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Journalism files

Series consists of records pertaining to Callaghan's work as a print and television journalist in the 1960s and 1970s, particularly his writing for the "Toronto Telegram" as the paper's literary editor. Files in this series include annotated copies of published articles, draft manuscripts, notes, annotated typescripts and research materials pertaining to his writing about authors including Margaret Laurence, Edmund Wilson, Irving Layton, Yehuda Amichai, Saul Bellow and many others. Also included in this series are examples of Callaghan's travel writing from the 1980s, interview transcripts from his work on CBC Television's "Show on Shows", and scripts pertaining to his work for CBC Radio. Most of the records in this series have been annotated and edited by Callaghan for re-publication in his three books of collected non-fiction writing, Raise You Five (2006), Raise You Ten (2007) and Raise You Twenty (2011) .

Correspondence

File consists of correspondence sent and received by Callaghan, including a great deal of printed e-mail correspondence, exchanged with fellow writers, friends and colleagues.

Personal files and memorabilia

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

Personal files

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

Manuscripts

Series consists of manuscripts and page proofs pertaining to Callaghan's published monographs Beside Still Waters (a re-write of his first novel, The Way the Angel Spreads her Wings), Between Trains, Raise You Ten, and Raise You Twenty. Files pertaining to a writing collaboration with Joe Rosenblatt are also part of this series, as well as scripts for a CBC Television drama, "The man in the tin canoe".

Photographs

Series consists of photographs of or by Alison Pick, taken in the 1990s and 2000s. These photographs pertain to canoe trips taken by Pick; her attendance at literary workshops, writing retreats and readings; publicity photographs; research for her book "The Sweet Edge"; and social gatherings with Canadian writers including Michael Crummey, Michael Winter, Christine Pountney, Steven Heighton, David Seymour, Karen Solie, and many others.

Wayne Carlson documentary

Series consists of records created and accumulated by Theresa Burke as producer for a Fifth Estate program titled "You be the judge" (2006) about Wayne Carlson, a convicted bank robber and thief, his rehabilitation and re-arrest, and his appearance before the National Parole Board. These records, which include correspondence, scripts, interview transcripts, production materials, and video cassettes, pertain to Burke's research and interview work for this project and the production of the program.

Witness protection research materials

Series consists of records created and accumulated by Theresa Burke on the subject of witness protection, specifically the case of Canadian police informant Tami Morrisroe. These records, including correspondence, interview transcripts and audio cassettes, document Burke's preliminary research and interview work on this subject for an unidentified project.

Prisoner spouses documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about the spouses of prisoners, "The devil you know" (Feb. 2011). These records document research about the subjects of the documentary, the organization of interviews, and the construction of a final program script. The records in this series include correspondence, notes, draft scripts, interview transcripts, legal and court documents, photographs, and newspaper and journal articles.

Shaken baby syndrome documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about shaken baby syndrome, "Diagnosis murder" (Jan. 2012). These records primarily document the legal case of Jeffrey Smith and the death of his infant daughter, as well as research about controversy concerning the diagnosis of shaken baby syndrome. The records in this series include court transcripts and legal documents, medical records, draft scripts, correspondence, interview notes, and newspaper and journal articles.

Helena and Sandy Munroe documentary

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC's The Fifth Estate. These records pertain specifically to a 2007 program titled "The lady vanishes," which examines the relationship and separation of Nova Scotia couple Helena and Sandy Munroe, and document Burke's research work, interviews conducted, and travel plans made for the production of this program. Also included are viewer complaint letters sent to the CBC after the program aired. Records in this series include interview transcripts, newspaper articles, production materials, scripts, correspondence, copies of legal documents, travel itineraries, police records and audiovisual materials.

ICCSASW Seminars

Series consists of material pertaining to International Sugar Workers seminars, including organizational files, correspondence, budgets, proceedings and reports. One of ICCSASW’s main program areas was the organization of regional and national seminars in collaboration with the relevant sugar workers’ unions. About 20 of these were held over a 10-year period. The two largest seminars were held in Bacolod City, Negros Occidental, Philippines, hosted by the National Federation of Sugar Workers – Foods & General Trades (NFSW-FGT) and focused on the Asia-Pacific region. From 1995 to 1997 three international seminars were held in Toronto, with an emphasis on providing unions with the latest economic information about their industry, as well as affording an opportunity for networking and building solidarity.

Solidarity campaigns

Series consists of material created and gathered by ICCSASW in the course of their solidarity work. Dozens of solidarity campaigns were organized by ICCSASW in response to requests from different countries, pertaining to salary campaigns, political repression, job loss, natural disaster, etc. Brazil, Dominican Republic, Guatemala and Philippines were among the principal sources of solidarity appeals. Series contains appeals, responses and other correspondence (including letter-writing campaigns denouncing various actions) and organizational materials.

ICCSASW publications

Series consists of publications by ICCSASW. ICCSASW published regular newsletters in English (“Sugar World”) and Spanish (“Mundo Azucarero”) throughout the years of its existence. For three or for years it also published newsletters in French (“Le Monde du Sucre”) and in Portuguese (“Mundo Açucareiro”). These publications carried news of unions, solidarity campaigns, changes in the industry, etc. There were also occasional research papers in English and Spanish, dealing in depth with different issues such as high fructose corn syrup (HFCS), violence, wage comparisons, diversification, women in the industry, Tate & Lyle, etc. Some files include correspondence related to ICCSASW's publications, as well as mailing lists and subscriber information.

Works by others

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

International Sugar Workers Conferences

Series consists of material created and gathered by GATT-Fly and ICCSASW, in relation to four International Sugar Workers Conferences. Files contain correspondence, reports and notes regarding travel arrangements, participants, expenses, and other elements of conference organization, as well as photographs taken at conferences. The First International Sugar Workers Conference was held in Trinidad in 1977. The Second International Sugar Workers Conference was originally scheduled to be held in Santo Domingo, Dominican Republic in November 1982, but had to be postponed due to complications with travel visas for delegates. It was rescheduled for February 1983 in Toronto, Canada. The second conference established the ICCSASW. The Third International Sugar Workers Conference was held in Santo Domingo in 1987. It was the largest event organized by ICCSASW, with delegates from five continents. The last in the series of four conferences was held in Sao Paulo, Brazil in 1993.

Graduate and undergraduate Studies

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Journals, notebooks and address books

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

Loons files

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

Sugar Workers & Industry Education Resource Library [SWIERL]

Series contains correspondence, financial information and other records of the Sugar Workers and Industry Education Resource Library (SWIERL), including bibliographies, acquisitions, records of incorporation, and other administrative information such as storage space rentals and plans for eventual disposition of materials to the archives. Series also contains some videocassettes from the SWIERL collection.

In an effort to broaden its base of potential support, in 1992 ICCSASW officially incorporated its documentation centre as SWIERL. The SWIERL corporate embossing seal can be found in box 2006-060/061 - item 2006-060/061(01). ICCSASW itself was never incorporated, but operated under the umbrella of the Anglican Church of Canada. When ICCSASW ceased to function in 1998, SWIERL continued to maintain the documentation left over from the project, until 2006 when it was transferred to the Centre for Research on Latin America and the Caribbean (CERLAC) at York University.

Osgoode Hall Law School files

Series consists of records pertaining to Mandel’s activities during his tenure as a professor at York University’s Osgoode Hall Law School from 1974 to 2013.

Student papers and notes

Series consists of Gilbert’s papers and notes from undergraduate courses taken at the City University of New York (Hunter College) and from his graduate studies at the State University of New York (SUNY) at Buffalo and the University of Waterloo. Also included in the series are personal ephemera from this period and copies of letters pertaining to the formation of the journal “Telos” at SUNY Buffalo.

John D. Harbron's correspondence

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

Academic and teaching files

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

Remembrance files

Series consists of correspondence relating to Hans Mohr’s death, photographs of his personal library, a collection of poems entitled Memento mori: paintings and poetry published after Mohr’s death, and a book of friends and family’s notes from the funerals of Hans and Ingeborg Mohr.

Teaching records

Series consists of records pertaining to Gentles’ teaching duties as a professor of history at York University. Includes course syllabi, lecture notes, exam and essay questions, roll books, correspondence with students, reference letters, and other material.

Grant files

Series consists of grant program guides, applications, supporting documentation, and correspondence relating to grants received by Wieland from the Canada Council, Ontario Arts Council and Ontario Ministry of Citizenship and Culture.

Graphic material

Series consists of original art work by Joyce Wieland including sketches, three-dimensional pieces, drafts of visual ideas, notebooks, and prints of finished pieces. There are photocopies of sketches found in other series included here, as well as some photographs used by Wieland for her artwork.

Photographs

Series consists of portraits and snapshots of Joyce Wieland, personal photographs of family and friends (i.e. Wendy Michener), photos used in the creation of her art pieces, photos of her finished artwork, and stills from film shots (The Far Shore). Some sketches may be found with the photos.

Moving image records

Series consists of video tape productions of 'Women of Distinction' and 'Mary McEwan' and film reels of 'A and B in Ontario'.

Correspondence

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Books, articles and speaking engagement files

Series consists of copies of articles written by or about Hoffert as well as notes, drafts, contracts and other legal documents, correspondence with publishers, reviews, publicity material and other documents related to Hoffert's books "The Bagel Effect", "All Together Now" and "The New Client". It also contains drafts of Hoffert's unpublished autobiography and material related to speaking engagements including hard copies of Powerpoint presentations delivered by Hoffert at a number of conferences and symposia.

Sound and moving image recordings

Series consists of sound and audio-visual recordings in a variety of formats that represents the actual musical output of Hoffert from his first recording in 1955 to more recent work including music written for televison news shows. It contains a complete set of Lighthouse albums on vinyl as well as many of their singles and test pressings of some of their albums. There is unedited backstage footage of the band from their 1982 reunion special and recordings of artists that Hoffert produced. There are recordings of film and television scores, concert music and live recordings as well as recordings made by Hoffert in his living room including a recording of a reading by Timothy Findley and Janis Rapoport accompanied by Hoffert on piano.

Early career files

Series consists of material that documents the early music career of Paul Hoffert and includes clippings, reviews and programmes of his early performances as well as a number of composition notebooks from his studies with Gordon Delamont and his contact book for Toronton musicians, organized by instrument. It also includes a complete five-volume set of "Modern Arranging and Composing" written by Delamont.

Personal files and speeches

Series consists of correspondence, notes, ephemera, address books, files pertaining to family and friends, legal documents, unpublished work, and published articles by or about Robert Lewis. Many of the drafts, edits and final versions of speeches written and given by Lewis are included in the series.

Notebooks and planners

Series consists of 174 bound notebooks with Lewis's handwritten notes, twelve daily planners, and one address book. The notebooks appear to be related to Lewis's reporting research while following Canadian politics, and reporting on political figures, candidates, and elections, and include his observations, research, and quotes. The planners include working and scheduling notes, and some loose documents tucked inside the books.

Student notes

Series consists of Wittenberg's hand-written notes and course work from his time as a student at the Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich).

Artwork and related files

Series consists of pieces of art created by Rita Greer Allen, including illustrations and drawings from the 1940s as well as sketches, drawings and paintings from the 1970s and 1980s. Also included in this series are files maintained by Rita pertaining to her art practice, art research, exhibitions, art and pottery workshops and classes. The items in this series include sketches in charcoal, pastel, ink and pencil, watercolour paintings, mixed media collages, sketchbooks, notebooks and notes, art show booklets, pamphlets, newspaper and magazine articles, and postcards. Many sketches in this series were likely used in the creation of Greer Allen's figurative raku pottery and sculpture.

Scripts and work files

Series consists of records pertaining to Rita Greer Allen's career as a freelance researcher, screenwriter, producer and broadcaster for Canadian radio and television between the 1940s and the 1970s. The records in this series include scripts written by Rita, research materials, notes, newspaper clippings, interview transcripts, correspondence, photographs and production materials used in the creation of and pertaining to programs for Canadian Broadcasting Corporation (CBC) radio and television and for the National Film Board of Canada (NFB). Also included in this series are manuscripts for Greer Allen's chapter written for the Marion Woodman book "Leaving my father's house: a journey to conscious femininity"(1993). Programs documented in this series include "As children see us", a CBC radio program; "Barometer rising", a CBC radio adaptation of Hugh MacLennan's novel that was later written as a television script; educational radio plays for in-school listening, created for the Departments of Education of the Provinces of British Columbia and Ontario in co-operation with the CBC and for the British Broadcasting Corporation (BBC); CBC television programs "CBC Thursday night", "Of all people", and "Take 30"; original television drama "The raku fire" (1976); as well as many one-off drama adaptation or documentary projects for radio and television. Many radio scripts written in the 1940s were co-authored with Rita's husband, Robert Greer Allen, and correspondence and writing by Robert appear in some files in this series.

Correspondence

Series consists of correspondence sent and received by Robert Greer Allen pertaining to his personal life and to work-related topics. Correspondents documented in this series include writer Earle Birney, theatrical agent Elspeth Cochrane, Rita Greer Allen, British television executives Cecil Clarke and Michael Berry, and others.

Memorabilia

Series consists of personal and professional memorabilia accumulated and maintained by Robert Greer Allen from his childhood to his retirement from the Canadian Broadcasting Corporation (CBC) in 1990. These records include childhood photographs and a scrapbook, a short story published in a high school literary journal, his Trinity College yearbook, family artifacts, military manuals, a journal, broadcasting awards and other items pertaining to his career as a television producer, as well as items commemorating his retirement.

Financial records

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Fund raising and membership campaign records

Series consists of contact lists of members, participants, performers and supporters of Desh Pardesh as well as fund raising planning documents, promotional flyers, mailing packages, and member cards for various fund raising, membership and support campaigns for Desh Pardesh.

Media and reference files

Series consists of media articles and news clippings related to Desh Pardesh participants and events, as well as catalogues, resource directories, periodicals and newsletters used by Desh Pardesh staff for reference purposes. Also includes a list of books, magazines and directories presumably the resource library maintained by Desh Pardesh.

Audiovisual material submitted to Desh Pardesh

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

General press, master class files and other material

Series consists of press, correspondence, and other material related to the career of Larry Weinstein, Rhombus Media and other subjects not falling within the purview of any specific project. Also includes records pertaining to master classes, juries and workshops in which Larry Weinstein was a participant.

York PhD and general correspondence

Series consists of general correspondence created or compiled by Larry Weinstein between 1980 and 2014, as well as material pertaining to an honorary doctorate awarded to Rhombus Media principals Niv Fichman, Larry Weinstein, Barbara Willis Sweete, and Sheena MacDonald in 1998.

Professional papers

Series consists of typescript and manuscript drafts of poems written by bissett, many of which include original bissett drawings or sketches in the margins. There are also copies of bissett's published works including 'Pomes for yoshi,' 'Space travl,' 'Wuns I saw it raining frogs' and others, art work by bissett including sketch pads, paintings, loose sketches, drawings and doodles as well as material exhibited in galleries. The series also includes posters and flyers publicizing new bissett publications, bissett readings or art exhibitions. There are also several examples of publications that contain reviews of bissett's poetry and/or interviews with him as well as anthologies in which either his poetry or art was published. The series also contains financial records related to bissett's professional life and work including book contracts, grant applications and reports to the Canada Council and to the Ontario Arts Council.

SketchCom productions

SketchCom was a project developed by Abbott and Ferguson to provide opportunities to promising new comedians and comedy troupes to develop and broadcast their work with the assistance of experienced and successful mentors. The SketchCom series was broadcast on the CBC network during 1998-1999. New comedic talent included several persons who went on to national prominence including Shaun Majumder, Gavin Crawford, and Bob Martin. Records include creative and production files, contracts, sketch ideas, audio/visual recordings of the productions, etc.

Series 5: Oral history of the Korean War project

Series consists of records pertaining to a project started by Endicott, Edward Hagerman and John W. (Bill) Powell in 1978. Its purpose, among other things, was to interview surviving Western airmen from the Korean War era about their knowledge of bacteriological warfare, especially the US POWs (Prisoners of War) who had made depositions about their experience to their Chinese and North Korean captors. These records include a typescript and audio recordings of the autobiography of US Army doctor Major-General Crawford W. Sams, a copy of his classified report of a controversial, clandestine raid into North Korea, and an oral interview.

Series 6: British imperialism in China

Series consists of materials used for the creation and defence of Stephen Endicott’s doctoral thesis on British imperialism in China in the 1930s. It includes interviews conducted during his two-year stay in London and extensive documentation from both governmental and business sources. These sources reveal the intense friction between a cautious Foreign Office (Sir John Simon) and a bold Exchequer (Neville Chamberlain) over what course of action should be taken in East Asia during those volatile years and the success of the large and powerful British capitalist and financial interests (Asiatic Petroleum Company [BP/Shell Oil], Imperial Chemical Industries, Hongkong & Shanghai Banking Corporation [HSBC] et al in the China Association) in pushing a forward policy in China despite the growing displeasure of a heavily armed Japan.

Series 2: Canadian missionaries in China

Series consists of Endicott’s detailed and extensive research files pertaining to his book James G. Endicott: Rebel Out of China (1980), as well as his work on the long-running China missionary projects of the University of Toronto-York University JCAPS and of the Canada China Program of the Canadian Council of Churches. These files include interview transcripts, annotated photocopies of archival records (consisting of correspondence, CIA and FBI security files, Canadian Peace Congress records, World Council of Peace records, Canadian government department records, etc.); articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, correspondence, conference papers, etc.

Series 8: Correspondence (academic), occasional papers and presentations

Series consists of records pertaining to York and external correspondence between 1973-2017 including tenure and promotion files; the 1975-1976 Senior Killam Award; the Joint Centre for Asia Pacific Affairs sponsored by the University of Toronto and York University; the ‘Sasakawa Scholarship Affair’; and a series of book reviews, mainly for Pacific Affairs. There are also letters relating to Endicott’s book publications, researched papers presented by Endicott at forums and colloquia, texts published in journals, papers and more informal notes for talks at public libraries, schools, church groups, continuing education programs, TV and radio, on topics of contemporary interest. Finally, there are a number of files from Canadian and international China friendship associations.

Fundraising

Series consists of correspondence and other printed material which records donations made to the TDT and sponsorship deals made with various foundations , corporations, and individuals as well as reports, correspondence, minutes of meetings and other material which documents special events, emergency appeals, corporate campaigns, galas, special sales and other fundraising initiatives by the TDT.

General Manager's files

Series consists of minutes of committee meetings, agendas, memos, contracts, correspondence with other organizations, reports and other material maintained by the TDT's general manager. Included are files which document the TDT purchase of its office at 80 Winchester, the Dance in Canada Conference at Expo 86, the 1994 Asian Tour and the Canadian Conference of Arts.

Clippings

Series consists of files containing clippings of articles regarding the Toronto Dance Company from newspapers and magazines from both the Canadian and international presses.

Ontario Arts Council grant application files

Series consists of applications submitted to the Ontario Arts Council for general operations grants, tour funding and targeted grants. Series also includes post-performance stage managers reports and related correspondence. (Copies of O.A.C. files may appear in the General Manager's and Engagement Files).

Programmes

Series consists of programmes, flyers and brochures used in promoting productions of the Toronto Dance Theatre and TDT choreographic workshops.

School of Toronto Dance Theatre files

Series consists of minutes of meetings and agendas of the School's Board of Directors; financial records consisting of audited statements, budgets, contracts and financial statements; grant applications submitted to the Canada Council, the Ontario Arts Council, the Toronto Arts Council, the Metro Toronto Cultural Affairs Department and other Provincial Ministries and publicity material including programmes and photographs, correspondence and other material related to educational services and to the fund raising initiatives of the School of Toronto Dance Theatre (STDT). Most of the STDT's early records (prior to 1980) are incorporated into the Toronto Dance Theatre files.

Italian Canadian mosaicists, sculptors, and painters research compiled by Angelo Principe

Series consists of records generated in the course of Principe’s scholarly research on the subject of Italian Canadian artists. Principe researched mosaicists and sculptors working in Ontario and Quebec, especially from a workshop situated in the town of Spilimbergo in the province of Friuli-Venezia Giulia, (Walter Del Mistro, Alex von Svoboda, the Connolly family, Remo de Carli, Giovanni Gerometta, De Spirt family, and Luigi Nasato). This research coincided with an exhibition of Italian mosaics at the Royal Ontario Museum, entitled “The New Mosaic: Selections from Friuli, Italy” (2002-2003), which he helped to organize. Principe researched the Italian Canadian painter Albert Chiarandini in conjunction with celebration of the 75th anniversary of the cultural organization, the Famee Furlane held on 29 May 2007. The records include drafts and offprints of published essays, research notes, newspaper clippings, artist catalogues, correspondence, photographs, a reel of film and a DVD.

Correspondence

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Correspondence

Series consists of correspondence created and maintained by Pat Fleisher between 1965 and the late 2000s. The correspondence in this series pertains to Fleisher's personal and professional life, including issues regarding her magazine publishing work, art shows, letters of recommendation, her family, and a wide variety of other topics. Files in this series also include photographs, newspaper clippings, press releases, and financial statements.

Teaching files

Series consists of records pertaining to Crosbie’s work as a university professor and writing instructor. The records in this series are notebooks, lecture notes, correspondence, course descriptions and syllabi, assignments, student evaluations, and samples of her students’ projects.

Correspondence and subject files

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Glenn Gould Hereafter / Glenn Gould : Au delà du temps

A retrospective of the life and work of Glenn Gould, the film draws heavily on archival material from various sources, some previously unreleased. Made as if narrated by Gould himself. Directed by Bruno Monsaingeon and 106 minutes long, the documentary was co-produced by Rhombus and Idéale Audience.

Silk

Series consists of scripts and one digital betacam tape relating to François Girard’s adaptation “Silk”. Based on the novel by Alessandro’s Baricco’s novel, Silk follows to struggles of Herve Joncour (Michael Pitt) a nineteenth century French silkworm smuggler, who is caught between his wife Helene (Keira Knightely) and the Japanese concubine (Sei Ashina) he encounters while traveling in Japan. Also stars Koji Yakusho. Co-produced by Rhombus, Fandango, and Bee Vine Pictures.

Thirty-two Short Films About Glenn Gould

Series consists of 5 posters for the critically-acclaimed 1993 experimental film “Thirty-Two Short Films About Glenn Gould”. Running 98 minutes, the film directed by Francois Girard and co-written by Girard and Don McKellar was well- received in Canada and abroad.

Andrea Bocelli : Under Tuscan Skies

Series consists of script notes, song and musical scores, production notes as well as original film and sound elements for the Larry Weinstein directed 60 minute special “Andrea Bocelli – Tuscan Skies”, featuring old and new songs based on the Italian tenor’s own memories of his home province on Tuscany. Released in 2001.

Marcelo Alvarez : In Search of Gardel

Series consists of translations, production notes, research materials and original film and audio elements of the Niv Fichman-directed musical documentary special featuring Marcelo Alvarez, an Argentine accountant, whose meteoric rise to the stage after winning a song contest. In “Marcelo Alvarez : In Search of Gardel”, Alvarez returns to Argentina to perform and record the tango music of legendary crooner, Carlos Gardel. Includes some archival footage. Co-produced by Rhombus, Sony Classical, La Sept Arte and NHK. The film won an award at the International Film and Video Award.

Ravel’s Brain

Series consists of research notes, photographs, correspondence, production notes, film and audio elements of the documentary “Ravel’s Brain”. Written and directed by Larry Weinstein, “Ravel’s Brain” is described as a “musical/visual tone poem” exploring the final five years of composer Maurice Ravel (1875- 1937), who due to the degenerative brain conditions of aphasia and apraxia, was
able to produce music but not write it down or perform it. The project was initiated in early 1998 by Weinstein but was not completed until 2000, due to resistance from the Ravel estate.

Featuring the performances of the WDR (Sinfonieorchester des Westdeutschen Rundfunks) Symphony Orchestra and Radio Choir of Cologne, the film features interviews with Ravel’s colleagues, archival footage of his home in Montfort- l’Amaruy and his birthplace of Basque Ciboure. The bulk of the work was filmed on location in Marrakesh, a source of inspiration to Ravel.

The documentary featured staged dramatic scenes in which Thierry Costa played Maurice Ravel, Richard Cowan as Dr. Clovis Vincent and Jacques Dewitt as
Léon Leyritz. Some elements of the film may be reused from an earlier Rhombus production “Ravel”.

The project received three Gemini awards in 2002, best picture editing in a comedy, variety or performing arts program (for David New) and best sound in the same category (for Lou Solakofski, Peter Cook, Goro Koyama, David McCallum, and Jane Tattersall) and best production design (for Ambre Fernandez). It also received awards for best direction at Toronto’s Hot Docs festival and other international documentary film festivals.

Correspondence and subject files

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

Photographs and albums

Series consists of photographic prints and negatives, with some accompanying textual records, created or compiled by Luigi Nasato over the course of his life and career as an artist. Primarily includes photographs of works of art, some of which were created by Nasato himself, as well as family and travel photographs. Series also contains computer printouts of works of art, as well as postcards and other graphic material.

Personal files

The series consists of correspondence, certificates, articles, contracts and other financial documents, clippings, newsletters, diaries, note books and photographs created and/or accumulated by John Smith and relating to his personal life and interests.

Scripts

Series consists of scripts written by others and sent to John Smith in the course of his film making career presumably for his consideration as a director or producer.

Publication files

Series consists of records created and maintained by Pat Fleisher pertaining to her four art publications: Art Magazine (1969-1982), Artpost (1983-1992), Artfocus (1992-2004), and City Art (2004-2005), as well as her website, Artfocus Online (1996-2009). These records document Fleisher's work in the production of these publications, including magazine printing, article research and creation, procurement of advertisements and subscriptions, and magazine finances. Files in this series consist of correspondence, article drafts, photographs, artist bios and CVs, grant applications, invoices and financial statements, notes, art show notices, and audio cassettes. Also included in this series are copies of Society of Canadian Artists (SCA) newsletters from 1965 to 1968, edited by Fleisher.

Professorial files

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Financial records

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Editorial files

Series consists of material that documents Coles work as a literary editor and critic and includes contracts, correspondence, course timetables, critiques of students' work and other material that documents his tenure as poetry editor of "The May Studio" at the Banff Centre for the Fine Arts. It also includes drafts of works by other writers sent to Coles for his comments and criticism including manuscripts of work by Michael Redhill, Stephanie Bolster, Richard Sanger, Mark Sinnett and John Bemrose, among others, as well as material that demonstrates Coles' work as poetry judge of the Canadian Literary Awards and the CBC Literary Awards. This material consists of submissions bearing notes and comments by Coles.

Filmmaking and project files

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Personal files

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Faculty of Music, University of Toronto

The series consists of notes on teaching methods employed at the school, registration cards, staff lists, examination and marking schemes, attendance lists and alumni membership lists.

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