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The fonds consists of material related to John Smith's personal life and to his professional career as a writer, producer and director. It includes screenplays, draft notes for works in progress, shot lists, story boards, call lists and shooting schedules, casting and contact lists, correspondence, research files, press clippings, financial records, and selected printing elements for 16mm and 35mm productions, rough assemblies, rushes and outs on VHS and Beta videocassettes and DVDs.

The fonds is organized into the following series:

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.

File consists of photographs taken by Helena Hughes. Depicted in these photographs are Margaret Laurence, Al Purdy, Irving Layton, Dennis Lee, Mavor Moore, Michael Ondaatje, Miriam Waddington, Pierre Berton, John Newlove, Hugh MacLennan, and Farley Mowat at an unidentified event or conference. Also included is an Oct. 1969 photograph of Margaret Laurence taken at her home by Hughes.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

File consists of correspondence, interview requests, details of the live television broadcast of presentation of the "Giller of all Gillers" awarded to A Fine Balance by CBC Books on the twentieth anniversary of the Giller Prize.

File consists of letters of invitation to accept a fellowship, its acceptance in 2010, and subsequent correspondence regarding the Society's activities.

File consists of handwritten notes, manuscripts, and drafts of the speech delivered at the University of Oklahoma on 28 September 2012; page proofs for publication of the speech in World Literature Today under the title, "The Road from there to here"; and correspondence.

File consists of a copy of the speech, a video recording of Rohinton Mistry's remarks at the banquet, correspondence, and the contract for publication of the speech in World Literature Today.

File consists of correspondence regarding Rohinton Mistry's nomination, jury information, announcement of the award, an interview request by the BBC, correspondence regarding panels and other events at the Neustadt Festival in Oklahoma, itineraries, and other documents regarding the prize.

File consists of correspondence with Rohinton Mistry's literary agents regarding international interest in his work, contractual arrangements and financial matters, communications with the media, and invitations to speak at events.

File consists of correspondence with Rohinton Mistry's literary agents regarding international interest in his work, contractual arrangements and financial matters, communications with the media, and invitations to speak at events.

File consists of correspondence with Rohinton Mistry's British publisher regarding four repackaged backlist titles, promotion of Mistry's books in India, the Neustadt Prize, the design of book covers, and the work of author Akhil Sharma.

File consists of correspondence and invitations.

File consists of correspondence and invitations.

File consists of documents relating to events that include the Vancouver "Indian Summer" festival, the Abu Dhabi Forum of Arabic and International Literature, the Mumbai International Literary Festival, and gatherings in New Zealand, Galle, and Sri Lanka.

File consists of: correspondence; drafts and galleys for an essay contributed to a special commemorative anthology of Giller Prize winners; and typescript copies of the essays contributed by three other winners.

File consists of correspondence for the competition administered by the University of Edinburgh. Family Matters was shortlisted for the award.

File consists of correspondence for award presented for Family Matters, as well as notes and the typescript manuscript for remarks delivered by Rohinton Mistry before reading from the novel.

File consists of correspondence for the award given for Family Matters, as well as the jury's comments and Rohinton Mistry's remarks read at the awards banquet in the author's absence.

File consists of correspondence and event documentation regarding an award for Family Matters that was presented by the Canadian National Institute for the Blind.

File consists of a programme for the prize gala, newspaper clippings, and promotional material such as posters and book bags bearing Rohinton Mistry's image.

File consists of correspondence, the nominations list (Family Matters was shortlisted as a finalist), and promotional material for the award.

File consists of correspondence, invitations, and programme for the dinner where Rohinton Mistry received the Timothy Findley Award (author in mid-career).

File consists of correspondence and itineraries.

Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.

Fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women," as well as her poem for "Side by side." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes and material related to Malyon's readings of her work, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

Accession 2008-032 includes the editorial files for "Imagination in action : thoughts on creativity by painters, sculptors, musicians, poets, novelists, teachers, actors," a book edited by Malyon that was published by Mercury Press in 2007. The project began with interviews with Marjory Smart and Milt Jewell in 1990-1991 to explore the concept of creativity, and was resumed in 2005 when Malyon invited submissions from many people who created original works in different disciplines. The records files include correspondence, edited manuscripts, annotated page proofs, and correspondence with the publisher regarding the contract, design, and promotion of the book.

Accession 2009-044 consists of manuscripts for even-numbered brunches, copy edited page proofs, and promotional material for the book written with bill bissett, "griddle talk : a yeer uv bill n carol dewing brunch" (Talonbooks, 2009), as well as documents relating to Malyon's work as an instructor at the Maritime Writers' Workshop in 1998, her literary readings in 2008, and correspondence with Fred Cogswell and K.D. Miller.

Accession 2016-040 consists of draft manuscripts for a collection of short stories ("Underneath the Water With the Fish") and a book about writing "Writing Matters" as well as promotional material and reviews about previously published work.

Fonds consists of material that documents Tenney's career as an composer, musician and academic and contains personal and professional correspondence with friends and colleagues including copies of letters received from such people as Carolee Schneeman, Steve Reich, Stan Brakhage and Lionel Nowak, among others, as well as correspondence with Bell Telephone Laboratories that documents his efforts in developing programs for computer sound-generation. It also contains records in the form of musical scores, computer outputs, programmes, clippings and sound recordings that document his musical output and material that documents Tenney's ongoing academic and professional interest in the fields of composition, music theory and electronic music, among others. There is also correspondence, photographs and other material that documents his relationship with his family and, in particular, his father.

Accession consists of material documenting the career of Archie Alleyne as a musician, philanthropist, and influential figure in the Toronto jazz music scene. Material includes collected material on other Toronto-based jazz musicians; posters, photographs, and other memorabilia from performances and events; correspondence; material related to the Archie Alleyne Scholarship Fund; notebooks; and drafts and research material for his memoir, Colour Me Jazz: The Archie Alleyne Story (2015). Audio-visual material includes recordings of jazz-related programming broadcast on television, audio interviews with jazz musicians, and released and unreleased music performances

Fonds consists of the administrative records of the Caribbean Cultural Committee created and accumulated by Kenneth Shah in his role as a founding member, including material such as correspondence; band registration forms and regulations for band competitions; constitution drafts; financial documents; meeting minutes; Shah’s sketches for parade costume designs; and program proposals. Other materials include issues of newspapers and magazines that provided media coverage of the Caribana Festival each year; Shah’s personal photo and film collection documenting Caribana and other Carnival festivals in Trinidad and Tobago, Toronto, Montreal, and New York; Shah’s mas bands throughout the years; and promotional material for Caribana such as brochures, pamphlets, festival guides, event programmes, and flyers.

Fonds consists of records pertaining to Yvonne Vera’s activities as a prominent African writer of English fiction and as a student and teacher of English literature while in Canada. Records include finished copies, typescripts and drafts of published and unpublished works; copies of articles written by and about Vera; personal and professional correspondence; personal memorabilia. Fonds includes a selection of books both by and belonging to Vera and a copy of the Vera biography, “Petal Thoughts,” by Ericah Gwetai. The fonds consists of items created and accumulated together by Vera and Jose, as well as mementos brought from Zimbabwe by Vera.

Fonds consists of production material, organizational documents, correspondence, grant applications, budget reports, programs, posters, photographs, video recordings, as well as press coverage and reviews of theatre productions, community workshops, fund-raising concerts, public readings and other events organized and hosted by members of Obsidian Theatre Company's board of directors. Includes material from the following productions: The Adventures of a Black Girl in Search of God (2001-2002), The Piano Lesson (2002-2003), Consecrated Ground (2003-2004), Two Can Play (2004-2005), Cast Iron (2004/2005), Born Ready/Pusha Man (2005-2006), The Monument (2005-2006), Hip Hop (Who Stole the Soul?) (2006-2007), The Polished Hoe (2006-2007), Born Ready (2007-2008), Intimate Apparel (2007-2008), Black Medea (2008-2009), Late (2008-2009), Intimate Apparel (2011), Ruined (2011), Caroline, or Change (2012), Topdog/Underdog (2011), Shakespeare's Nigga (2013), The Whipping Man (2013), The Gravitational Pull of Bernice Trimble (2013), dirty butterfly (2013), Nightmare Dream (2014).

The fonds includes extensive correspondence dealing with Callaghan's personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files include research materials and interview transcripts and deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003. Also included are subject files including literary memorabilia and honorary degrees received.

Fonds consists of records of the Toronto Musicians' Association and records from Samuel Levine, President Emeritus of the association. Union records include minutes of meetings; photographs of conductors, singers, and dancers; promotional material for concerts; newspaper clippings; financial records; registers of members; bound copies of "Crescendo," the local's newsletter; tariff of fee booklets; member directories; and a "black ball" voting box. Levine's records include documents concerning the activities of the Toronto Musicians' Association, the Toronto Symphony Orchestra and the Organization of Canadian Symphony Musicians, including daily diaries (1959-1967 and 1988), bargaining agreements, tariff of fees booklets, and conference material (programmes, buttons, and a sewing kit). Some records also pertain to Levine's membership in the American Federation of Musicians.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

Fonds consists of personal publications written by George Thaniel, including his curriculum vitae and the complete collection of The Amaranth journals. Fonds also consists of audio cassettes recordings used by Thaniel in the course of his work as professor of Modern Greek Studies at the University of Toronto. Recordings include interviews with Modern Greek authors and poets, poetry and prose readings, live theatre recordings, and music performances, in addition to discussions and lectures. Audio recordings further include Thaniel reciting his own poetry, as well as a memorial that was recorded posthumously following his sudden death in June 1991.

Fonds consists of materials created and accumulated by George Papadatos in the course of his activities as a member of the Toronto Greek Canadian political, arts and cultural community while living in exile in Canada during the Greek military junta of 1967-1974. It includes records relating to his work as a journalist and newspaper editor (as editor of Metanastis and contributor to Ta Nea, amongst other publications); political activist; music promoter, event organizer and co-owner of the Trojan Horse coffee house; East York community service worker; and as tutor of Modern Greek Studies at the University of Toronto (Scarborough College).

The fonds largely consists of photographs, newspapers, promotional material, posters, sound and video recordings. Many of these items were collected by Papadatos to document the coffee house scene on the Danforth, the Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. The records reflect the impact that the cultural and political activities of the Greek community in Canada had on political affairs in Greece. The fonds also includes handwritten and typed correspondence and other printed material created or received by George Papadatos, as well as photographic material from Papadatos' later life in Greece, where he operated an antiquarian bookstore. Records in the fonds have been arranged into five series based on record genre. See series level descriptions for details.

The fonds consists of material documenting Ben Wicks’s work as a cartoonist, author, public speaker, television personality, humanitarian, and journalist. The records include material related to published books and booklets, original drawings and cartoons, research files, speeches, scrapbooks and clippings, diaries and day planners, published books, and audio recorded oral histories with members of the Jewish diaspora that immigrated to Israel during the 1920s – 1950s. Also included are records pertaining to Ben Wick’s investiture into the Order of Canada and episodes of “Ben Wicks,” an interview format television show that aired on the Canadian Broadcasting Corporation (CBC) channel in the late seventies, early eighties. 

Fonds consists of handwritten and typescript novel drafts, source notes, character and scene sketches, and research material accumulated and created by Alissa York as part of her process to write her short story collection, Any Given Power (1999), and her novels: Mercy (2003), Effigy (2007), Fauna (2010), The Naturalist (2016), and Far Cry (2023).

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Fonds consists of the Danny Grossman Dance Company (DGDC) records generated from development; promotional; and professional associations, government councils, and conference; performance, touring, and educational initiatives activities. Danny Grossman's personal correspondence with family, friends, and industry professionals is also included in the fonds.

The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.

The fonds consists of records pertaining to Hersh Zeifman’s research and teaching career in theatre arts at York University, now school of the arts, media, performance and design. The bulk of files contain lecture notes on specific plays, playwrights, and dramatic themes. Also included in the files are course outlines, assignments and other educational administrative records, research material such as newspaper and magazine clippings, playbills, and copies of articles written by Zeifman.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.