Colección F0584 - Wyndham Lewis Collection

Área de título y declaración de responsabilidad

Título apropiado

Wyndham Lewis Collection

Tipo general de material

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Colección

Código de referencia

F0584

Declaración de edición

Declaración de responsabilidad de edición

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • 1957-1980 predominant (Creación)
  • 1913-2003 (Creación)

Área de descripción física

Descripción física

0.04 m of textual records

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1882-1957)

Historia biográfica

Wyndham Lewis (1882-1957) was an artist, novelist, critic and self-styled rebel. Born on a boat off the coast of Nova Scotia in to an American father and English mother, Lewis spent his early childhood living in Maritime outports until the family returned to England where his parents separated in 1893. Often in an antagonistic relationship with his Canadian origins, Lewis frequently referred to Toronto a "sanctimonious ice box" to correspondents during his residency in the city during WWII.

Lewis is perhaps best known as the chief instigator of the Vorticist art movement in England, a form of Cubo-Futurism, which flourished prior to WWI. The editor of the celebrated avant-garde magazine BLAST, Lewis, along with his friend Ezra Pound, stood out as a leader of the movement, particularly because of his penchant for controversy and provocative stances.

Although he spent the majority of his adult life in England, Lewis had several periods where he had a direct engagement with Canadian society. During WWI, he escaped active duty as a bombardier working instead as a war artist, where he was responsible for creating significant works of art for the Canadian War Memorials Fund, notably A Canadian Gun-Pit (1918) which resides in the National Gallery of Canada.

During WWII he and his wife found refuge in Canada where he supported himself as a portrait painter in Toronto and as a teacher at Assumption College in Windsor, Ontario. In fact, his novel Self-Condemned (1954) is set in Momaco, a fictionalized Toronto. He and his wife resided at the Tudor Hotel on Sherbourne Street from 1940 to 1943, until a hotel fire forced them to move.

Lewis's writing and art have had significant influence on major Canadian figures, most notably the author Sheila Watson and the media theorist Marshall McLuhan. Befriended by McLuhan during WWII, Lewis had a significant impact on McLuhan's theories on media and in particular his concept of "the global village" and the study of the mechanical environment as a teaching machine.

After the war Lewis and his wife returned to England where he continued to write criticism and published a semi-autobiographical novel "Self-Condemned." Wyndham Lewis went completely blind in 1951 and died in England on 7 March 1957.

Historial de custodia

Much of this collection is made up of items related to the work and influence of Wyndham Lewis from a variety of sources. The provenance of many of these materials is unclear. Many of these letters or pieces of ephemera may have been acquired by Hugh Anson Cartwright in the course of his activities as a antiquarian book dealer as well as a collector of Lewis' work.

Alcance y contenido

Collection consists of archival material included in the Wyndham Lewis Collection. Consisting of batches of letters from Lewis' widow, Anne Wyndham Lewis (Froanna), news clippings on various aspects of Lewis' public activities (book reviews, criticism, artwork, obituaries), and promotional material relating to his publications (publishers' advertisements, inserts, and other ephemera).

Área de notas

Condiciones físicas

Materials are in good condition, some foxing on pages.

Origen del ingreso

Arreglo

Idioma del material

  • inglés

Escritura del material

  • latín

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

There are no restrictions on access.

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

Materiales asociados

Other archival fonds or collections related to Wyndham Lewis can be found at Cornell University's Division of Rare and Manuscript Collections (collection number 4162), the Cyril James Fox fonds at the University of Victoria's Special Collections, the Sheila Watson fonds at the University of St. Michael's College and the Marshall McLuhan fonds at Library Archives Canada.

Materiales relacionados

Acumulaciones

The fonds comprises the following accessions: 2010-051 and 2011-044. Some accruals may be expected.

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

2010/11/27 Anna St.Onge:. EAD v.1.0.1. (Creation)
2010/11/27 Awaiting review by the Data Collection Archivist

Idioma de descripción

  • inglés

Fuentes

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados