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Item is a handwritten letter from the Rev. John Stuart in Kingston, Upper Canada to his son James Stuart, personal secretary to Sir Robert Milnes, Lieutenant Govern of Lower Canada, regarding John's daughter Mary, who travelled to Montreal until James could deliver her to Elizabeth Mountain, the wife of Bishop Jacob Mountain in Quebec City. John Stuart discusses the affairs of his other children and his daughter-in-law, Mary Brooks, who was the daughter of the future governor of Massachusetts. The letter offers comments on family relationships and the status of women in the early nineteenth century.

File consists of a handwritten letter written from a brother and sister to their father in Kent, England, describing their decision to leave Hamilton, Upper Canada, due to unrest in the colony and to escape British tyranny, and to move to Rochester in the state of New York.

The fonds consists of Lady Welby's correspondence, research and reference notes, publications, poetry, newspaper clippings, and printed material. It also includes of galley proofs of Francis Galton's papers on eugenics.

The fonds consists of minutes of the Political Committee, the Central Executive Committee, and the Secretariat of the Workers' (Communist) Party of the United States, 1926-1929.

The fonds consists of correspondence and papers (1928-1959), arranged chronologically, receipts for monies received from Maurice Duplessis and others, including receipts from organizations, associations and student awards. There are also the proceedings of the meetings of the Public Accounts Committee Inquiry (1936), through which Duplessis exposed the corruption of the Liberal government of the day. The fonds also contains scrapbooks of newspaper clippings relating to political and social developments in Quebec (1929-1949) with concentration on the period, 1934-1936, as well as newspaper clippings relating to the death and funeral of Duplessis. In addition, there is correspondence with and/or concerning several prominent Quebecois including Daniel Johnson, Thibaudeau Rinfret, Msgr. Ferdinand Vandry, Georges Vanier, and companies located in the province (Dominion Textiles, Noranda Mines), and related subjects.

The collection consists of photocopied correspondence, papers, agendas, minutes of the Organizing Committee of York University, and of the Provisional and regular Board of Governors of the same institution, 1958-1961.

The fonds consists of Major Addison Alexander Mackenzie's records pertaining to his social and political activities.

The fonds is arranged in the following series:
Correspondence
Subject files
Lists of voters
Printed material
Photographs

The fonds consists of business and political correspondence, records relating to Robert Henry Winter's membership on the York University Board of Governors, and scrapbooks detailing his business and political careers.

The fonds consists of the records of the Office of the Master, 1963-1975 and the Founders College Student Council, 1965-1987.

The fonds consists of a typescript of an autobiography by Frank Morriss composed in 1971. In addition, there are notes for an article on the "Winnipeg Free Press", newspaper clippings of articles by Morriss in the "Free Press", and copies of magazines with articles by Morriss.

The fonds consists of records of the Project Ossington and includes correspondence and papers, 1968-1971; financial records, 1968-1971; reports, 1968-1971; case histories, 1969-1971; journals, 1968-1971; Board of Directors files, 1968-1971; grant applications, 1970-1971; building plans, 1968-1969; legal documents and by-laws, 1968-1971; rules and regulations, 1968-1971; statistics, 1969-1971; publicity, 1968-1971; printed material, 1969-1971; Project 1969, Project 1970, and Project 1971 files.

The fonds consists of records pertaining to the activities of the Harbinger Community Services and includes minutes of the York Student Clinic, correspondence, counselling records, financial papers, and statistics.

Series consists of approximately 466, 500 photographic prints created or accumulated by staff at the Toronto Telegram. The largest volume of prints are under the subjects "United States" (ca. 7.2 metres of prints), "Ships) (ca. 5 metres), "England" (ca. 4 metres) and "Canada" (ca. 3.6 metres). Certain subjects have been arranged outside the general subject organization of the prints such as "Personalities" (15 metres); "Personalities/politicians" (ca. 4 metres); "Armed forces personnel" (ca. 8 metres) largely of the World War II era, provably used in reports of missing/wounded/killed in action. As well, there are photographs of groups of servicemen, again largely World War II era. Finally, there is a group of photographs of personalities who were associated with the Toronto Telegram, predominantly from the period after Bassett bought the newspaper (post 1952). The series also includes many photographic images purchased from wire services for the purposes of illustrating national and international stories.

Series consists of negatives of individuals or groups, arranged alphabetically by last name. Negatives of Toronto Telegram staff are grouped alphabetically at the end of the series.

The fonds documents Edgar Tilden Albert's activities as a member of the Organizing Committee of York University and his travel to the Soviet Union for the period 1955-1971.

Series consists of approximately 833,500 photographic negatives, the majority of which are black and white 35mm.
The negatives are arranged by subject heading, although there are more subject headings here than in the print series, and tend to be local in nature. Negatives for photographs of personalities have been separated out of the main arrangement.

The fonds consists of a collection of student essays on the question: 'Why did you come to university?', which was submitted to Professor Roger Kuin's second year class in English literature in 1972.

The fonds consists of correspondence, minutes, reports and related material of Donald Solitar for committees of the York University Senate, the Faculty Council of the Faculty of Arts and Science, and the Faculty of Arts.

The fonds consists of the records of the Office of the Director of the York Centre for Continuing Education, 1965-1972.

The fonds consists of notebooks, galley proofs and typescripts for several of Sacheverell Sitwell's works.

The fonds consists of newspaper clippings of Charles Bothwell Pyper's articles in the Telegram together with telegraphic messages that served as 'hard copy' for his articles from foreign posts; correspondence, and notes; and newspaper clippings from several other newspapers. It includes a typescript of 'Chamberlain and his critics,' as well as earlier drafts, typescripts, some with corrections, of a book on Winston Churchill, and drafts of unpublished dramatic productions by Pyper. The vast majority of the fonds consists of newspaper clippings, notes and related material concerning Pyper's journalism, arranged alphabetically by subject. Some of the subjects included in the fonds are: Clement Attlee, Lord Beaverbrook, the Co-operative Commonwealth Federation, Winston Churchill, Joseph E. Davies, Anthony Eden, the League of Nations, Palestine in the post-war years, the Spanish Civil War, the Suez Crisis, the United Nations, and World War II.

The accession consists of photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston.

The fonds consists of records pertaining to the activities of the Green Bush Inn and includes minutes of the Board of Directors and annual meetings, financial statements, correspondence and memoranda of agreement with colleges and pubs, legal documents (including charter, Liquor License Act of Ontario regulations and related material), personnel files and architectural plans relating to the historic Green Bush Inn.

The fonds consists of general correspondence, editorial correspondence, financial documents, manuscripts, publicity and related material of the magazine "Northern journey" for the period 1971-1976.

The fonds consists of correspondence, financial records, notebooks, galleys, and typescripts of Dame Edith Sitwell.

The fonds consists of the official records of the People or Planes Committee (P.O.P.) including correspondence, minutes, financial records, briefs, speeches, press releases, reports, published materials, newspaper clippings, and related material.

The fonds consists of typescripts, some with corrections, of Linda Pyke's poetry, including 'Prisoner,' 'Sara,' 'Women in rooms' and others.

The fonds consists of Robert Freeman's records pertaining to his involvement in student affairs at York University.

The fonds consists of correspondence, notes and notebooks, index cards as well as a large volume of photocopied articles used by Otto Friedman in his teaching, research and writing activity. These include notes taken during his own education in England. In addition, there are typed lecture notes for courses he taught at York, as well as typescripts of articles and lectures by Friedman, and a typescript draft of his 'Masaryk's social philosophy and critique of Marxism,'. There are also course reading lists, some student materials (class lists, including some with student grades, student essays, and correspondence) and some correspondence and printed materials relating to York University, including calendars and handbooks. There is some material dating from Friedman's time as a management consultant in London, England, including studies of management styles in British firms. The posters are reproductions of paintings by masters (Picasso, Utrillo, etc.), that appear to have hung in his office.

The fonds documents William Moyer Swartley's academic career and research activities in the field of psychology. The fonds also includes personal records.

The fonds consists of correspondence, typescripts, reports, publications, research materials, legal documents, course materials, student essays, and administrative material relating Harry S. Crowe activities at York University and Atkinson College, at the Canadian Brotherhood of Railway, Transport and General Workers, with the Royal Commission on Bilingualism and Biculturalism and related subjects.

The fonds consists of correspondence and papers, reports, scrapbooks of newspaper clippings, photographs, tapes and films, related to Allan Grossman's political career, community work, and family life.

The fonds consists of correspondence, newspaper clippings, published material, reports, research files, and typescripts of J. Bascom St. John and documents his career as a civil servant and journalist.

Accession primarily consists of the director's office files including administrative records, committee meeting minutes, subject files on campus buildings, and campus planning reference books.

Fonds consists of correspondence, research notes, financial records, photographs, photocopies of articles and related research material, bibliography, and university materials of William Jaffé, covering his time at Northwestern University, Harvard University, the University of British Columbia, and York University, and his publishing activity and collecting of Walras material for his future edition of the correspondence and translation of Leon Walras’s opus, "The elements of pure economics." There are also reviews of Jaffé’s works and several boxes of research materials. The fonds includes material from Leon Walras, including correspondence with members of his family, an unpublished autobiography, family photographs, essays and other writings, and financial records, 1860s-1910.

The fonds mainly consists of William Greer plans, memos, correspondence and architectural drawings about York University.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and burn'.

he fonds consists of the following series: Correspondence and papers, 1968-1976; Reports, 1960-1980; and Survey material, 1972-1976

Accession consists of and pertains to minutes from the Council of the Faculty of Fine Arts (1970-1977), correspondence and papers (1969-1980), committee service for York University and external organizations, dance courses, and guest lecturers.

Accession consists of and pertains to subject files (1968-1980), space allocation, curriculum, graduate programs in the faculty (1969-1982), printed material (1968-1979), and photographs.

The fonds consists of production scripts, including revisions, for three one-hour episodes of "I Married the Klondike", by Peter Wildeblood, a CBC Television drama based on the book by Laura Beatrice Berton.

Fonds consists of Helen Lucas' correspondence, scrapbooks, photographs, The Diary Series (1971-1978), and Relationship Drawings (1978-1981) (both of which include 246 charcoal drawings, 40 sketches, 34 drawings, 5 etchings, 47 lithographs, 3 framed serigraphs, 1 sketchbook, and 1 pastel on paper); preliminary drawings for Angelica (Toronto: Kakabeka Publishing Co.,1973) and Genesis; twelve original collage drawings for the book co-authored by Helen Lucas and Margaret Laurence entitled The Christmas Birthday Story (1981) complemented with letters from Laurence while they were collaborating on the book; original prints (1970s); a sketchbook (1971); and Drawing Dedicated to my Daughter. Lucas provides an accompanying narrative to many of the drawings, giving a context for the works and an account of their evolution between 1971 and 1979. The initial sketchbook pages are also included, portraying intimate personal images which she likens to 'finding the achievement of my own voice'.

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

The fonds consists of articles, correspondence, records of bodies that James Bryce Milner was a member of, reports, and research material.

Accession consists of records from the Dean's Office and includes minutes (1969-1979), subject files (1968-1979), printed material, press clippings, reference files, scripts, and photographs of exhibits.

The fonds documents Lauretta Thistle's activities as a journalist and dance reviewer for the period, 1961-1982.

The fonds consists of the records of the Osgoode Hall Law School pertaining to its Dean's Office, 1957-1980; Faculty Council, 1974-1982; Alumni Association, 1891-1982; and Legal and Literary Society, 1965-1977. It also includes photographs of graduation ceremonies, 1970-1977 and class lists, 1899-1978.

Accession consists records from the Chariman's office for the dance department pertaining to departmental minutes (1973-1981), awards, committees, the Dance in Canada Association (Toronto), faculty and guest lecturers, personnel files for faculty and staff (restricted), scholarships, and curriculum.

Pollock's interests including, James Joyce and Temple Sinai. Most of the file titles in this series were simply transferred from there original folders. The rest of the material in this series came from one file which had no detectable order. This file was sorted by subject, the subject headings were used as file titles.

Two photographs included in this accession make up series 2. One of the photographs was removed from its frame, it is included with its frame backing.

The fonds consists of the Records of the Educational Development Office. Development of Teaching Skills Programme, 1975-1983.

The fonds mainly documents Margaret Avison's work as a poet and writer and includes manuscripts, correspondence, clippings, printed material, music scores and photographs.

Accession consists of course evaluations arranged by instructors names, then by course number/name.

The fonds consists of the records of the Norman Bethune College Council, 1972-1983 and Graduation Photographs, 1977.

The fonds consists of the York University Centre for the Support of Teaching records of the Educational Development Office. Development of Teaching Skills Programme, 1975-1983.

Accessions consists of the records of the chairman of the visual arts dept.

Accession consists of records from the Visual Arts Department.

The fonds mainly documents Norman Penner's research activities on the history of the Canadian Left.

The fonds mainly documents Arthur C. Johnson's professional activities as a university administrator. Records consist of press releases, speeches, correspondence, and reports relating to the planning and development of York University's Keele and Glendon campuses.

The fonds documents Morris Katz activities related to environmental issues as a consultant for various organizations, as a researcher, author and editor. It also documents his teaching activities.

The fonds documents the establishment of Operation Lifeline - Campaign to Save the Boat People and its activities for the period of 1978-1985.

Collection consists of playbills and theatre programs arranged int he following series: 1. Dance companies (including ballet); 2. Theatre and drama companies; 4. Musical performances (excluding concerts); 5. Souvenir programs; 6. Film programs; 7. Concerts.

Accession consists of records from the Chairman's Office of the Dance Department. It includes minutes (1981-1985), correspondence and papers (1972-1984), personnel files for faculty and staff (restricted), convocation programmes, financial records, reports, and printed material.

Series consists of financial statements, correspondence with banks and insurance companies, royalty statements and other income statements, household budgets including mortgage statements and insurance payments, and extensive income tax information for each year including anything deemed by Margaret Laurence to be of relevance for tax purposes.

The fonds documents D. McCormack Smyth's career as an administrator both in private corporation and in academic institutions as well as his teaching activities in administration for the period 1947-1986.

Accession consists of records from the Chairman's Office of the Theatre Department. Records predominately pertains to shows but also include student affairs, publications, press releases, news clippings, admissions and advising, curriculum, internal administration, graduate programs, and applications and resumes.

Series consists of manuscripts by Margaret Laurence and manuscripts by other writers. The manuscripts by Margaret Laurence consist of notes and research for The Diviners, manuscripts and short stories, children's stories, articles, speeches and addresses, poetry, reviews, translations of Somali poetry, reviews of A Tree for Poverty, a music score for For the Whaling Fleets, drafts of introductions to other writers' books, and recommendations for other writers. Items written by other writers include articles about Margaret Laurence and other topics, short stories, essays, poems, speeches, MA theses and reviews. Included are a typescript for Sandy Stern's "And After This Summer" (a screenplay for The Firedwellers), a television script for A Bird in the House (adapted by P. Wilson) and a film script for The Olden Days Coat (screenplay by S. Marcus), a musical adaptation of Jason's Quest and an adaptation for the stage of The Stone Angel.

Series consists of interviews, speeches, discussions, and other personal interest recordings.

Series consists of photographs of Margaret Laurence, family snapshots and other various subjects, artwork consisting of illustrations for children's books, drawings sent to Laurence, postcards of artists' works, and posters. The photographs represent the majority of the photographs found among the Laurence papers; however, some photographs do appear in other series of the fonds.

Accession consists of records from the Office of the Dean, Faculty of Fine Arts.

The fonds consists of graduation photographs, 1970-1976; the records of the Vanier College Council, 1966-1979; and the minutes of the Vanier College Residence Council, 1974-1983.

Series consists of documents by or about Margaret Laurence include articles written by other writers, journals and publications, newspaper clippings, articles from journals, book reviews, promotional material and other miscellaneous items.

Series consists of date calendars (1965-1987), address books, honourary degrees, curriculum vitae, miscellaneous notes and personal items.

Fonds consists of Peter H. Wood's records pertaining to his activities as staff member of York University. The fonds includes Glendon Campus construction files (1960-1965), York University Pension fund files (1961-1987) and his personal files (1961-1970).

Accession consists of minutes, correspondence, reports, charts, memoranda, calendars, timetables, posters, exhibition catalogues, news clippings, slides, and tape recordings.

Accession consists of records from the Office of the Dean.

Series consists of correspondence to and from Margaret Laurence and is arranged in nine subseries:

S00006.01: Correspondence with friends and family
S00006.02: Business correspondence
S00006.03: Correspondence with other writers
S00006.04: Correspondence with artists
S00006.05: General correspondence
S00006.06: Subject files
S00006.07: Correspondence outward
S00006.08: Correspondence relating to the censorship controversy.
S00006.09: Correspondence regarding the death of Margaret Laurence

Series consists of sound recordings of readings, speeches and convocations addresses by Margaret Laurence, interviews with Laurence (includes interview with Helen Trotter re: the Censorship Controversy), tributes to Laurence, recordings of Songs From The Diviners, and other recordings of interviews and presentations of interest to Laurence. Two filmstrips accompany two of the audio cassettes.

Series consists of an interview with Margaret Laurence on the TV news, Laurence receiving an honourary degree from Trent University in 1981, and tributes to Laurence.

Series consists of video tape productions of 'Women of Distinction' and 'Mary McEwan' and film reels of 'A and B in Ontario'.

The fonds consists of records pertaining to the administration and publication of the literary magazine "Waves".

The fonds consists of the following series: Constitution and by-laws, 1967-1988; Minutes, 1968-1986; Correspondence and papers, 1964-1986; Financial records, 1969-1986; Reports, 1969-1986; Newspaper clippings, 1968-1979; and Printed material, 1973-1979. The correspondence files are arranged alphabetically by name or subject.

The fonds consists of correspondence and financial records of the York University Art Gallery. The first series consists of correspondence with artists concerning shows, with other galleries in Canada and the United States, with publications, art schools, artists' organizations, and with other university departments, organized alphabetically or chronologically. The second series consists of financial records, (including budgets, invoices, records of purchases); guest books and attendance records and surveys; exhibition flyers, catalogues and schedules; minutes of the University Arts Committee (1973-1979) and the Art Advisory Committee (1968-1972) and documentation concerning exhibitions, including 'Re: Union: selected York MFA alumni, 1976-1985'.

Accession consists of records from the Dean's Office and faculty council minutes, binders, student awards, and grants.

Fonds consists of research notes and historical documents related to the creation of an official history of the John Labatt Brewing Company of Canada.

The fonds consists of the records of the Office of the Master, 1969-1987; the General Meeting, 1967-1980; the Samuel J. Zacks Art Gallery, 1980-1982; and Graduation photographs, 1971-1986.

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Series consists of scripts by Joyce Wieland and others, Wieland's writings in notebooks, and lecture notes on painting.

The fonds consists of Graduation photographs, 1971-1986; the records of the Canada in the Forties symposium, 1979; and the records of the College Council, 1969-1980.

The fonds consists of Operational files for the office of the advisor; correspondence, reports, minutes and other files related to the Presidential Committee to Review the Salaries of Full-Time Faculty Women (1975-1976), the Task Force on the Status of Women at York (1975, 1984), the Women's Studies program, the Employment Equity Committee, the Affirmative Action Committee, and Taking the Initiative Conferences; reports and research on women's issues such as maternity leave, daycare, sexual harrassment, violence against women, pay equity, and women's education; and published material dealing with the status of women at the University.

The fonds consists of the records of the Provost, 1981-1989 and the Disciplinary Review Committee, 1984-1986.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

Accession consists of the Dean's office files dealing with Fine Arts faculty's student programmes, departments, facilities, and committees.

The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.