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Fonds consists of manuscript and typescript copies of Jason Sherman's work, copies of scripts with revisions, clippings and reviews pertaining to the production of his plays and radio and television work, personal and business correspondence, subject files and other material pertaining to his career as a writer as well as the operational files of "What" magazine.

Fonds consists of two leather-bound albums likely presented to Stephens after his resignation as president of the Saar Governing Commission.

Fonds consists of records pertaining to the governance and activities of the Canadian Society for the History and Philosophy of Science, including agendas and minutes of the Board and the Annual General Meetings, correspondence by members of the Executive, notes and financial statements from the Secretary-Treasurer, records related to the Society's constitution, Society programs from the Congress of the Social Sciences and Humanities, and membership records.

The fonds consists of general correspondence of the Canadian Science and Technology Historical Association, 1980-1992, as well as material relating to the biennial Kingston conferences, including invitations, agendas, programmes, correspondence, financial material, and copies of some of the papers delivered.

Fonds consists of a transcript of an interview conducted by Mary Reid with the artist Graham Coughtry which is prefaced by an introductory essay and a chronology of Coughtry's life. This "artist profile" was prepared for Professor Joyce Zemans as part of one of her art history courses.

Fonds consists of records pertaining to the personal and professional activities of Karen Connelly. These records include manuscripts, in various states of development, for Connelly’s published writing, particularly her books "One room in a castle" (1995), "The border surrounds us" (2000), “The lizard cage” (2005), and “Burmese lessons” (2009), as well as draft poems and stories. Journals from Connelly’s travels through Asia in the mid-to-late 1990s are also part of the fonds , as are personal journals kept between 1984 and 2011, correspondence sent and received, travel and personal photographs, literary memorabilia, and notes for Connelly’s speaking engagements and lectures.

The fonds consists of photocopies of a series of letters from Charles Arkoll Boulton to his wife Augusta, during the period of the Northwest Rebellion, 1884-1885.

Fonds consists of film and video footage (original and master elements), as well as sound tracks and audio elements, for over 50 films and television series produced by Rhombus Media Inc. including the finished products. Also includes textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company's activities.

Holdings include documentary materials and film elements from the following productions:

32 Short Films About Glenn Gould (1993)
5 Days in September aka See The Music (2005)
All That Bach (1985)
An Idea of Canada (2003)
Andrea Bocelli : Under Tuscan Skies (2001)
Beethoven’s Hair (2005)
Blue Snake (1986)
Burnt Toast (2005)
Childstar (2004)
Clean (2004)
Crossing Bridges (2001)
Elizabeth Rex (2004)
Eternal Earth (1987)
Falla: Master Peter's Puppets
Falla: Nights in the Garden
Falla:When the Fire Burns (1991)
Fanfares (1994)
Firebird (2003)
For the Whales (1989)
Foreign Objects (2000)
Four Seasons (2000)
Glenn Gould Hereafter / Glenn Gould : Au delà du temps (2006)
John Wyre: Drawing on Sound (1991)
Last Night (1998)
Long Day’s Journey Into Night (1995)
Making Overtures (1984)
Mozartballs (2006)
Music for Wilderness Lake (1980)
My War Years: Arnold Schoenberg (1992)
Perfect Pie (2002)
Radical Romantic : John Weinzweig (1990)
Ravel (1987)
Ravel’s Brain (2001)
Rodrigo at 90 (Concierto de Aranjuez) (1993)
Silk (2007)
Slings and Arrows : Season I, II, III (2001-2006)
Snow Cake (2006)
Stormy Weather : The Music of Harold Arlen (2002)
Tectonic Plates (1992)
Tectonic Plates (1992)
The Lanza Sessions (2001)
The Red Violin (1998)
The Saddest Music in the World (2003)
Toothpaste (2002)
Top of His Head (1989)
World Drums (1987)
YoYo Ma : Inspired by Bach (1997)

Fonds consists of music used by the Rex Battle Orchestra, including a series of envelopes arranged alphabetically by song title that contain published scores and lyrics, as well as original arrangements by Rex Battle. Notes written on the envelopes show names of songs, composers and publishers, as well as the music’s key, performance dates, costs of the published music and the breakdown of the scores by instrument. This fonds also consists of orchestral scores and sheet music for the piano, organ, violin, viola, clarinet, and other instruments.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of textual and graphic materials, including business records, photographs, artwork and other material, created and accumulated by Patricia (Pat) Fleisher in her capacity as an artist, photographer, art critic, art show organizer, and magazine editor and publisher of "Art Magazine", "Artpost", "Artfocus", "City Art" and the "Artfocus Online Art Magazine". Also included in this fonds are records pertaining to Fleisher's role as a member and treasurer of AICA Canada, her creative and freelance writing, and her work as an independent art appraiser.

The fonds consists of correspondence, notes, a scrapbook, publications and galley proofs of publications, both by Richard Henry Tawney and by the Workers' Educational Association. For Tawney there are notes on a book about the economic thinker Henry George (which was apparently never written), chapters in typescript and handwritten for 'Equality,' and page proofs for 'Twentieth Century socialism,' as well as articles and reviews (in typescript and handwritten and published) for 'The highwayman,' (publication of the Workers' Educational Association), correspondence with colleagues in adult education and history, and a scrapbook of newspaper clippings with some handwritten correspondence, relating to the Tawney family in England and India. For the Workers' Educational Association there are galleys of articles, and related correspondence for 'The highwayman'. There is also material of a general nature, including reports, correspondence and conference proceedings, and articles related to the education of trade unionists.

The fonds consists of research notes and typescripts for Tyrwhitt's books "The mill," "Bartlett's Canada," "How the Depression hit the West," "The exodus of the Japanese," and "The sinking of the I'm alone"; typescripts, research and correspondence regarding for articles published in Maclean's, Reader's digest, Saturday night, The Star weekly, Canadian living, the Old farmer's almanac, and other magazines; typescripts, research, and correspondence for chapters published in "Alberta in the 20th century"; editorial appraisals for Pierre Berton's manuscripts; notes made as a researcher for "The Pierre Berton show"; reports on manuscripts for Macmillan's, McClelland and Stewart, Longman's, Oberon Press, and other Canadian book publishers; notes as an editor for the Royal Commission on the Status of Women; correspondence with writers (including Pierre Berton, Ernest Buckler, Mark Gayn, Robert Kroetsch, Yves Theriault, Adele Wiseman, Sean O'Faolain, George Ronald, and others), editors, and others.

The fonds consists of typescript, corrected drafts of articles, subscriber correspondence, and correspondence with the Ontario Arts Council and the Ontario Ombudsman's Office concerning a dispute that the editor of Onion, Stephen Mezei, had with the Arts Council (1977-1979).

The fonds consists of papers, background material and newspaper clippings relating to the 'Centennial Conference' of the Progressive Conservative Party of Canada held in Montmorency, Quebec in August, 1967. There are also newspaper clippings relating to the leadership convention of September 1967 when Robert Stanfield was elected leader of the national party.

The fonds consists of meeting minutes, annual reports, treasurer's and secretary's reports, reports of the flowers and card committee, obituaries, membership lists and photographs of the members at various social occasions over the years.

The fonds consists records of R.M. Fowler, including reports, correspondence, transcripts of hearing and related material from the Royal Commission on Dominion-Provincial Relations (Rowell-Sirois). This includes summary of the hearings (1937-1940), and transcripts of private sittings with the Manitoba and New Brunswick delegations (1938). In addition, there is material from Commission staff in the form of memoranda (1937-1938), precis of discussions (1938-1939), bibliographies and Orders-in-Council, tax forms and notes and estimates relating to unemployment in Canada (1938-1939). There are also copies of several reports issued by the Commission on the taxing power in Canada, debt adjustment, excise duties, and studies of federal systems in other countries.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

Fonds consists of correspondence between Moss and numerous Canadian literary figures including Margaret Atwood, George Bowering, Matt Cohen, Northrop Frye, Robert Kroetsch, Hugh MacLennan, John Metcalf, Farley Mowat, Michael Ondaatje, James Reaney, Sinclair Ross, Ruby Wiebe, George Woodcock, among others.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

The fonds consists of copies of 'Canadian student' (published by the Student Christian Movement), 'The student,' (Student League of Canada), 'Youth forum,' (Canadian Youth Congress), and 'The new commonwealth,' (Co-operative Commonwealth Federation), 1934-1936. In addition, there is material from the League for Social Reconstruction, including minutes of meetings of the National Executive (1936-1941), membership material, and reports from the National Convention (1936), as well as newspaper clippings and related material. For the Co-operative Commonwealth Federation there are minutes, campaign material, and newspaper clippings relating to the London (Ont.) Riding Association (1938-1946).

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and material pertaining to her career as a writer, teacher and social worker.

The fonds is arranged in the following series:

Fonds consists of manuscript drafts and production photographs of the 1976 production of James Reaney's "The Dismissal" by the NDWT Theatre Company at the Hart House Theatre, as directed by Keith Turnbull and co-directed by Lester Kohalmi. The play is based on the 1896 student strike at the University of Toronto.

Fonds consists of: correspondence with Richard Outram and Barbara Howard; Christmas and St. Valentine's Day cards published by The Gauntlet Press; unpublished poetry by Outram; wood engravings by Howard, as well as programs for her exhibits and articles about her work; seven silkscreen prints created by Ronald King and numbered, titled and signed by the artist; and "Alphabet 1," a papercut alphabet designed and cut by Ronald King on hand-made paper and published by Circle Press.

The fonds consists of correspondence, memoranda and notes, by James Morrison and others, concerning the activities of the UFO and the UFCC. There is also an unsigned biographical sketch of Morrison.

Fonds consists of a typescript of Marc Egnal's "A mighty empire: the origins of the American Revolution," which was published in 1988. It includes a set of lists and tabulations of pre-revolutionary 'factions'.

The fonds consists of Henry Leslie Rowntree's material related to the proposed expansion of Toronto International Airport (now Pearson International Airport) in 1968-1970. It consists of the official plan of Etobicoke, briefs to Parliament and to the Department of Transport from groups opposed to the expansion, Department of Transport press releases and policy studies on land use in areas adjacent to airports and related material.

The fonds consists of raw material collected for the York-Timmins Project conducted by a team of researchers led by Gold in 1981 and represent some 8000 hours of field work. Other team members included James DiGiacomo, Kathy Pirie, Peter Vasiliadis, Tanya Basok, A. Stewart, Lawrence Lam, and Michael Korovikin.

Original interviews were recorded although many were done without recording, notes only being taken. The tapes were not kept in order to honour promises made to the interviewees, however, detailed transcripts and edited transcripts of all tapes and notes were made and these include consistent marking of pauses, inflection and mood. Individuals from the following cultural and ethnic groups were interviewed: "pioneers" of the Porcupine Camp (Timmins and South Porcupine area); organizers of the Workers Cooperative (Ukrainian, Finnish, and British settlers); French-Canadian settlers and parish leaders; English mine settlers (both mine workers and managers); Italian settlers and community leaders; Chinese settlers and community leaders; Jewish settlers and community leaders; miscellaneous others.

In addition, there are photocopies and typed excerpts of articles from the 'Porcupine advance,' [newspaper] dealing with ethnic relations in the region, 1912-1950, and photocopies and typescripts of articles and essays dealing with ethnic communities in Timmins. There is also a photocopy of a mine company payroll for the year 1941.

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds consists of the research files and reference material used by Frances Dafoe in her capacity as a costume designer for theatre, television production, performances and figure skating competitions.

The fonds consists of notes, drafts and research material pertaining to several of Charles Templeton's books. The material has been arranged chronologically by year of publication of the respective work.

The fonds mainly consists of material related to Margaret Laurence and Dorothy Henderson's work as a member of the Margaret Laurence Home committee. Includes correspondence, newspaper clippings and articles, brochures, reports and programs.

The fonds consists of several photo reproductions of typed statements and documents used in a meeting of the Central Committee of the Communist Party of Canada, 22-23 January, 1943, the primary document being "The Canker of Factionalism". The statements are from several CPC members who participated in self-criticism and confessional sessions.

Fonds consists of correspondence, reports, People or Planes (POP) Committee organizational files, and environmental and agricultural files related to efforts to stop the establishment of the proposed Pickering airport by the federal government.

The fonds consists of minutes, annual reports, newsletters, financial records, membership lists, reports, press clippings, briefs and submissions to governments, president's diaries, membership directories, committee reports, scholarship fund reports and correspondence regarding the club's activities, its involvement with York University, and its work to influence provincial and federal government policies on women's issues, education, social reform and the environment. Briefs and submissions deal with a wide range of topics that include fluorination of water, discrimination against women, teaching of French, family law reform, women and the Canadian constitution, early learning and child care, abortion and the Criminal Code, pornography, reproductive technologies, human rights, gun control, affordable housing, and health care.

The fonds consists of Donald Mackenzie's ledgers, day books, and account books for Mackenzie & Rogerson, merchants in Woodbridge, Ontario (1875-1904), and correspondence, petitions, registers, license records and related material for the West Riding of York Liquor License Inspector, 1877-1927.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds mainly documents John Montgomery Barber's activities as member of the National Council of Welfare.

Fonds consists of the original manuscripts, and some additional typescripts, of the 'Famous Canadian Trials' series, volumes 1-50, created between 1943 and 1949.

The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.

The fonds consists of a steel plate of James Paton Isaac, which was used for the front plate of 'Factors in the ruin of antiquity,' (1971).

Fonds consists of Wordswrights Canada files including correspondence, promotional material, newsletters and client files related to Ioannou's company; publishing files consisting of material related to Ioannnou's own writing and includes galleys of collections of her poetry and readings files consisting of correspondence, notes and drafts of talks presented by Ioannou on the the teaching of poetry to various groups and organizations.

The fonds consists of George Stewart Henry's daily appointment books (1931-1934), an algebra exercise book, and his passport, issued in 1928.

Fonds consists of a typewritten memoir of Douglas George How's two years as assistant to Robert Henry Winters, Canadian Minister of Public Works, 1955-1957.

The fonds consists of a diary of E.C.A. Gordon and account book for work in the shipyards at Galatea, Constantinople, for the year 1856. The accounts are kept in piastres [Spanish currency] and British pounds.

The fonds consists of records of Joseph O. Goodman.

The fonds consists of business receipts of Henry Gilchrist and family members, correspondence from Manitoba College, a genealogy of Henry McCuaig and Janet Calder (Gilchrist ancestors), photographs of Mrs. Henry Gilchrist and of Reverend James Archibald Hume Pue-Gilchrist, and related material.

Fonds consists of records pertaining to the Waffle movement and includes clippings, campaign material, policy papers and research materials, minutes of the provincial executive and provincial council, some correspondence, Waffle newsletters and bulletins, educational material and bibliographies.

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.

The fonds consists of personal correspondence of Robert Pridham Crawford and his wife Elsie along with financial records relating to the Gladhill Farm, including income tax records, employment records, and cash books, cancelled cheques, and related material. There is also a good deal of printed material in the form of pamphlets, brochures, magazines and newspaper clippings. These deal with Crawford's professional activities as an engineer. There is also material describing Sudbury, Ontario and material concerned with horses, farming, and homemaking. In addition, the fonds contains notes and material from Crawford's student days at the University of Toronto. There are also some financial records from Dr. E. M. Crawford. There is a small amount of material dedicated to Georgian College, including planning documents, calendars, and some correspondence.

The fonds consists of memoranda from the Committee for an Independent Canada to members, and a series of policy papers on corporate accountability, natural resources and the visual arts in Canada.

Fonds consists of a collection containing manuscripts, typescripts and printed copies of poems by Margaret Avison; correspondence between Margaret Avison and Margaret Clarkson; and periodicals containing works of or about Margaret Avison.

The fonds consists typescripts of articles, with editorial corrections in red ink and pencil, galleys, artwork (maps, graphs, diagrams, etc.), correspondence, and related material for production and publication of the Cartographica journal. In addition, there are administrative records, including invoices, addresses of subscribers and editorial members, renewal notices and related material.

The fonds consists of scripts for Canadian Film Development Corporation film productions, including many that never entered the production phase, and others that were never released. Among the titles in the collection are 'Lies my father told me,' (written by Ted Allan, directed by Jan Kadar, 1973), 'La maudite Galette,' (written by Jacques Benoit, directed by Denys Arcand, 1971-1972), 'Rip-off,' (written by William Fruet, directed by Don Shebib, 1970-1971), 'The rowdyman,' (written by Gordon Pinsent, directed by Peter Carter, 1971-1972), 'Return to Rainbow Country,' (written by William Davidson, n.d.), 'Partners,' (written by Norman Snider and Don Owen, 1975), and other titles.

The fonds documents the creation and activities of the British Canadian Trade Association in promoting trade between Great Britain and Canada.

The fonds consists of records pertaining to Jack Berke's involvement with the Community Chamber Orchestra of York University, from 1979 to 1988, as musician (bassoon player) and member of the Orchestra Board of Directors. The fonds includes concert programmes, concert schedules, contact sheets, some minutes of the Executive Committees, and newspaper clippings.

The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').

The fonds consists of Fred Matthews Young's working files for his legislative responsibilities. The largest part of the fonds contains files related to transportation and especially highway traffic, which reflects Young's role on the Select Committee on Highway Traffic. The files are divided into subjects related to transportation (safety, lighting, re-sale of automobiles, automobile prices, alternatives to the automobile), and include reports of government agencies, briefs to the Select Committee and other committees, copies of bills, copies of Hansard (Ontario), advertisements, press releases and background material. In addition, there is material on several other issues before the Legislative Assembly including smoking, housing (including public housing), election expenses, reformatories, municipal affairs, and material relating to the Revenue Ministry, including material on land transfer taxes, provincial income taxes, the government estimates, securities law, the Corporations Act and related subjects. This material includes reports, submissions, statements of ministers and members, copies of speeches, Hansard, copies of bills and amendments and related material.

Fonds consists of literary manuscripts, correspondence, financial records and other documentation relating to the writing career of Sara Woods.

The fonds consists of records pertaining to Archibald Henry Woods' activities with the Co-operative Commonwealth Federation Council (CCF). The fonds includes minutes of meetings, 1945-1946; correspondence and papers, 1946; reports, 1946; newspaper clippings, 1936-1945.

The fonds consists of letterbooks of Albert Edward Taylor for the period, 1892-1901 when he was practising law in Aurora, Ontario.

The collection contains a brief of the Sussex Area Residents' Association to the City of Toronto Planning Board, a brief history of the area, a notice of a public meeting to discuss the city proposals held in 1967, and manuscript notes for the brief and history.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

The fonds consists of Frederick F. Schindeler's records as a graduate student, an educator and during his term as Alderman in North York. The material includes minutes, agendas, correspondence, briefs, background material and related items from Borough Council and its committees (Art gallery, Negotiating, Traffic, Works, Conflicts of Interest, Development, Environmental Control, Adjustment), and from the Board of Control and the Library Board. There is material from several of the municipal departments (Building, Clerk's Office, Parks & Recreation, Personnel, Public Health, Public Works, Police), and material from government agencies, federal and provincial, active in the Borough (Department of Consumer and Corporate Affairs-federal, Consumer Affairs and Workmen's Compensation Board-provincial). There is material dealing with housing, including by-laws and zoning regulations for North York and provincial legislation dealing with housing; material dealing with transportation policy and planning, including rapid transit, the proposed Spadina Expressway, transportation studies, and related subjects. There is correspondence with constituents and civil servants dealing with local problems, and correspondence from ratepayers and other local organizations. For his book, 'Responsible government in Ontario,' there are files relating to the methodology employed in the book, illustrations, notes, source materials and bibliography, and general publication files. Also included are personal graduate papers, research notes, correspondence, professorial notes and memorandums.

The material in Accession 1972-006 dealing with the North York Council is arranged alphabetically by subject heading (associations, committees, government agencies, transportation). The constituents' correspondence is arranged alphabetically by name while that from associations and organizations is organized separately and then arranged alphabetically.

The fonds consists of a series of letters between Enid Rutland and Margaret Laurence (1970-1983), dealing in the main with the production of 'The collected plays of Gwen Pharis Ringwood,' (1982), but containing some personal notes as well.

The fonds consists of minutes of the Ruskin Literary and Debating Society (1909-1993) [incomplete], reports of the critic (1920-1983), constitutions and by-laws, correspondence, invitations, lists of officers and members (1964-1991) [incomplete], financial records (1964-1979), histories of the Society, lists of prize winners, programmes of events (1904-1988) [incomplete], banquet programmes, and memorabilia, including photographs of meetings and members, the Society stamp and related objects.

The fonds consists of correspondence of George James Rogers, financial records, audio reels, films, and related visual materials used in presentations by the Canadian Economic Foundation (CEF), the American Economic Foundation (AEF) and American Free Enterprise Productions. There is also material relating to Rogers' public relations work with Canadian General Electric.

The fonds documents Pauline Elizabeth Rhind's activities with the Kakabeka Press as well as her activities as a writer and artist for the period 1945-1978.

The fonds consists primarily of records relating to the Harry Crowe dispute, but also includes others pertaining to Packer's academic career and personal life. Records have been arranged in the following series:

Fonds consists of textual records created and accumulated by Maj. Burke in his role as Secretary of the Gurkha Welfare Appeal (Canada). Files related to the operations of the GWA(C) in Canada include financial statement, reports, audits, meeting minutes. The fonds also contains copies of reports, meeting minutes, newsletters, and promotional material for the Gurkha Welfare Trust in the United Kingdom. Files related to the promotion of the GWA(C) in Canada also include photographs, souvenir items, post cards, and maps and other material related to Nepal tourism. Files related to the projects of the GWA(C) in Nepal, including the Area Welfare Centres, schools for the blind, bridges, and water projects, consist of records such as photographs, maps, and reports. The fonds also contains published material including booklets and pamphlets about the Gurkhas and a copy of a Ph.D. dissertation on Gurkha history. Fonds also contains two medals, a plaque, military lapel pins, and three videocassettes.

The fonds consists of playbills and programmes for productions of the New Play Society, including 'Spring thaw,' and its predecessor body, the Village Players.

Fonds consists of correspondence of Emma Martin Sullivan, Adelaide Township, Ontario, and includes letters from her sister in Kansas, her brother, Neal, in Saskatchewan, and her aunt, Elizabeth Munson, in Maple Grove, Ontario.

Fonds consists of three series: diaries recorded in bound journals kept by Mackenzie during his adolescence and adult life; manuscripts of three works of non-fiction; and photo albums and passports of his family,and his life and travels overseas. Mackenzie recorded extensively on local and international political and social events. In his youth, Mackenzie was preoccupied with fascist and socialist movements in Europe. In later life, he became concerned with the influence of American foreign policy and its impact on Canadian sovereignty. His diaries also reflect his interest in films and the theatre, with entries on the deaths of his favourite actors and actresses and frequent entries on the various films and plays he attended in Toronto and abroad. He also wrote about the tours and activities of various royal families, and chronicled his own travels throughout the world in detail, including his extended stays in Australia and England. Mackenzie kept meticulous notes on his employment history and living environment. He also recorded details of his writing activities and his efforts to publish and support himself through writing. Mackenzie kept entries on his social activities in the gay community of Toronto, his relationships with other men, and later in life, his reflections on gay marriage, same-sex legal rights, the AIDS crisis, and the rights of gay couples to adopt and raise children.

Fonds consists of records pertaining to the personal life of Jeanne Randolph and to her work as an art theorist and psychiatrist. These records, which date from the early 1940s to 2014, document Randolph's relationships with friends, family and colleagues as well as the progression of her medical career, her art writing and lecturing. Included in the fonds are correspondence, photographs, research materials, draft manuscripts, notes, journals, day planners, personal memorabilia and ephemera created and accumulated by Randolph, as well as photographs and memorabilia pertaining to the early life of Randolph's mother, Elizabeth Bryant Randolph, and the Bryant and Randolph families.

Fonds consists of material that documents Kulyk Keefer's career as a writer and academic. These records include personal and professional correspondence with fellow writers, files related to her work with the Eden Mills Writers' Festival and House of Anansi, drafts of poems and short stories, and draft manuscripts of her published works of fiction and non-fiction. Also included are research and subject files and promotional materials pertaining to her writing projects, copies of published writing by and about Kulyk Keefer, personal notebooks, speeches and photographs.

The fonds consists of correspondence of James Mavor with colleagues as well as press clippings relating to a Balkans Crisis in 1908.