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Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.

Fonds consists of Drummond's course notes as a student in Canadian political science including his doctoral thesis; various draft papers and chapter contributions, especially his work on several editions of The Government and Politics of Ontario; records pertaining to Drummond's work on the Task Force on Liberal Arts Education; documentation regarding a conference and festshrift honouring the first Chair of the Department of Political Science Douglas Verney, including proposed papers (the festshrift was not completed); records documenting Drummond's YUFA activities, particularly with regard to retirement and pension issues; conference papers and lecture notes; correspondence pertaining to his work and achievements at York University; and photographs of Drummond taken at York University events. It also includes copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and essays and memorabilia from his days as an undergraduate student at York.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of records pertaining to the work and activities of Michael A. Gilbert. These records document Gilbert’s work as a professor of philosophy and administrator at York University, as a writer and lecturer in the areas of argumentation theory and transgender theory, and as a writer of literary fiction. Records in this fonds include correspondence and day planners, academic papers and articles, draft manuscripts and screenplays, notes, course materials and lecture notes, photographs, and conference materials.

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

Fonds consists of records created and accumulated by Sylvia Woodsworth Campbell, predominantly during her work as a guidance counselor and educator at Atkinson College, focusing on programs for continuing education for women re-entering the workforce or changing careers. Included are submissions and papers she authored, research notes, correspondence both personal and professional, clippings, reports pertaining to the work on the Status of Women, her Masters thesis which she submitted in 1976, and her diplomas. Also included are files pertaining to an educational bursary/scholarship established in her honour at Victoria College, University of Toronto.

Fonds consists of records documenting Barbara Rahder’s graduate studies at the University of Toronto’s Department of Urban and Regional Planning, her work as a professor and member of the Faculty of Environmental Studies at York University, her planning consultancy projects in the 1980s and 1990s, her scholarly writing and participation in conferences and workshops, and her involvement with the activities and conferences of Planners Network and the International Network for Urban Research and Action. Records in this fonds include papers, reports, proposals, notes, notebooks, photographs and photographic slides, research materials, conference materials, technical drawings, correspondence, e-mail, lecture notes, and course materials.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

Fonds consists of Arthurs' records pertaining to his activities including: administrative files for York University and Osgoode Hall Law School, 1961-2006; teaching files, ca. 1961-2009; speeches, 1985-2007; research and writing files, 1957-2008; community service files, 1962-1997; UAW Public Review Board case files, 1967-1977; arbitration case files, 1966-1984; and correspondence, 1958-2007 (predominant 1971-2007). Accession 2007-014 consists of documents for the Federal Labour Standards Review, including correspondence, annotated published and typescript reference material, briefs and notes from the hearings, research projects on labour standards, and drafts of the final report and recommendations. Accession 2009-010 contains records created while with Ontario's Expert Commission on Pensions, including research papers, agendas and submissions for public hearings, briefing notes, and working files.

Fonds consists of personal and professional correspondence including correspondence with fellow writers such as John Metcalf, Guy Vanderhaeghe, Robyn Sarah, Adele Wiseman and Ralph Gustafson among others, academic and teaching files that document his career as a student at the University of Toronto and Cambridge and professorial files for courses taught at York University. It also includes editorial files that document his work with fellow poets at The Banff Centre for the Fine Arts and writing files including notes, drafts and manuscripts related to his own publications. Accession 2011-032 includes correspondence from Northrop Frye giving Coles advice about an academic career, book reviews written by Coles for "The Globe and mail" from the 1970s to 2001, seminar notes for the Humanities course, "Works & days," reviews of his writing, and drafts of the book of poetry, "Where we might have been" (2010).

Fonds consists of the records of the York University Librarian, 1959 1985; Associate University Librarians, 1970-1996; the Assistant Director for Collection Development, 1962 1979; the Assistant Director for Technical Services, 1960 1978; the Libraries Business Officer, 1968 1973; the Catalogue Department, 1964 1979; the Circulation Department, 1980; the Reference GEAC Bibliographic Database Task Force, 1981 1983; the Systems Management Committee, 1980 1981; the Library Operating Committee, 1976 1989; the Ad hoc Lounge Committee, 1983 1984; the Library Council, 1977 1985; the Librarians' Group, 1983 1986; the Bibliographers' Office, 1979-1982.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Fonds consists of records pertaining to Forer’s work as a scientist and as a professor in the Department of Biology at York University, including course materials, lecture notes, grant applications, correspondence, photographs and drawings. Also included in the fonds are video recordings of Forer lecturing on cell division for five episodes of CTV’s “University of the Air: textbook to real life” program, recorded in 1974 and aired on television in 1978.

Fonds consists of records pertaining to Michael Davey's work as an artist and professor at York University. Included are course descriptions; exhibition catalogues and invitations; donation agreements; portfolios of drawings, photographs, and paintings; and sculptures of 9 hockey blades and a granite puck sandblasted with the image of Maurice Richard's and Gordie Howe's eye and elbow.

Fonds consists of diaries, journals, professional and personal correspondence, manuscript drafts and other material that document Powe's career as a writer and educator.

Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.

Fonds consists of records pertaining to Gentles’ roles as a professor of history at York University, as an active member of the Coalition for Life, and as Vice-President and Research Director of the deVeber Institute for Bioethics and Social Research. These include files related to Gentles' teaching at Glendon College, York University and Tyndale University College, his research and publishing activities in the field of history, as well as records pertaining to his administrative activities at York. They also includes files related to Gentles’ research in bioethics—primarily on the subjects of abortion and assisted suicide—as well as records related to the administrative activities of the Coalition for Life and the deVeber Institute.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of records created by Carl James in the course of his activities as a sociologist and a university professor, including research data, publications, teaching material, and administrative records for the York Centre for Education and Community.

Fonds consists of records pertaining to Deborah Barndt’s work as a researcher, photographer, writer, activist and York University professor. These records document the research and writing of Women Working the NAFTA Food Chain (1999), Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002), and VIVA! Community Arts and Popular Education in the Americas (2011), her research focus on popular education, globalization, community arts, and her involvement with equity and diversity initiatives at York University. Records in this fonds include research materials such as journal articles, papers, reports, newsletters, government documents, pamphlets, brochures, as well as audio recordings of interviews and interview transcripts, correspondence, manuscripts, video cassettes, notes, e-mail, proposals, workshop materials, and photographs.

Fonds consists of records created or accumulated by Rishma Dunlop pertaining to her personal life, her work as a university professor, and her literary career. It includes juvenilia, early academic works, and drafts of published and unpublished works (poems, essays, speeches, a novel, and an unpublished memoir). The fonds also includes the edited drafts of submissions and correspondence related to Dunlop’s five published collections of poetry; notes, research and drafts relating to other poems, published and unpublished; personal and professional correspondence; a personal journal; files regarding literary and teaching activities, including grant applications; drafts pertaining to her work as an editor; photographs; and literary ephemera such as posters, programmes, and flyers. The fonds also includes teaching evaluations filled out by Dunlop’s students at York University, as well as some written work and details of final project submissions by graduate students whose work was supervised by Dunlop.

Fonds consists of records documenting Richard Jarrell's work as an academic and historian of science, his teaching and service activities as a professor at York University, and his interest in environmental conservancy. Records include correspondence and memoranda, research materials and notes, draft articles and manuscripts, copies of published writing, photographs, university notebooks and essays, York University course materials, and textbooks written by Jarrell.

The fonds consists of records pertaining to Hersh Zeifman’s research and teaching career in theatre arts at York University, now school of the arts, media, performance and design. The bulk of files contain lecture notes on specific plays, playwrights, and dramatic themes. Also included in the files are course outlines, assignments and other educational administrative records, research material such as newspaper and magazine clippings, playbills, and copies of articles written by Zeifman.

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

The fonds consists of a typescript of Le Goff's 'Vannes and its region...,' published by Oxford, 1981.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's high school debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper baby : a memoir of childhood in the age of McCarthyism,' The Groundwork guides to 'empire','oil', and to 'democracy,' 'The Acadians : in search of a homeland,' 'Jamais Provence,' 'Mission of folly,' 'Beyond the bubble : imagining a new Canadian economy,' 'Tecumseh and Brock : the war of 1812,' 'A house divided : watching America's descent into civil conflict,' 'Playing for a continent,' and 'Paris days : in a time of crisis.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning,' printouts of his personal blog postings, and replies to his freedom of information requests to various security agencies.