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“Samantha Martin & Delta Sugar are an eleven-piece band from Toronto, Canada, who are known for their blend of blues, soul, gospel and rock, and exceptional vocals.” https://en.wikipedia.org/wiki/Samantha_Martin_%26_Delta_Sugar

"Samantha Martin is a Canadian singer and songwriter who has garnered critical acclaim for her blend of roots rock, blues, soul and gospel music, and exceptional vocals. […] In 2014, Martin formed the soul and blues focused band "Samantha Martin & Delta Sugar". [...] In 2018, Samantha Martin & Delta Sugar signed a record deal with Gypsy Soul Records based out of Toronto. Her record Run To Me was released on April 28th, 2018. Eleven months after releasing their recording Run to Me, the 11-piece blues/soul band was nominated for a Juno Award for Blues Album of the Year." http://en.wikipedia.org/wiki/Samantha_Martin

Peggie (Margaret) Sampson, musician and teacher, was born on 16 February 1912 in Edinburgh, Scotland, daughter of astronomer Ralph Sampson and Ida Binney. Growing up in Edinburgh, Sampson began her study of the cello at the age of eight, studying with Ruth Waddell and later in London and Portugal with Guilhermina Suggia. In 1929, Sampson enrolled at the University of Edinburgh and took classes with Donald Francis Tovey. During the summers, she travelled to Paris to study under Diran Alexanian at the Normale de Musique and privately with Nadia Boulanger. She graduated from the University of Edinburgh with a Bachelor of Music degree in 1932. During the 1930s, Sampson performed in England and Holland, and she served as Tovey's teaching assistant between 1937 and 1944. Sampson studied under Pablo Casals in the 1940s and performed with the Carter Trio while also performing as a freelance cellist in recitals throughout England.

In 1951, Sampson relocated to Canada to take a teaching position at the University of Manitoba in Winnipeg, where she taught music theory, history and cello. She also taught cello to private students. Sampson continued to be an active performer as a soloist as well as a member of the Corydon Trio and the University Chamber Music Group. By 1960, Sampson began to perform on the viola da gamba, and she spent a year earning her doctorate from the University of Edinburgh, studying performance and the teaching of music to young children. In 1963, she formed the Manitoba University Consort with Christine Mather. The group played in Canada at Expo '67, at the opening of the National Arts Centre in Ottawa, and toured in Europe. By the time the Consort disbanded in 1970, Sampson was performing exclusively on the viola da gamba.

Sampson left Winnipeg in 1970 to teach theory and viola da gamba at York University in Toronto and became a prominent viola da gambist during the 1970s, performing throughout Canada and in Europe. Most notably, she performed solos in Bach's "Passions", appeared at the Aldeburgh Festival, and premiered works by Bernard Naylor ("On hearing Mrs. Arabella Hunt singing", 1970), Murray Adaskin ("Two pieces", 1972), David Rosenboom ("The seduction of Sapientia", 1975) and Rudolf Komorous ("At your memory the transparent tears fall like molten lead", 1976), which were commissioned by Sampson to expand the modern repertoire for the viola da gamba. At the University of Toronto during this period, she performed with the Hart House Consort of Viols, and she taught at the University of Victoria's summer school between 1973 and 1975. Sampson formed the Quatre en Concert with Christine Harvey, Michael Purves-Smith and Deryck Aird, and they performed across Canada and in Holland between 1976 and 1978. After retiring from full-time teaching at York University in 1977, she taught part-time at Wilfrid Laurier University until 1984.

Sampson was awarded with the Canadian Music Council medal in 1985, an honorary Doctor of Laws degree from Wilfrid Laurier University in 1987, and an honorary Doctor of Letters degree from York University in 1988. Peggie Sampson died on 17 May 2004.

The Samuel J. Zacks Gallery was opened in 1970 and dedicated to Zacks, an industrialist, philanthropist and member of the Board of the Art Gallery of Ontario. The Gallery has exhibited works by international, Canadian and York student artists. It is staffed by student Directors.

Heidi Sander (1967-), freelance researcher, writer, photographer and teacher, was born and raised in the Kitchener-Waterloo region of Ontario. She completed a Bachelor of Independent Studies with a concentration in Communication and Public Relations at the University of Waterloo and received a Masters of Environmental Studies degree at York University with a concentration in Environmental Literature and Writing in 2004. She is the author of a newspaper column on nature trails for the "Globe and mail" and the "Record" as well as numerous travel and culture related articles in various magazine. Under the pseudonym, Katherine Jacob, she is the author of a Canadian bestselling travel guide series including the titles "44 country trails," "Bruce Peninsula trails," "Grand River country trails," "The best of the Bruce trails" and "Trails of the Oak Ridges Moraine." Sander has traveled extensively and is a member of the Society of American Travel Writers (SATW). She received an Award of Excellence from the Waterloo Region Foundation for her books and "Trail markers" column.

“Songwerinadairriter, vocalist, multi-instrumentalist and composer, Erin Saoirse Adair, has become a prominent and popular voice on the national folk scene, with widespread praise for her accessible and deeply relevant songs. In the time-honoured tradition of topical song writing, her work deals with social justice, the environment, sex positivity, worker’s rights, alcoholism, mental health, sexual assault and more. She sings frankly, but often with disarming humour. Co-founder and former member of the feminist folk trio, Three Little Birds, nominated for a 2012 Canadian Folk Music Award, Erin already has a lot of stage experience under her young belt, and it shines brightly in her strong performances.” https://mariposafolk.com/meet-topical-songstress-erin-saoirse-adair

Author of "Illustrated handbook to the city and cathedral of Peterborough."

SAVAC (South Asian Visual Arts Centre) is the only non-profit, artist-run centre in Canada dedicated to supporting South Asian artists. For over two decades, SAVAC has increased the visibility of culturally diverse artists by curating and exhibiting their work, providing mentorship, and facilitating professional development.

Our mission is to produce programs that explore issues and ideas shaping the identities and experiences of people from the region and its diasporas. We encourage work that is challenging, experimental and engaged in critical discussions that offer new perspectives on the contemporary world.

SAVAC develops and produces a range of contemporary visual art interventions and programs. We work without a gallery space, and typically in collaboration with other artist-run centres, public galleries and visual arts organizations. This unique, collaborative model allows for SAVAC to play a vital role in Canada’s visual arts ecology by expanding the frameworks that support culturally diverse perspectives in art.

1987 Khush: South Asian Gay Men of Toronto is founded. Khush has an active membership of around 100 people, with a mandate to “educate South Asian gay men and the wider gay community about South Asian culture, as well as to forge connections amongst the South Asian community, South Asian cultural producers/artists, and the gay community”.

1988 Khush and Gay Asian Toronto organize “Unity Among Asians,” a conference for Asian lesbians and gay men in North America.

1989 Members of Khush organize SALAAM TORONTO, a one-day celebration at the 519 Community Centre, featuring arts, literature, food, culture, games, and performance, drawing a crowd of around 800 people.

1990 Khush hosts Khalla (later to become Desh Pardesh), a three-evening event of video and film, music and dance, hosted at Euclid Theatre, “intended to provide a forum for South Asian artists” aiming to “incite dialogue […] and to begin an interrogation of what South Asian culture is”. (Clara Thomas Archives)

1990 Festival undergoes name change from Khalla Festival to Des/Pardes or Desh Pardesh.

1992 Desh lengthens and broadens programming, funding and staffing, and includes film/video, poetry/fiction, theatre/performance, dance, live music, DJs, non-fiction/criticism/journalism, visual art/photography.

1993 Desh is established as a permanent organization with a small membership fee and working board.

1993/94 A group of visual artists who had been working together to curate the visual arts component of Desh, come together to form South Asian Visual Arts Collective (later to be named the South Asian Visual Arts Centre, or SAVAC)

1994 Desh and ASAAP (Alliance for South Asian AIDS Prevention) are incorporated as non-profit organizations.

1997 SAVAC is formally established as an artist-run centre, working in close collaboration with Desh.

2001 Desh Pardesh festival and its administrative body are closed, due largely to the financial crisis.

2001 SAVAC is provincially incorporated.

2004 SAVAC celebrates its 10th anniversary.

2008 SAVAC changes its name from South Asian Visual Arts Collective to South Asian Visual Arts Centre to more accurately reflect its organizational purpose and structure as an artist-run centre. In this year, SAVAC also becomes federally incorporated and celebrates its 15th anniversary.

2009 SAVAC is awarded charitable status.

2013 SAVAC is awarded multi-year the Ontario Trillium Foundation funding for a project that will involve the creation of an archive that traces the history of SAVAC as an organization, and the people and groups that preceded it.

2014 SAVAC celebrates 20 years of existence and 10 years of Monitor: South Asian Experimental Film + Video program.

For more information see: https://www.savac.net/about/ .

(from Wikipedia entry)

Sir George Henry Savage (1842-1921) was a prominent English psychiatrist. Savage was born in Brighton in 1842, the son of a chemist. Educated at Brighton College, he served an internship at Guy's Hospital from 1861. After 1865, he was resident at Guy's; he earned his MD in 1867. He remained a regular lecturer at the hospital for decades after.

During his time as a doctor for a mining company in Nenthead, he met his wife, Margaret Walton; however, she died after a year of marriage. The couple had one child. Shortly after his wife's death, Savage accepted an appointment as an assistant medical officer at Bethlem Royal Hospital. By 1878, he had become chief medical officer at the hospital; in the same year, he joined the MCRP.

Also in 1878, Savage cofounded the Journal of Mental Science with Thomas Clouston and Daniel Hack Tuke. He published regularly in this journal until the end of his career. At Bethlem and after, he was sparing in his use of chemical sedation, although his freedom with physical restraint drew criticism from Henry Maudsley, J. C. Bucknill, and others.

Over the course of the 1880s, private practice took up more of Savage's time; he finally retired in 1888 to devote himself entirely to private practice. In 1882, he married Adelaide Sutton, the daughter of another doctor.

He drew his private clientele from wealthy or well-connected London society. Virginia Woolf saw him intermittently for a decade, and he is among the figures lampooned in the Sir William Bradshaw of Mrs. Dalloway. At the same time, he worked as a consultant for a number of asylums, and was often called in on especially difficult cases.

His major public work was Insanity and Allied Neuroses, a reference book for students; published in 1884, it was revised and reissued in 1894 and 1907. In 1909 he delivered the Harveian Oration to the Royal College of Physicians on the subject of Experimental Psychology and Hypnotism. He was knighted in 1912.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/George_Savage_(physician) .

Archibald Henry Sayce was an orientalist and comparative philologist.

“Mose Scarlett specialized in songs from bygone eras – jazz, blues, ragtime and swing – and always dressed the part, neatly turned out in a three-piece suit and fedora or, more informally, a waistcoat and workingman’s flat cap. Within Canadian music, he was an anachronism, a performer cheerfully out of step with the times. But that was also a big part of his charm. Blessed with a deep, resonant singing voice and a self-taught, fingerpicking guitar style often described as stride, Mr. Scarlett was similarly old-fashioned in his personal demeanour. Bruce Cockburn, who met him in 1969 when he and his then future wife, Kitty, stayed at Mr. Scarlett’s apartment in Toronto’s east end, recalls being impressed with his honesty and generosity. [...] Throughout his career, Mr. Scarlett often performed with musical partners, including initially his first wife, Anne Tener, with whom he had two daughters. In the 1970s, he played coffee houses like Toronto’s Nervous Breakdown, Fiddler’s Green, the Groaning Board and the Riverboat with harmonica player Jim McLean. And he became a mainstay of folk festivals like Owen Sound’s Summerfolk and Sudbury’s Northern Lights. His 1981 debut album, featuring six original songs, was followed by The Fundamental Things in 1995 and 2002’s Precious Seconds, which includes collaborations with guitarists Amos Garrett, Colin Linden, Jeff Healey and David Wilcox, among others.” https://tma149.ca/portfolio-item/mose-scarlett/

Libby Scheier (1946-2000) was a writer, social activist, critic and educator. Born in Brooklyn, New York, she received a BA in philosophy and French from Sarah Lawrence College in 1968 and an MA in English literature from the State University of New York at Stony Brook in 1971. During her years as a university student, Scheier was politically active with socialist groups including the Spartacist League. She moved to Toronto in 1975 after living in France, California and Israel and became affiliated with the Trotskyist League of Canada. Scheier’s other social activism included involvement with the Canadian Abortion Rights Action League, the Cross-Cultural Communication Centre, the Writers’ Union of Canada, the feminist caucus of the League of Canadian poets, and Women and Words.

Scheier is the author of four books of poetry, “The Larger Life” (1983), “Second Nature” (1986), “Sky: A Poem in Four Pieces” (1990) and “Kaddish for my Father: New and Selected Poems” (1999), and a book of short fiction, “Saints and Runners” (1993). She contributed book reviews and articles to publications including the “Globe and Mail”, “The Toronto Star”, “This Magazine”, “Books in Canada” and “Quarry Magazine”. Her writing also appeared in anthologies “Women on War” (1988), “Poetry by Canadian Women” (1989) and “Language in her Eye” (1993).

In addition to her work as a writer, Scheier worked as an editor and copy editor for science and literary journals in the 1970s and 1980s, including “Paragraph” and “Poetry Toronto”. She taught creative writing, Canadian literature and women's studies courses at York University from 1988 to 1994 and was the founder/director of the Toronto Writing Workshop in 1994.

Libby Scheier died in Toronto on Nov. 14, 2000.

(from Wikipedia entry)

Ferdinand Canning Scott Schiller (August 16, 1864 - August 6, 1937) was a German-British philosopher. Born in Altona, Holstein (at that time member of the German Confederation, but under Danish administration), Schiller studied at the University of Oxford, and later was a professor there, after being invited back after a brief time at Cornell University. Later in his life he taught at the University of Southern California. In his lifetime he was well known as a philosopher; after his death his work was largely forgotten.

Schiller's philosophy was very similar to and often aligned with the pragmatism of William James, although Schiller referred to it as "humanism". He argued vigorously against both logical positivism and associated philosophers (for example, Bertrand Russell) as well as absolute idealism (such as F.H. Bradley).

Schiller was an early supporter of evolution and a founding member of the English Eugenics Society. Born in 1864, one of three brothers and the son of Ferdinand Schiller (a Calcutta merchant), Schiller's family home was in Switzerland. Schiller was educated at Rugby and Balliol, and graduated in the first class of Literae Humaniores, winning later the Taylorian scholarship for German in 1887. Schiller's first book, Riddles of the Sphinx (1891), was an immediate success despite his use of a pseudonym because of his fears concerning how the book would be received. Between the years 1893 and 1897 he was an instructor in philosophy at Cornell University. In 1897 he returned to Oxford and became fellow and tutor of Corpus for more than thirty years. Schiller was president of the Aristotelian Society in 1921, and was for many years treasurer of the Mind Association. In 1926 he was elected a fellow of the British Academy. In 1929 he was appointed visiting professor in the University of Southern California, and spent half of each year in the United States and half in England. Schiller died in Los Angeles either August 6, 7, or 9th of 1937 after a long and lingering illness.

Schiller was a founding member of the English Eugenics Society and published three books on the subject; Tantalus or the Future of Man (1924), Eugenics and Politics (1926), and Social Decay and Eugenic Reform (1932). In 1891, F.C.S. Schiller made his first contribution to philosophy anonymously. Schiller feared that in his time of high naturalism, the metaphysical speculations of his Riddles of the Sphinx were likely to hurt his professional prospects (p. xi, Riddles). However, Schiller's fear of reprisal from his anti-metaphysical colleagues should not suggest that Schiller was a friend of metaphysics. Like his fellow pragmatists across the ocean, Schiller was attempting to stake out an intermediate position between both the spartan landscape of naturalism and the speculative excesses of the metaphysics of his time. In Riddles Schiller both,

(1) accuses naturalism (which he also sometimes calls "pseudometaphysics" or "positivism") of ignoring the fact that metaphysics is required to justify our natural description of the world, and
(2) accuses "abstract metaphysics" of losing sight of the world we actually live in and constructing grand, disconnected imaginary worlds.
The result, Schiller contends, is that naturalism cannot make sense of the "higher" aspects of our world (freewill, consciousness, God, purpose, universals), while abstract metaphysics cannot make sense of the "lower" aspects of our world (the imperfect, change, physicality). In each case we are unable to guide our moral and epistemological "lower" lives to the achievement of life's "higher" ends, ultimately leading to skepticism on both fronts. For knowledge and morality to be possible, both the world's lower and higher elements must be real; e.g. we need universals (a higher) to make knowledge of particulars (a lower) possible. This would lead Schiller to argue for what he at the time called a "concrete metaphysics", but would later call "humanism".

Shortly after publishing Riddles of the Sphinx, Schiller became acquainted with the work of pragmatist philosopher William James and this changed the course of his career. For a time, Schiller's work became focused on extending and developing James' pragmatism (under Schiller's preferred title, "humanism"). Schiller even revised his earlier work Riddles of the Sphinx to make the nascent pragmatism implicit in that work more explicit. In one of Schiller's most prominent works during this phase of his career, “Axioms as Postulates” (1903), Schiller extended James' will to believe doctrine to show how it could be used to justify not only an acceptance of God, but also our acceptance of causality, of the uniformity of nature, of our concept of identity, of contradiction, of the law of excluded middle, of space and time, of the goodness of God, and more. In Riddles, Schiller gives historical examples of the dangers of abstract metaphysics in the philosophies of Plato, Zeno, and Hegel, portraying Hegel as the worst offender: "Hegelianism never anywhere gets within sight of a fact, or within touch of reality. And the reason is simple: you cannot, without paying the penalty, substitute abstractions for realities; the thought-symbol cannot do duty for the thing symbolized".

Schiller argued that both abstract metaphysics and naturalism portray man as holding an intolerable position in the world. He proposed a method that not only recognizes the lower world we interact with, but takes into account the higher world of purposes, ideals and abstractions. Schiller also developed a method of philosophy intended to mix elements of both naturalism and abstract metaphysics in a way that allows us to avoid the twin scepticisms each method collapses into when followed on its own. However, Schiller does not assume that this is enough to justify his humanism over the other two methods. He accepts the possibility that both scepticism and pessimism are true.

As early as 1891 Schiller had independently reached a doctrine very similar to William James’ Will to Believe. As early as 1892 Schiller had independently developed his own pragmatist theory of truth. However, Schiller's concern with meaning was one he entirely imports from the pragmatisms of James and Peirce. Later in life Schiller musters all of these elements of his pragmatism to make a concerted attack on formal logic. Concerned with bringing down the timeless, perfect worlds of abstract metaphysics early in life, the central target of Schiller’s developed pragmatism is the abstract rules of formal logic. Statements, Schiller contends, cannot possess meaning or truth abstracted away from their actual use. Therefore examining their formal features instead of their function in an actual situation is to make the same mistake the abstract metaphysician makes. Symbols are meaningless scratches on paper unless they are given a life in a situation, and meant by someone to accomplish some task. They are tools for dealing with concrete situations, and not the proper subjects of study themselves.

Both Schiller’s theory of truth and meaning (i.e. Schiller’s pragmatism) derive their justification from an examination of thought from what he calls his humanist viewpoint (his new name for concrete metaphysics). He informs us that to answer “what precisely is meant by having a meaning” will require us to “raise the prior question of why we think at all.”. A question Schiller of course looks to evolution to provide.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/F._C._S._Schiller .

Frederick F. Schindeler (1934- ) is an educator and municipal politician. Born in Stettler, Alberta, Schindeler received a BA from Bethel College in Minnesota (1957); BD from Baptist Seminary in Louisville Kentucky (1959) and a MA and Ph.D. in Political Science from the University of Toronto (1961, 1965). as an alderman in the Borough of North York (1970-1972). He is the author of Responsible Government in Ontario (1969). Ministry of State, Urban Affairs, Ottawa Director General 1974; IBR 1969-1973; Ave Maria, College of the Americas, San Marcos Nicaragua Executive Director of Development

Kirsten Scholte is a Canadian folk, rock, country, bluegrass, and celtic singer from Ontario. "While attending Humber College for a Contemporary Music Performance Degree, she began piecing together her band, The Fancys, and has been performing live." Mariposa Festival Program, 2011, p. 50

(from Wikipedia entry)

Olive Schreiner (24 March 1855 - 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed ever since its first publication in 1883 for the bold manner in which it dealt with some of the burning issues of the day, including agnosticism, existential independence, individualism and the professional aspirations of women; as well as its portrayal of the elemental nature of life on the colonial frontier. In more recent studies she has also been foregrounded as an apologist for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians - to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples, avoiding the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker in terms of her Victorian background - as opposed to mainstream Christianity - she always remained true to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements.

Karel Schoeman, the South African historian and leading authority on Schreiner's life, has written in one of his books about her that she was an outstanding figure in a South African context, although perhaps not quite the same abroad. In the Preface to the same work, Schoeman acknowledges that although The Story of an African Farm is by no means perfect, it is still unique and gripping even to the modern reader. He also outlines the basic pattern of her life which serves as a useful guide to this article, and the pursuit of further interest in the subject:

"From a chronological viewpoint, Olive Schreiner's life shows an interesting pattern. After she spent the first twenty-five thereof in South Africa ... she was in England for more than seven years, and also lived during this time in Europe. After this she lived in South Africa for twenty-four years, the time of her friendship with Rhodes, the Anglo-Boer war and her growing involvement in issues like racism and the lot of women, after which another exile followed in England for seven years; it was only shortly before her death in 1920 that she returned to South Africa" (Olive Schreiner: A Life in South Africa 1855-1881, Human & Rousseau, Cape Town, 1989). Olive Emilie Albertina Schreiner (1855-1920) was the ninth of twelve children born to a missionary couple at the Wesleyan Missionary Society station at Wittebergen in the Eastern Cape, near Herschel in South Africa. Her parents, Gottlob Schreiner and Rebecca Lyndall, married in England in 1837. She was named after her three older brothers, Oliver (1848-1854), Albert (1843-1843) and Emile (1852-1852), who died before she was born. Her childhood was a harsh one as her father was loving and gentle, though impractical; but her mother Rebecca was intent on teaching her children the same restraint and self-discipline that had been a part of her upbringing. Olive received virtually all her initial education from her mother, who was well-read and gifted.[clarification needed] Her eldest brother Frederic Samuel (1841-1901) obtained a BA at London University and founded New College in Eastbourne in 1873/4. He remained as headmaster until late 1897 but continued to run the junior school until 1901. He died in 1901 at the Grand Hotel in Eastbourne and was interred in the town.

When Olive was six, Gottlob transferred to Healdtown in the Eastern Cape to run the Wesleyan training institute there. As with so many of his other projects, he simply was not up to the task and was expelled in disgrace for trading against missionary regulations. He was forced to make his own living for the first time in his life, and tried a business venture. Again, he failed and was insolvent within a year. The family lived in abject poverty as a result.

However, Olive was not to remain with her parents for long. When her older brother Theophilus (1844-1920) was appointed headmaster in Cradock in 1867, she went to live with him along with two of her siblings. She also attended his school and received a formal education for the first time. Despite that, she was no happier in Cradock than she had been in Wittebergen or Healdtown. Her siblings were very religious, but Olive had already questioned the Christianity of her parents like many learned Victorians, and it was the cause of many arguments that she had with her family.

Therefore, when Theo and her brother left Cradock for the diamond fields of Griqualand West, Olive chose to become a governess . On the way to her first post at Barkly East, she met Willie Bertram, who shared her views of religion and who lent her a copy of Herbert Spencer’s First Principles. This text was to have a profound impact on her. While rejecting religious creeds and doctrine, Spencer also argued for a belief in an Absolute that lay beyond the scope of human knowledge and conception. This belief was founded in the unity of nature and a teleological universe, both of which Olive was to appropriate for herself in her attempts to create a morality free of organized religion.

After this meeting, Olive travelled from place to place, accepting posts as a governess with various families, later leaving them because of personal conflict with her employers. One issue which always surfaced, was her unusual view of religion. Her apostasy didn't sit well with the traditional farm folk she worked amongs.

Another factor was that she was somewhat unconventional in her relationships, for she was uncertain as to how to relate sexually to her male employers in many cases, and men in general. During this time she met Julius Gau, to whom she became engaged under doubtful circumstances. For whatever reason, their engagement did not last long and she returned to live with her parents and then with her brothers. She read widely and began writing seriously. She started Undine at this time. As in the case of her later husband, Cronwright, she may have been attracted to Gau, as other men, for his dominant personality, maturity and physicality...However, her brothers’ financial situation soon deteriorated, as diamonds became increasingly difficult to find. Olive had no choice but to resume her transient lifestyle, moving between various households and towns, until she returned briefly to her parents in 1874. It was there that she had the first of the asthma attacks that would plague her for the rest of her life. Since her parents were no more financially secure than before and because of her ill-health, Olive was forced to resume working in order to support them.

Over the next few years, she accepted the position of governess at a number of farms, most notably the Fouchés who provided inspiration for certain aspects of The Story of an African Farm, which she published under the pseudonym “Ralph Iron,” as well as a small collection of stories and allegories called Dream Life and Real Life.

However, Olive’s real ambitions did not lie in the direction of writing. She had always wanted to be a doctor, but had never had enough money to pay for the training. Undaunted, she decided that she would be a nurse as that did not require her to pay anything. By 1880, she had saved enough money for an overseas trip and she applied to the Royal Infirmary in Edinburgh in Scotland. In 1881, she traveled to Southampton in England. Once there, she was never to realize her dream of becoming a medical practitioner, as her ill-health prevented her from completing any form of training or studying. She was forced to concede that writing would and could be her only work in life.

Despite that, she still had a passion to heal society’s ills and set out to do with her pen what she could not with pills. Her Story of an African Farm was acclaimed for the manner it tackled the issues of its day, ranging from agnosticism to the treatment of women. It was also the cause of one of her most significant and long-lasting friendships, as the renowned sexologist Havelock Ellis wrote to her about her novel. Their relationship soon developed beyond intellectual debate to a genuine source of support for Schreiner.

She finally met him in 1884 when she went with him to a meeting of the Progressive Organisation, a group for freethinkers to discuss political and philosophical views. This was one of a number of radical discussion groups to which she was to belong and brought her into contact with many important socialists of the time. A friendship as influential as that with Ellis was with Edward Carpenter, the founder Socialist and gay rights activist, which, as Stephen Gray shows, remains hardly explored.[3] In addition to the Progressive Organisation, she also attended meetings of the Fellowship of the New Order and Karl Pearson’s Men and Women's Club, where she was insistent on the critical importance of woman’s equality and the need to consider men as well as women when looking at gender relationships.

However, her own relationships with men were anything but happy. She had refused a proposal from her doctor, Bryan Donkin, but he was irritatingly persistent in his suit of her. To make matters worse, despite her reservations about Karl Pearson and her intentions just to remain his friend, she soon conceived an attraction for him. He did not reciprocate her feelings, preferring Elizabeth Cobb. In 1886, she left England for the Continent under something of a cloud, traveling between Switzerland, France and Italy before returning to England. During this time, she was tremendously productive, working on From Man to Man and publishing numerous allegories. She also worked on an introduction to Mary Wollstonecraft’s A Vindication of the Rights of Women. Given the situation in England, it is perhaps unsurprising that Schreiner chose to return to South Africa, sailing back to Cape Town in 1889. The return home was unsettling for her - she felt extremely alienated from the people around her, but at the same time experienced a great affinity for the land itself. In an attempt to reconnect with her surroundings, she became increasingly involved in local politics as well as produced a series of articles on the land and people around her, published posthumously as Thoughts on South Africa. Through her work with local politics she became intimate friends with Emily Hobhouse and Elizabeth Maria Molteno, influential women activists with similar opinions on civil and women's rights.

Her involvement with Cape politics led her into an association with Cecil John Rhodes, with whom she would soon become disillusioned and against whom she would write her bitterly satirical allegory Trooper Peter Halket of Mashonaland. This disillusionment began with his support of the “strop bill” that would allow black and coloured servants to be flogged for relatively small offenses.

Her opposition to the “strop bill” also brought her into contact with Samuel Cronwright, a politically active farmer. They were of the same mind on the “Native Question” and on Rhodes, and Schreiner soon fell in love with him. During a brief visit to England in 1893, she discussed with her friends the possibility of marrying him, although she was concerned that she would find marriage restrictive. She put aside these doubts, however, and they were married in 1894, after which they settled at Cronwright’s farm.

The next few years were difficult and unsettled ones for them. Schreiner’s worsening health forced the couple to move constantly, while her first and only child, a daughter, died within a day. This loss was only worsened by the fact that all her other pregnancies would end in miscarriages. However, she found solace in work, publishing a pamphlet with her husband on the political situation in 1896 and Trooper Peter Halket of Mashonaland the next year. Both of these isolated her from her family and the people around her, and she was given to long spells of loneliness during that period of her life. hen Woman and Labour was finally published in 1911, Schreiner was severely ill, her asthma worsened by attacks of angina. Two years later, she sailed alone to England for treatment, where she was trapped by the outbreak of World War I. During this time, her primary interest was in pacifism - she was in contact with Gandhi and other prominent activists like Emily Hobhouse and Elizabeth Maria Molteno - and she started a book on war, which was abbreviated and published as The Dawn of Civilisation. This was the last book she was to write. After the war, she returned home to the Cape, where she died in her sleep in a boarding house in 1920. She was buried later in Kimberley. After the death of her husband, Samuel Cronwright, her body was exhumed. Olive Schreiner, along with her baby, dog and husband were buried atop Buffelskop mountain, on the farm known as Buffelshoek, near Cradock, in the Eastern Cape.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/Olive_Schreiner .

Professor of eugenics (?)

"Since meeting in 1995, Scott Macmillan and Brian Doyle have been blending their musical intuitions in ever fresh and innovative ways." http://www.scott-macmillan.ca/product/scott-macmillan-brian-doyle/

"Since meeting in 1995, Scott Macmillan and Brian Doyle have been blending their musical intuitions in ever fresh and innovative ways." http://www.scott-macmillan.ca/product/scott-macmillan-brian-doyle/

Clement William Scott was an influential English theatre critic for the Daily Telegraph, and a playwright and travel writer, in the final decades of the 19th century.

Dennis T. Patrick Sears was a Canadian author.

"Keith Secola is an Ojibwe-American musician who plays rock and roll, folk rock, folk, and reggae. A singer-songwriter, he also plays guitar and flute. Secola was born in Cook, Minnesota. In 1982 he graduated from the University of Minnesota with a degree in American Indian Studies. His band has had the names the Wild Band of Indians, the Wild Javelinas, and Wild Onions. He has contributed songs to documentary films, including Homeland, Patrick's Story and Dodging Bullets. He won "best artist" at the 2006 Native American Music Awards for the album Native Americana. He is perhaps best known for his upbeat, folk rock song, "NDN Kars" from the film Dance Me Outside. Secola's music was used for the score of the documentary Dodging Bullets—Stories from Survivors of Historical Trauma as the music associates growing up Native.As an activist he has worked with Irene Bedard on environmental and Native American issues." https://en.wikipedia.org/wiki/Keith_Secola

John R Seeley (1913-1927) was educated in the United Kingdom and the United States. He taught and conducted research in the U.S. prior to his appointment as executive officer of the Canadian Mental Health Association in 1947. The following year he began his association with the University of Toronto as an associate professor of sociology within the Department of Psychiatry and then in the Department of Political Economy. During this period he also served as director of the Forest Hill Village Project (1948-1953), the results of that study being published as the monograph, 'Crestwood Heights' (1956). He later served as research director of the Alcoholism Research Foundation of Ontario (1957-1960), before accepting an appointment as professor of sociology at York University (1960). He served as chair of the department (1962) and as assistant to the president (Ross). Seeley resigned his positions at York in 1963 amidst a faculty-administration dispute, and removed to teaching, research and related work in the United States. Seeley is the author of several books, articles and reports on aspects of sociology, social psychiatry and education. In addition to the study of Crestwood Heights, he is the author of 'The Americanization of the unconscious,' (1967), and of over four hundred reviews, articles, chapters and papers.

Ellen Seligman was a Canadian publisher and literary editor.
Seligman was the editor for many of Canada's leading fiction writers and poets, including: Margaret Atwood, Leonard Cohen, Elizabeth Hay, Anne Michaels, Rohinton Mistry, Michael Ondaatje, Jane Urquhart, Guy Vanderhaeghe, Peter Robinson, Sheila Watson, Irving Layton, Peter Lang and many more. Of the titles she edited, twenty three went on to win Governor General's Awards, six won the Scotiabank Giller Prize and four won the Man Booker Prize. She was also published the work of Nobel Prize winner Alice Munro.
She began her career in publishing in New York City, later joining McClelland and Stewart in 1977 as a senior editor. She was later promoted in to Editorial Director (Fiction) in 1987, and later Publisher (Fiction) and Vice President of the firm in 2000. She later became Senior Vice President and continued to direct the company's fiction publishing after the firm was bought by Random House (now Penguin Random House Canada).
She was the recipient of numerous awards that recognized her skill as an editor and her commitment to Canadian literature and poetry. She was made a member of the Order of Ontario in 2008 and the Order of Canada in 2009.
Seligman died 25 March 2016.

“Seryn is an American folk-rock band formed in Denton, Texas, in 2010. The band was subsequently based in Nashville, TN. Band members were Nathan James Allen, Trenton Wheeler, Aaron David Stoner, and Chase Johnson. The band played its final annual Christmastime show at the Kessler Theater in Dallas, TX, on 29 December 2016. Having begun playing together in March 2009, Seryn created something truly special in their short existence. Using a variety of instruments including guitar, ukulele, kalimba, accordion, bass, drums, viola, percussion and more, Seryn’s understanding of dynamics shines brightly and has earned them a sound that is not easily defined, but proven triumphant.” https://www.last.fm/music/Seryn/+wiki

Ron Sexsmith is a three-time Juno award winning Canadian singer-songwriter and pianist from St. Catherine's, Ontario. He plays the guitar and performs pop and folk music.

Jack Shadbolt, artist, teacher, author, poet, studied at the Art Student's League in New York, London and Paris. He attended the Vancouver School of Art and served in World War One as a war artist (1944-1945). He was an influential teacher and advisor across Canada and the U.S., as well as a successful artist with more than sixty solo exhibitions and major international shows. Three major retrospective exhibitions were held at the Vancouver Art Gallery, the B.C. Museum of Anthropology and the National Gallery. His work derives from his personal experience of nature and Native art in B.C., and his awareness of international themes and concerns. Throughout his career, Shadbolt designed stage, ballet, costume design and theater posters.

Kenneth Faiz Neamath Shah (ca. 1939-2002) was born in San Fernando, Trinidad and Tobago as one of eight children. He spent his childhood in Trinidad, and at the age of 15, represented Trinidad and Tobago at the 1957 World Scout Jamboree held in England.

In 1965, he immigrated to Canada to pursue a degree in Petroleum Engineering at Carleton University. Upon his graduation, he was employed with Texaco Canada before leaving to follow his passion in carnival arts and costume design full time. In Canada, he married and began his family and had four sons.

Shah was one of the founding members of Caribana, and the Caribbean Cultural Committee (CCC). Formed in 1966, the CCC—originally named the Caribbean Centennial Committee—put on Carnival to represent the West Indian community and participate in the celebrations for Canada’s Centennial in 1967. After the success of the first Caribana Festival, the event became an annual occurrence, with the CCC operating year-round. Caribana remains the largest Carnival Festival in North America. Caribana was held over a weekend in August and culminated in the Caribana mas (masquerade) parade, where bands (groups of people), their band leader, and the King and Queen of the band, would “play mas” (walk the parade) often accompanied by music such as calypso or steel drums. There were also a series of prizes and competitions in order to determine the King and Queen of the Carnival, and the Band of the Year.

Over a period of thirty years, Shah was a carnival leader, assisting with the development of the vision and programming of Caribana; mas-producer and bandleader, project managing the design and manufacture of a mas band and its costumes each year; co-founder of Caribana’s Kiddies Carnival; and founder of the first J’Ouvert in 1995, a pre-dawn parade modeled after the traditional celebration in Trinidad. Additionally, Shah developed his own costume manufacturing business in Toronto under the name “Creative Costumes.” It became Canada’s second largest enterprise in dealings with parades, shows, operas, and other costume-based performance art.
Shah’s other roles and achievements include: President of Multi-Fest Canada, Inc.; editor of Canadian Caribbean Carnival Magazine; and contributing editor and circulating manager for the magazine So Yu Going to Carnival.

In May 2002, Shah died after complications from a surgery.

Merle Shain (1935-1989), author, was born and educated in Toronto (BA, BSW, University of Toronto, 1957, 1959), and employed as a feature writer by the 'Toronto telegram,' associate editor of 'Chatelaine' [magazine], and as a columnist by the 'Toronto sun'. She was a host of the CTV Network program, 'W5', and served for four years as a member of the board of the National Film Board of Canada. Shain was the author of 'Some men are more perfect than others,' (1973), 'When lovers are friends,' (1978) and 'Courage my love,' (1988).

(from Wikipedia entry)

Alexander Faulkner Shand FBA (20 May 1858 - 6 January 1936) was an English writer and barrister. Born in Bayswater, London he was the son of Hugh Morton Shand, a Scot, and his wife Edrica Faulkner, Italian born but the daughter of Joshua Wilson Faulkner of Kent. He was a founding member of the British Psychological Society in 1901 and was awarded with honorary membership in 1934. He was elected a Fellow of the British Academy (FBA). Through his son Philip, he is the paternal great-grandfather of HRH Camilla, Duchess of Cornwall.

For more information, see Wikipedia entry at: https://en.wikipedia.org/wiki/Alexander_Faulkner_Shand .

"Shane Koyczan is a Canadian author and spoken word poet. He teams up with his band The Short Story Long to provide folk instrumentation to several of his albums." https://genius.com/artists/Shane-koyczan-and-the-short-story-long

“Sharon and Bram have carried on together since Lois Lillenstein stepped aside from live performing in 2000. This incarnation of one of North America’s most popular family acts ranges from a “sweet and simple” folksy duo performance, to a larger production featuring members of the versatile Skinnamarink Band. A Sharon and Bram show is a sing-along concert for the entire family, featuring such well-loved favourites as “She’ll Be Coming ‘Round the Mountain", “Five Little Monkeys", “One Elephant", “Tingalayo", and, of course, “Skinnamarink".” https://www.sharonloisandbram.com/sharon-bram

(from Wikipedia entry)

George Bernard Shaw (26 July 1856 - 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. He was also an essayist, novelist and short story writer. Nearly all his writings address prevailing social problems, but have a vein of comedy which makes their stark themes more palatable. Issues which engaged Shaw's attention included education, marriage, religion, government, health care, and class privilege.

He was most angered by what he perceived as the exploitation of the working class. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council.

In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St Lawrence in a house now called Shaw's Corner. Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling from a ladder.

He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Oscar (1938), for his contributions to literature and for his work on the film Pygmalion (adaptation of his play of the same name), respectively. Shaw wanted to refuse his Nobel Prize outright because he had no desire for public honours, but accepted it at his wife's behest: she considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of fellow playwright August Strindberg's works from Swedish to English.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/George_Bernard_Shaw .

Rev. Charles Robert Shaw-Stewart (9 July 1856 - 28 February 1932) was the son of Sir Michael Robert Shaw-Stewart of Greenock and Blackhall, and Lady Octavia Grosvenor. He married Ida Fannie Caroline Afken (daughter of H.W. Afken) on 2 January 1890. They had two children, Una and Katherine. He graduate from Christ Church, Oxford with an MA in 1882, and after holding various curacies from 1880-1892 settled as rector at Cowden, Kent.

Also mentioned that a C. R. Shaw Steward of Coventry was involved in the Walsall and District Gospel Temperance Union.

Listed in The Harrow School Register (1801-1893) as Charles Robert Shaw-Stewart, son of Sir Michael R. Shaw-Stewart, 7th baronet Ardgowan, Greenock, N.B.
received his BA 1880, MA 1882, held various curacies from 1880-1892 and current vicar of Temple Balsall (1892).

Author of several articles published in Hibbert Journal

Sarah Sheard is a Canadian writer and editor. She was born in Toronto and educated at York University, where she graduated with a Bachelor of Fine Arts (Music) in 1977. She also studied conversational Japanese at the University of Toronto in 1983-1984. Sheard has had numerous writing-related occupations. She was a creative writing instructor for various Toronto area high schools (1980-1988), and from 1980 onwards she has been a guest lecturer on creative writing at several Ontario colleges, including York University's Glendon College and the Humber School of Creative Writing. She has also been a writer-in-residence at the Bolton Public Library (1988) and electronic writer-in-residence at Dr. Marian Hilliard Secondary School. Sheard was the Ontario representative of the Literary Press Group (1980-1981) and the Toronto Book Fair executive in 1983 and 1984. She has been a member of the editorial board of Coach House Press since 1979. Sheard's fiction and non-fiction has been published in a variety of periodical and anthologies. Her first novel, "Almost Japanese", has been published in 8 languages. In addition to her literary career, Sheard obtained a Master of Arts in counselling psychology from the Adler School of Professional Psychology and has practised as a psychotherapist since 1995, specializing in Gestalt therapy.

“Sheesham Crow and Lotus Wight originally came together, as Teilhard Frost and Sam Allison, for the fiddle band Flapjack, in 1998. During their seven years with this group, they discovered their mutual interest in the folk traditions of North America, particularly the American south. Through personal instruction, perseverance and osmosis, they learned harmonica, jaw-harp, flatfoot and song and started playing as a duo. Their musical and creative style is a unique blend of folk music and traditional instrumentation. Dressed in the old style, they play fiddle and banjo as well as an array of other curiosities, including gourd banjos, jaw harps, ham-bone percussion and an invention called the contra-bass harmoniphoneum. This season, Sheesham & Lotus are on tour with a third member, sousaphone player Son Sanderson.” https://deeprootsmusic.ca/2012/06/sheesham-lotus-son/

“ Shelley Bean and the Duckety Muds will be performing an interactive entertaining children’s concert. An ECMA winner and Canadian Folk Music Award nominee who will have your little one dancing in the aisle in this entertaining and active show. Full of folk songs and fun the children will be part of a special celebration of growing and singing right here in Newfoundland and Labrador.” https://artsandculturecentre.com/stjohns/online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=42178AC2-454D-4FCE-A353-91D71A7BE907

Jason Sherman (1962-), playwright and script writer, was born in Montreal, Quebec in 1962 and has lived in Toronto since 1969. He graduated from York University's Creative Writing Program in 1985 and co-founded and co-edited the literary magazine "What" with Kevin Connolly. Between 1985 and 1990, Sherman continued to run "What" as well as establishing himself as a journalist with reviews, essays and interviews appearing in The Globe and Mail, Canadian Theatre Review and Theatrum, among other publications. Sherman's playwriting work has been recognized with critical acclaim and numerous awards including the Governor-General's award in 1995 for "Three in the Back, Two in the Head", the Floyd S. Chalmers Canadian Play Award in 1993 for "The League of Nathans" and the Dora Mavor Moore Award in 1998 for his play "Patience". Since the production of his first professional play, "A Place Like Pamela" at Walking Shadow Theatre in Toronto in 1991, his work has been performed at various theatres across Canada and the United States including Tarragon Theatre, The Factory Theatre and Theatre Passe Muraille in Toronto, The National Arts Centre in Ottawa and the Stratford Festival in Stratford, Ontario. Several of his plays have been published by Playwrights Canada Press. He was the editor of two anthologies for Coach House Press: "Canadian Brash" (1991) and "Solo" (1993). Sherman is also a respected radio and television script writer and since 2007 has concentrated his work in this area. He has written for various radio and television programmes including his own radio series "National Affairs", the American television programme "The Hard Court", the mini-series "ReGenesis", the CBC Radio series "Afghanada", the television adaptation of Vincent Lam's prize-winning "Bloodletting & Miraculous Cures" collection, the television series "The Listener" and the documentary on Residential Schools, "Stolen Children."

Thomas W. and Katherine Shore lived on a farm they owned in Sebringville, Ontario during World War I. They had at least one son, Charles William Shore (b. September 22, 1899) and one daughter, Jennie B. Shore. Misrepresenting his age, Charles W. Shore enlisted in the military in 1916, and was sent overseas to England where he served as a mess orderly in the early stages of the war. His family's efforts to have him discharged on the grounds that he was underage were rebuffed by the war office, although they promised not to send him to France before he turned 19. Shore was eventually sent to France about the time the war ended. In 1920, Jennie married a World War I veteran by the name of Ivan Bradshaw Miles Barr (b. December 31, 1897). After the war, Barr appears to have served with the Kitchener police department, the Customs-Excise Preventive Service, the Royal Canadian Mounted Police (RCMP), the Ontario Provincial Police (OPP), as Night Officer with the Royal Connaught Hotel in Hamilton, and as a Flight Sargeant with the Royal Canadian Air Force in Montreal. The family also had a cousin named Andrew Bach.

Charles William Shore (b. September 22, 1899) was the son of Thomas W. and Katherine Shore of Sebringville, Ontario, and at least one sibling, a sister, Jennie B. Shore. Misrepresenting his age, Charles W. Shore enlisted in the military in 1916, and was sent overseas to England where he served as a mess orderly in the early stages of the war. His family's efforts to have him discharged on the grounds that he was underage were rebuffed by the war office, although they promised not to send him to France before he turned 19. Shore was eventually sent to France about the time the war ended.

Jennie B. Shore was the daughter of Thomas W. and Katherine Shore of Sebringville, Ontario. Her brother Charles William Shore served in World War I, as did her husband Ivan Bradshaw Miles Barr, who she married in 1920.

Katherine Shore was married to Thomas W. Shore. They had a farm in Sebringville, Ontario. They had at least one son, Charles William Shore and one daughter Jennie B. Shore.

Clement King Shorter was a British journalist and literary critic.

Joseph Henry Shorthouse (9 September 1834 - March 1903) was an English novelist.He was born in Great Charles Street, Birmingham, educated at Grove School, Tottenham, and became a chemical manufacturer. Originally a Quaker, he joined the Church of England. His first book, John Inglesant, appeared in 1881, and at once made him famous. Though deficient in its structure as a story, and not appealing to the populace, it fascinates by the charm of its style and the "dim religious light" by which it is suffused, as well as by the striking scenes occasionally depicted. Shorthouse dedicated John Inglesant to Rawdon Levett, his friend and fellow teacher at King Edward's School, Birmingham. His other novels, The Little Schoolmaster Mark, Sir Percival, The Countess Eve, and A Teacher of the Violin, though with some of the same characteristics, had no success comparable to his first. Shorthouse also wrote an essay, The Platonism of Wordsworth.

Born Sarah Scott. Eldest daughter of John and Elizabeth Scott. Married Joseph Henry Shorthouse at the Friends' meeting-house in Warwick on 19 August 1857. Converted with husband to the Church of England in 1861. Died in 1909.

"Combine Rachel Davis with her close friends, Steppin' n It, and you have a whole new and wonderful musical experience called Shout Sister Shout. Old-time radio fanatics Steppin' In It provide the perfect backdrop for Davis, who possesses a voice that demands attention. With musical influences that range from jazz stylings of Ella Fitzgerald to the soulful pop vocals of Patty Griffin, Davis is a contemporary songwriter who is equally at home singing traditional ballads or Cole Porter or Joe Henry. Although known nationally for its folk repertoire, Shout Sister Shout focuses on old-time American Jazz featuring torch swing numbers alongside bluesy ballads." Mariposa Folk Festival programme, 2009, p. 53

“John Showman plays fiddle and sings lead and harmony. Classically trained in violin since childhood, Showman has folded the sheet music, and emerged as one of the most dynamic, original, and exciting fiddlers in bluegrass music today. John also has the rare ability to understand the subtleties of old-time fiddle as well: which is why he won 1st place in the 2011 Fiddle Contest in Clifftop, West Virginia.” Member of the Foggy Hogtown Boys. https://foggyhogtownboys.com/about-us

“Emerging from the majestic landscapes of the Canadian Rockies, Shred Kelly is a powerhouse band that seamlessly blends elements of alternative, folk, and rock music. With a captivating live act that leaves audiences in awe, they have become a mainstay in the Canadian music scene. But it's not just their energetic performances that set them apart—Shred Kelly's heartfelt songwriting strikes a chord with listeners, connecting deeply as each band member brings their eclectic musical influences to the table, shaping the group's unique musical direction.” http://www.shredkelly.com/

Author of mathematics textbooks, including "The teaching of elementary mathematics", "Theoretical geometry ", "Further mechanics and hydrostatics."

(from Wikipedia entry)

Alfred Sidgwick (1850 in Skipton - December 22 1943 in Orchard Trewoofe ) was an English logician and philosopher.

Sidgwick studied at Lincoln College in Oxford. He became known for his analysis of fallacies . His logic is a theory of argumentation. He opposes the formal logic and emphasized the practical benefits that the study of the logic must have. In addition to some own books he published mainly in the philosophical journal Mind. For Sidgwick, the logic is a science in which it comes to distinguishing good from bad arguments, and these arguments in both the communication between several people as well as in the analysis of thinking of an individual play a role.

Sidwick's publications include:

Fallacies. A View of Logic from the Practical Side. 1883; 2. Aufl.: London 1890
Distinction and Criticism of Beliefs. Longmans, Green & Co., London 1892
The Process of Argument: A Contribution to Logic. 1893
The Use of Words in Reasoning. 1901
The Application of Logic.Macmillan, London 1910
Elementary Logic. 1914

For more information, see Wikipedia entry at: http://de.wikipedia.org/wiki/Alfred_Sidgwick .

(from Wikipedia entry)

Eleanor Mildred Sidgwick, (née Balfour; 11 March 1845 - 10 February 1936) was an activist for the higher education of women, Principal of Newnham College of the University of Cambridge and a leading figure in the Society for Psychical Research. was a member of the Ladies Dining Society in Cambridge, with 11 other members. Most of her writings related to Psychical Research, and are contained in the Proceedings of the Society for Psychical Research. However, some related to educational matters, and a couple of essays dealt with the morality of international affairs. Eleanor Mildred Balfour was born in East Lothian, daughter of James Maitland Balfour and Lady Blanche Harriet. She was born into perhaps the most prominent political clan in nineteenth-century Britain, the 'Hotel Cecil': her brother Arthur would eventually himself become prime minister. Another brother, Frank, a biologist, died young in a climbing accident.

One of the first students at Newnham College in Cambridge, in 1876 she married (and became converted to feminism by) the philosopher Henry Sidgwick. In 1880 she became Vice-Principal of Newnham under the founding Principal Anne Clough, succeeding as Principal on Miss Clough's death in 1892. She and her husband resided there until 1900, the year of Henry Sidgwick's death. In 1894 Mrs Sidgwick was one of the first three women to serve on a royal commission, the Bryce commission on Secondary Education.

As a young woman, Eleanor had helped Rayleigh improve the accuracy of experimental measurement of electrical resistance; she subsequently turned her careful experimental mind to the question of testing the veracity of claims for psychical phenomena. She was elected President of the Society for Psychical Research in 1908 and named 'president of honour' in 1932.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/Eleanor_Mildred_Sidgwick .

(from Wikipedia entry)

Henry Sidgwick (31 May 1838 - 28 August 1900) was an English utilitarian philosopher and economist. He was one of the founders and first president of the Society for Psychical Research, a member of the Metaphysical Society, and promoted the higher education of women. His work in economics has also had a lasting influence. He also founded Newnham College in Cambridge in 1875. Newnham College is a women-only constituent college of the University of Cambridge, England. It was the second Cambridge college to admit women after Girton College. The co-founder of the college was Millicent Garrett Fawcett. He joined the Cambridge Apostles intellectual secret society in 1856.

For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/Henry_Sidgwick .

Lionel Siegel (1927- ), television writer, was born in Chicago and educated at the University of Missouri (BJ 1950). Following freelance writing work, he joined the Publicity Department of 20th Century Fox Studios in Los Angeles, later working as an agent for MCA. In 1960 he began writing television scripts for popular American television programmes including, 'Mannix,' 'Six million dollar man,' 'The littlest hobo,' 'Rawhide,' 'Ben Casey,' and others. In addition to script writing, Siegel has produced movie pilots, episodic television dramas, and served as an executive consultant for television programmes in Canada and the United States. He has also taught at York University (1983-1984), and became an executive consultant to Astral Film Enterprises of Montreal.

(from Wikipedia entry)

Johannes Sieveking (July 6 1869 in Hamburg , September 20th 1942 in Munich ) was a German Classic archaeologist. Johannes Sieveking belonged to the old Hanseatic family Sieveking , who had besides several mayors spawned many professors, senators, diplomats and merchants. He studied at the University of Bonn , then at the University of Berlin and then moved to the University of Munich , where he last pupil of Heinrich Brunn was. After this had passed away, he went together with Adam Flasch at the University of Erlangen , where he in 1894 with the Scriptures The cornucopia of the Romans was awarded his doctorate. Then travels took him to Greece and Italy. After returning Sieveking was briefly assistant at Würzburg Martin-von-Wagner-Museum , but then switched to wish Adolf Furtwängler at the Antiquarium in Munich . After Furtwängler's death in 1907, he took over the management of the Antiquarium and the collection of vases, which he in 1919 in the premises of the Alte Pinakothek was able to unite and regroup. In 1942 he took his own life.

Sieveking lent his particular the Munich Collection of Antiquities. So he ordered the hitherto often neglected large and rich collections of ancient cabaret new. Parts he restored by hand. With Rudolf Hackl he began in 1912 to develop the collection in a series of publications, but she could because of the First World War not be set forth. Were published by him thus in particular acquisitions and smaller reports. In a large four-volume publication also bronzes and has terracotta collection of James Loeb published. Thanks Sieveking Loeb bequeathed his collection including Munich antiquities collection. It was the largest increase in the collection since its inception and included some very high-quality pieces. His main research field of research was the Roman art . He is considered one of the pioneers in this field of research. He researched the Roman portrait, for relief and the architectural ornaments. Above all, he demanded an exact copy of criticism. Sieveking wrote no monographs on his research, but wrote many, mostly short essays, find themselves scattered across many different journals.

Sieveking was described as humble, shy, unassuming and very withdrawn. Literally was his punctuality. Although Munich had become his second home, which he left reluctantly, but he was by nature his whole life Hanseat. He had personal discretion is very important, so his colleagues learned only after years on the occasion of a disease that Sieveking was married. He did not pursue an academic career, but was the only scientist. He never attended lectures and never held any. His work was strictly regulated. In the morning he worked at the Museum, in the afternoon at the Archaeological Department of the University. Ludwig Curtius wrote in an obituary Sieveking " realized in his own way a modern, unromantic, but horazistisches Romanism, not one of the victors and proconsuls , but one of the legacies and military tribunes whose punctual, to the great subordinating them following work also the empire of our science can not exist without ".[translation]

For more information, see Wikipedia entry at: http://de.wikipedia.org/wiki/Johannes_Sieveking .

Marilyn Silverman, anthropologist and professor, was born in Montreal in 1945. She received an honours BA in anthropology and sociology from McGill University in 1966, where she also completed an MA (1967) and PhD (1973) in the Department of Anthropology. She started her academic career as an assistant professor in York University’s Department of Sociology and Anthropology (later the Department of Anthropology) between 1973 and 1976 and was promoted to associate professor in 1976 and to full professor in 1996. She also served as the coordinator of York University’s Latin American and Caribbean Studies Programme between 1975 and 1978.

Silverman is the author of four books: Rich People and Rice: Factional Politics in Rural Guyana (1980), In the Valley of the Nore: A Social History of Thomastown, County Kilkenny, 1840-1983 (1986), Merchants and Shopkeepers: An Historical Anthropology of an Irish Market Town, 1200-1986 (1995), and An Irish Working Class: Explorations in Political Economy and Hegemony, 1800-1950 (2001). She is the co-editor of A House Divided? Anthropological Studies of Factionalism (1978) and Approaching the Past: Historical Anthropology Through Irish Case Studies (1992), and editor of Walking into the Past (1995) and Ethnography and Development – the Work of Richard F. Salisbury (2004).

She received the 2002 William A. Douglass Book Prize in Europeanist Anthropology from the Society for the Anthropology of Europe and the American Anthropological Association for her book An Irish Working Class: Explorations in Political Economy and Hegemony, 1800-1950. In March 2008, she held the Henrietta Harvey Distinguished Lectureship at the Memorial University of Newfoundland.