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Title proper
Raise you five -- Amichai play -- Dougie at Train -- Leacock -- Saratoga
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- Textual record
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File
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Apr.-Oct. 2005 (Creation)
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4 cm of textual records and photographs (1 v.)
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Scope and content
File consists of a newspaper advertisement and handwritten observations regarding Barry Callaghan’s reading from "Raise You Five" at “Books & Brunch,” 17 Apr. 2005 at the King Edward Hotel, hosted by The Globe and Mail and Nicholas Hoare; newspaper articles about the artistic imprint made by Callaghan and Claire Wilks on the home of Morley Callaghan, 29 Apr. 2005; reviews of "Raise You Five," May 2005, and an interview with Callaghan and George Chuvalo as alumni of St. Michael’s College School who dropped out and received honorary high school diplomas; old photographs of 20 Dale Avenue with Callaghan’s handwritten observations; programme and photographs from the performance of two radio plays by Yehuda Amichai, 19 May 2005; photographs of tenor saxophonist Dougie Richardson performing at Trane’s; programme for The Griffin Trust’s Excellence in Poetry, Canadian 2005 Shortlist with handwritten observations on the evening; photographs and observations on the book signing for McArthur & Company at Book Expo Canada, 28 Jun. 2005; annotated handwritten prose, including “Between Trains”; newspaper advertisement, handwritten observations, and photographs regarding the participation of Callaghan in the Leacock Summer Festival’s Reading Series, 23 Jul. 2005, accompanied by Dougie Richardson; a column written by Priscila Uppal, “Smoke and Mirrors,” Dec. 2005, about reconstructing a relationship between father and son through the documents left behind after the death of her father-in-law; photographs of the Callaghans’ farmhouse; betting receipts; photographs of an evening at 20 Dale Avenue including Sorel Etrog, Claudia Solis, David Cronenberg, John Henry Jackson, Norman Snider, Priscila Uppal, and John Reeves, and of Robin Dawson, a retired rider and journalist specializing in thoroughbred horse racing.
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Terms governing use, reproduction, and publication
Copying, rendering, or reproducing the notebook in whole or in part requires the prior written permission of Barry Callaghan. Requests for permission should be directed to the Head of the Clara Thomas Archives & Special Collections.
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Status
Final
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Full