File 2021-005/035(01) - Notebook

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Notebook

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  • Textual record
  • Graphic material

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File

Reference code

2021-005/035(01)

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Date(s)

  • Nov. 2014-Aug. 2015 (Creation)

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Physical description

6.5 cm of textual records and photographs (1 v.)

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Scope and content

File consists of the programme for the Scotiabank Giller Prize, 10 Nov. 2014; an undated email from Gloria Vanderbilt about the future of the Carter V. Cooper Exile Short Fiction Award; working notes and annotated handwritten prose; photographs of a special lunch with Michael Callaghan, his sons, and their “adopted uncle,” Vladimir Azarov; an article by Martin Knelman about Barry Callaghan, Exile Editions, cultural nationalists, and Gloria Vanderbilt, 25 June 2014; photographs of a trip to the Guadalajara International Book Fair with Claire Wilks for the launch of Callaghan’s "Selected Stories" in Spanish, 29 Nov. 2014, of a reading in Toronto, of Christmas supper with the family and friends including Leon Rooke and Austin Clarke, and of a New Year’s Party with guests including Ray Robertson, Margaret Atwood, Graeme Gibson, Ellen Seligman, David Cronenberg, and Vince Mancuso; annotated typescript manuscript for the story, “Buddies In Bad Times”; photographs of Seàn Virgo visiting Toronto and supper at 20 Dale Avenue, of Easter celebration with Barry’s grandsons, and of Wilks’s show at the GN Studio in Oakville, shortly after she has been told she has three weeks to live; copy of an article by Anne Michaels, “Claire Weissman Wilks: Women This Way”; emails regarding the declining health of Barry’s brother, Michael Callaghan, his obituary, and the order of service for his funeral, 7 Jul. 2015; order of service for the funeral of Ruth Lampe; flyer for Wilks’s exhibition, “The Etty Drawings,” at GN Studio, 5 Dec. 2015; programme for the Scotiabank Giller Prize, 10 Nov. 2015; and a newspaper article by Carola Vyhnak, “Morley Callaghan both loved and lost here,” 23 Aug. 2015.

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Terms governing use, reproduction, and publication

Copying, rendering, or reproducing the notebook in whole or in part requires the prior written permission of Barry Callaghan. Requests for permission should be directed to the Head of the Clara Thomas Archives & Special Collections.

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Final

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Full

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