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The fonds consists of Harry Knowles Girling's records pertaining to his activities at York University. It includes reports, minutes and related material from several University committees including the Interim Curriculum Committee, 1961, and the Senate Curriculum Committee, 1962, the Council of the Faculty of Arts and Science, and the English Department. In addition there is a copy proof of 'Five heroic plays,' (1960).

Fonds consists of correspondence, minutes, reports, brochures and other material that documents Rubin's involvement with the International Theatre Institute.

Fonds consists of records created or accumulated by Rishma Dunlop pertaining to her personal life, her work as a university professor, and her literary career. It includes juvenilia, early academic works, and drafts of published and unpublished works (poems, essays, speeches, a novel, and an unpublished memoir). The fonds also includes the edited drafts of submissions and correspondence related to Dunlop’s five published collections of poetry; notes, research and drafts relating to other poems, published and unpublished; personal and professional correspondence; a personal journal; files regarding literary and teaching activities, including grant applications; drafts pertaining to her work as an editor; photographs; and literary ephemera such as posters, programmes, and flyers. The fonds also includes teaching evaluations filled out by Dunlop’s students at York University, as well as some written work and details of final project submissions by graduate students whose work was supervised by Dunlop.

Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

Fonds consists of news clippings and correspondence related to the Mariposa Folk Festival, which Ruth (Jones) McVeigh founded in 1961. Also includes three audio cassettes of recordings from the 1961 festival as well as festival buttons from various festivals and a felt banner from the 1963 festival.

Fonds consists of records acquired by Selma Odom over the course of her career as a dance scholar and educator. Includes dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Odom between 1972 and 2008.

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.

Fonds consists of records created and accumulated by Marilyn Silverman pertaining to her field research in socio-cultural anthropology. The records in this fonds document in particular her research in Guyana for her MA thesis (1966) and her PhD thesis (1969-1970), as well as a research project on banana production in Ecuador (1978). These records include correspondence, field notes and reports, questionnaires, card indices, interview notes and transcripts, government reports and statistics, police reports, data and work sheets, audio recordings, photographs and maps.

Fonds consists of the professional records of Peter Flemington including: correspondence, memorandums, reports, CRTC briefs and applications, meeting minutes, research files, film project files including copies of films and scripts, academic writing project files, and files related to his work as Head of Programming and Development of VisionTV. The records in this fonds document his role in the evolution of religious communication and the development of religious broadcasting in Canada, notably the establishment of VisionTV in 1986.

Fonds contains the following series, based on Flemington’s career:
S00689: Religious Television Associates
S00690: Berkeley Studio
S00691: Peter Flemington Broadcast Services (freelance work)
S00692: The Rosewell Group / Canadian Interfaith Network files
S00693: VisionTV

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Fonds consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. Also included are several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.

File consists of correspondence and itineraries.

File consists of correspondence, invitations, and programme for the dinner where Rohinton Mistry received the Timothy Findley Award (author in mid-career).

File consists of correspondence, the nominations list (Family Matters was shortlisted as a finalist), and promotional material for the award.

File consists of correspondence and event documentation regarding an award for Family Matters that was presented by the Canadian National Institute for the Blind.

File consists of correspondence for the competition administered by the University of Edinburgh. Family Matters was shortlisted for the award.

File consists of correspondence for award presented for Family Matters, as well as notes and the typescript manuscript for remarks delivered by Rohinton Mistry before reading from the novel.

File consists of correspondence for the award given for Family Matters, as well as the jury's comments and Rohinton Mistry's remarks read at the awards banquet in the author's absence.

File consists of: correspondence; drafts and galleys for an essay contributed to a special commemorative anthology of Giller Prize winners; and typescript copies of the essays contributed by three other winners.

File consists of documents relating to events that include the Vancouver "Indian Summer" festival, the Abu Dhabi Forum of Arabic and International Literature, the Mumbai International Literary Festival, and gatherings in New Zealand, Galle, and Sri Lanka.

File consists of correspondence and invitations.

File consists of correspondence with Rohinton Mistry's British publisher regarding four repackaged backlist titles, promotion of Mistry's books in India, the Neustadt Prize, the design of book covers, and the work of author Akhil Sharma.

File consists of correspondence with Rohinton Mistry's literary agents regarding international interest in his work, contractual arrangements and financial matters, communications with the media, and invitations to speak at events.

File consists of handwritten notes, manuscripts, and drafts of the speech delivered at the University of Oklahoma on 28 September 2012; page proofs for publication of the speech in World Literature Today under the title, "The Road from there to here"; and correspondence.

File consists of correspondence, interview requests, details of the live television broadcast of presentation of the "Giller of all Gillers" awarded to A Fine Balance by CBC Books on the twentieth anniversary of the Giller Prize.

The fonds consists of records of Harry J. Pollock pertaining to his interest and involvement in theatre and to his research on James Joyce. The fonds includes correspondence and clippings, manuscripts, audio tapes, photographic materials, video cassettes, graphic and cartographic materials.

The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:

The fonds documents Paul James Dwyer's activities as a dancer, choreographer, and writer. Records consist mainly of correspondence and subject files relating to various dance companies such as Dance Oremus Danse and the Isadora Duncan School of Modern Dance. There is some documentation on grant applications. Also included are dance programmes, Dwyer's published articles and photographs of colleagues such as Jeanne Bresciani, Lori Belliveau, Nadia Chilkovsky, and Anita Zhan. There are video and audio recordings of interviews and dance performances. Accession 2007-059 includes correspondence with Madeleine Lytton regarding her dance career in the tradition of Isadora Duncan, correspondence and other documentation regarding the collections of books, photographs, and other material pertaining to Duncan owned by Leo and Lillian Loewenthal and Howard Holtzman, Ella Bobrow's book on Irina Odoevtseva, a program for the memorial dance performance for Hortense Kooluris, and promotional material for a wide variety of performers involved in dance, opera, and baroque music.

The fonds consists of material that documents Baldwin's career as a writer and includes correspondence, drafts, manuscripts and edited manuscripts of her books "A Foreign Visitor's Survival Guide to America," "English Lessons and Other Stories," "What the Body Remembers," "The Tiger Claw," "We Are Not in Pakistan," "The Selector of Souls," and her forthcoming novel tentatively titled "Gateway of the World" as well as drafts, correspondence, and promotional material related to the play "We Are So Different Now." Fonds also contains a sound recording of Baldwin reading "The Japji Sahib."

The fonds consists of Margaret Laurence's records pertaining to her activities as a writer and to her personal life. The fonds includes correspondence, financial records, manuscripts, printed material, personal files, graphic materials, sound recordings and moving image records.

The fonds consists of records relating to the editing, production and publishing of the Tessera journal including submissions, manuscripts, drafts and proofs, correspondence, advertising files, subscription files, financial records and grant files.

The fonds documents Rick Salutin's career as a writer, journalist, playwright and social activist. Records consist of drafts, correspondence and research materials pertaining to Salutin's writing for a variety of publications including Harper's Magazine, This Magazine, the Globe and Mail, Saturday Night, and Toronto Life. Manuscripts and drafts for theatre, television and radio productions, including Fanshen, 1837: the Farmers' Revolt, Maria, Gorongosa, The Mirror of Hockey, Les Canadiens, Men Against the Desert, S: Portrait of a Spy, Grierson and Gouzenko, and Joey, are also part of this fonds, as are manuscripts, reviews and other materials pertaining to Salutin's books Spadina Avenue, Marginal Notes, A Man of Little Faith, Kent Rowley: the Organizer, Waiting for Democracy, The Age of Improv, and The Womanizer. Also included are personal and professional correspondence, photographs, research materials, lectures, articles about Salutin, awards, travel files, audio cassettes of Salutin's works, records documenting Salutin's work as an instructor at the University of Toronto and Ryerson University, as well as photographs, correspondence, writing, and memorabilia from Salutin's childhood and adolescence.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Series consists of listings and artist files related to the finalists in the Jean A. Chalmers Award for choreography, an award run by the Dance in Canada Association, and a video collection managed by the Sound and Moving Image Library (SMIL).

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.

Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.

Fonds consists of annotated drafts, continuity notes and revisions from the novels "Moody Food" (published in 2002), "Gently Down The Stream" (2005), "What Happened Later" (2007) and "David" (2009).