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Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.

Fonds consists of documents and books created and received by Marian Fowler over the course of her activities as a scholar, author, parent, and individual. It includes personal diaries; travel and writing journals; notes on life writing; unpublished poetry; personal photographs; television and radio interviews; published books; correspondence, both professional and personal, including letters from her son, Tim Fowler; and the poetry and autobiographical writing by Robert D. Little (Marian’s father).

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.

Fonds consists of records created and maintained by Rita Greer Allen pertaining to her career as a freelance writer, researcher and broadcaster for radio and television, her work as an artist and sculptor, and her interest in and research about Jungian psychology. These records document Greer Allen's writing of dramatic and documentary scripts for radio and television in the 1940s, 1950s and 1960s, particularly her adaptations of short stories, novels and plays. Radio scripts written in the 1940s in collaboration with her husband, Robert Greer Allen, are also part of this fonds, as are scripts, audio recordings, interview transcripts and research materials pertaining to Greer Allen's writing, production and on-screen presenting work in the 1960s and 1970s for Canadian Broadcasting Corporation (CBC) television program "Take 30". Correspondence and contracts pertaining to her work are included in the fonds and illustrate the long-term freelance nature of Greer Allen's radio and television writing for the CBC, the National Film Board of Canada (NFB), the British Broadcasting Corporation (BBC) and others. The fonds documents Greer Allen's lifelong interest in art, particularly her work in the 1970s and 1980s as an artist and sculptor of raku pottery. Personal records, correspondence, research files and records pertaining to Greer Allen's travels are also included. Records in this fonds are correspondence, scripts, transcripts, notes and notebooks, photographs, audio recordings, day planners, artwork, research materials, newspaper clippings, posters, and personal memorabilia.

Fonds consists of textual and graphic materials, including business records, photographs, artwork and other material, created and accumulated by Patricia (Pat) Fleisher in her capacity as an artist, photographer, art critic, art show organizer, and magazine editor and publisher of "Art Magazine", "Artpost", "Artfocus", "City Art" and the "Artfocus Online Art Magazine". Also included in this fonds are records pertaining to Fleisher's role as a member and treasurer of AICA Canada, her creative and freelance writing, and her work as an independent art appraiser.

Fonds consists of manuscripts, personal and professional files, objects, sound recordings and interviews pertaining to Fusé’s expertise in the field of suicidology, autobiographical accounts of his personal life, cultural differences that he observed between North American and Japanese society, and biographical accounts of the Indian nationalist leader Subhas Chandra Bose. The fonds has been arranged into three series: Personal files, Professional files, and Manuscripts.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

Fonds consists of 16mm film reels filmed by Calverley documenting daily life in Egypt and Greece from roughly 1929-1952, including scenes from the Greek Civil War.

Fonds consists of records created and accumulated in the 1980s, 1990s and 2000s by Theresa Burke. These records document Burke's research, production and investigative work for "The fifth estate" documentaries airing from 1994 to 2015. Many of these records pertain to the following documentaries: "The trouble with Evan" (1994), "His word against history" (2000), "Terror" (2001), "Nightmare drug" (2002), "A state of denial : the Bill Sampson story" (2002), "Deathrow.com" (2003), "Death of a beauty queen" (2004), "The big break" (2005), "The Steven Truscott story: moment of truth" (2005), "You be the judge" (2005), "The lady vanishes" (2007), "The girl in Saskatoon" (2008), "Someone got away with murder" (2009), "Broken heroes" (2009), "The legacy of Brendan Burke" (2010), “Behind the wall” (2010), "The devil you know" (2011), "A question of innocence" (2011), "Diagnosis murder" (2012), “The last great escape” (2013), “The interrogation room” (2014), and “Mr. Big stings: cops, criminals and confessions” (2015) . Also included are research materials and manuscripts pertaining to Julian Sher's book, "Until you are dead: Steven Truscott's long ride into history" (2001), on which Burke worked as a research associate, as well as manuscripts and other materials relating to Ty Conn and Burke's book, "Who killed Ty Conn" (2000), co-authored with Linden MacIntyre. Records created and accumulated by Burke in the course of her research about the National Parole Board, the subject of witness protection, and the murder conviction of Mason Jenkins are also part of the fonds, as are a number of files relating to other miscellaneous research projects. Records pertaining to Burke's early career in public relations and marketing at Alliance Entertainment and Norstar Entertainment are included in this fonds, as are administrative records and training materials from the CBC, as well as Burke's personal journals, notebooks, letters and university essays. Records in this fonds are predominantly textual records and audiovisual materials arranged by project. These records include correspondence, interview transcripts, memoranda, copies of court transcripts and documents, copies of medical reports, journal articles, notes and notebooks, production materials including draft scripts, newspaper articles, contact lists, copies of police reports, prisoner records and legal documents, video cassettes (in multiple formats), audio cassettes, as well as computer disks and photographs.

The fonds consists of George Stewart Henry's daily appointment books (1931-1934), an algebra exercise book, and his passport, issued in 1928.

Fonds consists of material that documents Kulyk Keefer's career as a writer and academic. These records include personal and professional correspondence with fellow writers, files related to her work with the Eden Mills Writers' Festival and House of Anansi, drafts of poems and short stories, and draft manuscripts of her published works of fiction and non-fiction. Also included are research and subject files and promotional materials pertaining to her writing projects, copies of published writing by and about Kulyk Keefer, personal notebooks, speeches and photographs.

The collection includes ephemera such as announcements of conferences, seminars, and exhibits; newsletters from various university offices and colleges; public reports; guides and handbooks; press releases; bulletins; posters; etc. The collection is arranged alphabetically by the name of the office which created the ephemera.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

Fonds consists of diaries, account books, crop records, photographs, publications and drafts written by Hunt, correspondence, contracts, receipts, government documents and publications, newspaper and magazine articles, maps, and ephemera. Hunt’s correspondence with various government officials and travel coordinators documents his enrollment in the Settlement Scheme, and the processes involved in migrating from England to Canada. Hunt’s participation in the scheme is further documented by his accumulation of government publications and legal documents, as well as the journals and receipts that pertained to his farming activities. Photographs and maps depict Hedgerows farm and its location. Newspaper and magazine clippings and other printed ephemera collected by Hunt, while in Saskatchewan and after his return to England, record his continued interest in the fates of his fellow settlers. Although Hunt published an essay recounting his experiences positively, his drafts speak of his ultimate discontent with the Settlement Scheme.

Fonds consists of two leather-bound albums likely presented to Stephens after his resignation as president of the Saar Governing Commission.

Fonds consists of material related to the professorial career of Paul Herzberg, including course files relating to undergraduate and graduate courses in computer science and psychology and the Keller Plan statistics course. Fonds also includes material that documents other personal and professional activities, including textbook notes and drafts, diaries, personal correspondence and reference letters. Records have been arranged by the donor into the following series:

Collection consists of meeting minutes, academic papers, government publications, reports, newspaper articles and clippings, books, protest ephemera, a typescript and a videocassette tape related to Wanda MacNevin’s research for the books "If Only I Knew: Stories of Teen Mothers" and "By Us! For Us! Activism in Jane Finch, A Working-Class Community" and the work of community organizations such as the Black Creek Venture Group, Jane/Finch Community and Family Centre, and Promoting Education and Community Health (PEACH).

Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.

The fonds consists of records of Joseph O. Goodman.

Fonds consists of the records created and accumulated by Arnold Hoffman as a prospector and stockholder, relating to gold mining operations in Ontario, Quebec, and the Northwest Territories. Records relating to the gold mines at Wright-Rouyn, Arrowhead, and Thompson-Lundmark include: maps and sketches, photographs, geological studies, reports, and assay reports. Files also contain records pertaining to Stadacona Rouyn, Sunset Yellowknife, Junior Frood, Coniaurum, Algood, Pershon, Resenor, Michipicoten, Croydon Rouyn, and El Canada mines, including geological reports, and correspondence. Records related to Hoffman’s stocks and business operations as Secretary of Gold Operators (Canada) Ltd. include stockholder lists, securities lists, annual reports, meeting minutes, correspondence, newspaper clippings, cheques, and contracts.

The fonds consists of George Williams Brown’s correspondence, speeches, research material, and papers of the Montebello Conference.

Fonds consists of drawings, photographs, posters, and textual documents created by or for Fred and Glenn Moffatt in the course of their careers as industrial designers. The holdings include: Fred Moffatt’s artwork created for his courses at Central Technical School and the Ontario College of Art in Toronto between 1926 and 1933; graphic material and textual records used in the development of product literature, packaging, and advertising material for print media and point-of-purchase displays for various clients but especially for household electrical appliances manufactured by the Canadian General Electric Company Limited and Black & Decker Canada Incorporated, 1933 to 1998; and drawings that track the development of appliances, in particular electric kettles, from conceptual designs to the technical drawings required for manufacturing from the late 1930s to 2001. The fonds also includes award certificates, a small amount of correspondence regarding design projects, and information about F.E. Moffatt Limited.

Fonds consists of correspondence, speeches, handwritten and typescript notes, photographs, programs and flyers for cultural and political events, newspaper and magazine articles, booklets, and ephemera created or accumulated by Sam and Manya Lipshitz regarding their professional activities and family life. Handwritten letters trace their courtship while Sam worked in Montreal and Manya studied in New York during the late 1920s. Many subsequent documents pertain to their involvement with Jewish organizations, particularly the Labour League, United Jewish Peoples Order, the New Fraternal Jewish Association, and the Canadian Jewish Congress. Sam Lipshitz's work as editor and writer is a major theme throughout the fonds, which includes correspondence and draft articles for "Vochenblatt," "Morning freiheit," and "Fraternally yours," as well as clipped stories and entire issues of these periodicals. Sam's trip to Poland in 1945 with H.M. Caiserman on behalf of the Canadian Jewish Congress is well documented through his letters to Manya, published reports, and photographs. Similar records are available for his trips to Europe, Israel, and the Soviet Union, with considerable information regarding the communist parties in these countries (such as a photograph album devoted to the Congress of the Israel Communist Party in 1949). The fonds includes correspondence, reports, speeches, photographs, and other documents pertaining to Sam's involvement with the Labor-Progressive Party, the careers of prominent communists including J.B. Salsberg, Tim Buck, Sam Carr, Fred Rose, and Albert Alexander MacLeod, tensions within the Canadian Jewish Congress over the relationship between communism and Zionism, the Lipshitzs' resignation from the communist party in 1957, Manya's campaign for a seat on the board of education in 1956, and Sam's campaign for alderman in North York in 1974 (both unsuccessful). The fonds also deals with international issues facing the Canadian Jewish community from the 1940s to the 1990s, including: the Warsaw Ghetto uprising in 1943, Nazi concentration camps in Poland during World War II, the Polish resistance movement, relief work after the war and efforts to improve living conditions and cultural life among Poland's Jews, efforts by Jews in Canada to find relatives among the survivors of concentration camps, trials of Nazi war criminals, Canada's post-war immigration policy and the campaign for Jewish emigration to Canada, the survival of anti-Semitism after the war, Palestine and an independent Israel, politics and conflict in the Middle East, the case of Julius and Ethel Rosenberg, the plight of Jews in the Soviet Union, Holocaust memorials, and the work of Jewish mutual benefit societies. The Lipshitzs' strong interest in literary affairs is evident through many files pertaining to Jewish writers between 1943 and 1997, which contain correspondence, biographical articles, samples of these writers' work, and speeches extolling their accomplishments made by Sam when they visited Toronto. This material also deals with the visit of writers Solomon Michoels and Itzik Feffer to New York and Toronto in 1943 to promote relations with the Soviet Union, and memorials to the Soviet writers executed in 1952 under orders from Joseph Stalin. The Lipshtizs promoted the Yiddish language and Jewish culture through their written work. The fonds includes copies of three issues of the handwritten journal, "Komunar," edited by Manya between 1922 and 1923 while living on the commune in Russia, as well as poetry written by Manya throughout her life. Her teaching notes document Manya's work at the Morris Winchevsky School, and her interest in Jewish history, song, and festivals. Photographs provide additional information on the school's activities, including the visit by singer and activist Paul Robeson in 1947. Other images in the fonds show Sam speaking at rallies, Manya's campaign for "mayor" of Camp Naivelt, and members of the Lipshitzs' extended family in various settings. The fonds also contains material about work of Trade Typesetting, and testimonials to Sam and Manya Lipshitz added to the fonds after their deaths.

The fonds documents Edward Arthur Beder’s activities as political activist and author and includes manuscripts, 1921-1972; correspondence, 1923-1972; membership lists; files of the Socialist Party of Canada; files of the League for Social Reconstruction, ca. 1933; files of the Canadian League Against War and Fascism, 1934-1937; project outlines files, 1935-1936; lecture notes and abstracts, 1934-1965; notes, 1935-1946; printed material, 1930-1972; and news clippings, 1921-1972.

Fonds consists of records pertaining to Reg Whitaker’s writing and research projects and his work as an academic. Records include correspondence, drafts, research materials and subject files.

Fonds consists of: an early sketchbook; an exhibit book from the Agnes Etherington Art Centre entitled Notes on dark ground; a magazine with an article about Ingeborg; an invitation to Ingeborg’s 1986 studio show on Howe Island; a collection of magazine articles and clippings of upcoming gallery exhibits, architecture, and art; newspaper clippings on movies, art and entertainment; correspondence from friends, family and colleagues including artist Nina Whiting, writer Daniel Manfredi, painter Peter Bieselt, Thomas Ring-Stiftung, Joan Mackenzie, and gallery owners; a letter from Timothy Findley; artist profiles of Ingeborg Mohr; her curriculum vitae; articles, stories and poems written by friends; and a collection of articles on art, architecture and philosophy.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Fonds consists of records pertaining to Robert Laxer's family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.

The collection consists of bound typescripts of diaries, many with photographs included, of Stephen McKenna's travels in South America, the Caribbean, North Africa, France and other countries (1921-1933). There are also typescripts and carbon copies of four plays he composed, including 'Ninety-six hours' leave,' (1917), short stories and articles, some in draft form, other clipped from magazines, and scrapbooks of serialized novels which appeared in newspapers and magazines. In addition, there are photographs of locales he had visited.

The fonds consists of letters (1919-1922) to Lieut.-Col. Aikin from his young daughters, Ethel, Flora, and Dorothy; his wife, Olive; and someone from Glasgow named Isabella. It seems that the family lived in Saskatoon while the father was working in Winnipeg. The letters also mention another daughter, Catherine. There are a couple of other more formal pieces of correspondence with government departments dating 1949 and 1955.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

The fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.

The fonds consists of board of directors agendas, minutes and reports; annual meeting agendas, minutes and reports; association correspondence; board of reference reports; federation treatises and reports; federation newsletters; theses related to the FWTAO; collective bargaining files, grievance and arbitration files; staff reports; affirmative action/employment equity files; legal documents; photographs, slides, film and video recordings, and audio recordings; memorabilia.

The fonds consists of literary and academic manuscripts collected or written by True Davidson, research files, political files, files related to the Bootmakers (Sherlock Holmes club), correspondence files, personal files, newspaper clippings, photographs, journals/yearbooks, and a scrapbook regarding True Davidson's years as the mayor of East York, as well as her black belt in karate.

Fonds consists of records pertaining to Dave Broadfoot's career as a Canadian comedian. Records include correspondence, scripts, memorabilia, and videocassettes.

Fonds consists of correspondence, photographs, news clippings, and broadcast scripts pertaining to the lives of Irene T. Barclay, her brother Kingsley Martin, her husband John B. Barclay, and their sons Anthony and Michael Barclay. It includes John Barclay’s letters home from France during World War I, and documents regarding: Irene Barclay’s work as a surveyor in Great Britain and as an advocate of housing reform; pacifism and nuclear disarmament; the education and activities of Anthony Barclay after emigrating to Canada; and the career of Kingsley Martin, including his death in 1969.

Fonds consists of letters written by Ted Aplin to his wife Elinor during his years of service with the R.C.A.F. including letters written while conducting relief work at the Bergen-Belsen concentration camp. It also contains copies of his birth certificate and passport, photographs of Aplin and his family, material that documents his political career in Scarborough, Ontario, a copy of his military service record, copies of articles written about Aplin before and after his death including obituaries and a transcript of his memorial service. It also contains material created and/or accumulated by his sons Nick and Frank in preparation for the 50th anniversary celebration of the liberation of Bergen-Belsen.

Fonds consists of records created and maintained by Robert Greer Allen pertaining to his personal and professional activities, specifically his work as a producer and executive producer for programs on Canadian Broadcasting Corporation (CBC) radio and television from the 1940s to the late 1980s, his experience as a radio scriptwriter (working with wife Rita Greer Allen) in the 1940s, and his early life and childhood. These records include scripts, production materials, photographs, architectural drawings, personal and career memorabilia, correspondence, memoranda, day planners, research materials and administrative files.

The fonds consists of correspondence, memoranda and notes, by James Morrison and others, concerning the activities of the UFO and the UFCC. There is also an unsigned biographical sketch of Morrison.

The fonds consists primarily of approximately 50 letters written to Mrs. Thomas Shore, and one to Jennie Shore. Most of the letters were written by Mrs. Shore's son Charles W. Shore, and about thirteen of these were sent to Mrs. Shore by her cousin, Andy Bach. There are also about a dozen letters of recommendations for Ivan Bradshaw Miles Barr.

Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.

Fonds consists of textual records about the life of George E.A. Reid, including birth, baptismal, and death certificates, high school yearbooks, personal correspondence, and personal papers from throughout adolescence and adult life, as well as material relevant to his professional working life. The records also include information about his family, including the diary writings of his mother, Bessie Ellis Reid, and his wife, Olive Reid. Fonds also consists of correspondence sent between family members and received by family members. Also included are 12 large scrapbooks containing cards, photographs, newspaper clippings, and other material created by, collected and arranged by George E.A. Reid and family. Also included in the fonds are Reid's personal and family photographs and various forms of Reid's artwork and music, including drawings, sketches, paintings, graphic print artwork, and some original musical compositions. The fonds also contains 35mm and large-format colour transparencies taken by George E.A. Reid of the family and flower gardens, as well as a binder containing original animation cells from "Life with Cecil" (1960), a short film animated by Reid, and other artwork including hand-painted cartoon movie title stills, sketches on tracing paper, and other hand-drawn cartoons. Also, there are 18 8mm film reels of home movies and family trips, as well as 2 audio cassettes that include Dianne Reid's interview with George's older brother Ted, and a recorded musical collaboration between George E.A. Reid and his youngest daughter, Stephanie.

A book and pamphlet collected by George E. A. Reid through his schooling and work and donated with the fonds have been added to Special Collections, and are accessible through York University Libraries' catalogue.

The collection consists of war diaries of the 2nd Field Company of Canadian Engineers (including Intelligence summaries and progress reports) for the period, 1915-1919, 1940-1941 (latter dates confined to Fort York, Toronto). In addition, there are regimental documents including list of regimental numbers, officers and men discharged (1915-1918), nominal rolls, transfer rolls, daily register, register of recruits (1930-1943), and company orders (1921-1925).

Fonds consists of correspondence between Captain James R. Allan and Vivien Beer of Strathroy, Ontario before Captain Allan, was killed; press clippings and photographs of Captain Allan and Private Walter Beer while serving in World War I and scenes of various members of the Beer family.

Collection consists of archival material included in the Wyndham Lewis Collection. Consisting of batches of letters from Lewis' widow, Anne Wyndham Lewis (Froanna), news clippings on various aspects of Lewis' public activities (book reviews, criticism, artwork, obituaries), and promotional material relating to his publications (publishers' advertisements, inserts, and other ephemera).

Fonds consists of three series: diaries recorded in bound journals kept by Mackenzie during his adolescence and adult life; manuscripts of three works of non-fiction; and photo albums and passports of his family,and his life and travels overseas. Mackenzie recorded extensively on local and international political and social events. In his youth, Mackenzie was preoccupied with fascist and socialist movements in Europe. In later life, he became concerned with the influence of American foreign policy and its impact on Canadian sovereignty. His diaries also reflect his interest in films and the theatre, with entries on the deaths of his favourite actors and actresses and frequent entries on the various films and plays he attended in Toronto and abroad. He also wrote about the tours and activities of various royal families, and chronicled his own travels throughout the world in detail, including his extended stays in Australia and England. Mackenzie kept meticulous notes on his employment history and living environment. He also recorded details of his writing activities and his efforts to publish and support himself through writing. Mackenzie kept entries on his social activities in the gay community of Toronto, his relationships with other men, and later in life, his reflections on gay marriage, same-sex legal rights, the AIDS crisis, and the rights of gay couples to adopt and raise children.

Fonds consists of personal diaries, teaching notes and writing, performance and family memorabilia, diplomas, correspondence, sheet music, photographs and audio recordings pertaining to the personal life and professional career of Peggie Sampson, including her early activities as a music student, her work as a professor of music, and her performances on the cello and viola da gamba. These records also document her associations with early teachers Guilhermina Suggia, Donald Francis Tovey, Nadia Boulanger and Pablo Casals, as well as her work with the Manitoba University Consort during the 1960s and the Quatre en Concert in the 1970s. The personal diaries in the fonds span Sampson's time in Edinburgh and London during World War II to her immigration to Canada in 1951 to teach at the University of Manitoba and her employment at York University from 1970 to 1977.

The fonds consists of raw material collected for the York-Timmins Project conducted by a team of researchers led by Gold in 1981 and represent some 8000 hours of field work. Other team members included James DiGiacomo, Kathy Pirie, Peter Vasiliadis, Tanya Basok, A. Stewart, Lawrence Lam, and Michael Korovikin.

Original interviews were recorded although many were done without recording, notes only being taken. The tapes were not kept in order to honour promises made to the interviewees, however, detailed transcripts and edited transcripts of all tapes and notes were made and these include consistent marking of pauses, inflection and mood. Individuals from the following cultural and ethnic groups were interviewed: "pioneers" of the Porcupine Camp (Timmins and South Porcupine area); organizers of the Workers Cooperative (Ukrainian, Finnish, and British settlers); French-Canadian settlers and parish leaders; English mine settlers (both mine workers and managers); Italian settlers and community leaders; Chinese settlers and community leaders; Jewish settlers and community leaders; miscellaneous others.

In addition, there are photocopies and typed excerpts of articles from the 'Porcupine advance,' [newspaper] dealing with ethnic relations in the region, 1912-1950, and photocopies and typescripts of articles and essays dealing with ethnic communities in Timmins. There is also a photocopy of a mine company payroll for the year 1941.

The fonds consists of a typescript carbon copy of Robert Laird Borden's dairies for the period, 1912-1922. This covers the war years, the passage of the War Measures Act, the introduction of income tax in Canada, the organization of the Union government, and related topics.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of material that documents Moore's activities as actor, writer, critic, educator and public servant. It documents his careers with the Canada Council, the British Columbia Arts Council, the Canadian Broadcasting Corporation (CBC), the New Play Society, 'Spring Thaw' and the Charlottetown Festival, and includes correspondence, manuscripts, scores, minutes of meetings, speeches, reports, clippings, photographs and other audio-visual materials.

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Consists of Dosman's project records and research files pertaining to his critically-acclaimed biography of Raul Prebisch. There are project correspondence files including photographs, notebooks, letters and notes from Prebisch's widow, interview files, and secondary biographies; special correspondence files between Prebisch and his colleagues and contemporaries; unpublished transcripts of Prebisch's "conversations" with colleagues; tributes on the occasion of Prebisch's death; manuscript drafts; copies of Prebisch texts and writings; considerable rare secondary source material from Argentina, Chile and other South American countries, CEPAL, critics and scholarly papers; correspondence files; government documents; office correspondence between CEPAL Santiago to Washington (primarily when David Pollock was Director of the Washington office of CEPAL during the period when Prebisch was resident in Washington and advisor to Enrique Iglesias, Executive Secretary of CEPAL); World Bank library documents; IMF library documents; UNCTAD correspondence and documents; Prebisch's office correspondence files; press clippings; and other material.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett’s family and career with the Toronto Telegram.

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

The collection consists of material related to James Milner's career in the area of community planning law and includes a copy of the article written by Mary Louise Bogart and John Edward Page on Milner as well as correspondence relating to its publication. In addition, there is material on the Town Planning Institute of Canada (TPIC), predominantly materials of a historical nature. There are also several audio reels and cassettes of interviews with planners and members of the TPIC who were Milner's colleagues. Finally, there are some microfilm copies of studies done in the area of land conservation. Some of this material was removed from the Milner fonds during the time it was held by the Faculty of Environmental Studies, York University.

Fonds consists of Endicott's detailed and extensive research files and drafts pertaining to his books; learning and teaching files; academic correspondence; occasional papers and presentations; and other material. Files are arranged in series as defined by him prior to donation.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, slides, teaching files for his history of design course, design books and magazines.

Fonds consists of records created and accumulated by John D. Harbron, his wife Sheila E. Harbron, and some other members of their extended family. The collection mainly consists of John D. Harbron's correspondence, newspaper articles, and his personal, professional, and academic research and writings about Cuba and Latin America. The files also include essays and speeches by Harbron, as well as correspondence with editors and dignitaries, both national and international. The fonds also includes a large number of articles written by John D. Harbron for Canadian and international publications. The files belonging to Sheila Harbron contain personal records as well as genealogical research files, which include records and photographs tracing the Buck, Harbron, Hardy, Lester, Matheson, and Ryerson families.

Additionally, John D. Harbron's Cuban and Latin American book and pamphlet collection has been added to the Special Collections.

The fonds consists of correspondence of James Mavor with colleagues as well as press clippings relating to a Balkans Crisis in 1908.

The fonds documents Terence William Barker’s activities as minister in the Jehovah Church. These records include material related to the Assemblies of the Jehovah's Witnesses (1961-1972); correspondence, reports and newspaper clippings concerning the issue of blood transfusions; the disassociation of Barker from the Witnesses; and records of his ministry with 'Watchtower' magazine. There is also material on the Process Church of the Final Judgement, which consists of correspondence between Barker and other members, records of the Toronto chapter steering committee, contact list of Ontario members and followers, copies of articles for publication in their journal, and a typewritten copy of an unpublished article by Barker, 'Is the Process Church of the Final Judgement Christian? A possible approach' [1971?]. Included in the fonds are speeches delivered while he was engaged in the Jehovah Witness program and talks on religious topics, copies of the 'Yearbook of the Jehovah's Witnesses,' (1945-1976); several editions of 'New World translation of the Holy Scriptures,' (1955-1970), several Witness tracts, incomplete runs of 'Awake,' (1949-1984) including bound volumes (1961-1972), 'Informant,' (1949-1954), 'Kingdom ministry,' (1957-1972), and 'The watchtower,' (1936-1984, incomplete run) and bound copies (1961-1972 - complete runs). In addition, there are reports of the Assembly of Jehovah's Witnesses (1946-1969), as well as song books, pamphlets and related material. For the Process Church of the Final Judgement, there are copies of 'Foundation,' and pamphlets including 'The Processeans,' [newsletter] (1972-1974). Also included is a photocopied (corrected in hand) typewritten manuscript by Barker of 'The time of the end: on the trail of the Final Age: Victorian to Aquarian' (1971-1973) and a photocopied, typewritten manuscript of Barker's 'The king of the North and the king of the South: apocalypticism and international politics' (1972-1975), both of which were unpublished.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

The fonds documents Brian Wright-McLeod's activities as a music journalist, musicologist, and author researching, documenting, and promoting Indigenous music and artists from the late 1800s to the present. Records include artist biography files (containing magazines, handwritten notes clippings, research files containing magazines, publications, and grant applications), research and reference material, and documents pertaining to Wright-McLeod’s activities in the community including as a juror for the Canadian Aboriginal Music Awards and other initiatives

The fonds also contains an audiovisual collection which predominantly features Indigenous artists from North America. Also included are recordings from Indigenous artists from across the globe, as well as non-musical recordings such as audio books and educational material.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds consists of correspondence of Albert Edward Kemp with political colleagues, government and parliamentary business. There is also financial material relating to Kemp Manufacturing Co., 1909-1923, including financial statements.

The fonds consists of correspondence of George James Rogers, financial records, audio reels, films, and related visual materials used in presentations by the Canadian Economic Foundation (CEF), the American Economic Foundation (AEF) and American Free Enterprise Productions. There is also material relating to Rogers' public relations work with Canadian General Electric.

The fonds consists of the records of David Bakan pertaining to his work as a York University professor and academic. Included are manuscript drafts and other writing, correspondence, notes, lecture notes, research materials, sound recordings, and teaching files.

Fonds consists of correspondence, personal files, photographs and writings by Elizabeth Kilbourn, as well as records related to her community involvement and her professional activities as a priest in the Anglican Church of Canada. The fonds includes family records, photographs and correspondence relating to her parents, William Kilbourn (her first husband) and their extended family, her memoirs, and the writings of her second husband, Richard Mackie.

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Fonds consists of correspondence, photographs, diaries, a scrapbook, college yearbooks and transcriptions of oral interviews created and accumulated by members of the Lennox family including husband and wife Fannie Jane Evangeline Watt and William James Wilfred Lennox, and their children William, John Watt Lennox and Elizabeth Lennox Locke.

The majority of archival material relates to John Watt Lennox (1920-1943), who was killed in action in WWII. Correspondence is accompanied by detailed inventory and contextual information compiled by Elizabeth Lennox Locke and her nephew Dr. John Lennox.

Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and material pertaining to her career as a writer, teacher and social worker.

The fonds is arranged in the following series:

The fonds consists of minutes of the Ruskin Literary and Debating Society (1909-1993) [incomplete], reports of the critic (1920-1983), constitutions and by-laws, correspondence, invitations, lists of officers and members (1964-1991) [incomplete], financial records (1964-1979), histories of the Society, lists of prize winners, programmes of events (1904-1988) [incomplete], banquet programmes, and memorabilia, including photographs of meetings and members, the Society stamp and related objects.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

The fonds consists of audio recordings of, and notes relating to, interviews conducted by David Coombs with founding members of York University, particularly relating to McLaughlin College, and with K.H.M. (Michael) Creal and Harold I. Schiff regarding their roles on the Search Committee for a President of York University in 1969-1970; correspondence between Coombs and Prof. George Tatham, Master of McLaughlin College; and letters, photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston, Coombs's step-grandfather.

The fonds mainly documents Ernesto Vinci's career as a singer and his activities as a voice teacher at the Halifax Ladies College and Conservatory of Music, the University of Toronto, and at the Royal Conservatory of Music in Toronto. Records found from 1999 onwards are of the more personal variety and include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

Fonds consists of Morris's teaching notes; research notes on Canadian filmmakers and Canadian film topics reviews of Morris's books, notes and research files for his book David Cronenberg : A delicate balance; Canadian Encyclopedia of Film files; Film Studies Association of Canada files; original notes, documents and correspondence pertaining to Canadian film in the 1960s; CBC minutes from the 1930s; research material on John Grierson; files on individual Canadian films; notes on his archival research; nots of public film archives in Canada; misc files on Canadian film topics; annotated research files on the Canadian film industry, Canadian film personalities, bureaucrats, independent films, documentaries, censorship, exhibitions, the National Film Board; Canadian film research reports (1939-1953); masters papers by students doing research on Canadian cinema; research file on Nell and Ernest Shipman; John Grierson research files; research files on Canadian television and on the CBC.

The fonds consists of letterbooks of Albert Edward Taylor for the period, 1892-1901 when he was practising law in Aurora, Ontario.