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"Flashlight Radio burst on to the music scene when two childhood friends reunited. Suzy Wilde and Ben Whiteley grew up playing tag together backstage at folk festivals while their parents Nancy White and Ken Whiteley performed. They have combined their 'folky' roots with an 'indie' rock influence. Flashlight Radio's songs combined insightful lyrics, powerful music and beautiful melodies that compel the listener to sing along. [...]" Mariposa Folk Festival programme, 2009, p. 45

“The Fitzgerald Sisters are renowned for their high-energy fiddling, jaw-dropping step dancing and the winning way they connect with audiences of all ages. These siblings from just outside the Ottawa Valley are animated and generous performers with a polished, action-packed show. And for good measure, they will even step-dance and fiddle at the same time.” https://www.orilliamatters.com/local-news/new-additions-join-star-studded-mariposa-folk-festival-lineup-900793

The Federation of Women Teachers' Associations of Ontario was established 3 April 1918, as a result of a meeting called by several local women elementary teachers' associations wishing to form a provincial organization. The FWTAO's original mandate included the promotion of the professional and financial status of women teachers in Ontario through the fostering of local associations and campaigning for a minimum annual salary. In addition to representing the financial and everyday workplace concerns of its membership, the FWTAO's mandate was extended to include curriculum reform, employment equity, and other issues related to sexual discrimination. As a consequence of a long series of legal challenges that began in 1985, based on the gender-exclusive nature of the Association, the FWTAO amalgamated with the Ontario Public School Men Teachers' Federation (OPSMTF) in 1998 to form the new Elementary Teachers' Federation of Ontario (ETFO).

"Fathead is a multiple Juno Award and Maple Blues award-winning Canadian blues band, founded by Al Lerman and originally formed with members Mike Fitzpatrick, Ted Leonard, John Mays and Bob Tunnoch." http://en.wikipedia.org/wiki/Fathead_(band)

“Fast Romantics is a Canadian indie rock band based in Toronto, Ontario and originally formed in Calgary, Alberta.” https://en.wikipedia.org/wiki/Fast_Romantics

Husband-and-wife duo (Jorge and Laura) based in the Greater Toronto Area. https://farrucas.net/about/

Excalibur is a student newspaper at York University that started in 1964 and has been autonomous since 1966.

Minnie Heart and Bill Howard

“Elliott BROOD is a Canadian three-piece, alternative country band formed in 2002 in Toronto, consisting of Mark Sasso on lead vocals, guitar, banjo, ukulele, harmonica, and kazoo, Casey Laforet on guitar, lead vocals, backing vocals, bass pedals, keys, and ukulele, and Stephen Pitkin on percussion, sampler, and backing vocals. The band's style has been categorized as "death country", "frontier rock", or "revival music".” https://en.wikipedia.org/wiki/Elliott_Brood

"Elephant Revival is a folk music group from Nederland, Colorado, formed in 2006. The band consists of Bonnie Paine, Bridget Law, Charlie Rose, Dango Rose, Daniel Rodriguez, and Darren Garvey. They refer to their style of music as "transcendental folk," because it transcends several musical categories and incorporates elements of Scottish/Celtic fiddle tunes, original folk pieces, traditional ballads, bluegrass, and indie rock. All members of the band are multi-instrumentalists and contribute vocals and to songwriting." https://en.wikipedia.org/wiki/Elephant_Revival

“Eh?! is the new collaborative fiddle-based trio of Emilyn Stam, James Stephens and Anne Lederman. Solidly rooted in traditional styles, Eh?! is dedicated to bridging the gap between traditional and contemporary Canadian folk music.” http://www.ehtunes.com/bio.htm

"Egypt Migrations is a federally incorporated not-for-profit educational, community outreach, and archival organization. Formerly, Egypt Migrations was the Coptic Canadian History Project (CCHP). CCHP was founded by Michael Akladios in fall 2016. Miray Philips joined in 2017 as the Blog editor and we extended the project’s activities to the United States. In 2020, [they] made the decision to transition from the Coptic Canadian History Project to Egypt Migrations. [...] [Egypt Migrations] aims to preserve, educate, and empower Egypt’s migrants and their descendants by countering this exclusion and utilizing storytelling to reveal meaning without committing the error of defining it. [It] collaborate[s] with geographically dispersed communities in sharing the stories of any who once called Egypt home and all those first, second and third generation living transnationally. The organization retains its emphasis on the Copts while expanding its lens to Egypt and its migrants, more broadly construed." https://egyptmigrations.com/about/

“Earle and Coffin were a Canadian blues and folk music duo from Newfoundland and Labrador, consisting of Nick Earle and Joe Coffin. They are most noted as two-time winners of the Canadian Folk Music Award for Young Performer of the Year, winning at the 12th Canadian Folk Music Awards in 2016 for their album Live at the Citadel House and at the 14th Canadian Folk Music Awards in 2018 for their EP A Day in July.” https://en.wikipedia.org/wiki/Earle_and_Coffin

“The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s.” https://en.wikipedia.org/wiki/Downchild_Blues_Band

“A kick-in-the-pants all girl rootsy trio. Delicious three part harmonies, washboard, fiddle guitar and uke accompany sassy songwriting and killer charm.” Featuring Lisa Olafson, Suzy Wilde, and Alison Porter. https://www.dirty-dishes.ca/

Desh Pardesh was a multidisciplinary arts festival dedicated to providing a venue for underrepresented and marginalized voices within the South Asian diasporic community, particularly left wing and queer South Asian artists and academics. It operated from 1988 to 2001. The organization's mandate states: "Desh Pardesh is lesbian and gay positive, feminist, anti-racist, anti-imperialist and anti caste/classist. Desh exists to ensure that the voices and expressions of those constituencies in the South Asian community which are systematically silenced are provided with a community forum. In particular: independent artists, cultural producers and activists who are women, lesbians and gays, people with disabilities, working class people and seniors." Founded in the late 1989, the festival was originally conceived as "Salaam Toronto!" and administered by Khush, an association of South Asian gay men in Toronto. This day-long festival was held at 519 Community Centre in May, 1988. The Khush committee later developed into a coalition-based organizing committee to administer the newly named Desh Pardesh, which was held in March 1990, and was co-sponsored by Khush and The Euclid Theatre. Desh Pardesh was incorporated as a non-profit organization on April 7, 1994. In addition to organizing an annual summer conference and arts festival (featuring film screenings, workshops, issue-driven seminars, spoken work and literary readings, music, dance and performance art pieces), Desh Pardesh also hosted periodic arts development workshops, community outreach seminars, mini-festivals, art exhibits, and film retrospectives. It also served as a resource centre and referral service to various South Asian community groups and artists, cultural organizations and activists. In later years, Desh Pardesh worked in close collaboration with SAVAC (South Asian Visual Arts Collective). The Desh Pardesh festival and its administrative body closed in 2001 due to a financial crisis.

"This folk and roots trio have played everything from the Winnepg Folk Festival to a packed room in Toronto's iconic Cameria House. Raven Sheilds and Bri Salmena write the songs and play guitar, and Aaron Comeau backes them up with all the other intruments." (2012 MFF programme booklet)

"De Temps Antan was founded in 2003 by three former members of La Bottine Souriante , Éric Beaudry, Pierre-Luc Dupuis and André Brunet . In 2017, André Brunet left the formation by joining Le Vent du Nord , David Boulanger then replaced him. In 2008, the trio participated in the recording of the album Mesdames et Messieurs! of the group Le Vent du Nord, which aroused in the musicians a desire to push the collaboration further. Thus, in 2016, the two formations - under the collective name SOLO - created a show offering pieces from their respective repertoire as well as new compositions. Following the success of the tours, the bands recorded an album from this project called: Our SOLO album , which went on sale on November 1 , 2018 and won the Félix for Album of the Year - Traditional 2019 at L' ADISQ . They notably presented the show at the prestigious Carnegie Hall." https://fr.wikipedia.org/wiki/De_Temps_Antan

Founded in 1975 by Danny Grossman, the Danny Grossman Dance Company (DGDC) is a modern dance company that was legally incorporated as the Danny Williams Grossman Dance Company in 1977. Considered as one of Canada’s most popular modern-dance troupes, the company toured extensively in Canada and performed globally across Europe, Israel, South America, and the United States. It toured in more than seventeen countries and has appeared at major dance festivals including Jacob’s Pillow. Its mission is to provide the environment, opportunity and support for the creation, performance and preservation of works by Danny Grossman. The company’s artistic statement is to present dance that is about humanity: clear, concise, daring, and universal – not afraid of subject matter. The company’s repertoire of 30 original works reflects Danny Grossman’s personal values of equality, pacificism, honesty courage, social responsibility, sympathy for the underdog and a willingness to reveal demons.

During the first two years, four company dancers (Danny Grossman, Judy Hendon, Erik Bobrow, Greg Parks,) were also members of the Toronto Dance Theatre as dancers, apprentices, and students. Working under the umbrella of TDT, DGDC practised after hours and undertook extended residencies and performances at the University of Michigan in Ann Arbor and at Simon Fraser University in British Columbia. Follow the success of Higher on tour to Miami and New York in 1976, the company was invited to perform at the New York Dance Festival, the Dance in Canada Conference in Halifax, and in the cultural festivities of the 21st Olympiad in Montreal in 1976.

By 1978 the company was established on a fulltime basis and would rehearse in the evenings at the National Ballet School studios. The six members DGDC (with Randy Glynn and Judith Miller joining the founding dancers) embarked on its first tour of Western Canada with Peter Sever as manager and Germain Pierce as wardrobe supervisor. Afterwards, the company moved to its own studio space on King Street, Hendon left and Pamela Grundy (who would later become Co-Artistic Director) and Trish Armstrong joined by audition.

In the 1980s, the company entered into an extended period of creative work to build a new repertoire in preparation for upcoming tours in North America and Europe. In 1988, the company expanded its repertoire to remount 15 revivals from Canadian artists (Patricia Beatty, Paula Ross, Lawrence Gradus, Judy Jarvis, Anna Blewchamp) and some American choreographers (Charles Weidman and Paul Taylor). Throughout the 1990s and early 2000s, the company would performance and tour primarily in Canada.

The company has also collaborated and co-produced with artists of different techniques, cultures, and disciplines including Judy Jarvis, Lawrence Gradus, Rina Singha, and Brainerd Blyden-Taylor. Collaborations also assisted the company to maximise resources through initiatives such as For Dance and Opera (a joint booking project to meet tour management needs) and 509 Parliament St (joint studio space for Canadian Children’s Dance Theatre and independent artists). The company also belonged to Dance 2020 (workgroup of members of Toronto dance community to set priorities and visions for the future), Arts 4 Change (a program designed to create positive change for and by arts professionals in Toronto), and Artsvote (a campaign to educate local voters and politicians about issues in the cultural sector). The company also engaged in educational initiatives with local school groups, community groups, and undertook residency programs on tour.

With shrinking grants to fund operations, the company stopped performing in 2008 and shifted its focus on teaching and preserving Grossman’s choreography. The company travels to schools and teaches works to students at institutions such as Adelphi University.

“Dala is a Canadian acoustic-folk two-piece musical group, made up by Sheila Carabine and Amanda Walther, both of Scarborough, Ontario.”

The Council of the York Student Federation began in 1968 as the York Student Council, changing its name in 1969 to Council of the York Student Federation. In 1990 its name was changed again, this time to the York Federation of Students. Prior to 1968, the York Student Representative Council had served the interests of students at the university. Originally made up of students from the three colleges (Founders, Vanier, Winters) and the two faculties (Graduate Studies, Administrative Studies), with an invitation of membership to faculty, the Federation is currently comprised of all students in the Faculties of Arts, Fine Arts, Education, and Pure and Applied Science and the undergraduate students in the Faculty of Administrative Studies. Associate members include students in Osgoode Hall Law School, Glendon and Atkinson colleges. The Federation is governed by a Board of Directors comprised of an elected President, Secretary and Treasurer, and representatives of the constituent members. In addition there are vice presidents for external relations, finance, internal relations, equality and social affairs, and commissioners for health care and clubs.
The purpose of the Federation is to represent the interests of the student members within the university community and with various external bodies (Ontario Federation of Students, etc), to serve as a communications and information service for the student body, and to administer social, cultural, athletic and business operations of the Federation on behalf of students.

The Co-operative Commonwealth Federation (CCF) was founded in Calgary in 1932 by a number of socialist, labour, agrarian, and co-operative groups with the aims of economic reform. With the signing of the Regina Manifesto (1933), the movement became an electoral political party and enjoyed great success in the province of Saskatchewan where it formed the provincial government for several years. The CCF also enjoyed limited success in Ontario (Official Opposition in 1943), as well as on the federal scene. In 1961, the CCF was succeeded by the New Democratic Party (NDP) after forming an alliance with the Canadian Labour Congress.

Consumers' Gas Company was established in Toronto in October, 1847, as a private company to bring gas to the city for the purpose of illuminating the streets. In 1879 the company's authority was extended to providing gas for indoor uses (heating, cooking, illumination). In 1847 the company served approximately 641 consumers: by 1923 the company was serving two hundred times as many consumers claiming that every house in Toronto made use of gas. In 1887 legislation was passed to regulate the price of gas in Toronto, with the City Auditor inspecting the company's books. Further civic involvement in the gas company commenced in 1904 when the City of Toronto purchased shares in the company and the Mayor became an ex-officio director.

"Conjunto Chappottín, also known as Chappottín y sus Estrellas, is a Cuban son conjunto from Havana. It was founded in 1950 by trumpeter Félix Chappottín, pianist Lilí Martínez, singer Miguelito Cuní and other members of Arsenio Rodríguez's conjunto, which was partially disbanded after his departure to the USA. Currently, the group is directed by Jesús Ángel Chappottín Coto, the grandson of Félix Chappottín. Curent members: Jesús Ángel Chappottín Coto: trumpet, musical director, Miguel Arcángel Conill Hernández (Miguelito Cuní Jr.): singer and percussion, Ángel Remigio Laborí Hernández: piano, Francisco Vasallo Labrada: tumba, Eduardo Antonio Canas Oliva: percussion, Manuel Guará Colás: trumpet, Gregorio Martínez Pedroso: trumpet, Roberto Ortega Oviedo: trumpet, José Lussón Bueno: singer, Eduardo Font Paniagua: singer, Eduardo Sandoval Nobregas: singer." https://en.wikipedia.org/wiki/Conjunto_Chappott%C3%ADn

The Communist Party of Canada was founded in 1921 as a secret society and became a public party in 1924. Banned in 1940, it re-surfaced as the Labour-Progressive Party, returning to its proper designation in the latter part of the decade. Influential in trade unions, the Communist Party has had its greatest electoral successes in municipal politics, particularly in Winnipeg. It has suffered setbacks in the 1950s with the denunciation of Stalin and again in the 1980s with the decline of Communist parties in Russia and former Soviet-bloc countries.

The Committee for an Independent Canada was established in 1970 by Walter Gordon, Peter Newman and Abraham Rotstein to promote Canadian economic and cultural independence. Many of the proposals offered by the Committee were eventually made into government policy including the establishment of the Foreign Investment Review Committee, the Canadian Development Corporation, and Petro Canada. The Committee was disbanded in 1981.

Radio York was established in 1969 as a student-operated radio station that broadcast throughout York University. In 1987 the station received Canadian Radio and Television Commission approval to begin public broadcasting as radio station CHRY 105.5 FM. The station has limited revenues from advertising sales and receives the bulk of its operating monies from a levy on York University students. It has a Board of Directors made up of students, alumni, radio alumni and members of the external community. The Board is elected annually, and oversees the operations of the station. The daily decision-making power at the station rests with the Program Director.

The Centre for Experimental Art and Communication (CEAC) was created in Toronto in 1975 by the Kensington Arts Association, an avant-garde artists collective. The Centre acted as a studio, resource centre, museum, gallery and performance space for the collective. It also acted as the host for visiting acts and artists in the areas of performance art, behaviour workshops, contextualism, visual arts (especially video art) and other post-modern art forms. The CEAC collective also produced events which were showcased in Europe, the United States, South America and, to a lesser extent, Canada. The Centre was the sight of 'Crash and burn,' a punk-rock musical venue in the mid-1970s. The Centre alienated funding bodies in the late 1970s when a copy of 'Strike', a journal associated with CEAC, was charged with promoting violent overthrow of authority, and CEAC was forced to close in 1980.

'Cartographica' is considered to be the foremost journal in its field, publishing articles on latest developments of in cartography. It was formed by the union of 'Canadian cartographer,' and 'Cartographica,' and has long been associated with the Geography Department of York University.

"Country music, Carly-Jo style, is upbeat positive, and empowering. Sisters from Burlington, Ontario, Carly and Jo, love to entertain […]. "What you get is what you see", their first single, from their self-titled debut album, sums up the Carly-Jo philosophy. Carly on piano, and Jo on guitar, united in powerful vocals that tell it like it is. [...]" Mariposa Folk Festival programme, 2009, p. 43

The Canadian Theatre Review was Canada's first quarterly theatre journal and was established at York University in 1974 as a publishing project of the Faculty of Fine Arts and the Department of Theatre. It grew out of a Theatre Department publication called the York Theatre Journal which began in about 1970. Both publications were initially edited by faculty members Don Rubin and Ross Stuart.

The first issue of CTR appeared in January 1974 and it set the model for the journal's issues thereafter: themed issues, a full-length playscript, short essays on a variety of subjects and book reviews. Within 24 months, the journal expanded into theatre book publishing and began using the more comprehensive designation CTR Publications. In addition to the journal,

CTR Publications, under Rubin's general editorship, published some two dozen separate volumes including the archival series "Canada on Stage" (1974-1988), the four-volume "Canada's Lost Plays" series and historical volumes such as Toby Gordon Ryan's "Stage Left: Canadian Theatre in the Thirties". In 1982, Rubin turned the editorship over to Robert Wallace of Glendon College and its production to the University of Toronto Press.

When Wallace left as editor, the publication was taken over by the University of Guelph and edited by Alan Filewod, a Guelph Theatre professor and a graduate of the York Theatre Department when the journal first began.

Canadian Speakers' and Writers' Service Ltd. was begun by Matie Molinaro in 1950. Since that time it has represented the interests of several leading Canadian authors, performers and speakers including Marshall McLuhan, Harry Boyle, Mavor Moore, Celia Franca, Lister Sinclair, Don Harron, and several others. The Service also ran a writer's retreat north of Toronto until the late 1980s. Molinaro has also acted as a ghost-writer, written publicity, and translated material in her career as president of CSWS.

The Canadian Society for the History and Philosophy of Science/Société canadienne pour l'histoire et philosophie des sciences (CSHPS/SCHPS) has a mandate to connect scholars in the interdisciplinary study of all aspects of science. It publishes a newsletter, Communiqué, and its annual conference takes place within the Congress of Social Sciences and Humanities.

The Canadian Science and Technology Historical Association was established in 1980 to promote an interest in the scientific and technological heritage of Canada, through production of a scholarly journal, Scientia Canadensis, and the sponsoring of biennial conferences. Its membership is largely drawn from the fields of academe and government.

(from ANFC website)
The Friendship Centre Movement began in the mid-1950s when groups were formed in most urban areas across Canada to represent the interests of the increasing number of Indigenous peoples migrating from outlying reserves. These early Friendship Centres existed mainly as referral agencies between established social service organizations and urban Indigenous residents. Funding of these early centres was dependent on individual volunteers and their ability to raise operating funds though various fundraising events and private donations.

As the stream of new arrivals continued to grow throughout the 1960s, Friendship Centre staff became increasingly aware of the need to extend their services beyond a referral mandate. For this to be possible, increased organization and adequate funding for each Centre was necessary. To support this transition, in the late 1960s, Friendship Centres began organizing into Provincial/Territorial Associations (PTAs): unifying bodies aimed at providing administrative support to each of the local Friendship Centres within their specified region.

With the increased organization and supportive network that ensued from the creation of the PTAs, local Friendship Centres were able to expand their services beyond their referral mandate to concentrate on proactively encouraging and assisting Indigenous peoples to adjust and thrive more successfully in their new urban environment. With this refocus, both the public at large as well as Provincial and Federal governments began to recognize the viability and importance of the Friendship Centre Indigenous Self-Reliance Movement.

In 1972, the government of Canada’s support of the movement was formally recognized with her implementation of the Migrating Native Peoples Program (MNPP); providing operational funding to each of the then 40 Centres across Canada. The MNPP was renamed the Aboriginal Friendship Centre Program (AFCP) in 1988. The federal government’s commitment to supporting Friendship Centres has been ongoing with the renewal of the Aboriginal Friendship Centres Program. The AFCP program now provides core operational funding to 115 local Friendship Centres across Canada— 20 of which are located in communities throughout Alberta.

The Canadian Law and Society Association/l'Association canadienne droit et société is a group of scholars dedicated to the advancement of interdisciplinarity in legal and socio-legal scholarship in Canada and internationally. The association focuses on training in law, history, sociology, political science, criminology, psychology, anthropology, and economics as well as in other related areas. It awards prizes for socio-legal scholarship; holds a small midwinter meeting and a large annual conference and graduate student workshop; and publishes the "Canadian Journal of Law & Society/La revue canadienne droit et société." The CLSA/ACDS was formed in 1982 to provide a sense of intellectual community for a growing group of Canadian scholars interested in the relationship between law and society. In 1985 the association held a conference at the University of Montreal, where the decision to formally establish the association and journal was made. John McLaren was elected president with Peter Russell as vice-president, and the association obtained formal “learned society” status. The journal’s first issue appeared in 1986 under the editorship of Rainer Knopf. In recent years, the association has participated in independent and co-operative projects and conferences.

The Canadian Italian Business and Professional Association (CIBPA) of Toronto was founded in 1952 and incorporated on 21 December 1956 under its original name, the Canadian Italian Businessmen's Association (CIBA). The CIBA of Toronto began under the direction of a small group of Italian-Canadian businessmen and professionals, who included Anthony Andreoli, Sam Benedetto, Joseph D. Carrier, John de Toro, Remo de Carli, Eugenio Faludi, Neldo Lorenzetti, William Morrassutti, Vincent Paul, Sam Sorbara and Suilio Venchiarruti, who was the association's first president. Formed in response to the difficulties facing the large numbers of Italian Canadians in Toronto after World War II, the not-for-profit association assisted with the integration of new immigrants into Canadian society and raised funds for different causes. Throughout the 1950s, 1960s and 1970s, the CIBPA Toronto supported the formation and/or development of a number of charitable organizations, including the Italian Immigrant Aid Society (IIAS), the Centro Organizzativo Scuole Tecniche Italiane (COSTI), the Federazione di Associazioni e Club Italiani (FACI), the Italian Canadian Benevolent Corporation (ICBC), the Columbus Centre and the Villa Colombo Home for the Aged, as well as other charitable initiatives. In addition to its fundraising and charitable endeavours, as membership in the CIBPA Toronto grew, the association held monthly dinner meetings, business and professional networking events, and other special events with the aim of promoting business and social interaction between its members and with the wider community, which is the primary focus of the modern CIBPA Toronto.

The CIBPA Toronto is governed by a constitution and by-laws, which detail the association's objectives to "initiate and foster programs and activities for the welfare and betterment of the Italian and Canadian Italian communities, to promote and strengthen the image of the Canadian Italian community within Toronto and Canada, and to initiate and foster social and cultural interest and activities among its members and the Canadian Italian community." The CIBPA Toronto is managed by an elected board of directors comprised of an immediate past president, president, vice-president, secretary, treasurer and Ladies' Auxiliary representative. The board of directors oversees a number of permanent committees, including executive, legal, membership and nominating committees, and other rotating committees. CIBPA Toronto membership includes categories for full, youth, student, life, honorary and corporate members. In 1983, the CIBPA Toronto joined CIBPA Montreal to form the National Federation of Canadian Italian Business and Professional Associations, which now includes chapters in Hamilton, Niagara, Halifax, Ottawa, Sudbury, Sault Ste. Marie, Thunder Bay, Windsor, Winnipeg, Regina, Calgary, Windsor and Vancouver.

The Canadian Friends of Finland (CFF) was founded in 1982 by a group of Finnish Canadian volunteers led by Professor Varpu Lindstrom of York University. The mandate of the CFF is to develop and promote friendly relations and cultural and educational connections between Canadians and Finns. Since its founding in Toronto, the CFF has established active branches in Montreal, Ottawa, and Vancouver. In 1990 the CFF established the CFF Education Foundation (CFFEF) to support the Finnish Studies Program at the University of Toronto.

The Canadian Film Development Corporation (Telefilm Canada) was created by Act of Parliament in 1967 to foster and promote the development of a feature film industry in Canada. The plan called for direct investment in low-budget Canadian 'cultural films', but by 1973 the demands for a more commercial fare led the CFDC to promote international co-production, sometimes using foreign stars in the feature films. Many of the films produced under this arrangement were never released. In 1984 the CDFC was renamed Telefilm Canada.

Based on entry in The Canadian Encyclopedia:
"CCMC. 'Free music orchestra' formed in 1974 in Toronto as the Canadian Creative Music Collective. Only the abbreviation was in use by 1978. Defining itself as 'a composing ensemble... united by a desire to play music that is fluid, spontaneous, and self-regulating,' the CCMC, by its instrumentation, by the backgrounds of several of its founders, and by the improvised nature of its music, was initially aligned with the free jazz community.

Its original members were Peter Anson (guitar and later synthesizer); Graham Coughtry (trombone); Larry Dubin (percussion); Greg Gallagher (saxophones); Nobuo Kubota (saxophones); Allan Mattes (bass, bass guitar, electronics); Casey Sokol (piano); Bill Smith (saxophones); and Michael Snow (piano, trumpet, guitar, analogue synthesizer). Gallagher, Coughtry and Smith left 1976-7, Dubin died in 1978 and Anson departed in 1979. The remaining quartet was augmented by the drummer John Kamevaar in 1981. Sokol left in 1988, Kubota in 1991 and Damevaar and Mattes in 1994, and the vocalist Paul Dutton became a member in 1989 and John Oswald (alto sax) as of 1994. The CCMC began moving toward improvised electroacoustic music: instrumentation in 1990 comprised guitar-synthesizer and double bass (Mattes); wind synthesizer (Kubota); tapes and live electronic sampling (Kamevaar); voice (Dutton and Kubota); and piano (Snow).

After early performances in private, the CCMC established the Music Gallery in 1976, performing there on a twice-weekly basis until 1983, and later weekly. CCMC members were responsible for the gallery's operation until 1987 - Anson and Mattes 1976-80, Mattes alone thereafter - and established the Music Gallery Editions record label and Musicworks. After 2000, the CCMC's relationship with the Music Gallery ceased.

The CCMC has travelled widely, making four tours in Canada by 1982 and five in Europe 1978-85. It performed at the FIMAV (Festival international de musique actuelle de Victoriaville) in 1984 and again in 1997, at the 1984 summer Olympics in Los Angeles, at Expo 86, in Japan in 1988 and for New Music America, Montreal, in 1990. It later appeared in France (1998); Texas (1999); New York (2001); and in 2002 in England, the Netherlands, France and Germany. It has also played in various festivals in Canada, eg, Open Ears (Kitchener-Waterloo) and No Music Festival (London, Ont). The ensemble since 1995 has been a trio, consisting of Dutton (voice or soundsinging, harmonica); John Oswald (alto sax); and Snow (piano, analogue synthesizer).

Music Gallery Editions released six LPs recorded by the CCMC 1976-80: CCMC Vol 1 (MGE-1), CCMC Vol 2 (MGE-2), CCMC Vol 3 (MGE-6), Larry Dubin and the CCMC (3-MGE-15), Free Soap (MGE-22) and Without a Song (MGE-31). Two cassettes, CCMC 90, documenting the 1989-90 season at the Gallery, were issued in 1990. These were followed by the CDs Decisive Moments (TLR 02, 1994); Accomplices (VITOcd063, 1998) and CCMC + Christian Marclay (NMRx0003/ART MET CD004, 2002)."

The Canadian Association of Professional Dance Organizations (CAPDO) is the only national service organization for dance in Canada. Established in 1978 and incorporated in 1981, CAPDO helps to serve the interests of dancers and dance organizations across Canada regardless of their stage of development and experience. It represents the collective interests of its members in seeking out public support for its initiative to expand opportunities for professional development and creativity within the discipline. Its members are the major professional dance companies and institutions in Canada with proven records of professional achievement and artistic merit. In 1990, CAPDO undertook a formal review of its structure, objectives and administration with the primary purpose of expanding its membership and better representing the needs of a broader spectrum of the dance community. The membership today consists of dance companies, training and re-training institutions and other agencies serving the professional dance community.

(from Trent University Archives fonds-level description)
The Canadian Association in Support of Native Peoples is an association of natives and non-natives in support of natives. It was originally established in 1957 under the name of the National Commission on the Indian Canadian and was a non-native organization created to study the "Indian problem". The first chairman of the Commission was Mrs. W.H. Clark. By February 1958 it had become apparent that the problems of the native peoples were much more complex than first anticipated, and it was decided to involve aboriginal peoples in the Commission to help find viable solutions. In 1960, the Indian-Eskimo Association (I.E.A.) was incorporated, with Mrs. Clark as the first president. The I.E.A. had several functions which included encouraging native leaders to form organizations, fund-raising, organizing workshops to discuss native housing, community and economic development, and providing advice and support in legal matters. Also, provincial and regional divisions were created to help deal with specific native issues, not just native problems on a general level. By 1968, several national and provincial native organizations had come into being. In September of the same year, leaders of the native organizations met with representatives of the I.E.A. to discuss the future role of the Association. It was agreed that the native organizations still needed the I.E.A.'s support, but that they should begin to deal directly with governments, without the I.E.A. acting as the middleman. It was clear that the future of the I.E.A. was to provide only support and advice to the developing native organizations. In 1972, many of the recommendations made in 1968 had come into effect. The name was changed to the Canadian Association in Support of Native Peoples to reflect the new functions of the Association more accurately. At this time, regional offices of the Association were closed, and the head office moved from Toronto to Ottawa. The Association still continues to function in an advisory capacity.
For more information, see: http://www2.trentu.ca/library/archives/82-014.htm .

The Canadian Association for Women in Science (CAWIS) was formed in 1981. It started as a chapter of the U.S. based Association for Women in Science (AWIS), but a decision was made at the chapter meeting in May, 1981 to from a wholly Canadian organization in order to better serve the needs of Canadians. CAWIS initiatives and activities include publishing a CAWIS newsletter; co-ordinating public seminars and lectures; promoting science education in high schools for girls; supporting, lobbying, informing organizations, ministries, associations on issues relevant to women and science; participating in conferences on women and science; establishing a CAWIS award to Canadian women in science; establishing a Canadian registry of women in science; and marketing the organization CAWIS to the general public and women involved/interested in scientific professions.

The Canadian Association of Latin American Studies (CALAS) was founded at York University on 12 June 1969. In 1976, CALAS became the Canadian Association of Latin American and Caribbean Studies (CALACS). The Association was the first Canadian organization to bring together scholars and activists from around the world engaged in teaching and research on on Latin America and the Caribbean, with a focus on expanding the study of Latin America and Caribbean in institutions of higher education. The Association holds an annual Congress and has published an interdisciplinary journal, the Canadian Journal of Latin American and Caribbean Studies, since 1976.

The Canadian Association for Irish Studies was established in 1956 to encourage study and research in all fields of Irish culture. In March 1974 the Association held its seventh annual seminar at York University.

Based in Ottawa and Toronto, the Canada Dance Festival was first produced in 1987 as an initiative of the Dance in Canada Association, the National Arts Centre and Dance!, An Ottawa Summer Festival. Following the first festival, the Canada Dance Festival Society was formed with a separate administration and an official co-production arrangement with the National Arts Centre. Held biennially since 1988, the Canada Dance Festival aims to promote and produce a week long celebration of contemporary dance, featuring the newest artistic creations from a selection of the country's choreographers. It also attempts to support the creation, development and dissemination of these artists' work to a national and international audience. Another important goal of the festival is to foster the professional growth and development of participating artists. The festival has partnered with the National Gallery of Canada, Le Groupe Dance Lab, Arts Court, the University of Ottawa, and the National Capital Commission. The administrative structure of the festival consists of a 10 member Board of Directors made up of representatives from the artistic and business communities of Ottawa.

Calumet College (initially known as College 'F') was established in 1971. It was the only college on the campus without a building and without residential student members until 1991 when the Calumet College Building and Calumet College were opened. As of 1989, Calumet became the college of all Winter/Summer undergraduate students, and in 1992 it became affiliated with the Faculty of Administrative Studies.
Calumet is administered by a Master who is assisted by the College General Meeting which meets monthly, and is made up of all college students, Fellows and the Master. It sets the general policies and priorities of the college, including expenditures. The College General Meeting has adopted positions on several public issues including nuclear disarmament, wildlife conservation, and apartheid. The College' s unofficial name in 1970 was 'Peace College'. In addition to the General Meeting the co-curricular activities instigated by the Programme Committee and the Calumet Network Committee include seminars, art shows, electronic music workshops and activities related to the college curricular programme. There is a college newspaper, 'Calumetro ' and the On the Edge Pub (a successor to the Ainger Coffeeshop).
Calumet is home to the Bootstrap, a 24-hour computer lab, and Page Plus, a desktop publishing centre to assist students and faculty. Both of these facilities are evidence Calumet' s attention to computing sciences.

“National Touring Artists Greg Greenway, Joe Jencks, and Pat Wictor have made their mark as veteran touring singer-songwriters, but Brother Sun is no songwriter's round. The trio's harmonies, as much as their lyrics, tell what they are about: warm as a campfire, stirring as a gospel church, rousing as a call to arms. Fusing folk, Americana, blues, pop, jazz, rock, and a cappella singing, Brother Sun is an explosion of musical diversity and harmony, in the finest of male singing traditions.” https://brothersun.com/about/f/

The British Canadian Trade Association (formerly Canadian Association of British Manufacturers and Agencies) was a British trade lobby group. Organized in 1951, the Association had offices in Montreal, Toronto and Vancouver. The organization was made up of approximately four hundred British firms operating in Canada. It sought to promote trade between the two countries, represent the interests of its members to the federal and provincial governments, to publicize the activities and products of its members and to foster good relations between all receiving or offering goods and services in either country. Forced to close its offices in the 1970s, BCTA was re-named British Canadian Trade Associates by 1980.

“The uplifting music, driving rhythms, and exotic dancing of Brian Litvin and Jubalani will transport you to South Africa from where most of the group hails. Jabulani is a Zulu word that means “we are happy”, and that is a perfect description of how this group will make you feel. They play a blend of Township Jive, Zulu Maskande, traditional Zulu music, and South African Jazz learned first-hand from street walking guitar players, migrant workers in hostels, and in the townships that bred these wonderful sounds. The group has had the honour of performing at numerous memorial services in memory of Nelson Mandela, South Africa’s most famous son.” https://mariposafolk.com/brian-litvin-jabulani-bringing-township-jive-zulu-maskande-south-african-jazz-mariposa/

“Blue Rodeo is a Canadian country rock band formed in 1984 in Toronto, Ontario.” Members include(d): Jim Cuddy, Bazil Donovan, Greg Keelor, Glenn Milchem, Mike Boguski, Colin Cripps, Jimmy Bowskill, Cleave Anderson, Bob Wiseman, Mark French, Kim Deschamps, James Gray, Bob Packwood, and Bob Egan. https://en.wikipedia.org/wiki/Blue_Rodeo

“Black Umfolosi is a self taught Acappella (Imbube) singing and traditional dance group that was formed in 1982 by the then school age members who wanted to develop themselves and contribute to their community. Specialising in imbube music, gumboot dance and Zulu dance, Black Umfolosi has toured extensively nationally and internationally in Europe, USA, Canada, Australia and Asia.” https://myriadartists.com/black-umfolosi/

"Black Sparrow Books, formerly known as Black Sparrow Press, is a book publisher originally founded in 1966 by John Martin of Santa Rosa, California. He founded this company in order to publish the works of Charles Bukowski and other avant-garde authors. He initially financed this company by selling his large collection of rare first editions. Typography and printing were the work of Graham Mackintosh of San Francisco, Noel Young and Edwards Brothers, Inc. Barbara Martin oversaw all of the title page and cover designs, which are still unique today.

Black Sparrow Press most prominently published the work of authors Charles Bukowski, John Fante, and Paul Bowles. A more complete list is shown below. These artists, now considered part of a contemporary 'alternative tradition,' were first established and nurtured under the auspices of Black Sparrow Press. Many of its titles are now highly collectible.

Black Sparrow Press sold the rights to publish Bukowski, Bowles and Fante to HarperCollins Publishers in 2002. At this point, John Martin retired. Martin then sold the remainder of his inventory for $1.00 to David R. Godine, Publisher who adopted the name Black Sparrow Books. Godine is now the exclusive licensed distributor of Black Sparrow Books while HarperCollins continues to print and reprint the books by Bukowski, Fante and Bowles, replicating the original designs. In 2010, Black Sparrow published Door to the River, a collection of essays by Aram Saroyan; Well Then There Now, a collection of poems by Juliana Spahr; and Cheyenne Madonna, a collection of linked short stories by Eddie Chuculate. Copies of all editions of Charles Bukowski's works published by the Black Sparrow Press are held at Western Michigan University, which purchased the archive of the publishing house after its closure in 2003."
-from Wikipedia entry available at: https://en.wikipedia.org/wiki/Black_Sparrow_Books .

"Birds of Chicago is an Americana/folk band founded in March 2012 in Chicago, Illinois, United States. The band is led by husband and wife, JT Nero and Allison Russell. Russell is formerly of the Canadian roots act Po' Girl.[1] The duo-fronted band refers to their music as "secular gospel". Nero, a Midwesterner with strong family ties to Chicago, Illinois, has made the Windy City his home since 2002. Russell grew up in Montreal and has lived with Nero in Chicago since 2009. After relocating to Nashville, Russell and Nero announced in February 2021 that Birds of Chicago would go on "indefinite hiatus" in order to focus on the release of Russell's solo album, 'Outside Child.'" https://en.wikipedia.org/wiki/Birds_of_Chicago

Toronto-based alt-rock band

"Big Little Lions are an award winning duo who were born out of a collaboration that won them a JUNO Award in 2014. Since then they have been cranking out infectious folk pop songs that are jam-packed with emotion and tight harmonies that sound like the product of two people working side-by-side instead of living in different countries." https://biglittlelions.com/about

"Dave Bidini formed Bidiniband, featuring former Rheostatics member Don Kerr on drums, Paul Linklater on guitar, and Doug Friesen on bass. Their debut album, The Land is Wild, was produced by Kerr and was released on Pheromone Recordings in 2009. Bidini's website describes the album features "more songs about dead hockey players, cannibalism and lesbian school teachers." https://en.wikipedia.org/wiki/Dave_Bidini

“Beyond the Pale is a Toronto-based Canadian world/roots fusion band. Their style is rooted in klezmer, Balkan and Romanian music but heavily accented with contemporary and North American styles including bluegrass, jazz, reggae, funk and classical chamber music. They are known for unique songcraft, virtuosic musicianship, meticulous dynamics, and exuberant live performances. [...] The name of the band is a reference to the Eastern-European Jewish Pale of Settlement, from where their music is partially inspired.” https://en.wikipedia.org/wiki/Beyond_the_Pale_(band)

“Reuben and the Dark are a Canadian indie folk band from Calgary, Alberta.[1] Led by singer and songwriter Reuben Bullock,[2] the band also currently includes Sam Harrison (guitar/keys/vocals) Brock Geiger (guitar/keys/vocals), Nathan da Silva (bass/vocals), and Brendan 'Dino' Soares (drums).” https://en.wikipedia.org/wiki/Reuben_and_the_Dark

"Belzébuth—the French variant of Beelzebub—takes its name from one of Old Nick's many monikers, and its debut album is titled Les Péchés du Diable, which translates as “the devil's sins”. The cover features the black silhouette of a horned-and-winged demon with a violin in hand." https://www.straight.com/article-73017/quebecs-belzebuth-dances-with-the-devil

"Barenaked Ladies is a Canadian rock band formed in 1988 in the Toronto suburb of Scarborough, Ontario. The band developed a following in Canada, with their self-titled 1991 cassette becoming the first independent release to be certified gold in Canada. They reached mainstream success in Canada when their debut with Reprise Records, Gordon, featuring the singles "If I Had $1000000" and "Brian Wilson", was released in 1992. The band's popularity subsequently spread into the US, beginning with versions of "Brian Wilson" and "The Old Apartment" off their 1996 live album Rock Spectacle, followed by their fourth studio album Stunt, their breakout success in 1998. The album featured their highest-charting hit, "One Week", as well as "It's All Been Done" and "Call and Answer". Their fifth album, Maroon, featuring the lead single "Pinch Me", also charted highly. In the 2010s the band became well-known for creating the theme song for the sitcom The Big Bang Theory. Initially a duo of Ed Robertson and Steven Page, the band quickly grew to a quintet adding brothers Jim and Andy Creeggan and Tyler Stewart by 1990. Andy Creeggan left the band in 1995 and was replaced by Kevin Hearn. Page left in 2009, reducing the group to a quartet. The band's style has evolved throughout their career, and their music, which began as exclusively acoustic, quickly grew to encompass a mixture of pop, rock, hip hop, rap, etc. The band's live performances feature comedic banter and free-style rapping between songs. They have won multiple Juno Awards and have been nominated for two Grammy Awards. The group has sold over 15 million albums and singles and were inducted into the Canadian Music Hall of Fame in March 2018." https://en.wikipedia.org/wiki/Barenaked_Ladies