File consists of an audio recording of an interview with Simon Einish talking in English. Topics discussed include: his growing up and the importance of spending time on the Land; the importance of sweats and his art; passing on Naskapi history and culture to the next generation.
File consists of an unpublished work by Dr. Hector Livius van Vierssen Trip on the history of his family in the Netherlands leading up to his emigration to Canada after the Second World War.
File consists of a letter from Dr. Hector Livius van Vierssen Trip to Judith Cowan, 20 Nov. 1989, describing impressions of his trip to the Netherlands in 1988, and the fifth edition of Trip's account of his family's history that incorporates information he found on his visit the previous year.
File consists of the work of Alpertus of Metz on Christianity and the state with an introduction written by Dr. H.L. van Vierssen Trip. The unpublished work was sent to Judith Cowan on 26 Sep. 1987.
File consists of essays by Dr. H.L. van Vierssen Trip on the life of Franciscus Junius and the linguistic ties between the English and the Dutch, on the Siboga expedition of 1899 and marine biology of the Malay peninsula, and on the use of Latin to name botanical discoveries in biology.
File consists of a ticket to the gallery of the House of Commons issued by John Bright and a cyanotype print of an English mine with the inscription on verso, "Do you remember the day you threw my pin down the shaft? Are you sorry?"
File consists of playbills, an issue of “Platform papers,” published by the Royal National Theatre, London, and issues of “NYTW news” (newsletter of the New York Theatre Workshop) and The Harvard Gay & Lesbian Review (spring 1997). Also included are newspaper clippings and other research material.
File consists of publisher proof pages for Hersh Zeifman’s article “Comedy of ambush: Tom Stoppard’s ‘The Real Thing.’” The article was first published in “Tom Stoppard [Modern Critical Views]” edited by Harold Bloom for Chelsea House, New York, 1986.
File consists of research material, handwritten research notes, playbill for Tom Stoppard’s “Hapgood,” and correspondence including one typescript letter from Stoppard to the Hibernia Weekly Review, criticizing a published article pertaining to his play “Dirty linen.” Also included in an issue of Educational Theatre Journal, March 1977.