Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.
Fonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work.
Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.
Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.
Fonds consists of the Danny Grossman Dance Company (DGDC) records generated from development; promotional; and professional associations, government councils, and conference; performance, touring, and educational initiatives activities. Danny Grossman's personal correspondence with family, friends, and industry professionals is also included in the fonds.
The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:
Fonds consists of records pertaining to Herman Voaden's family life, education, teaching, play writing, directing and cultural lobbying activities. Also included are the private records of his wife, Violet Kilpatrick Voaden. Types of records include: correspondence, personal diaries, teaching notes, production notes, playbills, and photographs. Some material has been sorted and arranged according to subject by Anton Wagner, theatre historian and executor of Herman Voaden's literary estate.
The fonds consists of records of Harry J. Pollock pertaining to his interest and involvement in theatre and to his research on James Joyce. The fonds includes correspondence and clippings, manuscripts, audio tapes, photographic materials, video cassettes, graphic and cartographic materials.
Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.
The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files. The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.
Fonds consists of musical recordings on one 1/4" audio reel, performed by Deva Prasad Das on vocals and mardal with Shankaran on flute. These performances were intended to accompany the Deba Prasad Das style of Odissi dance. Consists of three separate performances: "Nindata Chandana" Abhinaya, Ashtapadi (an expression-based dance); "Natangi" and a Boomija folk dance from Orissa. These recordings were made to accompany performances by Sukanya Rahman.
Also includes four VHS recordings of performances by Rahman in various venues in the 1990s.
Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.
Fonds consists of photographs, news clippings, promotional material, posters, video recordings and documentation related to the political, social and cultural activities of George Papadatos, a Greek citizen who lived in exile in Toronto during the military junta of 1967-1974. Includes materials documenting the coffee house scene on the Danforth, Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. Also includes photographic material from Papadatos' later life in Greece, where he operated a antiquarian bookstore.
Fonds consists of material that documents Hoffert's career as a composer, musician, author and arts administrator and includes musical scores from the 1950s to the 1990s, audio-visual recordings, administrative files, photographs, clipping and other memorabilia, copies of awards, diaries, e-mail correspondence, drafts of his books and other material.
Fonds consists of records acquired by Selma Odom over the course of her career as a dance scholar and educator. Includes dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Odom between 1972 and 2008.
Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.
Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.
Fonds consists of news clippings and correspondence related to the Mariposa Folk Festival, which Ruth (Jones) McVeigh founded in 1961. Also includes three audio cassettes of recordings from the 1961 festival as well as festival buttons from various festivals and a felt banner from the 1963 festival.
Fonds consists of the administrative records, artist submissions, promotional material, fund raising, financial and operational records of the Desh Pardesh organization relating to its annual conference and arts festival and its year-round events related to South Asian youth, women's issues, fund raising, community development and anti-racist efforts. In addition to administrative records, the fonds also includes the submissions of local and international South Asian artists, dancers, film makers, poets, playwrights, photographers and other performers, including audio-visual, photographic and written material, as well as promotional packages and brochures. Fonds is arranged into 11 series.
Fonds consists of personal diaries, teaching notes and writing, performance and family memorabilia, diplomas, correspondence, sheet music, photographs and audio recordings pertaining to the personal life and professional career of Peggie Sampson, including her early activities as a music student, her work as a professor of music, and her performances on the cello and viola da gamba. These records also document her associations with early teachers Guilhermina Suggia, Donald Francis Tovey, Nadia Boulanger and Pablo Casals, as well as her work with the Manitoba University Consort during the 1960s and the Quatre en Concert in the 1970s. The personal diaries in the fonds span Sampson's time in Edinburgh and London during World War II to her immigration to Canada in 1951 to teach at the University of Manitoba and her employment at York University from 1970 to 1977.
Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.