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Counselling Services operated as a service to students seeking personal, academic and career counselling within the college. It was succeeded by the Counselling Centre.

The Founders College Senior Common Room opened on the Keele Street campus in 1966. This establishment was renamed the York University College Faculty Common Room in 1968.

The Dean of Students, who also served as the Master of Residence was responsible for most student matters relating to cultural affairs, social events, graduate fellowships, and all matters pertaining to residence life at the College.

The Principal is appointed by the Board of Governors on the advice of the President and s/he is ultimately accountable to the Board. As the chief academic and administrative officer of the College, the Principal has responsibility for overseeing the implementation of Senate and Faculty legislation. The Principal promotes and facilitates the academic programme, both in the planning and execution stages, and encourages the extra-curricular programs within the College. In addition, the Principal is charged with the responsibility for personnel matters, including the recruitment tenure and promotion of faculty, the promotion of research activity amongst the faculty, and the maintenance of all personnel policies in line with collective agreements. In addition to these academic and personnel responsibilities, the Principal is the chief financial officer of the College, and therefore must strike the annual budget. The Principal also represents the College within the university and to external bodies. During the period covered by these records the following men served as Principal of Glendon College: Escott Reid (1966-1970) and Albert V. Tucker (1970-1976).

Information York was an internal information service to members of the York community on services, faculties departments and activities in the university, that operated from 1975 to 1981.

The LaMarsh Research Program on Violence and Conflict Resolution was established at York University in 1980 with the assistance of the Ontario Government. The Programme is dedicated to encouraging research which explores the themes of violence and conflict resolution in Canadian society. The Program has an administrative staff and cross-appointed York faculty serve as core members of the Program. Faculty and external experts are engaged to conduct original research in these two areas, and the Program acts as a sponsor of research, conferences and seminars and is an active
publisher of the research results of those it sponsors. The Program developed a strong interest in family violence in the 1980s.

The Residence Council represented the interests of the residential students of McLaughlin College, to the College administration and assumed the responsibility of ensuring discipline through the application of residence regulations with recourse to a discipline tribunal with power to enforce fines and punishments. The Residence was divided into six houses, each having an elected House Committee consisting of a House President, Vice-President and Treasurer and other officers as it sees fit. The Council was made up of the Presidents and Vice-Presidents of the Houses together with a Student Council representative and College officers who all sit as ex-officio members. The Council Executive consisted of an elected Chairperson, Vice-Chairperson, Treasurer, Secretary, Social Convener and Chair of Complaints.

The Tatham Hall Council (formerly Residence Council) represents the interests of the residential students of McLaughlin College, to the College administration and assumes the responsibility of ensuring discipline through the application of residence regulations with recourse to a discipline tribunal with power to enforce fines and punishments. The Residence is divided into six houses, each having an elected House Committee consisting of a House President, Vice-President and Treasurer and other officers as it sees fit. The Tatham Hall Council is made up of the Presidents and Vice-Presidents of the Houses together with a Student Council representative and College officers who all sit as ex-officio members. The Council Executive consists of an elected Chairperson, Vice-Chairperson, Treasurer, Secretary, Social Convener and Chair of Complaints.

“Nigerian-born and currently based in Toronto, Kunle brings together his rich vocals, guitar tapping, harmonica and talking drum to take audiences into what he terms ‘music with no boundaries’.” https://kunlemusic.com/

The Virtual Mariposa 2020 Festival was hosted by Treasa Levasseur. http://mariposafolk.com/on-sunday-july-5th-at-7pm-the-mariposa-folk-foundation-will-release-mariposa-virtual-festival-2020-a-free-online-concert-on-the-mariposa-virtual-stage/

“Anne Lindsay has established herself as one of the most engaging and versatile instrumentalists in Canada, adapting her unique violin/fiddle style to the eclectic sounds and musical languages of this country's rich cultural texture. She is an exuberant fireplug of a session-player-to-the-stars (Led Zeppelin, The Chieftains, Blue Rodeo, James Taylor, Roger Daltry) whose skills have graced many a stage around the world. Anne has played on hundreds of recordings and is a featured performer with the Jim Cuddy Band, The Skydiggers and John McDermott. She was the resident fiddler for the Toronto Maple Leafs and the stage production of The Lord of the Rings. She has also built a formidable career on her own as a musician, composer and vocalist — all showcased brilliantly on her new album, Soloworks.” https://rootsandblues.ca/anne-lindsay/

Aaron Mangoff is a Songwriter/Composer with a background rock music, touring around Canada for over 10 years. His music ranges from metal to rock  to accoustic folk. https://soundcloud.com/aaron-mangoff/reposts

“Kirsten Maxwell is New York raised singer, songwriter, and artist, currently residing in South Carolina. Maxwell has toured extensively in the U.S, winning songwriting competitions, and performing in festivals across the country and in Canada. In 2015, she released her debut album, Crimson, and in June of 2018 she put out a self-titled EP.” https://www.bandsintown.com/a/10853451-kirsten-maxwell-music

“Mayfly’s Landing originally formed in 2012, started as a solo project, and quickly evolving into a larger concept. By 2015 they adopted the 4-piece project sound that continues and prospers today, by 2016 they released a debut album, a much loved 5 song self-titled EP, produced and engineered by Epidemic Music Group. Mayfly’s Landing went on our first tour in the Summer of 2016 to the East Coast.” https://indiepulsemusic.com/2019/05/12/mayflys-landing/

Based out of Sudbury, Ontario, Canada, band members include Steph Duchesne (percussion), Kris Dickson (upright bass), Sam Cassio (guitar, mandolin vocals), Geoff McCausland (violin), Barry Miles (banjo, dobro, vocals), and Jonathan Danyliw (guitar, mandolin, vocals). “[They] play a mixture of outlaw country and bluegrass [alternative folk]. [...] [Their] music is heavily rooted in the traditions of folk music, especially the old murder ballad tradition (hence the name).” https://canadianbeats.ca/2017/07/31/five-questions-with-murder-murder/

“Gareth Pearson is referred to as “The Welsh Tornado” which is particularly appropriate, seeing as this special talent combines fingerstyle pyrotechnics, with explosive lead runs making Pearson one of the most exciting acoustic musicians gigging today. Gareth has a distinctive style that can be heard through his creative and innovative arrangements which cover a wide spectrum of genres, including country/folk/classical/pop/rock/jazz/swing and bluegrass music, along with his own beautiful and often intricate original compositions.” https://www.garethpearson.com/bio

"Prosad has been studying classical sitar for many years both in Toronto an dIndia. His original music fuses edgy electronic beats and live percussion with sitar, didgeridoo, flute and vocals to create a unique and captivating style called 'Trance Sitar'. In 2008, Prosad was invited to perform for His Royal Highness Prince Edward of Great Britain. In the same year, Prosad's song "Bryon Bay," was used in the Hollywood movie, The Love Guru, starring the Canadian comedy superstar Mike Myers. Prosad is a remarkable guitar player as well. [...]" Mariposa Folk Festival programme, 2009, p.51

Winnipeg blues-rock musician

“Louis-Philippe is a young Franco-Ontarian singer-songwriter who launched his first solo album in January 2010. [...] In January 2009, at the Contact Ontarois event in Toronto, he was given the Ontario Folk Festivals Council award for his performance in his musical showcase entitled “Festives inquiétudes”. In April 2010, he participated in the “Francouvertes” and earned a place in the semifinals. During the same period, he also participated in the “Festival vue” on the next generation and he launched his very first video”Réflexions d’un bon citoyen”. In May 2010, he travelled again to the south of France where he gave a series of street shows and where he made inspiring encounters. Back home in June 2010, he was part of Montreal’s Francofolies program and the Franco-Ontarian Festival in Ottawa.” https://francophonie-en-fete.com/en/speaker/louis-philippe-robillard-2/

See http://www.runwiththekittens.ca/bio.

"Samantha Martin is a Canadian singer and songwriter who has garnered critical acclaim for her blend of roots rock, blues, soul and gospel music, and exceptional vocals. […] In 2014, Martin formed the soul and blues focused band "Samantha Martin & Delta Sugar". [...] In 2018, Samantha Martin & Delta Sugar signed a record deal with Gypsy Soul Records based out of Toronto. Her record Run To Me was released on April 28th, 2018. Eleven months after releasing their recording Run to Me, the 11-piece blues/soul band was nominated for a Juno Award for Blues Album of the Year." http://en.wikipedia.org/wiki/Samantha_Martin

“Sharon and Bram have carried on together since Lois Lillenstein stepped aside from live performing in 2000. This incarnation of one of North America’s most popular family acts ranges from a “sweet and simple” folksy duo performance, to a larger production featuring members of the versatile Skinnamarink Band. A Sharon and Bram show is a sing-along concert for the entire family, featuring such well-loved favourites as “She’ll Be Coming ‘Round the Mountain", “Five Little Monkeys", “One Elephant", “Tingalayo", and, of course, “Skinnamarink".” https://www.sharonloisandbram.com/sharon-bram

“ Shelley Bean and the Duckety Muds will be performing an interactive entertaining children’s concert. An ECMA winner and Canadian Folk Music Award nominee who will have your little one dancing in the aisle in this entertaining and active show. Full of folk songs and fun the children will be part of a special celebration of growing and singing right here in Newfoundland and Labrador.” https://artsandculturecentre.com/stjohns/online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=42178AC2-454D-4FCE-A353-91D71A7BE907

“Perfecting what they call “Roadhouse Trucker Slop Country”, this 5 piece honky-tonk band hailing from Orillia, ON, CA, is sure to keep floors filled from the first note. Coming together over a passion for keeping country music raw and true to its roots but at the same time adding an energetic kick that has been winning over all audiences from folkies to metal heads and punkers. The personnel that make up this outfit are Terry Savage (tele spanking/lead vocal), Timmay Kehoe (crying pedal steel guitar), Stanton McKinon (honky-tonk piano/other assorted keys), and let’s not forget the thundering rhythm section from hell that is Grant Lauer (bass guitar/harmony vocals) and Aaron Bennet (drums/voices).” https://cottagecountrybeertrail.ca/jv_events/terry-savage-and-the-wonky-honkees/

“Tethera is the name for a group of Cambridge, Kitchener and Hamilton musicians; Paul Morris (Concertina, Melodeon and Vocals), Brad McEwen (Citterns and Vocals) and Brian Sinclair (Mandocello, Guitar, Mandolin and various other unique stringed instruments), Gwen Potter (Vocals & Viola D’ Amore) and Bill Nesbitt (Concertina Harmonica and Vocals). The repertoire consists of mainly traditional English dance tunes and songs. However, other things have been known to creep in from Ireland, France, Brittany, Belgium as well as Canadian variants of British ballads and some Newfoundland dance tunes.” https://tethera.webs.com/

“a Toronto-based band bringing an acoustic folk sound and original music to the indie scene.” Their music has been described as bluegrass & roots inspired indie folk and Rowdy Folk. https://thebelleregards.bandcamp.com/album/east-to-west

“A family group consisting of fiddling and step dancing siblings – Tom, Kerry & Julie Fitzgerald and Alanna Jenish on guitar. These siblings, from just outside of Canada’s renowned Ottawa Valley, have come a long way from their small town roots. Featuring 3-time Canadian Grandmaster Fiddle Champions and Ontario Open Step Dance Champions, this unique act features high-energy fiddling and mind-blowing step dancing. It is the rare combination of exceptional musicianship, incomparable step dancing, audience interaction, evident love of performing, and genuine sibling connection that resonates with audiences of all ages and sets this group apart.” https://www.thefitzgeraldsmusic.com/bio

“The Free Label is an Alt-Pop Partyband from Toronto, Canada. The group started their career playing house parties, local festivals and venues before their debut single “All Night” allowed them to tour internationally. The group is composed of lead vocalist Josh Daniel, guitarist Malik Mungo, keyboardist Cole Mendez, and bassist Mathew Fantini. The band is known for their free-flowing approach to creating and performing music, where all members are simultaneously vocalists, multi-instrumentalists and producers.” https://www.submithub.com/artist/the-free-label

“The Most Loyal is Sarah Davignon and Andrew Patten's band, also known as "Caitlin's Band" and also contains Ian Mackay, Ian Koiter, Melissa Burke, and Dave Burke.” https://themostloyals.bandcamp.com/

Alex the Folk Band is a seven-member, music-making cooperative that specializes in harmony vocals and fiddle-based instrumentals. "The band has released three albums over the years — the self-titled debut (2004), Alex in the Kitchen (2009) and OK, Heaven, Here I Come (2012). They used to average 10 gigs per year." http://www.orilliamatters.com/local-news/friendship-and-folk-fuel-alex-30-years-later-1311177#:~:text=Current%20band%20members%20Gord%20Ball,banjo%20and%20harmonica%20with%20Alex.

“Rick was born in England. He graduated from Leeds University as a Civil Engineer in 1964 and immigrated to Canada in 1970. Rick discovered folk music along with the rest of the baby boomers during the folk revival of the 1960’s. A skilled accompanist on guitar, 5-string banjo and keyboards. Rick also plays spoons, dulcimer, bowed psaltery and his cheeks! Rick was a founding member of the now legendary ‘Fiddler’s Green’ coffeehouse in Toronto. An economic downturn in 1973 led to his adopting music as a career.” https://relativeharmony.wordpress.com/about/rick-avery/

“Black Umfolosi is a self taught Acappella (Imbube) singing and traditional dance group that was formed in 1982 by the then school age members who wanted to develop themselves and contribute to their community. Specialising in imbube music, gumboot dance and Zulu dance, Black Umfolosi has toured extensively nationally and internationally in Europe, USA, Canada, Australia and Asia.” https://myriadartists.com/black-umfolosi/

“The uplifting music, driving rhythms, and exotic dancing of Brian Litvin and Jubalani will transport you to South Africa from where most of the group hails. Jabulani is a Zulu word that means “we are happy”, and that is a perfect description of how this group will make you feel. They play a blend of Township Jive, Zulu Maskande, traditional Zulu music, and South African Jazz learned first-hand from street walking guitar players, migrant workers in hostels, and in the townships that bred these wonderful sounds. The group has had the honour of performing at numerous memorial services in memory of Nelson Mandela, South Africa’s most famous son.” https://mariposafolk.com/brian-litvin-jabulani-bringing-township-jive-zulu-maskande-south-african-jazz-mariposa/

The Mariposa Folk Festival has become Paul Court’s way of celebrating his birthday. The Orillia artist turned 66 on July 4. Being involved in the arts community, and volunteering with the festival, he sees many of his friends at the festival every year. Seems like a convenient time to celebrate the big day. “It’s become a tradition,” he said. “They wish me a happy birthday on social media and say they’ll buy me a beer at Mariposa.” http://www.orilliamatters.com/local-news/mariposa-means-different-things-to-different-people-978839

“Benjamin Dakota Rogers is a composer, singer-songwriter, and multi-instrumentalist. His sound is hard-driving powerful folk, with a contemporary edge.” https://www.benjamindakotarogers.com/

"Sid Dolgay, one of the founders of the Mariposa Folk Festival, played the mandicello in the group for a number of years."  http://mariposafolk.com/tag/sid-dolgay/

“Douglas is a recipient of the Civitas award from Lakehead University for his work bringing Indigenous and non-Indigenous communities together through storytelling, and he is a founding member of the Mnjikaning Fish Fence Circle, that since 1993 has sought to protect and commemorate this sacred place.” https://creativenomadstudios.ca/blog/1414959414/storytelling-orillia-pays-tribute-to-world-storytelling-day-on-march-20

Minnie Heart and Bill Howard

Husband-and-wife duo (Jorge and Laura) based in the Greater Toronto Area. https://farrucas.net/about/

Free Spirit Dance is an activity run by Beth Whalen-McKean. "With 30 plus years experience in dance, music and theatre, she has developed a profound understanding of self expression and creativity, and combines it with her role as a therapist". Mariposa Festival Program, 2011, p. 46

“Founded by Tim McCready in late 2013 Toronto's best live band karaoke experience is a super-tight band featuring guitar, bass, keyboards and drums, and plays a massive repertoire of over 300 songs spanning genres and eras.” https://www.goodenoughlivekaraoke.com/

“High-energy duo Hat Fitz and Cara are among Australia’s most talented roots music artists. The husband and wife team have clocked up 10 years of worldwide touring, festival performances and album releases from their base of operations in the hinterland of South East Queensland's Sunshine Coast and are showing no signs of slowing down.” https://festivalofsmallhalls.com/wp-content/uploads/2019/09/Hat-Fitz-and-Cara-bio.pdf

“Holmes was born and raised in Northern Ireland.In his early 40’s he became the lead singer for the very successful Celtic band, Brean Derg Muc. He also began writing and took to the stage as a spoken word artist. Before long he was touring the UK, Canada and the USA. He has won numerous awards including the Stan Rogers Golden Quill and his work has been set to music and performed by more than 40 artists.” https://summerfolk.org/performers/holmes-hooke/

"In 2010, Ritter's band members – some of whom had been performing with him from the early 2000s – were given the name "The Royal City Band" (a reference to the song "Thin Blue Flame" from The Animal Years)." http://en.wikipedia.org/wiki/Josh_Ritter

“Reid Jamieson + Carolyn Victoria Mill (and sometimes special guests Anne Lindsay, Mary Margaret O’Hara, John Sheard etc) = The Reid Jamieson Band. Our shows are an eclectic mix of our originals and tasty covers. We also have a 50s era show The Presley Sessions Review, plus our new folk opera fundraiser The Pigeon and The Dove.” https://reidjamieson.com/about/

"Kelly Thibodeau animates Cajun fiddling with his dynamic approach and engaging style. Coming to Mariposa from his Baton Rouge, Lousiana, via Oregon, Kelly's Cajun fiddling style thrills aficionados and wins new converts with every performance. Not only does he entertain with his 'swamp rock', but Kelly educates as well. Mariposa audience members are invited to join-in at Kelly's interactive workshops to learn, hands-on, how to play the fiddle. He guarantees that within an hour, you'll be able to scratch out a few pleasing sounds on one of the instruments he provides." Mariposa Folk Festival programme, 2009, p. 47

“Three Women and The Truth is a trio of accomplished, richly talented, multiple award winning female songwriters, Mary Gauthier, Gretchen Peters and Eliza Gilkyson, whose songs cut through the murky layers of life's complexities and bring clarity to many of the challenges we all long to make sense of. Writing from their life’s experience, these songwriters are skilled in balancing personal tales with classic underpinnings, which hint at the evocative idea that all our lives are full of events and incidents that touch on the mythic and the timeless.” https://www.pitchforksocial.com/shows/2018/7/11/three-women-and-the-truth

“Jan Vanderhorst is the host of "Just Us Folk", a show devoted to acoustic roots music including contemporary and traditional folk, singer-songwriters, acoustic blues and bluegrass music. Jan showcases new and established performers in the world of folk music. Throughout the year Jan travels to folk festivals near and far to interview performers and discuss their craft. Jan has been a stage MC at many festivals and a judge for both the Canadian Folk Music Awards and the Junos Awards. Jan has also served on the Board of Directors of the Ontario Council of Folk Festivals. Just Us Folk has been on the air in Brantford since 1981, currently on AM 1380. Just Us Folk also airs on 100.7 The Breeze in Winnipeg.” https://www.folkmusicontario.ca/membership/member-profile/jan-vanderhorst/

“Matt Weidinger [...] is a singer/songwriter and a multi instrumentalist. He has three original albums under his belt and although considers the Hammond Organ, his instrument of choice, is equally comfortable on piano, guitar, bass and mandolin. He joined forces with Lance Anderson in 12-piece band called "Matchedash Parish" whose debut album Saturday Night earned them a 2020 Maple Blues Awards nomination for New Artist of the Year.” https://www.mattweidinger.com/bio

“Craig Werth is a singer-songwriter from New Hampshire. He is available for concerts, workshops, and as an officiant/composer/musician for services and ceremonies. Craig serves as pastor at Nottingham Community Church (UU).” https://craigwerth.bandcamp.com/

Canadian bassist, guitarist, son of Ken Whiteley. Member of the New Country Rehab group and The Beulah Band. https://www.discogs.com/artist/3431004-Ben-Whiteley

Singer song writer from Orillia.

Theresa Burke is a Canadian producer, director, researcher and writer best known for her work for the Canadian Broadcasting Company (CBC) television program "The fifth estate.” Burke attended the University of Nantes, the University of Ottawa and the University of Alaska before obtaining an Honours BA in Philosophy from the University of Toronto. She worked as a director of public relations and corporate communications at Alliance Entertainment and as a director of marketing for Norstar Entertainment between 1987 and 1990. In 1994, Burke joined "The fifth estate" as a researcher and subsequently became one of the program's producers and directors. She has produced a wide variety of documentary programming for "The fifth estate", with a particular focus on prisoners and miscarriages of justice. Burke was a research associate for Julian Shur's book about Steven Truscott, "Until you are dead: Steven Truscott's long ride into history" (2001), which won the 2002 CAA Birks Family Foundation Award for Biography, and co-wrote "Who killed Ty Conn" (2001) with Linden MacIntyre. "His word against history," a "Fifth estate" documentary about Steven Truscott on which Burke worked extensively as a researcher and producer, was awarded the best investigative report of 2000 by the Canadian Association of Journalists.

Sig Gerber, television executive, earned a Radio and Television Arts Diploma in 1964 and a Bachelor of Applied Arts in 1974 from Ryerson Polytechnical Institute. His career in journalism began, however, while working as a news reporter-writer for CHUM Radio in Toronto between 1961 and 1964.

In 1964, he started his career with CBC as an assistant film editor. He went on to direct live CBC television information programs, talk shows and multi-camera remotes. From 1967 to 1968, he was the producer of "Luncheon date with Elwood Glover," a live daily television talk show. In 1970, Gerber became a member of the production team for the CBC program "Man alive" in its formative years. He conceived, produced, directed and wrote more than fifty documentary programs that explored faith, religion and spirituality between 1970 and 1976. Gerber became the executive producer for the weekly documentary series, from 1976 to 1977, and assumed responsibility for the editorial, creative and financial controls of "Man alive." His work won several awards, particularly for the episode "I am not what you see."

Gerber continued his work with the CBC from 1977 to 1982 as the executive producer of "Take 30," before becoming the executive producer of the popular CBC television drama "For the record" in 1982. Gerber commissioned, supervised and closely guided the script writing and production of the "For the record," a topical anthology drama series that explored personal stories behind social issues affecting the daily lives of Canadians. His work on "For the record" won several awards and nominations, including a Rocky Award for "Ready for slaughter" (Best TV Drama, 1983) and a Gemini Award for "Oakmount High" (Best Short Drama, 1986). Gerber also won Red Ribbon (1985) and Prix Anik (1986) awards for his production of "Turning to stone," a two-hour CBC television movie that depicted the life of a young first-time offender sentenced to Prison for Women in Kingston, Ontario. With the conclusion of the "For the record" series, Gerber continued his work as an executive producer with the CBC's "Marketplace," an investigative reporting information series. He then became the Area Head of CBC English Television current affairs department. Between 1996 and 1999, Gerber directed and managed the editorial content and production of nine weekly series, including "the fifth estate," "Witness," "Life and times" and "Venture." Gerber returned to "Man alive" as a creative program consultant for its 2000-2001 season for thirteen half-hour documentaries.

Gerber worked for the CBC as an instructor teaching investigative reporting and television production skills from 1995 until his retirement in 1999, and has continued to be involved in broadcasting as a freelance media consultant, journalism teacher, and trainer.

Selma Landen Odom is a dance historian and writer. Formally educated in English Literature, Theatre History, and Dance Studies, Odom earned her BA from Wellesley College, MA from Tufts University (1967), and PhD from the University of Surrey (1991). She was recruited to teach in the Department of Dance at York University in 1972 and became the founding director of the University’s MA and PhD programs in Dance and Dance Studies—the first programs of their kind in Canada. Her research interests include dance, music, education and gender studies. She has maintained a long-term research focus on Dalcroze Eurythmics, a kinaesthetic practice that takes the body as the source of musical understanding. The topic forms the basis of Odom's Master’s and PhD dissertations, numerous articles in publications such as American Dalcroze Journal, and an anticipated monograph. In addition to this work, she has published articles and encyclopedia entries on the lives of Mary Wood Hinman, Madeleine Boss Lasserre, and Saida Gerrard, and other subjects. She is co-editor of Canadian Dance: Visions and Stories (Dance Collection Danse, 2004) and technical editor of Adventures of a Ballet Historian: An Unfinished Memoir, by Ivor Guest (Dance Horizons, 2011). Odom is a member of the board of Dance Collection Danse and a regular contributor to The Dance Current. In 1998, she was awarded the Faculty of Graduate Studies Teaching Award at York University. Odom retired to Emeritus status in the early 2000s. She continues to teach graduate seminars and to fulfill a post as an Adjunct Associate of the Centre of Drama, Theatre and Performance Studies at the University of Toronto. In 2010, the Selma Odom Lecture Series was inaugurated at York University to honour her contribution to Dance scholarship and teaching.

Madeleine Boss Lasserre (5 Oct. 1901 - 17 Aug. 1998) was a music educator and the first teacher of Dalcroze Eurhythmics in Canada. Lasserre was born in Neuchâtel, Switzerland, where she spent her childhood and adolescence. At age eighteen, Lasserre moved to Geneva at the behest of her piano teacher to study under the composer Émile Jaques-Dalcroze, founder of Dalcroze Eurhythmics. Variously known as Dalcroze Eurhythmics, the Dalcroze Method, or simply eurhythmics, the practice utilizes bodily movements and processes—such as walking, clapping, and breathing—to explore and teach musical rhythm. It consists of three main elements: eurhythmics, solfège, and improvisation. Lasserre trained with Jaques-Dalcroze until 1923, at which time she became sufficiently qualified to teach all three elements. In 1924, she emigrated to Canada, initially living with and teaching the child of a wealthy Toronto family. Lasserre married her Swiss compatriot, Henri Lasserre—a wealthy lawyer, amateur cellist, and founder of the Robert Owen Foundation—who taught French at the University of Toronto.

Lasserre began teaching classes in eurhythmics to both adults and children in the Departments of Physical Education and Drama at the Margaret Eaton School in Toronto in 1925. Two years later, she left the school to join the Toronto Conservatory of Music (later the Royal Conservatory of Music), where she taught Dalcroze Eurhythmics for over half a century. In 1928, Lasserre began organizing demonstrations of the Dalcroze Method—performed by students and guest artists—to various groups and associations throughout Toronto and its environs. Soon after, she returned to Geneva to officially complete her Dalcroze training, earning a Dalcroze diploma in 1932. In 1934, Lasserre was approved to grant elementary certificates to her students through the Dalcroze Centre in New York City. Over the course of her career, she taught classes at the University Settlement School of Music, Hart House Theatre, the Women’s Art Association, and various teachers’ and music organizations within Ontario. Her students included pianist Donald Himes, childhood educator Donna Wood, dancer-choreographer Saida Gerrard, and artists Temma Gentles and Tim Jocelyn. In 1977, Lasserre retired from the Royal Conservatory of Music. The Madame Lasserre Dalcroze Pedagogy Scholarship was established at the Conservatory in her honour.

Marilyn Silverman, anthropologist and professor, was born in Montreal in 1945. She received an honours BA in anthropology and sociology from McGill University in 1966, where she also completed an MA (1967) and PhD (1973) in the Department of Anthropology. She started her academic career as an assistant professor in York University’s Department of Sociology and Anthropology (later the Department of Anthropology) between 1973 and 1976 and was promoted to associate professor in 1976 and to full professor in 1996. She also served as the coordinator of York University’s Latin American and Caribbean Studies Programme between 1975 and 1978.

Silverman is the author of four books: Rich People and Rice: Factional Politics in Rural Guyana (1980), In the Valley of the Nore: A Social History of Thomastown, County Kilkenny, 1840-1983 (1986), Merchants and Shopkeepers: An Historical Anthropology of an Irish Market Town, 1200-1986 (1995), and An Irish Working Class: Explorations in Political Economy and Hegemony, 1800-1950 (2001). She is the co-editor of A House Divided? Anthropological Studies of Factionalism (1978) and Approaching the Past: Historical Anthropology Through Irish Case Studies (1992), and editor of Walking into the Past (1995) and Ethnography and Development – the Work of Richard F. Salisbury (2004).

She received the 2002 William A. Douglass Book Prize in Europeanist Anthropology from the Society for the Anthropology of Europe and the American Anthropological Association for her book An Irish Working Class: Explorations in Political Economy and Hegemony, 1800-1950. In March 2008, she held the Henrietta Harvey Distinguished Lectureship at the Memorial University of Newfoundland.

President of Liverpool Conference of Mothers.

Rev. H. A. Boys, M.A. appears to have been a member of the clergy based in the village of Easton Mauduit Northampton in the Midlands.
Mr. Boys was English Chaplain at Patras, in Greece, from 1870 to 1875. He was also a chaplain in Algiers.
He was involved in tracking rainfall which he contributed to surveys by the British Meteorological Office, and published several articles on flooding and droughts in the area, including "The Drought of 1895" and "The November Floods, 1894" in the Journal of the Northamptonshire Natural History Society & Field Club.

Rupert Ingham Brooke was a poet.
Possibly Joshua Rupert Ingham Brooke, a Royal Garrison Artillery Captain during WWI.
Joshua Rupert Ingham Brooke (1892-1934) born 14 January 1892 in Halifax. Educated in Harrow, Balliol College.
Child of William Ingham Brooke (1862-1923) and Beatrice Harriet Wallich (1859-1943). Married Margaret Hewett (1894-1994) on 13 February 1923. Died in 1934.