File consists of handwritten notes pertaining to Beckett’s works; “Act without words I,” “Act without words II,” “All that fall,” “Krapp’s last tape,” and “Embers.”
File consists of handwritten notes pertaining to Beckett plays originally in French; “En attendant Godot,” “Fin de partie,” “Oh les beaux jours,” and “Tous ceux qui tombent.” Zeifman’s notes are in French and English.
File consists of playbills and handwritten lecture notes. Also included is an off-print of the article “Being and non-being: Samuel Beckett’s not I” by Hersh Zeifman.
File consists of playbills and research material pertaining to the Beckett play “Waiting for Godot.” Also included are handwritten notes by Zeifman about themes and characters in the play.
File consists of handwritten notes about themes in the Beckett play, and a transcript copy of Hersh Zeifman’s paper “Echo in the memory: Samuel Beckett’s Footfalls” delivered at the Modern Language Association annual conference in Dec. 1979.
File consists of English, French and German language translations and notes of the Beckett play. Transcripts and notes are handwritten by Hersh Zeifman.
File consists of correspondence, festival ephemera, clippings, a Canadian Broadcasting Corporation interview transcript, and other research materials pertaining to Samuel Beckett.
File consists of research materials about Samuel Beckett and a typescript copy of Hersh Zeifman’s paper “Catastrophe and dramatic setting” presented at the Samuel Beckett conference at the University of Stirling. Also included is correspondence regarding publishing the paper as part of a compilation from the conference.
File consists of research materials pertaining to Samuel Beckett. Also included is an edited typescript about Beckett plays, a British Broadcasting Corporation radio show transcript titled “Beckett & company,” and handwritten research notes by Hersh Zeifman.
File consists of a short interview with Jonathan Shecanapish, and later his sister Michaela, speaking in Naskapi and English about being at the cabin with their family. Interview conducted on 6 May 2016.
File consists of four subfolders containing 11 film elements of b-roll footage of miscellaneous scenes, including a cooking class, a mine tour with Adam from Tata Steel, and the Shecanapish family's blind goose hunt.
File consists of one subfolder and six directories containing 111 film elements of b-roll footage shot 18 September 2016 of the local church, a baptism, the moonrise, Sunday service, and sunset. One directory labelled church scenes, is empty.
File consists of one subfolder and two subdirectories containing 88 film elements of b-roll and drone footage taken on 17 September 2016 at Agnes Mckenzie's camp at Annabelle including berry picking, fishing, and ptarmigan hunting.
File consists of one subfolder and three directories containing 36 film elements of b-roll and drone footage taken on 15 September 2016 of a conoe class, the Tata mine and train, and an interview with William Einish.
File consists of one subfolder and three subdirectories containing 69 film elements of b-roll and drone footage of open pit mines, gravel roads, and local plants shot on 13 September 2016.
File consists of one subfolder containing 18 film elements of footage of a hallway poster in the Jimmy Sandy Memorial School (JSMS) in Kawawachikamach taken on 10 May 2016.
File consists of one subfolder and 7 subdirectors containing 136 film elements of b-roll and drone footage of scenes around the community, interviews with locals, footage of primary and elementary school children, the local schools and rangers leaving for winter camp.
File consists of one subfolder and four subdirectories containing 88 film elements of footage of the community and its surroundings taken on 16 February 2016.
File consists of two subfolders containing nine elements of b-roll footage captured on 12 February 2016, including Shaputwann drone footage and images of graffitti in Schefferville.
File includes correspondence, transcripts, information pamplets, postcards, photographs and drawings collected by Theresa Catharina de Campos to provide Priscila Uppal with information on Brazilian life and culture. File includes two transcripts from the divorce proceedings of Theresa Catharina and Avtar Uppal. File also includes small photographs of Theresa Catharina with captions on the reverse side addressed to Priscila Uppal. File also includes scanned sketches drawn by Priscila in her childhood.
File includes a selection of musical scores composed by Custodio Fernandes Góes, maternal grandfather of Theresa Catharina de Góes Campos (maternal great-grandfather to Jit and Priscila Uppal).
File includes the manuscript and photocopy of “A Balada Do Sorriso-Estrêla” written by Theresa Catharina de Góes Campos, Priscila Uppal’s estranged mother.
