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The fonds consists of the records of David Bakan pertaining to his work as a York University professor and academic. Included are manuscript drafts and other writing, correspondence, notes, lecture notes, research materials, sound recordings, and teaching files.

The fonds consists of correspondence, reports, newspaper clippings, minutes and related material for the Avenue-Bay-Cottingham Ratepayers' Association and the Marlborough Avenue Ratepayers' Association. This includes correspondence between Jack Granatstein and Marathon Realty, correspondence with City of Toronto officials, reports of various City departments, minutes of meetings of the Ratepayers' Associations and of advocacy bodies in the city, and reports of Task Forces established by the City and Metropolitan Toronto.

The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.

The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').

Fonds consists of Arthurs' records pertaining to his activities including: administrative files for York University and Osgoode Hall Law School, 1961-2006; teaching files, ca. 1961-2009; speeches, 1985-2007; research and writing files, 1957-2008; community service files, 1962-1997; UAW Public Review Board case files, 1967-1977; arbitration case files, 1966-1984; and correspondence, 1958-2007 (predominant 1971-2007). Accession 2007-014 consists of documents for the Federal Labour Standards Review, including correspondence, annotated published and typescript reference material, briefs and notes from the hearings, research projects on labour standards, and drafts of the final report and recommendations. Accession 2009-010 contains records created while with Ontario's Expert Commission on Pensions, including research papers, agendas and submissions for public hearings, briefing notes, and working files.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of material that documents Pitman’s career as a politician, educator, writer and social activist. It includes personal and professional correspondence, notes and speech materials, newspaper clippings and other material related to his years spent as a Member of Provincial Parliament and as a Member of Parliament as well as his unsuccessful leadership campaign for the federal New Democratic Party in 1971. It also includes his Toronto Star writing files, numerous files pertaining to his education activities both at the provincial and federal levels with a special emphasis on arts education, records that document his tenure as President of Ryerson Polytechnic University, his activities as chairman of Project Ploughshares, his work with the Arts Education Institute of Ontario, as well as an extensive collection of notes, drafts and final copies of speeches delivered by Pitman to a variety of organizations including Elderhostel. The fonds includes correspondence, notes, interview notes, drafts and research material related to his books on Louis Applebaum, Elmer Iseler, the lives of Harry Freedman and Mary Morrison, and Victor Feldbrill, as well as notes and drafts of his as yet unpublished book, "Breakthrough: A Canada For The Twenty-First Century."

The fonds consists of citations given by Dr. Elliott as University Orator and includes biographical information, correspondence, programmes, and drafts created or used for writing the citations. Fonds includes correspondence, mission statement samples, and supporting reference information documenting Dr. Elliott's role in developing York University's Mission Statement.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of material related to the professorial career of Paul Herzberg, including course files relating to undergraduate and graduate courses in computer science and psychology and the Keller Plan statistics course. Fonds also includes material that documents other personal and professional activities, including textbook notes and drafts, diaries, personal correspondence and reference letters. Records have been arranged by the donor into the following series:

The fonds consists of interviews, selected newspaper clippings pertaining to the Fine Arts Building and its architect, reports, and surveys documenting a controversial study by Dr. Wekerle and her students on their move into the new Fine Arts Building at York University in 1973-1974.

The fonds consists of correspondence, curriculum vitae, ephemera, memoranda, newsletters, selected newspaper clippings, a photograph, and a scrapbook that Philpott selected and retained as mementos. She also collected her peers’ correspondence concerning their nomination of Philpott for the Order of Canada. Fonds also contains biographical information about Philpott included by Professor Ken Moffatt of York University. The fonds is arranged chronologically, an order imposed on the fonds by a graduate student working for Professor Moffatt.

The fonds consists of audio recordings of unedited interviews conducted by Diana Cooper-Clark with major international novelists. Most of these interviews have been published in her two monographs.

The fonds mainly consists of material related to Margaret Laurence and Dorothy Henderson's work as a member of the Margaret Laurence Home committee. Includes correspondence, newspaper clippings and articles, brochures, reports and programs.

Fonds consists of records pertaining to Reg Whitaker’s writing and research projects and his work as an academic. Records include correspondence, drafts, research materials and subject files.

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.

Fonds consists of Bonnie Burnard’s research material, notes, manuscript and typescript drafts, galley proofs, cover art and other material related to the Canadian and American editions of her novels "A Good house." The fonds also includes story notes, typescript drafts, proofs, correspondence, cover art and other material that pertain to the writing and revision process for Burnard’s novel "Suddenly." The fonds also consists of edited typescripts, notes and proofs for her short story collections "Women of influence" and "Casino and other stories," typescript drafts for several other short stories Burnard has written, including "Evening at the edge of the water," and items related to her role as the editor for "Stag line: Stories by men." Accession 2017-034 consists of records created by Jan Whitford and Jackie Kaiser of Westwood Creative Artists in their role as agents for Bonnie Burnard, including correspondence and contracts with various publishers and the Canadian Broadcasting Corporation regarding the publication and reprinting of Burnard's novels and short stories, and the donation of the Bonnie Burnard fonds to York University.

The fonds consists of records which document Caplan’s career as a public affairs commentator, consultant and social activist.

The fonds consists of notes, drafts and research material pertaining to several of Charles Templeton's books. The material has been arranged chronologically by year of publication of the respective work.

The fonds mainly documents J. David Wood's activities as a student, research geographer/historian and instructor. Records consist of undergraduate course notes, research notes, correspondence, maps, and photographs relating to his 1958 M.A. thesis, "The Historical Geography of Dumfries Township, Upper Canada, 1816-1852", his 1962 Ph.D. thesis, "The Geography of the Nithsdale-Annandale Region, Dumfriesshire, 1813-1816" and other published articles. Also included are teaching notes from Edinburgh University, 1957-1961 and the University of Alberta, 1964-1965, and records concerning his consultancy work on the external review of the Undergraduate Environmental Studies Program at York University in 2000.

The fonds consists of press releases, clippings, legal files including briefs and exhibits, reports, correspondence, reference materials, Board of Directors meeting minutes and documents, and copies of the society’s submission to the Krever Commission.

The fonds consists of records relating to the editing, production and publishing of the Tessera journal including submissions, manuscripts, drafts and proofs, correspondence, advertising files, subscription files, financial records and grant files.

Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.

The fonds consists of records created by Sydney Eisen in his capacity as a professor and university administrator in the Department of History and Humanities at York University as well as is research pertaining to Victorian Studies and Frederic Harrison, and involvement with the Victorian Studies Association of Ontario and the Centre for Research of Latin America and the Caribbean. Types of records include subject files, academic and professional correspondence, course outlines, lecture notes, research notes, committee minutes, and student references.

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence, general files, and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Records contained in general files include correspondence and resource materials pertaining to legal and social justice issues, as well as miscellaneous records sent to Ruby. Subject file topics include the Law Society of Upper Canada, the Advocates' Society, Amnesty International, conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, the Charter of Rights Education Fund, the Criminal Lawyers' Association, the Writers' Union of Canada, Ruby's newspaper columns and letters to the editor, and his role as book review editor for the Criminal Law Quarterly. Also included are various photographic portraits of Clayton Ruby.

The fonds consists of manuscript and typescript drafts of Eliza Clark's work, personal and professional correspondence, copies of articles by or about Clark and other material that documents her career as a writer.

Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is arranged in the following series:

Fonds consists of research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules and other material created and/or accumulated by Zukerman in his work as a producer. Fonds also includes copies of scripts sent to Zukerman for his consideration and personal records including diaries, income tax records and other material.

Fonds consists of manuscript drafts and production photographs of the 1976 production of James Reaney's "The Dismissal" by the NDWT Theatre Company at the Hart House Theatre, as directed by Keith Turnbull and co-directed by Lester Kohalmi. The play is based on the 1896 student strike at the University of Toronto.

The fonds consists of research materials and student data produced in the early days of Glendon College by Professor Dee G. Appley. Includes test scores, checklists, questionnaires, coding sheets, index cards, grading reports and other statistics related to the first group of students enrolled at Glendon.

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

The fonds documents Rick Salutin's career as a writer, journalist, playwright and social activist. Records consist of drafts, correspondence and research materials pertaining to Salutin's writing for a variety of publications including Harper's Magazine, This Magazine, the Globe and Mail, Saturday Night, and Toronto Life. Manuscripts and drafts for theatre, television and radio productions, including Fanshen, 1837: the Farmers' Revolt, Maria, Gorongosa, The Mirror of Hockey, Les Canadiens, Men Against the Desert, S: Portrait of a Spy, Grierson and Gouzenko, and Joey, are also part of this fonds, as are manuscripts, reviews and other materials pertaining to Salutin's books Spadina Avenue, Marginal Notes, A Man of Little Faith, Kent Rowley: the Organizer, Waiting for Democracy, The Age of Improv, and The Womanizer. Also included are personal and professional correspondence, photographs, research materials, lectures, articles about Salutin, awards, travel files, audio cassettes of Salutin's works, records documenting Salutin's work as an instructor at the University of Toronto and Ryerson University, as well as photographs, correspondence, writing, and memorabilia from Salutin's childhood and adolescence.

The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:

Fonds consists of manuscript and typescript copies of Jason Sherman's work, copies of scripts with revisions, clippings and reviews pertaining to the production of his plays and radio and television work, personal and business correspondence, subject files and other material pertaining to his career as a writer as well as the operational files of "What" magazine.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

The fonds consists of board of directors agendas, minutes and reports; annual meeting agendas, minutes and reports; association correspondence; board of reference reports; federation treatises and reports; federation newsletters; theses related to the FWTAO; collective bargaining files, grievance and arbitration files; staff reports; affirmative action/employment equity files; legal documents; photographs, slides, film and video recordings, and audio recordings; memorabilia.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

Fonds consists of records pertaining to Robert Laxer's family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.

The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.

The fonds mainly consists of manuscript and typescript copies of Marion Andre's work either published or produced, including 'The Scorn of Fate', 'The Spanish Civil War', 'The Value of Fifty', 'Fate of a Poet', 'The Gates', 'The Snob', 'The Eagle', 'The Sand', 'Soldat Hans Stumpf', 'The Invented Lover', 'Captive of Yesteryear', 'Verdict of Fate', 'Skinny Dip of an Aging Professor', 'Maria B.', 'The Battered Man', and 'A Road to Freedom'. In additon there are notes, drafts, correspondence and other supporting documentation for some of the works. Also includes articles, essays and correspondence about Andre and Theatre Plus, reviews of Theatre Plus productions, mounted and/or framed theatre posters of plays that were produced at the Saidye Bronfman Centre and Theatre Plus, certificates of awards received by Andre and a 3-D model of his work as playwright. Accession 2008-036 consists of programmes, scripts, reviews, and photographs for theatrical works produced and directed by Andre, as well as written by Andre and several other playwrights.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

The fonds consists of handwritten notebooks relating to G.R. Lowther's research in archaeology and evolutionary theory.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.

The fonds consists of audio recordings of, and notes relating to, interviews conducted by David Coombs with founding members of York University, particularly relating to McLaughlin College, and with K.H.M. (Michael) Creal and Harold I. Schiff regarding their roles on the Search Committee for a President of York University in 1969-1970; correspondence between Coombs and Prof. George Tatham, Master of McLaughlin College; and letters, photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston, Coombs's step-grandfather.

The collection includes ephemera such as announcements of conferences, seminars, and exhibits; newsletters from various university offices and colleges; public reports; guides and handbooks; press releases; bulletins; posters; etc. The collection is arranged alphabetically by the name of the office which created the ephemera.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's high school debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper baby : a memoir of childhood in the age of McCarthyism,' The Groundwork guides to 'empire','oil', and to 'democracy,' 'The Acadians : in search of a homeland,' 'Jamais Provence,' 'Mission of folly,' 'Beyond the bubble : imagining a new Canadian economy,' 'Tecumseh and Brock : the war of 1812,' 'A house divided : watching America's descent into civil conflict,' 'Playing for a continent,' and 'Paris days : in a time of crisis.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning,' printouts of his personal blog postings, and replies to his freedom of information requests to various security agencies.

Fonds consists of material which documents Panitch's long standing interest in British and Canadian labour history including notes, drafts and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion", "The End of Parliamentary Socialism" and “The Making of Global Capitalism”. It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and corporatism, as well as notes and essays from his undergraduate and graduate education, and files pertaining to his editorial work for the Socialist Register.

Fonds consists of the original manuscripts, and some additional typescripts, of the 'Famous Canadian Trials' series, volumes 1-50, created between 1943 and 1949.

The fonds consists of minutes, annual reports, newsletters, financial records, membership lists, reports, press clippings, briefs and submissions to governments, president's diaries, membership directories, committee reports, scholarship fund reports and correspondence regarding the club's activities, its involvement with York University, and its work to influence provincial and federal government policies on women's issues, education, social reform and the environment. Briefs and submissions deal with a wide range of topics that include fluorination of water, discrimination against women, teaching of French, family law reform, women and the Canadian constitution, early learning and child care, abortion and the Criminal Code, pornography, reproductive technologies, human rights, gun control, affordable housing, and health care.

Fonds consists of letters written by Ted Aplin to his wife Elinor during his years of service with the R.C.A.F. including letters written while conducting relief work at the Bergen-Belsen concentration camp. It also contains copies of his birth certificate and passport, photographs of Aplin and his family, material that documents his political career in Scarborough, Ontario, a copy of his military service record, copies of articles written about Aplin before and after his death including obituaries and a transcript of his memorial service. It also contains material created and/or accumulated by his sons Nick and Frank in preparation for the 50th anniversary celebration of the liberation of Bergen-Belsen.

Fonds consists of literary manuscripts, correspondence, financial records and other documentation relating to the writing career of Sara Woods.

Fonds consists of correspondence, minutes, reports, brochures and other material that documents Rubin's involvement with the International Theatre Institute.

The fonds documents Paul James Dwyer's activities as a dancer, choreographer, and writer. Records consist mainly of correspondence and subject files relating to various dance companies such as Dance Oremus Danse and the Isadora Duncan School of Modern Dance. There is some documentation on grant applications. Also included are dance programmes, Dwyer's published articles and photographs of colleagues such as Jeanne Bresciani, Lori Belliveau, Nadia Chilkovsky, and Anita Zhan. There are video and audio recordings of interviews and dance performances. Accession 2007-059 includes correspondence with Madeleine Lytton regarding her dance career in the tradition of Isadora Duncan, correspondence and other documentation regarding the collections of books, photographs, and other material pertaining to Duncan owned by Leo and Lillian Loewenthal and Howard Holtzman, Ella Bobrow's book on Irina Odoevtseva, a program for the memorial dance performance for Hortense Kooluris, and promotional material for a wide variety of performers involved in dance, opera, and baroque music.

The fonds consists of correspondence to Paul Sullivan from family members, including 22 letters from cousin Vernon Sullivan written between 1911-1915 and describing the daily life, concerns, and opinions of a young man first as a farm worker, and then teacher, on the prairies immediately prior to enlisting to fight in World War I at the age of 16. There are also ca. 40 letters from brother Edgar Sullivan written between 1914-1943 describing the life of a homesteader who has moved to Saskatchewan to homestead and operate a business during difficult economic times. The fonds also includes diaries (1915-1971), municipal tax notices (1886-1961), personal correspondence, family wills, deeds and mortgages (from 1848), some business papers, 4 newspapers, a child's book, ca. 15 photographs and 3 business ledgers (1934-1950). The letters are arranged chronologically.

Fonds consists of the business records of The Isaacs Gallery (TIG), the Inuit Gallery and the Isaacs/Inuit Gallery which include personal and professional correspondence, exhibition catalogues, mailings, financial records, and artist files consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs such as Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland, Robert Markle, Greg Curnoe, Gordon Rayner and John Ivor Smith, among others. It also includes artist portfolio files consisting of press clippings and catalogues of their works, a comprehensive slide collection documenting an overview of his gallery exhibits, and promotional files relating to his galleries. The fonds includes Isaacs' poster collection as well as notes written by Isaacs, collected correspondence and reminiscences, drafts, mock-ups and other material related to the writing and creation of the artist's scrapbook 'Isaacs seen.'

Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.

Fonds consists of correspondence, personal files, photographs and writings by Elizabeth Kilbourn, as well as records related to her community involvement and her professional activities as a priest in the Anglican Church of Canada. The fonds includes family records, photographs and correspondence relating to her parents, William Kilbourn (her first husband) and their extended family, her memoirs, and the writings of her second husband, Richard Mackie.

Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.

Fonds consists of files relating to Earle Beattie's involvement with the formation and maintenance of the publication, Media Probe (1972-1976), which was renamed the Canadian Journal of Communication (1977-1982).

Fonds consists of personal and professional correspondence including correspondence with fellow writers such as John Metcalf, Guy Vanderhaeghe, Robyn Sarah, Adele Wiseman and Ralph Gustafson among others, academic and teaching files that document his career as a student at the University of Toronto and Cambridge and professorial files for courses taught at York University. It also includes editorial files that document his work with fellow poets at The Banff Centre for the Fine Arts and writing files including notes, drafts and manuscripts related to his own publications. Accession 2011-032 includes correspondence from Northrop Frye giving Coles advice about an academic career, book reviews written by Coles for "The Globe and mail" from the 1970s to 2001, seminar notes for the Humanities course, "Works & days," reviews of his writing, and drafts of the book of poetry, "Where we might have been" (2010).

Fonds consists of letters from Herbert Whittaker to Leonard White and his wife, Margaret.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett’s family and career with the Toronto Telegram.

The fonds consists of audio recordings in various formats of performances held at The Music Gallery including performances by artists such as James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith as well as audio recordings of the CCMC's performances at The Music Gallery and the master recordings for numerous Music Gallery Editions recordings. It also contains office files consisting of financial statements, season reports, contract with performer, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs and other material related to the activities and the performances at The Music Gallery.

Fonds consists of film and video footage (original and master elements), as well as sound tracks and audio elements, for over 50 films and television series produced by Rhombus Media Inc. including the finished products. Also includes textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company's activities.

Holdings include documentary materials and film elements from the following productions:

32 Short Films About Glenn Gould (1993)
5 Days in September aka See The Music (2005)
All That Bach (1985)
An Idea of Canada (2003)
Andrea Bocelli : Under Tuscan Skies (2001)
Beethoven’s Hair (2005)
Blue Snake (1986)
Burnt Toast (2005)
Childstar (2004)
Clean (2004)
Crossing Bridges (2001)
Elizabeth Rex (2004)
Eternal Earth (1987)
Falla: Master Peter's Puppets
Falla: Nights in the Garden
Falla:When the Fire Burns (1991)
Fanfares (1994)
Firebird (2003)
For the Whales (1989)
Foreign Objects (2000)
Four Seasons (2000)
Glenn Gould Hereafter / Glenn Gould : Au delà du temps (2006)
John Wyre: Drawing on Sound (1991)
Last Night (1998)
Long Day’s Journey Into Night (1995)
Making Overtures (1984)
Mozartballs (2006)
Music for Wilderness Lake (1980)
My War Years: Arnold Schoenberg (1992)
Perfect Pie (2002)
Radical Romantic : John Weinzweig (1990)
Ravel (1987)
Ravel’s Brain (2001)
Rodrigo at 90 (Concierto de Aranjuez) (1993)
Silk (2007)
Slings and Arrows : Season I, II, III (2001-2006)
Snow Cake (2006)
Stormy Weather : The Music of Harold Arlen (2002)
Tectonic Plates (1992)
Tectonic Plates (1992)
The Lanza Sessions (2001)
The Red Violin (1998)
The Saddest Music in the World (2003)
Toothpaste (2002)
Top of His Head (1989)
World Drums (1987)
YoYo Ma : Inspired by Bach (1997)

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

Fonds consists of correspondence and subject files, ministerial files relating to Thomas A. Hockin’s activities as the Minister of State (Finance), constituency files, press releases, press clippings, research files, correspondence related to Cape Breton Development Corporation (DEVCO), memoranda to the Minister for International Trade, and chronological and subject correspondence relating to international trade. Accruals to this fonds consist of Hockin’s files from his work as President and Chief Executive Officer of the Investment Funds Institute of Canada, which discuss issues such as sales practices for mutual funds, industry standards and self-regulation, educational initiatives within the industry, and the impact of international events upon the market value of securities. Accession 2015-036 consists of files created by Hockin as Chair of the Expert Panel on Securities Regulation between 2007 and 2009, which include correspondence, research reports, documents on principles, regulatory models, and consultation with stakeholders, working notes, newspaper articles, and draft and final text of the panel’s report. This accession also includes notebooks kept by Hockin while serving on the Executive Board of the International Monetary Fund from 2009 to 2013, containing his notes and personal reflections on global financial stability, income models, quota negotiations, risk management, global liquidity, and other areas of financial policy, as well as the IMF's relationship with countries such as Greece, Germany, and Portugal.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.

Fonds consists of J.D. (Jack) Keehn’s published articles (1951-1990), speaking engagements (1951-1994), research files, professorial files, photographs and negatives for graphs used in publications, draft manuscripts for published and unpublished works, book reviews, essays, and press clippings.

Fonds consists of correspondence of Emma Martin Sullivan, Adelaide Township, Ontario, and includes letters from her sister in Kansas, her brother, Neal, in Saskatchewan, and her aunt, Elizabeth Munson, in Maple Grove, Ontario.

Fonds consists of records pertaining to Gentles’ roles as a professor of history at York University, as an active member of the Coalition for Life, and as Vice-President and Research Director of the deVeber Institute for Bioethics and Social Research. These include files related to Gentles' teaching at Glendon College, York University and Tyndale University College, his research and publishing activities in the field of history, as well as records pertaining to his administrative activities at York. They also includes files related to Gentles’ research in bioethics—primarily on the subjects of abortion and assisted suicide—as well as records related to the administrative activities of the Coalition for Life and the deVeber Institute.

Fonds consists of Kathryn Koenig's records pertaining to her involvement in the first Advising Centre in the Faculty of Arts, York University, and includes memos, drafts, and discussions about an advising centre; promotional material; anniversary books by York University.