Identifier
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Title
|
Level of description
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Date
|
Digital object |
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1998-038/031(02) |
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble |
File |
24 Apr. 1964 |
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1998-038/031(05) |
Audio recordings : "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble |
File |
13 Nov. 1975 |
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1998-038/032(01) |
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel |
File |
6 Nov. 1978 |
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1998-038/032(02) |
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery |
Item |
16 Oct. 1982 |
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1998-038/032(03) |
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting |
File |
Oct. 1985 |
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ASC17136 |
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting |
Item |
Oct. 1985 |
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1998-038/032(09) |
Audio recordings : One unidentified tape which reads "Dad- seems to be recorded over "Octandre" rehearsal, good run of "Octandre" here" |
File |
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1998-038/033(05) |
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction) |
File |
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1998-038/033(07) |
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert |
File |
8 Mar. 1963 |
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1998-038/034(02) |
Audio recordings : "Sonata #2" movements 1 and 2 |
File |
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1998-038/034(03) |
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4 |
File |
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1998-038/034(06) |
Audio recordings : Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert |
File |
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1998-038/034(08) |
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960 |
File |
1955, 1958, 1959, 1960 |
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|
1998-038/035(02) |
Audio recordings : Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction) |
File |
1973 |
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|
1998-038/035(08) |
Audio recordings : "Chromatic Canon" (one voice only) "Glissade I, IV, V" |
File |
|
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1998-038/036(01) |
Audio recordings : 1) 1 kHZ tone 2) "Spectral Canon" for Conlon Nancarrow 1974 3) "Music for Player Piano" (1964) |
Item |
1974 |
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1998-038/036(02) |
Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964 |
Item |
1964 |
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|
1998-038/036(06) |
Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966 |
Item |
1961-1966 |
|
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|
1998-038/036(07) |
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964 |
File |
1961-1964 |
|
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|
1998-038/037(02) |
Audio recordings : 1) "Three pieces for Drum Quartet," 1975 University of Toronto Percussion Ensemble conducted by James Tenney 2) "Spectral Canon" for Conlon Nancarrow (1974) for Harmonic Player Piano 3) "Quintext four and five" (string quartet and bass) (1972) Faculty and student players, California Institute of the Arts 4) "Collage #1 - Blue Suede" (concrete music)(1961) |
File |
1961-1975 |
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1998-038/039(04) |
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969) |
File |
1969 |
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1998-038/039(07) |
Audio recordings : "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982 |
File |
1979-1982 |
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|
1998-038/040(02) |
Audio recordings : Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973) |
File |
1973 |
|
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|
1998-038/040(04) |
Audio recordings : Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic |
File |
7 Feb. 1964 |
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|
1998-038/040(07) |
Audio recordings : John Cage rehearsal San Francisco |
File |
2 Mar. 1962 |
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|
1998-038/040(09) |
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2 |
File |
27 Jan. 1982 |
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|
1998-038/041(02) |
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre" |
File |
20 Dec. 1963 |
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|
|
1998-038/042(04) |
Audio recordings : "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16 |
File |
|
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1998-038/042(06) |
Audio recordings : Nancarrow "Studies for the Player Piano" #10, #11, #12, #13, #14 (canon 4/5), #15 (canon 3/4), #16, #17 (canon 12/15/20), #18 (canon 3/4), #19 (canon 12/15/20) |
File |
|
|
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|
1998-038/042(08) |
Audio recordings : Nancarrow "Studies for Player Piano #24 [and] #25: Reel #3 of coll; #33: Reel #4 of Coll |
File |
|
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1998-038/044(03) |
Audio recordings : "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed) |
Item |
1968 |
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|
|
1998-038/044(04) |
Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed) |
Item |
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1998-038/044(07) |
Audio recordings : Ives songs, original on Mylar |
File |
14 Apr. 1963 |
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1998-038/044(08) |
Audio recordings : Pitts St., "Complement I", "Hawthorne" |
File |
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1998-038/045(03) |
Audio recordings : Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation" |
File |
19 June 1973 |
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1998-038/045(06) |
Audio recordings : Second half of Tenney concert |
File |
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1998-038/045(08) |
Audio recordings : "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933) |
File |
8 Dec. 1976 |
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1998-038/046(05) |
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol |
File |
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1998-038/046(10) |
Audio recordings : Tues July 17, Dad talking about sex |
File |
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1998-038/046(14) |
Audio recordings : Phoenix Party July 17 |
File |
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1998-038/047(04) |
Audio recordings : 9-D, Phoenix, July 19, fourth tape |
File |
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1998-038/047(08) |
Audio recordings : #3 |
File |
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|
1998-038/047(10) |
Audio recordings : #5 |
File |
|
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|
2000-045/001(30) |
Programmes |
File |
1990-1994 |
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|
|
2000-045/001(31) |
Programmes, clippings |
File |
1992-1999 |
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|
|
1998-038/004(02) |
About composers : Conlon Nancarrow, article originals |
File |
1977 |
|
|
|
1998-038/004(08) |
About composers : Conlon Nancarrow, general notes, charts, etc. |
File |
|
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1998-038/004(12) |
About composers : Analytical notes on Debussy, "Syrinx" |
File |
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1998-038/004(16) |
About composers : Harry Partch |
File |
1974-1983 |
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1998-038/004(21) |
About composers : Egard Varese-"Density 21.5" |
File |
1946 |
|
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1998-038/004(22) |
About composers : Webern-"Concerto" Op.24 |
File |
1948 |
|
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|
1998-038/005(03) |
Theory : Harmon |
File |
1956-1963 |
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1998-038/005(07) |
Theory : Sankaran and Deva |
File |
1955-1963 |
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|
1998-038/005(14) |
Theory : Violin perception |
File |
1959-1976 |
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1998-038/006(01) |
Theory : Illustrations for Yale article (Journal of Music Theory) |
File |
1963 |
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|
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1998-038/006(02) |
Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception" |
File |
[1976-1978?] |
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1998-038/007(03) |
Research : Perception-communication |
File |
1963-1966 |
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1998-038/007(07) |
Research : Criticism-history |
File |
1963-1965 |
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1998-038/007(13) |
York University : MFA Music |
File |
[1979-1991?] |
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1998-038/007(18) |
York University : Class materials |
File |
1982-1988 |
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1998-038/008(01) |
Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble |
File |
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1998-038/008(03) |
Electronic Music : Copies of journal articles related to electronic music |
File |
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1998-038/008(06) |
Electronic Music : Electronic music instrument schematics |
File |
|
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1998-038/009(09) |
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy |
File |
1980 |
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1998-038/009(10) |
James Tenney, Canada 1978, "A History of 'Consonance' and 'Dissonance'", originals of old deleted copies |
File |
1978 |
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1998-038/024(02) |
Nancarrow, general notes, charts, etc. |
File |
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2000-045/003(01) |
Clippings |
File |
1964-2000 |
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1998-038/001(13) |
Personal and professional correspondence : Stan Brakhage, correspondence |
File |
1985-1989 |
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1998-038/001(18) |
Personal and professional correspondence : Nam June Paik |
File |
1968 |
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1998-038/003(01) |
Alphabetical correspondence and subject files : Correspondence, A |
File |
1985-1990 |
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1998-038/003(07) |
Alphabetical correspondence and subject files : Ellen Band |
File |
1985 |
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1998-038/003(09) |
Alphabetical correspondence and subject files : Bennington College |
File |
1982-1989 |
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1998-038/003(10) |
Alphabetical correspondence and subject files : Bennington College Chorus |
File |
1984-1985 |
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1998-038/003(11) |
Alphabetical correspondence and subject files : William Brooks |
File |
1983-1989 |
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1998-038/003(17) |
Alphabetical correspondence and subject files : Correspondence, D to L |
File |
1980-1990 |
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1998-038/003(35) |
Alphabetical correspondence and subject files : Perspectives of New Music |
File |
1983-1988 |
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1998-038/049(02) |
Loose correspondence |
File |
[1965?] |
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1998-038/049(04) |
Carolee Schneemann, correspondence |
File |
[1955-1976?] |
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1998-038/050(05) |
Oversize : I hard plastic disc (supporting disc for 3 thin plastic discs below0, [ca. 0.75m] |
File |
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1998-038/050(08) |
Oversize : 1 large plastic music disc [ca. 0.75m] : "The Popcorn Effect" Note : The plastic discs itemized above in (06), (07) and (08) contain code which was played by a mechanical drum. These input control discs are a mechanism for controlling the mechanical drum. The drum was used to produce the above 3 pieces. Stephan Von Huene built this drum as a sound sculpture. |
File |
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1998-038/050(10) |
Oversize : 3 cardboard sheets with circle scores |
File |
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1998-038/050(11) |
Oversize : 21 large thin paper sheets with circle scores Note : The above two listings, (10) and (11), are prints made by Stephan Von Huene. These are made from the 3 plastic circles described in (06), (07) and (08). The prints are artwork. They were created to go with the mechanical drum in a sound sculpture. |
File |
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2000-045/001(02) |
Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others] |
File |
1978-1986 |
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2000-045/001(07) |
Correspondence |
File |
1991-2000 |
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2000-045/001(15) |
From music course, Phil Corner |
File |
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2000-045/001(18) |
Malcolm Goldstein |
File |
1988-1995 |
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2000-045/001(21) |
Ezra Sims |
File |
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2006-047/001(01) |
Correspondence : Jo Ann Tenney to Carl Tenney |
File |
1948 |
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2006-047/001(03) |
Correspondence : Carl Tenney to Jim Tenney |
File |
1960-1968 |
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2006-047/001(04) |
Carl Tenney : photograph |
File |
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2006-047/001(05) |
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman |
File |
1961 |
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2006-047/001(09) |
"IS" : correction copy of manuscript draft by Carl Tenney |
File |
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1978-018/001(03) |
Music Scores by Tenney : for Bassoon |
File |
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1978-018/001(04) |
Music Scores by Tenney : Faust |
File |
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1978-018/001(07) |
Music Scores by Tenney : Music for the film, "Unglassed windows cast a terrible reflection" |
File |
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1978-018/001(08) |
Music Scores by Tenney : Study for Quintext V |
File |
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1978-018/001(09) |
Music Scores by Tenney : Trio for flute, oboe, clarinet in A |
File |
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1978-018/001(12) |
Music Scores by Tenney : Orchestral Variations |
File |
[1954 or 1955] |
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1978-018/001(15) |
Music Scores by Tenney : Variations, in A on a theme by my father for Piano |
File |
1955 |
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1978-018/001(16) |
Music Scores by Tenney : From the "Blue Books" |
File |
1956 |
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|
