Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
|
1998-038/009(04) |
"A History of 'Consonance' and 'Dissonance'", Part two |
File |
1980 |
|
|
|
1998-038/010(01) |
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones" |
File |
1963 |
|
|
|
1998-038/001(11) |
Personal and professional correspondence : Letters from Annie [Ann Holloway], personal |
File |
1973-1977 |
|
|
|
1998-038/001(14) |
Personal and professional correspondence : Michael Byron |
File |
1973-1980 |
|
|
|
1998-038/002(02) |
Peter Garland, correspondence and writings |
File |
1971-1983 |
|
|
|
1998-038/003(02) |
Alphabetical correspondence and subject files : American Musical Festival of Microtonal Music |
File |
1982-1988 |
|
|
|
1998-038/003(06) |
Alphabetical correspondence and subject files : Correspondence, B and C |
File |
1975-1990 |
|
|
|
1998-038/003(08) |
Alphabetical correspondence and subject files : Bell Labs |
File |
1981-1982 |
|
|
|
1998-038/003(15) |
Alphabetical correspondence and subject files : Concordia Electroacoustic Composition Group |
File |
1988-1989 |
|
|
|
1998-038/003(20) |
Alphabetical correspondence and subject files : Robin Freeman |
File |
1987 |
|
|
|
1998-038/003(24) |
Alphabetical correspondence and subject files : Haines |
File |
1988 |
|
|
|
1998-038/003(29) |
Alphabetical correspondence and subject files : Kolsteeg |
File |
1995 |
|
|
|
1998-038/003(30) |
Alphabetical correspondence and subject files : Correspondence, M-S |
File |
1975-1990 |
|
|
|
1998-038/003(31) |
Alphabetical correspondence and subject files : 22nd Merzgedicht - Mac Low |
File |
|
|
|
|
1998-038/003(32) |
Alphabetical correspondence and subject files : Gordon Monahan |
File |
1984 |
|
|
|
1998-038/003(34) |
Alphabetical correspondence and subject files : John R. Pierce |
File |
1982-1983 |
|
|
|
1998-038/003(37) |
Alphabetical correspondence and subject files : PRO/Am Music Resources |
File |
1984-1989 |
|
|
|
1998-038/003(43) |
Alphabetical correspondence and subject files : Work With Dancers Co. |
File |
1980-1988 |
|
|
|
1998-038/049(05) |
Photographs - Carolee Schneemann? |
File |
[1955-1960?] |
|
|
|
1998-038/050(02) |
Oversize : "Spectral Canon for Conlon Nancarrow" by James Tenney, piano roll |
File |
1974 |
|
|
|
1998-038/050(06) |
Oversize : 1 large plastic music disc [ca. 0.75m] : "Wake for Charles Ives" |
File |
|
|
|
|
1998-038/050(07) |
Oversize : 1 large plastic music disc [ca. 0.75m] : "Tempest" |
File |
|
|
|
|
2000-045/001(04) |
Correspondence |
File |
1984-1988 |
|
|
|
2000-045/001(08) |
Correspondence, pieces submitted to Tenney |
File |
1992-1994 |
|
|
|
2000-045/001(12) |
Phil Corner |
File |
1987 |
|
|
|
2006-047/001(07) |
Notes and drafts by Carl Tenney |
File |
|
|
|
|
1978-018/001(14) |
Music Scores by Tenney : String Quartet in One Movement |
File |
1955 |
|
|
|
1978-018/002(01) |
Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed) |
File |
1957 |
|
|
|
1978-018/002(05) |
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed) |
File |
1958 |
|
|
|
1978-018/002(08) |
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed) |
File |
1959 |
|
|
|
1978-018/003(02) |
Music Scores by Tenney : Quiet Fan for Erik Satie (1st. Version) |
File |
1970 |
|
|
|
1978-018/003(03) |
Music Scores by Tenney : Maple Leaf for 13 Instruments |
File |
1971 |
|
|
|
1978-018/003(04) |
Music Scores by Tenney : Canon for Bass Quartet |
File |
1973 |
|
|
|
1978-018/003(05) |
Music Scores by Tenney : Phrygian Mode |
File |
1973 |
|
|
|
1978-018/003(12) |
Music Scores by Tenney : Hocket for Henry Cowell, for four bass drums |
File |
1975 |
|
|
|
1978-018/003(13) |
Music Scores by Tenney : Spectral Canon for Conlon Nancarrow (computer calculations) |
File |
1975 |
|
|
|
1978-018/003(14) |
Music Scores by Tenney : Harmonium : York Ensemble version (hand written) |
File |
[ca. 1976] |
|
|
|
1978-018/004(03) |
Music Scores by Tenney (oversize) : Spectral Canon for Conlon Nancarrow -- for Harmonic Player Piano |
File |
1974 |
|
|
|
1978-018/004(04) |
Music Scores by Tenney (oversize) : Chorale for Orchestra for Ann Holloway |
File |
1974-1975 |
|
|
|
1998-038/014(06) |
Notes and computer outputs : "Pika-Don" |
File |
|
|
|
|
1998-038/014(09) |
Notes and computer outputs : "Stars," unfinished |
File |
[1985?] |
|
|
|
1998-038/014(12) |
Notes and computer outputs : "Water on the Mountain...Fire in Heaven" |
File |
[1985?] |
|
|
|
1998-038/014(13) |
Notes and computer outputs : "Water on the Mountain...Fire in Heaven" |
File |
[1985?] |
|
|
|
1998-038/015(02) |
Notes and computer outputs : "Changes": 64 studies for harp sextet |
File |
1985 |
|
|
|
1998-038/015(04) |
Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet |
File |
1985 |
|
|
|
1998-038/015(09) |
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(10) |
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(12) |
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(14) |
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(17) |
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes" |
File |
1985 |
|
|
|
1998-038/016(12) |
Computer Outputs, "Changes", Studies #61 and #62 |
File |
1985 |
|
|
|
1998-038/017(04) |
Computer Outputs, "Spectrum 1" |
File |
|
|
|
|
1998-038/017(06) |
Computer Outputs, "Spectrum 3" |
File |
|
|
|
|
1998-038/017(08) |
Computer Outputs, Used for "Spectrum 4" |
File |
|
|
|
|
1998-038/018(01) |
Scores, Sketches and Notes : Compositions |
File |
1954-1973 |
|
|
|
1998-038/018(04) |
Scores, Sketches and Notes : "Sneezles" |
File |
1985/1995 |
|
|
|
1998-038/018(08) |
Scores, Sketches and Notes : Notes for "Tableaux Vivants" |
File |
|
|
|
|
1998-038/019(04) |
Scores : "Symphony for Wind Quintet and Tape-delay System"; "Symphony for Saxophone Player with Tape Loop"; plans to write a family composition |
File |
[1975?] |
|
|
|
1998-038/019(07) |
Scores : "Seeds" |
File |
1956-1962 |
|
|
|
1998-038/020(03) |
Scores : "General William Booth Enters Into Heaven" by Charles Ives; arr. for orchestra by James Tenney |
File |
|
|
|
|
1998-038/021(02) |
Scores : "Stoptime Rag" |
File |
1973 |
|
|
|
1998-038/021(05) |
Scores : Arr. prelude #24 in B minor from "The Well-Tempered Clavier" |
File |
|
|
|
|
1998-038/021(10) |
Scores : "In the Lydian Mode" |
File |
1971 |
|
|
|
1998-038/021(12) |
Scores : Drand - 88? |
File |
1967 |
|
|
|
1998-038/021(14) |
Scores : "Music for Player Piano #1" |
File |
21 Jan. 1964 |
|
|
|
1998-038/022(02) |
Scores : "Changes" #1-16, harp 2 |
File |
|
|
|
|
1998-038/022(03) |
Scores : "Changes" #1-16, harp 3 |
File |
|
|
|
|
1998-038/023(03) |
Scores : "Changes" #1-16, harp 6 |
File |
|
|
|
|
2000-045/003(03) |
[Cognate, canons, aggregates, pitches] |
File |
1999 |
|
|
|
1998-038/011(02) |
Performances of music by James Tenney |
File |
1979 |
|
|
|
1998-038/011(06) |
Performances of James Tenney's music, fliers and announcements |
File |
1977 |
|
|
|
1998-038/011(08) |
Performances of music by James Tenney |
File |
1976 |
|
|
|
1998-038/011(12) |
Performances of others' music by James Tenney |
File |
1973 |
|
|
|
1998-038/011(17) |
Performances of James Tenney's music |
File |
1971 |
|
|
|
1998-038/011(18) |
Performances of others' music by James Tenney |
File |
1970 |
|
|
|
1998-038/011(23) |
Performances of others' music by James Tenney |
File |
1966 |
|
|
|
1998-038/011(28) |
Performances, James Tenney, composer/performer |
File |
1957 |
|
|
|
1998-038/012(02) |
Performances/reviews, awards of James Tenney |
File |
1993 |
|
|
|
1998-038/012(09) |
Performances, Darmstadt |
File |
1990 |
|
|
|
1998-038/012(10) |
Performances of James Tenney's music |
File |
1989 |
|
|
|
1998-038/012(15) |
Performances of James Tenney's music |
File |
1985 |
|
|
|
1998-038/012(16) |
Performances of James Tenney's music |
File |
1984 |
|
|
|
1998-038/012(21) |
Performances of James Tenney's music |
File |
1980 |
|
|
|
1998-038/013(02) |
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award |
File |
1982 |
|
|
|
1998-038/025(03) |
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961 |
File |
1961 |
|
|
|
1998-038/025(06) |
Audio recordings : "Ergodos/2" |
File |
|
|
|
|
1998-038/026(02) |
Audio recordings : "Ergodos I" (B) 3 dubs |
File |
|
|
|
|
1998-038/026(05) |
Audio recordings : "Ergodos II (18 min.) (reverse) |
File |
|
|
|
|
1998-038/027(04) |
Audio recordings : "Quiet Fan for Erik Satie" whoops! |
File |
|
|
|
|
1998-038/027(05) |
Audio recordings : "Clang Composition #1" |
File |
|
|
|
|
1998-038/027(06) |
Audio recordings : "Clang" |
File |
|
|
|
|
1998-038/027(07) |
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts) |
File |
27 May 1973 |
|
|
|
1998-038/028(02) |
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100 |
File |
|
|
|
|
1998-038/028(07) |
Audio recordings : "Saxony" edited solo tape |
File |
|
|
|
|
1998-038/028(08) |
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.) |
File |
|
|
|
|
1998-038/029(01) |
Audio recordings : "Saxony 2" |
Item |
|
|
|
|
1998-038/029(05) |
Audio recordings : "Voices" mix without delay |
File |
|
|
|
|
1998-038/029(07) |
Audio recordings : "Bridge" (not the best performance) |
File |
31 May 1984 |
|
|
|
1998-038/030(06) |
Audio recordings : "In the Lydian Mode" |
Item |
|
|
|
|
1998-038/031(01) |
Audio recordings : "Music for Player Piano," Jan. 21st 1964 : recorded Feb. 22nd 1969 at Aeolian Co. by J. Lawrence Cook, four sections in the order RI-O-R-I or (letting RI=O), O-RI-I-R |
Item |
22 Feb. 1969 |
|
|
