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Accession consists of textual and audiovisual records pertaining to the development, production and promotion of documentary films by John Kastner: Out of Mind, Out of Sight (2014), NCR: Not Criminally Responsible (2013), Life with Murder (2009), Sinner in Paradise (2007), Monster in the Family, parts 1 (2006) and 2 (2007), Rage Against the Darkness (2004), Romance with a Rapist (1999), Ask a Silly Question (1998), Hunting Bobby Oatway (1997), and House of Secrets (1997). These records include research files, memorabilia, correspondence, court transcripts, interview transcripts, scripts, posters, photographs, audio and video cassettes, compact and optical discs.

Accession consists of records pertaining to the operations of the Obsidian Theatre Company and its productions between 2011 and 2014. Records include production agreements, forms and invoices; correspondence; a 2012 strategic plan; grant applications; programs, flyers and posters; Board of Directors agendas, minutes and reports; costume drawings; photographs and video recordings of performances.

Accession consists primarily of Vera's professional records, including finished copies, typescripts and drafts of published and unpublished works; copies of articles written by and about Vera; professional correspondence; royalty statements; and a scrapbook of clippings and literary ephemera related to early publications. Accession includes a selection of books both by and belonging to Vera and also includes a copy of the Vera biography, “Petal Thoughts” by Ericah Gwetai.

Accession consists of Linda Briskin's files as the first coordinator of the York University Faculty Association (YUFA)'s Standing Committee on Equity. The files include correspondence, reports, articles by Professor Briskin, and various publications dealing with the struggle of women faculty to win equity with their male colleagues, particularly in terms of salary, as well as sexual and co-worker harassment, the Coalition of Union Women at York, the YUFA strike of 1997 and the strike by the Canadian Union of Public Employees (CUPE), Unit 3 in 2000, the Ontario Council of University Faculty Associations (OCUFA), the Canadian Association of University Teachers (CAUT), and her work with unions at the universities of Windsor, Waterloo, and Queen's.

Accession consists of handwritten and typescript novel drafts, proof pages, source notes, character and scene sketches, and research material accumulated and created by Alissa York as part of her writing process for the novel “Far cry” published in 2023.

Accession consists of photographic prints showing student life at the residence of Vanier College, including a comedy show in the Open End Pub, Apr. 1988 and convocation, 1989.

Accession consists of oblique aerial photographs of Southern Ontario watersheds taken by Lou Wise using 35mm colour transparencies while flying his own plane.

Accession consists of low-level oblique aerial photographs of conservation areas in southern Ontario, and the Oak Ridges Moraine.

Accession consists of colour slides showing rural and urban conditions across Canada and particularly in Ontario that were photography by John Warkentin for use in his lectures and publications.

Accession consists of research and teaching material created by John Warkentin, including: field notes, interview notes, and population maps for the Prairies, and Manitoba in particular, 1962-1965; correspondence regarding research and promotion of colleagues in historical geography, 1991-2000; the final report for the Historical Atlas of Canada Project, 1995; correspondence regarding Warkentin's appointment as Honorary President of the Champlain Society, 2000; material on George Tatham, including Warkentin's notes from Tatham's lectures on human geograph, 1951-1952; and 35 mm colour slides taken by Warkentin between 1956-1999 of Greenland, Goose Bay and other parts of Newfoundland and Labrador, the earliest depictions of landscapes in each of Canada's major regions, and especialy of Manitoba, including various aspects of rural and urban geography as well as Mennonite settlement patterns n southern Manitoba.

Accession consists of drafts of unpublished poems, correspondence, drafts of poems written for Uppal’s published collections “We are What We Mourn,” “Winter Sport,” “Summer Sport,” “Cover Before Striking,” her novel “Projection: Encounters with My Runaway Mother, and her theatrical plays “6 Essential Questions” and “What Linda Said.”

Accession consists of drafts of articles, chapters, and other writing by Elliston including the Women as Volunteers project; material from the Jamaican Canadian Association (JCA) and the JCA Women’s Committee, as well as VHS tapes of community conferences and anti-racist training and education.

Accession consists of copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and memorabilia from his days as an undergraduate student at York.

Accession consists of correspondence, reports, photographs, notebooks, and other documents created or received by Mary Young Leckie pertaining to her children's education and financial affairs, real estate, her mother's memorial in 2003, her comments on scripts for "Everest" by Keith Ross Leckie, and images of various film productions.

The accession consists of committee minutes, committee searches, subject files, and materials related to Victorian Studies and the Centre for Research of Latin America and Caribbean

Consists of records of writer and Dean of Fine Arts at York University, Seth Feldman. Includes research materials and drafts for book on Soviet filmmaker Vertov and research materials, audio cassettes, and draft scripts for two 'Ideas' programs on CBC Radio: Dogs and We, The Animals.

Consists of records pertaining to Seth Feldman's documentary "Hunting for Robin Hood", part of the CBC's Ideas programme, including research material, drafts, and scripts.

Accession consists of records pertaining to Keith Ross Leckie’s work as a writer and/or director for television dramas and documentaries. These records document the various stages of development for projects including “Searching for Romero” (unfinished), “Edenshaw”/”Haida” (not produced), “The Force” (not produced), and “An Officer and a Murderer” (produced for Lifetime and HBO Canada in 2012). Textual records in this accession are proposals, treatments, interview selects, assembly notes, budgets, funding applications, draft scripts, outlines, notes, correspondence, research materials, contracts and court transcripts. Also included are video recordings (VHS, DVCPRO, MiniDV and DVD) pertaining to these projects.

Accession consists of day books (1970-1988); chronological day files (1973-1977); speeches (1968-1973) delivered while working for the CBC and the CRTC; personal administrative files and correspondence while chairman of the CRTC and during his tenure at the Banff School of Fine Arts.

Accession consists of records pertaining to Barrett’s book, “Disease and Geography: the History of an Idea”. Records include correspondence, book proposals and prospectus, drafts, and reviewers’ comments.

Accession consists of Barrett’s lecture notes, correspondence and supporting materials for his York University course Geography 346, Medical Geography, as well as course notes, syllabi, exam questions and student grades for other courses taught by Barrett at York University. Accession also includes undergraduate papers written by Barrett, hand-drawn maps for his BA thesis, and Atkinson College Geography Department newsletters.

The accession consists of correspondence, notes and speeches, publications and ephemera relating to the founding of York University, particularly relating to McLaughlin College. Also consists of 5 audio cassette tapes of interviews with the founding members of McLaughlin College.

Accession consists of research files, clippings, correspondence, and audio tapes of interviews with First Nations Elders collected and prepared by Michael Posluns. Accession also includes copies of Askwesasne Notes, 1969-1977. Some materials relate to international Indigenious rights and to American Native movement activities.

Accession consists of subject and general correspondence files dealing with Clayton Ruby's work on issues such as advocacy, the death penalty, politics, book reviews, letters to the editor in the Globe & Mail and Toronto Star, policing, Amnesty International, the Writers' Union, the Stephen Leacock home in Orillia, the Meech Lake Accord, free speech, and a reunion of York University graduates.

Accession consists of material related to Isadora Duncan and to Dance Oremus Danse as well as professional correspondence, press kits, photographs, artist's portfolios and other material.

Accession consists of programmes for events held by cultural organizations, including the Toronto Symphony Orchestra, dance and theatre companies, and photography exhibitions sent to or collected by Paul James Dwyer in connection with his work as founder of Dance Oremus Danse.

Accession consist sof the records of P.J. Dwyer and Dance Oremus Danse, including correspondence, notes, and other documents relating to Dwyer's trip to Japan in November 2010 to give a performance and master class on Isadora Duncan for the Tokyo Dance Association of Advanced Professional Training Colleges, and programmes, newsletters, brochures, and other ephemera for cultural events held in Ontario.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association battle with the CPR and Marathon Realty.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association and their fight against proposed development by CPR and Marathon Realty.

The accession consists of manuscripts and drafts of Baldwin’s monographs “English Lessons and Other Stories,” and “We Are Not in Pakiston,” as well as some editing correspondence for the latter.

Accession consists of original illustrations created by Ben Wicks for the series of children’s books, Katie and Orbie Save the Planet, as well as illustrations for other books and projects, the manuscript for Ben Wicks’ Canada, and publications written or illustrated by Ben Wicks.

Accession consists of material related to the administration of Winters College Fellows' Council.

Accession contains correspondence, notes, and photographs pertaining to the the publication of “The Art of Geography: The Life and Teaching of George Tatham”.

Accession consists of photographs of public art and monuments in Toronto taken by John Warkentin using 35 mm colour transparencies while conducting research for his book, “Creating memory: a guide to outdoor public sculpture in Toronto” (2010), as well as clippings from newspapers and magazines and government documents compiled by Professor Warkentin between 1984 and 2010 to provide contextual information for the book.

Accession consists of 35 mm colour transparencies taken by Professor John Warkentin while working for the University of Maryland in Thule, Greenland, teaching courses in geography and history to personnel in the United States Air Force. The slides were taken between January and May 1957, and show local Inuit and Danes in the town of Dundas, physical geography of the area, Tuto camp with vehicles to traverse the ice cap, base facilities and activities, and buildings.

Accession consists of drafts, manuscripts, notes, research material, edits, and character sketches created by Alissa York as part of her process creating her short story collection, Any Given Power (1999), and her novels: Mercy (2003), Effigy (2007), Fauna (2010), and The Naturalist (2016).

Accession consists of drafts of unpublished poems and stories, many of which were written for creative writing courses taken at York, drafts of poems written for Uppal’s published collections “Confessions of a Fertility Expert” and “Pretending to Die”, correspondence and drafts of her novel “The Divine Economy of Salvation” and correspondence and edited drafts of submissions for “Uncommon Ground: A Celebration of Matt Cohen”.

Accession consists of agendas, e-mail correspondence and drafts of “Live Coverage”.

Accession consists of records created by Uppal in connection with her work as a graduate student, poet, and editor, including drafts of her doctoral dissertation, correspondence with other authors, edited contributions to a book of essays on the works of Barry Callaghan, drafts for her books of poetry, and manuscripts by other authors.

Accessions consists of material donated by Inez Elliston in 2015 It includes research material, newsletters,