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James Tenney fonds
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Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964
Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964
Audio recordings : 11, July 22 to 24, Taos to Denver
Audio recordings : 11, July 22 to 24, Taos to Denver
Audio recordings : #12
Audio recordings : #12
Audio recordings : #12 Denver, July 24
Audio recordings : #12 Denver, July 24
Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"
Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"
Audio recordings : 1)"In the Lydian Mode" 2) "In the Phrygian Mode" concert May 27th California Institute of the Arts
Audio recordings : 1)"In the Lydian Mode" 2) "In the Phrygian Mode" concert May 27th California Institute of the Arts
Audio recordings : #3
Audio recordings : #3
Audio recordings : #4
Audio recordings : #4
Audio recordings : #4A Thurs. before Little Rock - Albuquerque
Audio recordings : #4A Thurs. before Little Rock - Albuquerque
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol
Audio recordings : #5
Audio recordings : #5
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford
Audio recordings : #6
Audio recordings : #6
Audio recordings : #6B- Thatcher to Phoenix
Audio recordings : #6B- Thatcher to Phoenix
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona
Audio recordings : #7
Audio recordings : #7
Audio recordings : #7 Carl Tenney Mon July 15
Audio recordings : #7 Carl Tenney Mon July 15
Audio recordings : #8
Audio recordings : #8
Audio recordings : #9
Audio recordings : #9
Audio recordings : 9-A, Phoenix, July 19, first tape
Audio recordings : 9-A, Phoenix, July 19, first tape
Audio recordings : 9-B, Phoenix, July 19, second tape
Audio recordings : 9-B, Phoenix, July 19, second tape
Audio recordings : 9-C, Phoenix, July 19, third tape
Audio recordings : 9-C, Phoenix, July 19, third tape
Audio recordings : 9-D, Phoenix, July 19, fourth tape
Audio recordings : 9-D, Phoenix, July 19, fourth tape
Audio recordings : 9-E, Phoenix, July 19, fifth tape
Audio recordings : 9-E, Phoenix, July 19, fifth tape
Audio recordings : A version "For Ann (rising)"
Audio recordings : A version "For Ann (rising)"
Audio recordings : a) "Voice(s)", Joan La Barbara, Symphony Space, New York City, 15 May 1985 b) "Koan" for solo violin, Anne Lindsay, The Music Gallery
Audio recordings : a) "Voice(s)", Joan La Barbara, Symphony Space, New York City, 15 May 1985 b) "Koan" for solo violin, Anne Lindsay, The Music Gallery
Audio recordings : "Ann Rising", I, #1
Audio recordings : "Ann Rising", I, #1
Audio recordings : Bismillahi Rrahmahi Rrahim, 1974 tape ; "Butterfly Sunday," 1973 ; "Let us go into the house of the Lord," 1974 ; "Lirio," 1971 ; "Dragonfly Cymbal," 1973 ; "Sweet Earth Flying," Marion Brown, 1974
Audio recordings : Bismillahi Rrahmahi Rrahim, 1974 tape ; "Butterfly Sunday," 1973 ; "Let us go into the house of the Lord," 1974 ; "Lirio," 1971 ; "Dragonfly Cymbal," 1973 ; "Sweet Earth Flying," Marion Brown, 1974
Audio recordings : Blackearth Percussion Group, Penn (Pennsylvania) State University at the Acoustics Society of America's International meeting; Stacey Bowers, David Johnson, Garry Kvistad, Allen Otte, John Cage-"Third Construction", James Tenney-"Wake for Charles Ives"
Audio recordings : Blackearth Percussion Group, Penn (Pennsylvania) State University at the Acoustics Society of America's International meeting; Stacey Bowers, David Johnson, Garry Kvistad, Allen Otte, John Cage-"Third Construction", James Tenney-"Wake for Charles Ives"
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Audio recordings : "Bridge" (not the best performance)
Audio recordings : "Bridge" (not the best performance)
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Audio recordings : Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic
Audio recordings : Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic
Audio recordings : Cage-"String Quartet", "Nocturne" (violin and piano), "Williams Mix", "Imaginary Landscape #1" (1939)
Audio recordings : Cage-"String Quartet", "Nocturne" (violin and piano), "Williams Mix", "Imaginary Landscape #1" (1939)
Audio recordings : Carl and me talking about the drone, etc.
Audio recordings : Carl and me talking about the drone, etc.
Audio recordings : C-copy
Audio recordings : C-copy
Audio recordings : Charles Ives : 1) "Largo" 2) "From the Steeples and the Mountains" 3) "Tone Roads #1" 4) "Tone Roads #3" 5) "Scherzo: Over the Pavements"
Audio recordings : Charles Ives : 1) "Largo" 2) "From the Steeples and the Mountains" 3) "Tone Roads #1" 4) "Tone Roads #3" 5) "Scherzo: Over the Pavements"
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Charles Ives "Concord Sonata" January 9th 1976, University of California at Santa Cruz
Audio recordings : Charles Ives "Concord Sonata" January 9th 1976, University of California at Santa Cruz
Audio recordings : Charles Ives "Pianoforte Sonata #2" ; Side I : movements 1 and 2, Side II : movements 3 and 4
Audio recordings : Charles Ives "Pianoforte Sonata #2" ; Side I : movements 1 and 2, Side II : movements 3 and 4
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4
Audio recordings : Charles Ives, "Concord Sonata" with Linny Kammer
Audio recordings : Charles Ives, "Concord Sonata" with Linny Kammer
Audio recordings : "Chromatic Canon" : 1) 2 parts 2) 1st part only
Audio recordings : "Chromatic Canon" : 1) 2 parts 2) 1st part only
Audio recordings : "Chromatic Canon" (one voice only) "Glissade I, IV, V"
Audio recordings : "Chromatic Canon" (one voice only) "Glissade I, IV, V"
Audio recordings : "Clang"
Audio recordings : "Clang"
Audio recordings : "Clang Composition #1"
Audio recordings : "Clang Composition #1"
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)
Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)
Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese
Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case]
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case]
Audio recordings : Daniel Goode: Excerpts and condensations from three pieces: 1) "Circular Thoughts" transcribed for Gamelan, (1977) 2) "Five Thrushes-Two Fiddles and Piano" (1978) 3) "Selected Chambers" (1977)
Audio recordings : Daniel Goode: Excerpts and condensations from three pieces: 1) "Circular Thoughts" transcribed for Gamelan, (1977) 2) "Five Thrushes-Two Fiddles and Piano" (1978) 3) "Selected Chambers" (1977)
Audio recordings : "Deus ex Machina" 1st part
Audio recordings : "Deus ex Machina" 1st part
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Audio recordings : "Dialogue"
Audio recordings : "Dialogue"
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966
Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966
Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963
Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964
Audio recordings : "Ergodos I" (B) 3 dubs
Audio recordings : "Ergodos I" (B) 3 dubs
Audio recordings : "Ergodos II" (18 min.)
Audio recordings : "Ergodos II" (18 min.)
Audio recordings : "Ergodos II (18 min.) (reverse)
Audio recordings : "Ergodos II (18 min.) (reverse)
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II," "Collage #2"
Audio recordings : "Ergodos II," "Collage #2"
Audio recordings : "Ergodos/1"
Audio recordings : "Ergodos/1"
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Audio recordings : "Ergodos/2"
Audio recordings : "Ergodos/2"
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed)
Audio recordings : "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed)
Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)
Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)
Audio recordings : "Fabric," "A" copy
Audio recordings : "Fabric," "A" copy
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Audio recordings : "For Ann (rising)"
Audio recordings : "For Ann (rising)"
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Audio recordings : "Harmonium #3"
Audio recordings : "Harmonium #3"
Audio recordings : "Harmonium 4"
Audio recordings : "Harmonium 4"
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Audio recordings : Harmonium, University of California at Santa Cruz
Audio recordings : Harmonium, University of California at Santa Cruz
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"
Audio recordings : "In the Lydian Mode"
Audio recordings : "In the Lydian Mode"
Audio recordings : Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction)
Audio recordings : Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction)
Audio recordings : Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972)
Audio recordings : Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972)
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Audio recordings : Ives songs, original on Mylar
Audio recordings : Ives songs, original on Mylar
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed
Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed
Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed
Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed
Audio recordings : James Tenney "For Ann (rising)"
Audio recordings : James Tenney "For Ann (rising)"
Audio recordings : James Tenney "Pika-Don"
Audio recordings : James Tenney "Pika-Don"
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