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Email 2022 III

File consists of printed messages and images sent to or from Judith Cowan.

Email 2022 II

File consists of printed messages and images sent to or from Judith Cowan.

Email 2022 I

File consists of printed messages and images sent to or from Judith Cowan.

Judith Cowan fonds

  • F0249
  • Fonds
  • 1960-2023

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.

Cowan, Judith Elaine

Accrual to the Judith Cowan fonds

Accession consists of: printed correspondence sent Canada Post and email, including many colour digital images taken by Judith Cowan and others, 2022-2023; Cowan's unfinished novel, "A Better Class of Illusion," with handwritten annotation, 25 October 2019; a brochure for the 39e Festival International de la Poesie; and letters to Cowan by her friend Dr. Hector L. van Vierssen Trip, accompanied by his essays on Alpertus on church and state, Germanic linguistic studies, Latin in biology, his trip to the Netherlands in 1988, and a history of the Trip family, 1978-1990.

Accession 2018-047

Accession consists of drafts of unpublished poems, correspondence, drafts of poems written for Uppal’s published collections “We are What We Mourn,” “Winter Sport,” “Summer Sport,” “Cover Before Striking,” her novel “Projection: Encounters with My Runaway Mother, and her theatrical plays “6 Essential Questions” and “What Linda Said.”

Stock family fonds

  • F0792
  • Fonds
  • 1855-1936

Fonds consists of: a ticket to the gallery of the United Kingdom's House of Commons issued by John Bright, 15 Feb. 1855; a cyanotype print of an unidentified mine in England; 48 letters written to publisher Elliot Stock by various correspondents including Sabine Baring-Gould, Walter Besant, Ford Madox Brown, William Francis Cowper-Temple, Austin Dobson, James Anthony Froude, William Ewart Gladstone, Edmund Gosse, Andrew Lang, John Morley, William Morris, John Henry Newman, Arthur Penrhyn Stanley, and Theodore Watts-Dunton; and a letter from journalist Henry W. Nevinson to Ronwen Stock, 26 Aug. 1936, regarding his book, Running Accompaniment: Autobiographic Reminiscences (1936) and her appointment in Toronto.

Bright, John

File consists of a ticket to the gallery of the House of Commons issued by John Bright and a cyanotype print of an English mine with the inscription on verso, "Do you remember the day you threw my pin down the shaft? Are you sorry?"

Priscila Uppal fonds

  • F0237
  • Fonds
  • 1891-2018

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Uppal, Priscila

Theatre and politics : Tony Kushner

File consists of playbills, an issue of “Platform papers,” published by the Royal National Theatre, London, and issues of “NYTW news” (newsletter of the New York Theatre Workshop) and The Harvard Gay & Lesbian Review (spring 1997). Also included are newspaper clippings and other research material.

Theatre and politics : Churchill

File consists of handwritten lecture notes, research material and newspaper clippings pertaining to the work of playwright Caryl Lesley Churchill.

Stoppard : Rockaby : bibliography

File consists of research material, playbill, and a typescript copy of Hersh Zeifman’s article “’The core of the eddy’: rockaby and dramatic genre.

Stoppard : The real thing

File consists of publisher proof pages for Hersh Zeifman’s article “Comedy of ambush: Tom Stoppard’s ‘The Real Thing.’” The article was first published in “Tom Stoppard [Modern Critical Views]” edited by Harold Bloom for Chelsea House, New York, 1986.

Stoppard : radio plays

File consists of handwritten notes, partial transcripts and quotes from radio interviews with Tom Stoppard.

Stoppard : miscellaneous

File consists of newspaper clippings and notes pertaining to “Lord Malquist and Mr. Moon” and Stoppard and politics.

Stoppard : clippings

File consists of research material, handwritten research notes, playbill for Tom Stoppard’s “Hapgood,” and correspondence including one typescript letter from Stoppard to the Hibernia Weekly Review, criticizing a published article pertaining to his play “Dirty linen.” Also included in an issue of Educational Theatre Journal, March 1977.

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