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1992-027

The series of correspondence and clippings relate to Pollock's many interests, particularly in Temple Sinai, the James Joyce Society, and travel. The manuscripts are of plays that he wrote and directed, including multiple copies annotated for different purposes. Published material consists of 9 volumes of Thom's Directory (1852-1950) and one volume of The Dublin Almanac and General Register of Ireland (1847). The 15 watercolour paintings are by Jane Golden.

Accession 2017-041

  • 2017-041
  • Accession
  • [188-?]-2016, predominant 1990-2006
  • Part of Bruce Powe fonds

Accession consists of records documenting Powe's writing career in the 1990s and 2000s, particularly the writing, editing, publication and promotion of his novel "Aldershot 1945" and the reprint and stage productions of "The Aberhart Summer", as well as records pertaining to his freelance work for Powe Communications and his personal life and family. Records in this accession include manuscripts and other draft writing, photographs of Powe and his family, research files, notebooks and day planners, memorabilia (including newspaper and magazine clippings), printed e-mail and correspondence, posters, drawings, scrapbooks and videocassettes.

Accession 2000-043

The accession consists of lecture notes, graduate files, student files, academic and professional correspondence, research notes, course outlines, subject files, and materials related to the Frederic Harrison Collection.

Accession 2007-055

Accession consists of documents created or accumulated by Barry Callaghan that reflect most aspects of his personal life and literary career. Exercise books, manuscript music scores, research notes on modern drama, poetry and literature, and letters written to his mother pertain to his education at the secondary, post-secondary, and graduate levels, while manuscripts for short stories, poetry, and a novel represent his early creative endeavours. The fonds includes extensive correspondence dealing with his personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003.

Accession 2010-010

Accession consists of research files pertaining to Barrett's book about Ernest Ibbetson, including audio recordings of interviews with Ibbetson family members, colour slides of Ibbetson's postcards, photographs and negatives, and memorabilia

Accession 1999-064

The accession consists of photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston.

Accession 2001-060

Accession consists of the records of York University psychology professor David Bakan. Records include drafts of manuscripts, completed writings, correspondence, sound recordings, notes, lecture notes, and other teaching files, all related to Bakan's professorial work and academic research.

Accession 2001-002

Consists of records of writer and Dean of Fine Arts at York University, Seth Feldman. Includes research materials and drafts for book on Soviet filmmaker Vertov and research materials, audio cassettes, and draft scripts for two 'Ideas' programs on CBC Radio: Dogs and We, The Animals.

2002-012

Accession consists of certificates and awards honouring Applebaum, and posters from the Stratford Festival.

Accession 2013-038

Accession consists of records documenting Barry Callaghan's personal and professional life. Included are files concerning his graduate studies at the University of Toronto; correspondence with fellow writers; drafts, research materials and interview transcripts pertaining to his work as a journalist for the Toronto Telegram and other publications; manuscripts for books published by Exile Edition; manuscripts in various degrees of completion for Callaghan's literary works; files pertaining to Morley Callaghan; audio recordings; and subject files including literary memorabilia and honorary degrees.

Accession 2009-029

Accession consists of research and teaching material created by John Warkentin, including: field notes, interview notes, and population maps for the Prairies, and Manitoba in particular, 1962-1965; correspondence regarding research and promotion of colleagues in historical geography, 1991-2000; the final report for the Historical Atlas of Canada Project, 1995; correspondence regarding Warkentin's appointment as Honorary President of the Champlain Society, 2000; material on George Tatham, including Warkentin's notes from Tatham's lectures on human geograph, 1951-1952; and 35 mm colour slides taken by Warkentin between 1956-1999 of Greenland, Goose Bay and other parts of Newfoundland and Labrador, the earliest depictions of landscapes in each of Canada's major regions, and especialy of Manitoba, including various aspects of rural and urban geography as well as Mennonite settlement patterns n southern Manitoba.

Accession 2018-041

Accession consists of records mainly pertaining to Joyce Wieland's personal life and family. Records include photographs of Wieland, Michael Snow, Phyllis Lambert, Pierre Elliot Trudeau, friends and family; photographs of scenery and landscapes; correspondence; personal ephemera including identity cards and birth certificates; Wieland's astrological chart; a photo album created by Phyllis Lambert for Wieland's 60th birthday in 1990; a wall hanging entitled "Ode to Joyce" featuring circular embroidered pieces with symbols and expressions relevant to Wieland's life; newspaper clippings of articles by Wendy Michener; and a catalog for "In search of the far shore: the films of Joyce Wieland" (Canada House, Jan.-Feb. 1988).

Accession 2003-012

Accession consists of research files pertaining to Barrett's book "Disease and Geography: The history of an idea".

Accession 2005-020

Series includes personal and professional correspondence, drafts of articles and radio plays and draft and manuscripts of plays and novels written by Boyle, photographs, sound and audio visual recordings.

Accession 1995-008

Accession consists of day books (1970-1988); chronological day files (1973-1977); speeches (1968-1973) delivered while working for the CBC and the CRTC; personal administrative files and correspondence while chairman of the CRTC and during his tenure at the Banff School of Fine Arts.

Accession 1997-034

Accession consists of correspondence, audio tape interviews and biographical information on William Kurelek and other artists; Isaacs Gallery Artist files (7 reels 35 mm microfilm).

Accession 2017-036

Accession consists of textual and audiovisual material related to Seth Feldman's an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries, including syllabi, assignments, research files, publications, drafts, and taped interviews; and research materials relating to Feldman's work on Dziga Vertov.

Accession 1995-028

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Accession 2009-054

Accession consists of records created by Seth Feldman in the course of his activities as a professor of film studies, including research files, course files, copies of graduate theses and dissertations with which he was involved, correspondence with colleagues, notebooks, and material regarding his involvement with productions of TV Ontario and the Canadian Broadcasting Corporation.

Accession 2006-012

Accession consists of correspondence and artists' files from the Isaacs/Inuit Art Gallery and the Isaacs Gallery, brochures form the Inuit Gallery of Eskimo Art, newspaper clippings documenting Isaac's career as an art dealer, floor plans for the Isaacs Gallery at 832 Yonge Street and drafts of 'Isaacs seen: 50 years on the art front, a gallery scrapbook' (2005).

1991-015

The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

Accession 2006-033

Accession consists of colour slides showing rural and urban conditions across Canada and particularly in Ontario that were photography by John Warkentin for use in his lectures and publications.

Accession 1998-014 [poster collection]

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Accession 2006-026

The accession consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. This accession also contains several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.

1983-003

Accession contains administrative records of the Federal Cultural Policy Review Committee and Cultural Affairs, papers relating to Applebaum's career as a composer and administrator, audio tapes of music by Applebaum, and video tapes of the 'Arthur Miller Special'.

1991-032

Pollock's interests including, James Joyce and Temple Sinai. Most of the file titles in this series were simply transferred from there original folders. The rest of the material in this series came from one file which had no detectable order. This file was sorted by subject, the subject headings were used as file titles.

Two photographs included in this accession make up series 2. One of the photographs was removed from its frame, it is included with its frame backing.

Accession 2002-047

Accession consists of Barrett’s lecture notes, correspondence and supporting materials for his York University course Geography 346, Medical Geography, as well as course notes, syllabi, exam questions and student grades for other courses taught by Barrett at York University. Accession also includes undergraduate papers written by Barrett, hand-drawn maps for his BA thesis, and Atkinson College Geography Department newsletters.

1989-018

Accession consists of scores, correspondence, papers, speeches and reports, scripts, subject files and clippings predominantly pertaining to Stratford and CBC productions, and the Federal Cultural Policy Review Committee and Cultural Affairs.

Accession 2011-020

Accession consists of 35 mm colour transparencies taken by Professor John Warkentin while working for the University of Maryland in Thule, Greenland, teaching courses in geography and history to personnel in the United States Air Force. The slides were taken between January and May 1957, and show local Inuit and Danes in the town of Dundas, physical geography of the area, Tuto camp with vehicles to traverse the ice cap, base facilities and activities, and buildings.

Accession 1977-004

Accession consists of a manuscript of Bakan’s book, “Freud and the tradition of Jewish mysticism,” (1957), which includes handwritten changes to the typescript in pencil and ink.

Accession 2003-057

Accession consists of additional material in the Mary Young Leckie fonds including scripts, drafts, notes, research material, clippings, reviews, promotional material, contracts and production files related to her work on productions such as The Arrow, Blue Castle, Children of My Heart, Way of a Boy and Tagged. It also includes the creative and corporate development files of Leckie's company Tapestry Pictures.

Accession 2017-029

Accession consists of photographs of public monuments in cities in Canada, the United States, the United Kingdom, Europe, and Egypt, as well as aerial and landscape views of many of these cities.

Accession 2003-050

Accession contains correspondence, notes, and photographs pertaining to the the publication of “The Art of Geography: The Life and Teaching of George Tatham”.

Accession 2011-007

Accession consists of photographs of public art and monuments in Toronto taken by John Warkentin using 35 mm colour transparencies while conducting research for his book, “Creating memory: a guide to outdoor public sculpture in Toronto” (2010), as well as clippings from newspapers and magazines and government documents compiled by Professor Warkentin between 1984 and 2010 to provide contextual information for the book.

2002-003

Accession consists of correspondence, programs and musical scores for several Stratford productions, annotated copies of a number of Shakespeare plays, audio recordings of performances of Applebaum's works and recordings of CBC radio programs on which Applebaum was featured as a guest.

Accession 1996-036

Accession consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition, catalogues, mailings, financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow, and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

2000-009

Consists of records documenting Applebaum's work as a composer, and with numerous organizations including the Canada Council, SOCAN, the Ontairo Arts Council and CAPAC. Records include correspondence, musical scores, sound recording, audio-visual records, printed material, financial records, collected reports and other material. These records document the theatrical music composition process, as well as the roles of arts administration and advocacy, and together with the balance of the Applebaum fonds, support teaching and research in various aspects of film, theatre, and music studies.

Accession 1998-026

Accession includes meeting notebooks (1993-1998) and production materials for "Perfect Machines: The Loom", "It ain't Kansas: The myth of New York City" and cassette tapes for other CBC Ideas series programmes.

Accession 2014-043

Records in this accession mainly pertain to Robert Drummond’s administrative and academic work as a professor of Political Science and Dean of York University’s Faculty of Arts. Also included are files documenting his early academic work in high school and university. Records include essays and articles, correspondence, photographs, memoranda, reports, course materials and lecture notes.

Accession 2008-015

Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.

Accession 2012-027

Accession consists of copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and memorabilia from his days as an undergraduate student at York.

Accession 2013-034

Accession consists of draft scripts, notes, outlines, correspondence and subject files created and accumulated by Brian Freeman in his capacity as a freelance writer of plays, reviews, television and movie scripts. Also included in the fonds are script reports prepared for the Canadian Broadcasting Corporation, Universal Canada and the Ontario Film Development Corporation (OFDC), as well as files and scripts pertaining to Freeman's work as a development officer for the OFDC in the 1980s and 1990s.

Accession 2018-049

Accession consists of records pertaining to the history and activities of St Mark's Coptic Orthodox Church in Toronto, including photographs documenting the role of Father Marcos A. Marcos and an article written by Father Marcos entitled "The Copts of Canada". Other records in this collection include event programs, pamphlets, booklets, photographs of special visits, and issues of church newsletters "Hosanna", "The Way", "The Word of Life", "The Building", and "Cathedral". Also included is a copy of a site plan of St. Mark's.

Accession 2010-061

Accession consists of research notes, news articles, drafts of scripts for radio shows and screenplays, and correspondence regarding Professor Feldman's involvement with CBC Radio's Ideas and other creative works, as well as training material for Pro Tools software and documents regarding conference participation.

Accession 1998-035

The accession consists of correspondence, notes and speeches, publications and ephemera relating to the founding of York University, particularly relating to McLaughlin College. Also consists of 5 audio cassette tapes of interviews with the founding members of McLaughlin College.

Accession 2000-012

The accession consists of research files and/or manuscript material relating to Rosie Perez, Simon Israel, Fletcher Challenge, the Westray Mine disaster, the Devine/Saskatchewan scandal, the Saturday Night/Firestone trial, Donald Ripley, and Alan Eagleson as well as Cameron's book ‘Ottawa Inside Out’.

Accession 2000-029

Accession consists of material related to the administration of Winters College Fellows' Council.

Accession 2000-076

The accession consists of committee minutes, committee searches, subject files, and materials related to Victorian Studies and the Centre for Research of Latin America and Caribbean

Accession 2004-051

Accession consists of teaching files for Ellenwood’s undergraduate and graduate level courses, files pertaining to the research and writing of his PhD thesis on André Breton and Sigmund Freud, academic files consisting of drafts of papers and talks delivered by Ellenwood at various conferences, translation files consisting of drafts of his translation work and publishing files that document his own writing efforts including correspondence, research material and drafts of "Egregore: The Montréal Automatist Movement".

Accession 2002-048

The accession consists of a letter to John Warkentin, school song lyrics, and correspondence between David Coombs and George Tatham.

Accession 2001-034

Accession consists of Barrett’s published papers, drafts, presentations, grant and research files, teaching files, course notes and correspondence pertaining to his work as a York University professor and researcher. Also included are raw data and questionnaires from his studies on housing.

Accession 2010-021

The accession consists primarily of Cameron's research files pertaining to her monographs ‘The Blue Trust’, ‘On the Take', and ‘The Last Amigo’; related files from her literary agent Linda McKnight; records pertaining to the Oliphant Commission investigating the Karlheinz Schreiber/Brian Mulroney affair; files of her early writings and a small number of miscellaneous research material for earlier investigative journalism stories.

Accession 2007-040

Accession consists of Barrett's records pertaining to his work as a medical geographer and includes correspondence, research files, papers delivered at conferences and colloquiums, articles written for journals, and photocopies and photographic (prints, negatives, slides) reproductions of rare, and early medical cartography from maps and atlases in England, France and Germany, created or published between 1739-1921.

Accession 2000-048

Accession consists of photographs, books, correspondence and notes created and compiled by dance, choreographer, Paul James Dwyer.

Accession 2018-013

Accession consists of scripts, production materials, photographs, posters, correspondence, and moving image recordings pertaining to Freeman’s work as writer and producer of film and televsion, in particular his roles at the CBC as an executive in charge of creative production and creative head of special projects, drama.

Accession 2016-034

Accession consists primarily of Vera's professional records, including finished copies, typescripts and drafts of published and unpublished works; copies of articles written by and about Vera; professional correspondence; royalty statements; and a scrapbook of clippings and literary ephemera related to early publications. Records also include some personal correspondence and memorabilia and John Jose’s correspondence pertaining to Vera’s passing. Accession includes a selection of books both by and belonging to Vera and also includes a copy of the Vera biography, “Petal Thoughts” by Ericah Gwetai.

1985-006

Accession consists of scores and scripts pertaining to the production of 'The National Dream.'

Accession 2009-033

Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.

Accession 1999-020

Accession consists of artists correspondence, and correspondence and documentation for miscellaneous special shows.

Accession 2002-033

The accession consists of additional material in the Stevie Cameron fonds including clippings, interview transcripts, correspondence, and research material related to her book ‘On the Take', as well as drafts of her book ‘The Last Amigo’.

Accession 1980-003

Accession consists of a typescript copy of “And they took themselves wives: the emergence of patriarchy in western civilization,” (1979). It has been copy-edited, showing/the editorial work of more than one hand, as well as handwritten additions to the text.

Accession 1999-031

Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.

Accession 1995-034

Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.

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