September Songs: The Music of Kurt Weill, directed by Larry Weinstein and co-written by Weinstein and David Morton, as well as to the film's 1997 soundtrack of the same name released by Sony Classical. The film and soundtrack feature performances by Lou Reed, Teresa Stratas, Elvis Costello, Nick Cave, William S. Burroughs, and others. Records include reference and research material, notes, correspondence, outlines, casting records, sheet music and song lyrics, set drawings, mockups, promotional material, festival records, licensing agreements, distribution records. File also includes sound recordings and photographs taken while on the set of the film.

Dates of creation: 1976-2013, predominant 1992-2013
Extent: 48 cm of textual records. - 53 photographs : b&w and col. ; 35.5 x 27.5 cm or smaller. - 16 contact sheets : b&w ; 20 x 25 cm. - ca. 2300 photographic slides : col. ; 35 mm. - 2 floppy disks : 9 x 9 cm. - 1 audiocassette

21. Solidarity Song : The Hanns Eisler Story (1995): Records pertaining to the production, release and reception of the 1995 documentary film Solidarity Song: The Hanns Eisler Story, written by Larry Weinstein and Thomas Wallner. Includes notes, correspondence, research material, sheet music, scripts, schedules, photographs, audio recordings, financial records, casting material, distribution records, promotional material, press and reviews, award and festival records, and other material.

Dates of creation: 1993-2003
Extent: 20 cm of textual records. - 357 photographs : b&w and col. ; 12.5 x 18 cm or smaller. - 123 photographic slides : col. ; 35 mm. - ca. 180 photographic negatives : b&w ; 10 x 12 cm or smaller. - 1 audiocassette. - 4 floppy disks : 9 x 9 cm

22. Stormy Weather: The Music of Harold Arlen (2003): Records pertaining to the production, release and reception of the 2003 tribute film Stormy Weather: The Music of Harold Arlen, directed by Larry Weinstein and co-produced by Weinstein, Daniel Iron, and Niv Fichman, as well as to the film's 2003 soundtrack of the same name released by Sony. Records include research and reference material, notes, correspondence, historic and contemporary photographs, proposals, treatments, budgets, casting and talent records, audition footage, archival footage, schedules, call sheets, sheet music, album mockups, audio mixes and other sound recordings, press and reviews, festival records, and other material.

Dates of creation: 1991-2003
Extent: 36 cm of textual records. - 5 optical disks : CD. - 1 videocassette : MiniDV. - 22 photographs : b&w and col. ; 20 x 25 cm or smaller.

23. Toothpaste (2002): Records pertaining to the 2002 short comedic film Toothpaste, directed by Larry Weinstein, starring Barbara Hannigan, Mark McKinney, and Doug MacNaughton. Includes notes, correspondence, proposals, scripts, budgets, agreements, sheet music, photographs, press and reviews, award and festival records, and other material.

Dates of creation: 1992-2003
Extent: 5 cm of textual records. - 6 photographs : b&w and col. ; 25 x 20 cm or smaller. - 11 contact sheets ; b&w : 25 x 20 cm. - 2 optical disks : DVD

24. Toscanini in His Own Words (2009): Records pertaining to the production, release and reception of the 2009 TV movie Toscanini in His Own Words, directed by Larry Weinstein and co-written by Weinstein and Harvey Sachs. Includes reference and research material, notes, correspondence, proposals and treatments, scripts, contracts and agreements, budgets, production schedules, promotional material, press and reviews, and other material. Also contains photographs, sound recordings and video recordings, including rushes, archival footage, and casting material.

Dates of creation: 1987-2009
Extent: 69 cm of textual records. - 93 optical disks : DVD. - 1 optical disk : CD. - 38 videocassettes : DVCAM

25. Tuscan Skies: Andrea Bocelli (2001): Records pertaining to the 2001 TV special Tuscan Skies: Andrea Bocelli, directed by Larry Weinstein and co-written by Weinstein and David Mortin. Includes correspondence, reference material, synopses, scripts, call sheets, lyrics, music cues, photographs, award and festival records, and other material.

Dates of creation: 2001-2002
Extent: 8 cm of textual records. - 1 photograph : col. ; 26 x 35.5 cm . - 44 photographic slides : col. ; 35 mm. - 8 optical disks : CD

26. The War Symphonies: Shostakovich against Stalin (1997): Records pertaining to the production, release and reception of the 1997 film The War Symphonies: Shostakovich against Stalin, directed by Larry Weinstein and co-written by Weinstein, David New, and Gemma van Zeventer. Includes notes, correspondence, research material, scripts, overviews, budgets, photographs, promotional material, interview transcripts, casting records, sheet music, award and festival records, press and other material.

Dates of creation: [ca. 1950]-2003, predominant 1994-2003
Extent: 40 cm of textual records. - 34 photographs : b&w and col. ; 45 x 30 cm or smaller. - 23 photographic slides : col. ; 35 mm. - ca. 600 photographic negatives : b&w and col. ; 12 x 10 cm or smaller. - 10 contact sheets : b&w and col. ; 29 x 24 cm or smaller. - 2 floppy disks : 9 x 9 cm

27. Wrath (2011): Records pertaining to the 2011 short film Wrath, directed by Larry Weinstein as part of Seven Sins film project. Includes correspondence, synopses, licensing agreements and other material.

Dates of creation: 2011
Extent: less than 1 cm of textual records. - 1 optical disk : DVD

28. The 13th Man (2012): Records pertaining to the research and production of a short documentary, which was an episode in the series Engraved on a Nation, produced by Frantic Films, directed by Weinstein and broadcast on TSN. Focuses on the fan
    culture surrounded the Saskatchewan Roughriders and the 2009 Grey Cup loss to the Montreal Allouettes. Includes research material, detailed and annotated transcripts, casting records, correspondence and shot lists.

Dates of creation : 2011-2012
Extent: ca. 32 cm of textual materials. – 8 optical disks : DVD

Series consists of Endicott’s detailed and extensive research files pertaining to his books Bienfait: The Saskatchewan miners’ struggle of ’31 (2002) and Raising the workers’ flag: The Workers’ Unity League of Canada, 1930-1936 (2012). These files include interview transcripts, annotated photocopies of archival records (consisting of correspondence, RCMP and CSIS security files, Communist International (Comintern) files, Canadian government department records, Communist Party of Canada records, etc.), articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, etc.

Series consists of four posters for the 1992 film “Tectonic Plates”. The 104 minute staged performance uses continental drift as a metaphor for the evolution of human culture. Staged in actual location in Venice and a sparse stage and pool, Tectonic Plates was critically acclaimed for its dreamlike imager, theatrical staging and philosophical intent. The production received the Christopher Columbus Award for most original and creative submission, and the most innovative award at the Figueira da Foz International Film Festival in Portugal.

Series consists of a libretto script by Dan Redican for the Larry Weinstein- directed 6 minute short film, “Toothpaste”, a ‘domestic opera’ about the marital difficulties between a couple centered on crusty toothpaste. Starring Mark McKinney and soprano Barbara Hannigan, the music was composed by Alexina Louie, and the production was produced by Rhombus in association with maplemedia.

Series consists of original film and audio footage, including masters and news clippings of the 90 minute documentary directed by Kevin McMahon “An Idea of Canada”. The documentary follows Governor General Adrienne Clarkson across the country during her summer 2002 tour. Officially a trip to celebrate the fiftieth anniversary of her position, what Clarkson discovers during her visit to a string of tiny aboriginal outposts in the north is a post-modern Canada struggling to integrate cultural tradition with the wired world. A coproduction between Rhombus Media and the National Film Board.

Series consists of production notes, post-production ADR reports, production stills, posters, a ‘making-of’ featurette and original film elements of the 2004 feature film “Childstar”. Written and directed by Don McKellar, the film centers on sitcom icon Taylor Brandon Burns (Mark Rendall), the world’s most famous child actor who disappears while filming in Canada. Don McKellar stars as Rick, the boy’s driver and Jennifer Jason Leigh as ruthless stage mother.

Series consists of scripts, interview scripts, research material and original film and audio elements of a “light-hearted tribute” to Mozart. Directed by Larry Weinstein, the project was also known during production as “Mozart Balls” and “Mozart Lives!”. The documentary interviews eccentric and unique individuals, including a retired Swiss school teacher, an ex-pop musician in Oklahoma who believes her body is inhabited by Mozart’s spirit, an Austrian astronaut who carried a score of “The Magic Flute” and a chocolate Mozartkugein into space
and a computer genius whose software has created a new Mozart cello concerto. Produced by Rhombus Media.

Series consists of scripts, multilingual translations, media coverage reports, photographs and the central prop for “The Red Violin”, arguably, Rhombus’ most ambitious and successful production to date. Written by Don McKellar and directed by Francois Girard, The Red Violin features scenes in French, English, Mandarin, Italian and German, requiring significant translation and subtitling.
Filmed on location in Chicheley Hall and Oxford in England, China, Cremona, Italy, Vienna, Austria and Montreal, the film traces the life and travels of the famous ‘red violin’, from its creation in 17th century Italy by the master Nicolo Bussotti (Carlo Cecchi), through it’s exodus from an 18th century Austrian monastery to 19th century Oxford, Cultural Revolution-era China to a Montreal auction house, where an appraiser (Samuel L. Jackson) and conservator (Don McKellar) try to establish its authenticity and provenance.
The film features actors Jean-Luc Bideau, Jason Flemyng, Sylvia Chang, Julian Richings and Colm Feore. Violin solos used in the musical score were performed by Joshua Bell.

The Red Violin received significant critical acclaim. The film swept the 1999 Genie Awards, picking up trophies for art direction (Francois Séguin), cinematography (Alain Dostie), costume design (Renée April), musical score, sound (Claude La Haye, Jocelyn Caron, Bernard Gariépy Strobl, Hans Peter Strobl), best screenplay (Don McKellar and Francois Girard), direction (Froncois Girard) and best motion picture. For the Jutra Awards of 1999, the film also took awards in the areas of art direction, best cinematography, editing (Gaétan Huot), best supporting actor (Colm Feore) score, sound, screenplay, direction, and best film.

It also won the 2000 Oscar for best original musical score (John Corigliano).

Series consists of scripts, production documentation, props, set designs, promotional material and original film and audio elements (including episode masters, original film and dialogue overdubs) of the Rhombus-produced television series “Slings & Arrows”. Early drafts of scripts by Susan Coyen, Bob Martin and Mark Mckinney refer to the project as “St. Ratford” and “Shakespeareville”. Other writing credits are attributed to Tecca Crosby and Sean Reycraft for Season 3 of the production.
Directed by Peter Wellington, the plot revolved around “legendary theatrical madman” Geoffrey Tennant (Paul Gross) who returns to the New Burbage Theatre Festival (a thinly veiled Stratford Festival) to assume the Artistic Directorship after the sudden death of his mentor Oliver Welles (Stephen Ouimette). Geoffrey is haunted by Oliver throughout all three seasons of Slings & Arrows in which he stages and directs Hamlet, Macbeth and King Lear. Also starring Martha Burns as Geoffrey’s former flame/problematic lead actress Ellen Fanshaw and Mark McKinney as the festival’s scheming General Manager Richard Smith-Jones. Also stars Geraint Wyn Davies, William Hutt, Colm Feore, Sarah Polley, Rachel McAdams, Luke Kirby, Sean Cullen and Don McKellar.
Each season featured a musical number sung written by Lisa Lambert and Greg Morrison by actors Michael Polley and Graham Harley.
Slings & Arrows was broadcast in Canada on Movie Central and The Movie Network channels in 2003, 2005 and 2006. It was later broadcast on the Sundance Channel in the United States.
The production received Gemini Awards for the best dramatic series and best writing in a dramatic series in 2006 and 2007, best direction in a dramatic series for Peter Wellington in 2006, and acting awards for Paul Gross (2004 and 2007), Martha Burns (2006), Susan Coyne (2006), Rachel McAdams (2004), Mark McKinney (2006) and Stephen Ouimette (2007). The series also received awards from the Writers Guild of Canada Awarded for best drama series in 2004, 2006 and 2007 and awards from the Directors Guild of Canada for picture editing (2006 and 2007), sound editing (2004) and outstanding television series drama (2006).

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series consists of videocassettes created or accumulated by the Toronto CIBPA. These videocassettes document association events, such as dinner meetings and the President's Ball, awards and conferences, and include video footage of interviews with CIBPA members and leaders. Some of the items in this series are copies of news coverage from local multicultural television channels OMNI News and CFMT Television.

Series consists of records pertaining to a CIBPA Toronto sociological study, conducted in the summer of 1980, to survey and interview Italian-Canadian youth between the ages of 15 and 27. This project was funded by a grant from the Summer Youth Employment Program of the Federal Department of Employment and Immigration, and it produced a final report titled "Cultural retention of Italian Canadian youth, a sociological study" (1980). The records in this series include bookkeeping and personnel records pertaining to project employees Moreno Bernardi, Luigi and Elvira d'Ambrosio, Sara Gelber and Enrico Vicentini, as well as a grant application, forms, memoranda, newspaper clippings, press releases, draft reports, questionnaires and correspondence.

Series consists of photographs pertaining to the activities and members of the CIBPA Toronto. These photographs predominantly document attendees at events such as dinner meetings, President's Balls and golf tournaments, as well as election meetings, career fairs and networking meetings. Photographs in this series also pertain to association social events including dragon boat races, tennis tournaments, tall ship cruises and Christmas parties. Depicted in these photographs are members of the association, its executive committee and board of directors, as well as prominent Canadian politicians and businesspeople.

Series consists of records accumulated and created by David Charles while working as an on-set dresser, set decorator and prop master for television productions filmed in Toronto, Ontario, between 1970 and 2011. The records in this series are predominantly scripts and assorted production materials. These production materials include staff, cast and crew lists, contact lists, call sheets, storyboards, research materials, shooting schedules, photographs, props notes, set drawings, budgets and expense reports, notes, invoices, location breakdowns, legal research materials, vendor lists, and floor plans.

Series consists of records accumulated and created by David Charles primarily pertaining to his professional work and interests in film and television production in Canada and his membership in organizations including the Academy of Canadian Cinema and the International Alliance of Theatrical Stage Employees. These records include correspondence, catalogues, contact lists, minutes, proposals, research materials, forms and letterhead, directories, forms, business cards, programmes, newspaper and magazine articles, and a wall calendar.

Series consists of scrapbooks created and maintained by the CIBPA Toronto between 1956 and 1999. These scrapbooks contain newspaper clippings and photographs documenting the activities and interests of the CIBPA, including Italian-Canadian events in Toronto, the achievements of association members and of Italian-Canadians in general, and CIBPA special events.

Series consists of records pertaining to a CIBPA Toronto history project about the origins of the association and other Italian-Canadian organizations in Toronto. The records in this series document interviews conducted with prominent members and associates of the CIPBA Toronto about the formation of the association, its relationship to other organizations, and the role of particular individuals in its development. These records include interview transcripts (in Italian and in English), draft essays regarding a number of Italian-Canadian organizations or clubs, notes and reports.

Series consists of records pertaining to David Charles's work as a set decorator, set designer, prop master and assistant director on commercial productions, in a freelance capacity and for Schulz Productions. These records include crew and personnel lists, production schedules, set drawings, prop and wardrobe notes, scripts, invoices, release forms, call sheets, storyboards, photographs, and prop illustrations.

Series consists of material related to Hoffert's technological and theoretical interests including material pertaining to work begun at the National Research Council on music created using computer technology and carried out with a number of companies concerned with audio data and interactive technology. It contains business and research plans, copyright and legal materials, correspondence, reports, memoranda and other material for companies including McLeyvier, DHJ Research, Marquis Music, Time Out for Fun and the Cultech Research Centre, a project based at York University intended to investigate digital content use by residents in a housing development in suburban Toronto.

Series consists of manuscript notebooks and diaries created and compiled by Larry Weinstein over the course of his career.

Series consists of miscellaneous images created or compiled by Larry Weinstein for a variety of projects over the course of his career.

Series consists of records from Lewis's work as vice president of content creation at Rogers Media Inc., including correspondence, notes and research files, meeting minutes, strategic planning files, corporate and budget documents, content development planning and reports, audience research files, press clippings, annual reports, and five optical discs containing textual records.

Series consists of research files, reports and various other material including journal, newspaper and magazine articles, consumer and marketing information, maps, and miscellaneous reports, as well as political campaign flyers and pamphlets.

Series consists of records related to Peter Flemington’s work with the Rosewell Group, an independent collaboration amongst four friends (Peter Flemington, Doug Barrett, Des McCalmont, and the Hon. David MacDonald) who responded to the 1983 CRTC Call for Applications for a religious multifaith television service. Initially, their work centered on exploring the options and possible initiatives for Interchurch Communications. The Rosewell Group’s work leads to the creation of the Canadian Interfaith Network (CIN) in 1984, with the Rosewell Group continuing as the research arm of CIN to assist and guide it through the application process with the CRTC. This would lead to the creation of VisionTV in the fall of 1986.

The records in this series document the extensive preparation and research undertaken before the successful transition towards VisionTV.

Records include: meeting minutes; briefs; memos; policy and programming documents; correspondence; research notes; and CRTC applications and submissions.

Series consists of audio cassettes and videocassettes, primarily of Larry Grossman’s media appearances and interviews on television and the radio. Also included are 3 videocassettes of Grossman family home movies and 3 audio cassettes related to the book by Peter Oliver "Unlikely Tory : the life and politics of Allan Grossman" (Toronto : Lester & Orpen Dennys, 1985).

Records in this series document Grossman’s political career as a member of provincial parliament for the riding of St. Andrew-St. Patrick and Cabinet minister in the governments of Premier Bill Davis. Includes: correspondence, subject files, meeting minutes, research notes, briefing notes, reports, clippings.

Series consists of clippings, Jazz magazines and newsletters, and festival programs compiled by Galloway over the course of his career.

Series consists of lecture notes, syllabi, reading lists, articles, and other materials pertaining to courses taught by Trist over the course of his career as an academic.

Series consists of files documenting Gilbert’s work and activities as a lecturer and professor of philosophy at the University of Toronto and York University, as an undergraduate program director and administrator in the Department of Philosophy at York University, and as a speaker on the subject of cross dressing and transgender theory. Files pertaining to Gilbert’s consultancy work (through his company Effective Dispute Management) and talks on argumentation theory are also part of this series. Records in this series include course materials, lecture notes, notes, correspondence, memoranda, presentation slides, grant application materials, newsletters, enrollment statistics, course lists and calendars.

Series consists of photographs of Gilbert, as Michael and as Miqqi, and others.

Series consists of correspondence received by Scheier and copies of her outgoing correspondence pertaining to personal and professional topics. Much of the correspondence is exchanged between Scheier and her family members.

Series contains records related to John D. Harbron as an author of several books: Communist Ships and Shipping (1962), Canada Without Quebec (1977), the Canadians: C.D. Howe (1980), the Longest Battle: the RCN in the Atlantic 1939-1945 (1993), Canadian Yesterday (2001).

A significant portion of records pertain to Trafalgar (1988) and This Is Trudeau (1968). Records include manuscript drafts, correspondence, research, photos, artwork, reviews, and notes on the production, promotion, and reception of the books.

The series consists of notebooks and journals kept by Powe in which he documented his thoughts and reflected on both his personal life and on works in progress. Also included are calendars on which Powe recorded appointments and other scheduled events.

Series consists of records created and accumulated by Silverman primarily between 1969 and 1970, when she conducted field research in Bush Lot, Guyana, for her PhD thesis entitled “Resource change and village factionalism in an East Indian community, Guyana”. The results of this research were also published in her book, Rich people and rice: factional politics in rural Guyana, 1900-1970. This ethnographic and historical research examined local-level politics and the effect of economic resources on politics in Bush Lot, an East Indian rice-farming community on the coast of Guyana. These records document Silverman’s approach to research, which included casual conversation, participant observation, attendance at political events, formal interviews, primary source research and household surveys, and her process of aggregating the resulting data, as well as providing a comprehensive history of the village of Bush Lot and its inhabitants in the early- to mid-20th century. The records in this series are notes, copies of village council minutes and letter books, court documents, surveys and household questionnaires, government reports, census records, audio recordings, interview transcripts and notes, card indices and computer printouts, research reports, maps of Bush Lot and greater Guyana, correspondence, and a copy of Silverman’s PhD dissertation.

Series consists of a collection of reports and maps of Toronto harbour collected by Dr. Gene Desfor in the course of his research and consulting work. The collection deals with the formation and preservation of Toronto harbour, the Toronto Harbour Commissioners’ Waterfront Development plan of 1912, waterfront property management by the Government of Canada, urban planning for the lower Don River and Harbourfront, and a heritage assessment of the East Bayfront.

This series consists of records relating to CSWS Ltd. founder Matie Molinaro. The records in this series provide insight into Molinaro’s early life growing up in New York, her student days at Barnard College, and her work as a war correspondent during the Second World War. Types of records in this series include personal memorabilia, correspondence, writing samples, clippings, and biographical material.

This series consists of records created and accumulated by CSWS Ltd. in relation to management of the day-to-day operations and business of the agency. Files include: correspondence (inquiries, invitations); union files (ACTRA, Writers Guild of Canada, Writers Guild of America); template contracts/agreements for writers, actors, and speakers; mailing lists; information about conferences, seminars and book fairs; and subject and clippings files, primarily on the topic of copyright.

Also included are the office’s Diaries and Day Books from 1951-1965, which provide a daily record of incoming and outgoing correspondence, phone calls, and notes about day-to-day business.

This series consists of assorted printed material collected by the agency. It includes publishers’ catalogues, clippings about clients and prominent industry figures, pamphlets, periodicals and theatre programmes.

Series consists of records generated in Principe’s capacity as editor of Forze Nuove from 1972 to 1982, and in subsequent years, including account books, advertising records, bank statements, correspondence, editorial drafts, invoices, mailing lists, publisher’s statements of mailing, and subscriber lists.

Series consists of five video reels featuring Forer’s lectures on various aspects of cell division, produced by Glen-Warren Productions Limited and aired as five episodes of CTV’s University of the Air television program in 1978.