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The accession consists of correspondence, notes and speeches, publications and ephemera relating to the founding of York University, particularly relating to McLaughlin College. Also consists of 5 audio cassette tapes of interviews with the founding members of McLaughlin College.

The accession consists of a letter to John Warkentin, school song lyrics, and correspondence between David Coombs and George Tatham.

The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.

Consists of material that documents the work of Cavalluzzo Hayes Shilton McIntyre & Cornish on behalf of the Federation of Women Teachers' Associations of Ontario and includes court transcripts, material gathered from weekly court applications, respondents' records from the divisional court of appeal and appellant's records among other material.

Accession consists of material related to the administration of Winters College Fellows' Council.

Accession contains correspondence, notes, and photographs pertaining to the the publication of “The Art of Geography: The Life and Teaching of George Tatham”.

Accession consists of colour slides showing rural and urban conditions across Canada and particularly in Ontario that were photography by John Warkentin for use in his lectures and publications.

Accession consists of research and teaching material created by John Warkentin, including: field notes, interview notes, and population maps for the Prairies, and Manitoba in particular, 1962-1965; correspondence regarding research and promotion of colleagues in historical geography, 1991-2000; the final report for the Historical Atlas of Canada Project, 1995; correspondence regarding Warkentin's appointment as Honorary President of the Champlain Society, 2000; material on George Tatham, including Warkentin's notes from Tatham's lectures on human geograph, 1951-1952; and 35 mm colour slides taken by Warkentin between 1956-1999 of Greenland, Goose Bay and other parts of Newfoundland and Labrador, the earliest depictions of landscapes in each of Canada's major regions, and especialy of Manitoba, including various aspects of rural and urban geography as well as Mennonite settlement patterns n southern Manitoba.

Accession consists of photographs of public art and monuments in Toronto taken by John Warkentin using 35 mm colour transparencies while conducting research for his book, “Creating memory: a guide to outdoor public sculpture in Toronto” (2010), as well as clippings from newspapers and magazines and government documents compiled by Professor Warkentin between 1984 and 2010 to provide contextual information for the book.

Accession consists of 35 mm colour transparencies taken by Professor John Warkentin while working for the University of Maryland in Thule, Greenland, teaching courses in geography and history to personnel in the United States Air Force. The slides were taken between January and May 1957, and show local Inuit and Danes in the town of Dundas, physical geography of the area, Tuto camp with vehicles to traverse the ice cap, base facilities and activities, and buildings.

Accession consists of photographs of public monuments in cities in Canada, the United States, the United Kingdom, Europe, and Egypt, as well as aerial and landscape views of many of these cities.

Accession consists of a typescript manuscript, "Geographical Guide to Ontario," written by John Warkentin from the late 1980s to 1991, preceded by a summary of the project prepared by Professor Warkentin in March 2023. The manuscript is an impressionistic description of the province based on his field observations, emphasizing physical, urban, and rural landscapes of Ontario, its economic infrastructure, and interrelationships. The manuscript consists of 1,100 pages with 278 maps and 41 tables.

Accession consists of records pertaining to Keith Ross Leckie’s work as a writer and/or director for television dramas and documentaries. These records document the various stages of development for projects including “Searching for Romero” (unfinished), “Edenshaw”/”Haida” (not produced), “The Force” (not produced), and “An Officer and a Murderer” (produced for Lifetime and HBO Canada in 2012). Textual records in this accession are proposals, treatments, interview selects, assembly notes, budgets, funding applications, draft scripts, outlines, notes, correspondence, research materials, contracts and court transcripts. Also included are video recordings (VHS, DVCPRO, MiniDV and DVD) pertaining to these projects.

The accession consists of transcripts of interviews, court transcripts, government reports and other government documents, clippings, correspondence, drafts of manuscripts, orders in council, notes and other research material relating to Cameron's work as an investigative journalist including drafts of her books ‘On the Take’, ‘Blue Trust’, and ‘Ottawa Inside and Out’.

The accession consists of research files and/or manuscript material relating to Rosie Perez, Simon Israel, Fletcher Challenge, the Westray Mine disaster, the Devine/Saskatchewan scandal, the Saturday Night/Firestone trial, Donald Ripley, and Alan Eagleson as well as Cameron's book ‘Ottawa Inside Out’.

The accession consists of additional material in the Stevie Cameron fonds including clippings, interview transcripts, correspondence, and research material related to her book ‘On the Take', as well as drafts of her book ‘The Last Amigo’.

The accession consists primarily of Cameron's research files pertaining to her monographs ‘The Blue Trust’, ‘On the Take', and ‘The Last Amigo’; related files from her literary agent Linda McKnight; records pertaining to the Oliphant Commission investigating the Karlheinz Schreiber/Brian Mulroney affair; files of her early writings and a small number of miscellaneous research material for earlier investigative journalism stories.

Accession consists of publicity files which include biographical material, clippings and other promotional material related to John Kastner and his productions; administrative and production files including transcripts and scripts for the television programs Just Kidding and Street Comedy and audio and film reels related to Street Comedy.

Accession consists of research notes, correspondence, media coverage, and production files for the films by John Kastner, "Monster in the family" and "Sinner in paradise".

Accession consists of textual and audiovisual records pertaining to the development, production and promotion of documentary films by John Kastner: Out of Mind, Out of Sight (2014), NCR: Not Criminally Responsible (2013), Life with Murder (2009), Sinner in Paradise (2007), Monster in the Family, parts 1 (2006) and 2 (2007), Rage Against the Darkness (2004), Romance with a Rapist (1999), Ask a Silly Question (1998), Hunting Bobby Oatway (1997), and House of Secrets (1997). These records include research files, memorabilia, correspondence, court transcripts, interview transcripts, scripts, posters, photographs, audio and video cassettes, compact and optical discs.

Accession consists of correspondence, speeches, and notes and generally pertains to Amnesty International, the Law Society, the Advocates Society, the Law Reform Commission, the police, and race relations.

Accession consists of subject and general correspondence files dealing with Clayton Ruby's work on issues such as advocacy, the death penalty, politics, book reviews, letters to the editor in the Globe & Mail and Toronto Star, policing, Amnesty International, the Writers' Union, the Stephen Leacock home in Orillia, the Meech Lake Accord, free speech, and a reunion of York University graduates.

The accession consists of lecture notes, graduate files, student files, academic and professional correspondence, research notes, course outlines, subject files, and materials related to the Frederic Harrison Collection.

The accession consists of committee minutes, committee searches, subject files, and materials related to Victorian Studies and the Centre for Research of Latin America and Caribbean

Accession consists of records of television program 'Gzowski in Conversation' co-produced by Tapestry Pictures and CBC. Includes VHS screening copies, 'Gzowski in Compilation' CD material, production files and story and research files.

Accession consists of additional material in the Mary Young Leckie fonds including correspondence, memos, scripts and production files for various films, video cassettes, photographs, compact discs and other audio cassettes that document Leckie's work with Tapestry Pictures Inc.

Accession consists of additional material in the Mary Young Leckie fonds including scripts, drafts, notes, research material, clippings, reviews, promotional material, contracts and production files related to her work on productions such as The Arrow, Blue Castle, Children of My Heart, Way of a Boy and Tagged. It also includes the creative and corporate development files of Leckie's company Tapestry Pictures.

Accessions consists of additional material in the Mary Young Leckie fonds including scripts, production files and audio visual material related to her feature films as well as material that documents her personal life such as financial records, photos of her cottage, correspondence and material that documents her involvement with Mountview Alternative School.

Accession consists of correspondence, reports, photographs, notebooks, and other documents created or received by Mary Young Leckie pertaining to her children's education and financial affairs, real estate, her mother's memorial in 2003, her comments on scripts for "Everest" by Keith Ross Leckie, and images of various film productions.

Accession consists of textual material and audiovisual material related to the production work of Mary Young Leckie of Screendoor Productions, including production materials, rushes, promotional material, scripts and correspondence regarding television and film projects such as "By Jeeves", "Prom Queen", "Spirit Bear", "Sanctuary", "Shattered City", "Burn: The Robert Wraight Story" and "Everest".

Accession consists of archival material from Screendoor Productions, including production files and film elements.

Accession consists of Barrett’s published papers, drafts, presentations, grant and research files, teaching files, course notes and correspondence pertaining to his work as a York University professor and researcher. Also included are raw data and questionnaires from his studies on housing.

Accession consists of records pertaining to Barrett’s book, “Disease and Geography: the History of an Idea”. Records include correspondence, book proposals and prospectus, drafts, and reviewers’ comments.

Accession consists of Barrett’s lecture notes, correspondence and supporting materials for his York University course Geography 346, Medical Geography, as well as course notes, syllabi, exam questions and student grades for other courses taught by Barrett at York University. Accession also includes undergraduate papers written by Barrett, hand-drawn maps for his BA thesis, and Atkinson College Geography Department newsletters.

Accession consists of research files pertaining to Barrett's book "Disease and Geography: The history of an idea".

Accession consists of Barrett's records pertaining to his work as a medical geographer and includes correspondence, research files, papers delivered at conferences and colloquiums, articles written for journals, and photocopies and photographic (prints, negatives, slides) reproductions of rare, and early medical cartography from maps and atlases in England, France and Germany, created or published between 1739-1921.

Accession consists of Barrett's records pertaining to his monograph, "Ernest Ibbetson - military artist and adventure story illustrator". Records include drafts, illustrations and correspondence with prospective publishers.

Accession consists of research files pertaining to Barrett's book about Ernest Ibbetson, including audio recordings of interviews with Ibbetson family members, colour slides of Ibbetson's postcards, photographs and negatives, and memorabilia

Accession consists of personal and professional correspondence; notes, drafts and research material for articles and publications including "Cold War Canada" and "End of Privacy"; copies of RCMP Bulletins; subject files that reflect his varied interests and involvement with different organizations or activities and other material that documents his career as an academic, author and political commentator.

Accession consists of records documenting Reg Whitaker's work as an academic and writer. These records include professional correspondence, lecture/speaking notes, article drafts and proofs, reviews, published copies of articles, clippings and research materials, and publishing agreements and contracts pertaining to his articles and books.

Accession consists of drafts of unpublished poems and stories, many of which were written for creative writing courses taken at York, drafts of poems written for Uppal’s published collections “Confessions of a Fertility Expert” and “Pretending to Die”, correspondence and drafts of her novel “The Divine Economy of Salvation” and correspondence and edited drafts of submissions for “Uncommon Ground: A Celebration of Matt Cohen”.

Accession consists of agendas, e-mail correspondence and drafts of “Live Coverage”.

Accession consists of records created by Uppal in connection with her work as a graduate student, poet, and editor, including drafts of her doctoral dissertation, correspondence with other authors, edited contributions to a book of essays on the works of Barry Callaghan, drafts for her books of poetry, and manuscripts by other authors.

Accession consists of drafts of unpublished poems, correspondence, drafts of poems written for Uppal’s published collections “We are What We Mourn,” “Winter Sport,” “Summer Sport,” “Cover Before Striking,” her novel “Projection: Encounters with My Runaway Mother, and her theatrical plays “6 Essential Questions” and “What Linda Said.”

Accession consists of: booklets containing student projects edited by Judith Rudakoff, “Questionable Activities: Canadian Theatre Artists Interviewed by Canadian Theatre Students,” 3 vols., 1997-1998, and “Telling Tales out of School,” a series of one-person performances created by students of Judith Rudakoff’s Playwriting and New Play Dramaturge classes, 2006-2009; articles about Judith Rudakoff, 1990-2001; correspondence regarding the University of Cape Town, 2016; syllabus for a dramaturgy course, 1988; conference papers, 2006-2011; conference booklets and related documents; correspondence regarding acceptance of Judith Rudakoff’s PhD dissertation by the University of Toronto, 1983; teaching award nominations; playwriting files; issues of Toronto Free Press, 1984-1989; award notices and nominations, 1984-2015; scripts for “Not Having,” “The Straw Hat – The Musical,” “The River,” and “Home is not a place” (the last two plays written with Judith Skelton and Joseph Tisga); and files supporting Judith Rudakoff’s academic promotion, 2003.

Accession consists of an issue of The Globe (Toronto), 1 July 1867; annotated manuscript of an unfinished science fiction story, “Non-lieu,” written in the 1990s; a copy of Stephen Crane’s The Red Badge of Courage annotated with Judith Cowan’s teaching notes for Québécois students; and correspondence sent by email and surface mail, 2021.

Accession consists of: printed correspondence sent Canada Post and email, including many colour digital images taken by Judith Cowan and others, 2022-2023; Cowan's unfinished novel, "A Better Class of Illusion," with handwritten annotation, 25 October 2019; a brochure for the 39e Festival International de la Poesie; and letters to Cowan by her friend Dr. Hector L. van Vierssen Trip, accompanied by his essays on Alpertus on church and state, Germanic linguistic studies, Latin in biology, his trip to the Netherlands in 1988, and a history of the Trip family, 1978-1990.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association battle with the CPR and Marathon Realty.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association and their fight against proposed development by CPR and Marathon Realty.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association and their fight against proposed development by CPR and Marathon Realty.

Accession consists of a manuscript of Bakan’s book, “Freud and the tradition of Jewish mysticism,” (1957), which includes handwritten changes to the typescript in pencil and ink.

Accession consists of a typescript copy of “And they took themselves wives: the emergence of patriarchy in western civilization,” (1979). It has been copy-edited, showing/the editorial work of more than one hand, as well as handwritten additions to the text.

Accession consists of the records of York University psychology professor David Bakan. Records include drafts of manuscripts, completed writings, correspondence, sound recordings, notes, lecture notes, and other teaching files, all related to Bakan's professorial work and academic research.