“Reid Jamieson + Carolyn Victoria Mill (and sometimes special guests Anne Lindsay, Mary Margaret O’Hara, John Sheard etc) = The Reid Jamieson Band. Our shows are an eclectic mix of our originals and tasty covers. We also have a 50s era show The Presley Sessions Review, plus our new folk opera fundraiser The Pigeon and The Dove.” https://reidjamieson.com/about/
"The Proclaimers are a Scottish rock duo formed in 1983 by twin brothers Craig and Charlie Reid who were born on 5 March 1962. They came to attention with their 1987 single "Letter from America", which reached No. 3 in the United Kingdom, and the 1988 single "I'm Gonna Be (500 Miles)", which topped charts in Australia, Iceland and New Zealand. The Proclaimers have sold over 5 million albums worldwide. First active from 1983 as an acoustic duo, the Proclaimers moved toward band-oriented rock in later works. The Proclaimers' style draws from a diversity of influences, including country, folk, and punk rock. Their playing range has included roots rock, alternative rock and folk rock, and their music is typified by their Scottish accents. The Proclaimers often tour internationally, and have released 11 studio albums since 1987, the most recent being 2018's Angry Cyclist, as well as three compilation albums and a DVD." http://en.wikipedia.org/wiki/The_Proclaimers
"The Paper Kites are an Australian indie rock/folk rock band from Melbourne, Victoria. The band was formed in 2009 by lead vocalist/guitarist Sam Bentley and keyboardist/guitarist Christina Lacy. To date, the band has released five studio albums and four EPs. Their latest studio album, Roses, was released on 12 March 2021. Members: Sam Bentley, Christina Lacy, Dave Powys, Sam Rasmussen, Josh Bentley." https://en.wikipedia.org/wiki/The_Paper_Kites
“For the past 20 years The Paddling Puppeteers have been touring Canada with their nature and history based musical puppet shows. In the early years the show was packed into a “Wiigwaas-Jiimaan” Ojibway style birch bark canoe and we traveled from show to show along the waterways of Ontario. “Honest Frankie the Frog’s Shoreline Review” has been a popular show ever since, a show all about the natural and cultural history of Ontario waterways with a message of nature stewardship. More recently our light hearted and humorous show “Plugging into Nature” is all about turning off the screen and getting outside to connect with nature and to promote mental and physical wellness. Our latest show “The Great Geo-Story” travels back in time featuring creatures from millions of years ago including the ever popular Wolly Mammoth! All of the shows are full of original sing-a-long songs, colourful puppets, string stories and more! After 20 years of performing at folk festivals, schools, libraries, museums, First Nations communities and provincial and national parks we feel like we are just getting started and can’t wait for our next show! We also offer puppet making, soap stone carving and nature game workshops and can even provide trees from our tree nursery as a “hands on” way to help care for our home the earth.” https://www.philandglen.com/paddling-puppeteers
"The Once is a folk trio based in St. John's, Newfoundland, Canada. The group features Geraldine Hollett on lead vocals and vocalist-instrumentalists Phil Churchill and Andrew Dale playing a variety of instruments. The group performs a mix of original and traditional material and is noted for their three part harmonies, which are sometimes performed a cappella." http://en.wikipedia.org/wiki/The_Once
"The New Pornographers are a Canadian indie rock band, formed in 1997 in Vancouver. Presented as a musical collective and supergroup of singer-songwriters and musicians from multiple projects, the band has released eight studio albums to date. The band have received critical acclaim for their use of multiple vocalists and songwriters, as well as for the elements of power pop incorporated into their music. Members: Kathryn Calder, Neko Case, John Collins, Todd Fancey, Carl Newman, Joe Seiders." https://en.wikipedia.org/wiki/The_New_Pornographers
“The Most Loyal is Sarah Davignon and Andrew Patten's band, also known as "Caitlin's Band" and also contains Ian Mackay, Ian Koiter, Melissa Burke, and Dave Burke.” https://themostloyals.bandcamp.com/
“The Milk Carton Kids are an American indie folk duo from Eagle Rock, California, United States, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who began making music together in early 2011. The band has recorded and released six albums: Retrospect, Prologue, The Ash & Clay, Monterey, All the Things That I Did and All the Things That I Didn't Do, and The Only Ones. They are noted for releasing their first two albums free of charge. The band was featured on the Peacock TV show Girls5Eva with the new song New York Lonely Boy.” https://en.wikipedia.org/wiki/The_Milk_Carton_Kids
“The Métis Fiddler Quartet is a bilingual family ensemble based in Toronto that performs traditional Métis fiddle music all over Ontario.” https://www.metisnation.org/news/fiddlers/ (See also http://www.cbc.ca/doczone/8thfire/2012/01/metis-fiddler-quartet.html.)
“The MacKenzie Blues Band are one of the hottest bands out of Owen Sound. Featuring the powerhouse vocals of Tara MacKenzie alongside the guitar of Trevor MacKenzie with Joel Dawson on bass and Mike Weir on drums they were voted best new artist or group at the 2014 Maple Blues Awards.” https://folkrootsradio.com/the-mackenzie-blues-band-the-interview/
“The Lonesome Ace Stringband is an old-time band with bluegrass credentials playing some righteous Americana music. There's a depth of groove and sense of space not often heard in bluegrass today, a level of instrumental interplay uncommon in old-time, and an on-stage rapport that transcends all of this. Three Canadians lost in the weird and wonderful traditional country music of the American South, the band members Chris Coole (banjo), John Showman (fiddle) and Max Malone (bass) are each journeyman musicians and veterans of some of Canada's top roots music acts (New Country Rehab, The David Francey Band, The Foggy Hogtown Boys, Fiver).” https://lonesomeace.com/about
The Last Waltz – A Musical Celebration of the Band
“The Kubasonics are a Ukrainian-Canadian speed-folk band based in St. John's, Newfoundland. Originally from Edmonton, Alberta, The Kubasonics are honoured in the Ukrainian Canadian community for recreating traditional Ukrainian melodies, with a twist.” https://en.wikipedia.org/wiki/Kubasonics
“The Kruger Brothers is a trio of musicians who play bluegrass and new American folk music. The trio consists of Jens Kruger (banjo, harmony vocals), Uwe Kruger (guitar, lead and harmony vocals) and Joel Landsberg (bass, harmony vocals). Originally from Switzerland, where the trio first formed, Jens Krüger and Uwe Krüger later moved to Wilkes County, NC. The brothers began playing North American folk music at an early age and were particularly inspired by recordings of Doc Watson, Flatt and Scruggs, Bill Monroe, and other progenitors of country, bluegrass and folk music. Their first public performances were as a duo, busking on the streets of cities throughout eastern and western Europe. Later, after gaining a recording contract as well as a radio show on SRG SSR, the Swiss public broadcaster, they teamed up with bass player Joel Landsberg, inaugurating a trio that has been playing professionally together since 1995.” https://en.wikipedia.org/wiki/Kruger_Brothers
"The John Henrys have developed a reputation for tight musicianship, original arrangements and well crafted song writing. Band members Rey Sabatin (lead vocals / guitarist), Steve Tatone (keyboards), Doug Gouthro (guitar), Darryl Quinlan (bass) and Geoff Ward (drums) all contribute to the songwriting and production, and a deep appreciation for vintage instruments and analog recording that is heard through their music. [...] The John Henrys first hit the Canadian music scene with the release of their self-titled debut album released locally in their hometown of Ottawa in 2004. With the support from the local college radio station CKCU the album went to #1 and was featured extensively on CBC radio, including a performance on the national show Definitely Not The Opera. Over the next few years The John Henrys expanded their fan base touring with The Sadies, Cuff the Duke, the Golden Dogs, Elliot Brood and FembBots. [...] The John Henrys take their name from the John Henry of popular folklore, who has been immortalized in dozens of traditional folk songs. As the story goes, John Henry was a giant who labored laying railway tracks and digging tunnels. He challenged the first steam powered drilling machine to a race to determine what was stronger – man or machine. His superhuman effort won him the race, after which he immediately died of exhaustion." http://www.sonicbids.com/band/thejohnhenrys/
“The Jerry Cans are a band from Iqaluit, Nunavut who combine traditional Inuit throat singing with folk music and country rock. Their music is largely written in Inuktitut, the indigenous language of the Inuit, with lyrics which "reflect the challenges and beauty of life in the Far North".” https://en.wikipedia.org/wiki/The_Jerry_Cans
“Fronted by JD Edwards, the JD Edwards Band is a 6 piece Winnipeg based group with a fascinating history and a brand new story to tell. The JDEB is anything, but a genre driven act. The six-piece group seamlessly ranges from an electric folk-rock sound, a groovy soul vibe and a laid back acoustic experience that even the pickiest music fan can enjoy. Starting out in Oshawa, Ontario making his way to Kingston then Toronto, and finally a brotherly visit in Winnipeg. Drawn in by the vibrant music scene and the cheap rent, JD decided to make Winnipeg his permanent stay. Shortly after his decision to take up residency, JD met Mike Ormonde & Matt Robins at a bowling alley on lane 27 one night in late October 2005. With roots in the Winnipeg music scene, the fellas introduced JD to many other musicians and later to the current band line-up with Jesse Ives, Jake Bell, Alex Campbell, Mike Ormonde and Matt Robins. With a diverse melting pot of musicians, Winnipeg proved to be the perfect homestead to form the signature JD Edwards Band sound. Delivered with a contagious optimism and energy, each performance JD is able to draw in audiences with a real sense of musical purity. Offering a full pallet of textures and sounds the JD Edwards Band always manages to musically acknowledge their influences without compromising their integrity or principle.” Band members include JD Edwards – Lead Vocals, Acoustic/Electric Guitar; Mike Ormonde – Lead Guitar/Vocals; Jessie Ives – Bass; Jake Bell – Drums; Alex Campbell – Keys/Organ/Vocals; Matt Robins – Guitar/Vocals. https://summerfolk.org/performers/j-d-edwards/
The International Commission for Coordination of Solidarity among Sugar Workers
The International Commission for Coordination of Solidarity Among Sugar Workers (ICCSASW) was an ecumenical church-sponsored organization founded in 1983. It emerged from the work begun by GATT(General Agreement on Tariffs and Trade)-Fly, an inter-church initiative for an alternative trade policy. GATT-Fly’s initial focus was the sugar trade, chosen and researched as a case study of the impact of international trade policy on developing countries. GATT-Fly’s efforts to bring about an International Sugar Agreement (to provide a fair return to sugar exporting countries) were unsuccessful, however their research and network building linked Canadian missionaries in sugar exporting countries with local workers’ organizations. This led in 1983 to the creation of ICCSASW, financed largely by church overseas development agencies. Based in Toronto, Canada, ICCSASW had a 10-member international steering committee of sugar union leaders.
ICCSASW aimed to provide an independent forum and build solidarity among workers across the political spectrum, through solidarity campaigns, national and regional seminars, international conferences and its monthly newsletter “Sugar World.” In 1998, ICCSASW ceased to exist due to lack of funding, although much of ICCSASW’s work has continued under the Geneva-based International Union of Food Workers (IUF), a trade secretariat. A more detailed administrative history and a list of contents written by ICCSASW executive secretary, Reg McQuaid, have been added by the archivist to file 2006-060/001(01) “Historical notes from the executive director about ICCSASW and SWIERL [Sugar Workers and Industry Education Resource Library]”.
“The Imbayakunas' music allows the listener to escape on an exotic voyage to a South American traditional Native community. Our musical intention is to share the rich sounds of the Andean regions. In Ecuador, Peru, and Bolivia traditional music is the privileged expression of 20 million Quechua and 4 million Aymaras. Our music ranges from the traditional sounds of Yarabi, San Juan, Albasos, Tinkus, Huaynos, Tobas, Taquiraris and Sayas to the more contemporary sounds of Cumbias, Bombas, Rumbas and Ballads. We play traditional Andean Native music with an infusion of Latin and European sounds. Our traditional instruments are the pan flutes, rondador, charango, drum, ronrroco and cajas. We also use newer instruments like the guitar, violin, bandolin and bass. The mixing of these sounds allows us to expand our art. We have been told by our audiences that our distinctive melodies speak to the heart and soul. Some of our rhythms are pensive and incorporate sounds of the natural world while others are upbeat and very danceable. The songs are sung in Spanish and also Quechua (pronounced "kee - chew - ahh"). Themes of the songs are of respect for "Pacha Mama" (mother earth in Quechua), annual Andean festivals, working overseas, love and new romance.” http://theimbayakunas.com/
“The Heavyweights Brass Band hits hard with its seasoned blend of groove, energy, virtuosity, and originality! For over a decade, this Toronto-based, New Orleans-inspired brass institution has brought theatre-goers to their feet and club-goers to the dance floor with an inspiring blend of original music and unexpected covers. The decision is in and audience members across North America unanimously give the win to HWBB in a knockout! Their music has been featured on film, commercials, radio, and television and they have performed and recorded with the best in the game from percussion legend Giovanni Hidalgo to NOLA legends Roger Lewis of the Dirty Dozen Brass band and Joe Lastie of Preservation Hall fame. Their extensive touring experience has given them the opportunity to share the stage with the likes of Trombone Shorty, The Roots, and The Soul Rebels, among many others.” https://heavyweightsbrassband.com/
The Harpoonist and The Axe Murderer
"Harpoonist & The Axe Murderer are a Vancouver based blues duo, consisting of Shawn Hall and Matthew Rogers." https://en.wikipedia.org/wiki/Harpoonist_%26_The_Axe_Murderer
The Gurkha Welfare Appeal (Canada)
The Gurkha Welfare Appeal (Canada) was a government registered charitable organization in operation between 1973 and 2004. GWA(C) was the Canadian branch of Gurkha Welfare Trust, based in the United Kingdom. These organizations, with the Gurkha Welfare Trust (USA) and the Kadoorie Agricultural Aid Association (KAAA), constituted the international Gurkha Welfare Scheme (GWS).
The Gurkha Welfare Trust was established to provide for the welfare of retired Gurkha soldiers and their dependents living in poverty in Nepal. Gurkha soldiers, recruited in the hills of Nepal, have served the British Crown since 1815. The Gurkha brigades participated in both World Wars and countless military conflicts of the past two centuries and have been highly celebrated for their heroism and bravery.
GWA(C), which officially launched in January 1973, reoriented the aims of the international trust by helping not only the ex-servicemen and their families but also the broader communities in which the Gurkhas lived. The charity directed funds to improve the quality of life in the hill communities of Nepal. GWA(C) was funded by the Canadian Educational Development and Relief (CEDAR) programme of the Canadian International Development Administration (CIDA) between 1975 and 1989, and by private donations.
Between June 1975 and August 1989, GWA(C) built the following development projects in Nepal: 131 drinking water supply schemes; six suspension bridges; three irrigation canals; 22 outreach centres (or Area Welfare Centres), where ex-servicemen submitted applications for assistance and received pensions and primary medical care; 22 schools and hostel buildings; an ex-servicemen rest house; and the Dharan school for blind children, completed in 1998. The GWA(C) also contributed to the international relief effort following the 1988 earthquake in Nepal.
The CEDAR programme closed on 1 July 1989 due to lack of funding. Afterwards, only a small project office was retained to perform repair, maintenance, and improvements of the Area Welfare Centres (AWCs) in Nepal. For example, small improvements to the AWCs, such as building covered walkways, office extensions, and pension shelters, were completed during this period. GWA(C) ceased operations in Nepal in March 2003 and officially closed in 2004. Since then, the Ministry of Defence (United Kingdom) assumed responsibility for the maintenance of the AWCs.
Maj. Michael Burke (1925-2004) was the Secretary for the GWA(C) from its inception until his death. Born in Karachi, present-day Pakistan, Maj. Burke studied at the St. Lawrence School in Sanawar, India. He was an officer with the 4th Gurkhas and the Royal Inniskilling Fusiliers. He immigrated to Canada in 1958 and taught in the Metropolitan Separate School Board until his retirement in 1991. In recognition of his efforts for the GWA(C), he received the M.B.E. from the Queen at Buckingham Palace in June 1983. Following his death in 2004, Maj. Burke’s widow, Carol Burke, and Bill Smith were appointed joint Secretaries of GWA(C) and oversaw its closing.
“The Griddle Pickers are an acoustic country and bluegrass band, dedicated to producing organic, homegrown music. Based out of Orillia, Ontario, the hometown of folk hero Gordon Lightfoot and the legendary Mariposa Folk Festival, these musicians have been steeped in the areas diverse blend of musical traditions. The result is The Griddle Pickers, a band that delights audiences with a mix of the traditional and original tunes. The group originated in the summer of 2012, when banjoist Sean Patrick was invited to participate in the annual Arts for Peace rally. Sean assembled a family band comprised of his brother Dale Patrick, girlfriend Sarah Milner, and her father Mike Milner. Realizing their potential as a band, the group formed The Griddle Pickers early in 2013, and have gone on to play various events in central Ontario.” https://soundcloud.com/thegriddlepickers
"Besides the fact this is actually a quartet and not a trio, the Great Wooden Trio is a unique group whose electic style and presentation fascinates their audience. These are four independent artists dedicated to reviving the lost art of listening. They are a guitarist, percussionist, singer and storyteller, and together they mix lyrical acoustic grooves, brillant harmonies and world beat rhythms, and weave them together through legends, folk tales and personal stories." Mariposa Folk Festival programme, 2009, p. 57
“The Grass Mountain Hobos are a wandering pack of neer'do'wells hailing from the folk music mecca of Prince Edward Island. With two East Coast Music Awards and six Music PEI Awards to their credit, they have toured folk festival circuits throughout the US, Canada, and the UK. The Hobos musical style has been compared to the steam-train banjo-driven folk music styles of Mumford and Sons and Trampled by Turtles - their performances are an explosion of pent up emotion which leave fans the feeling of having bathed in the fountain of youth.” https://www.grassmountainhobos.com/copy-of-home
"The Good Lovelies are a Canadian folk/country harmony trio, consisting of Caroline Brooks, Kerri Ough and Sue Passmore. [..] They can be described as a country/folk trio, with tinges of pop, roots, jazz and sometimes hip-hop mixed in. The group's three members, Brooks from Whitby, Ough from Port Hope and Passmore from Cobourg, were all performing as solo artists in the Toronto area when they came together in 2006 to perform at a Christmas concert at Toronto's Gladstone Hotel." http://en.wikipedia.org/wiki/The_Good_Lovelies
"A folk collective headed by songwriters Adrian Glynn and Brendan McLeod, the band has toured extensively through Canada, Western Europe, and the UK. They're joined by banjo player Chris Suen (Viper Central) and violinist Carly Frey (The Coal Porters). Over the past twelve years, they’ve earned a reputation for unforgettable live shows, brimming with complex harmonies, infectious storytelling and top-notch musicianship. [...] Performance highlights include major folk festivals across Canada, headlining slots in overseas americana festivals, and a 2019 sold-out run across Germany." http://www.fugitives.ca/about
“The Fretless are a Canadian folk music group based in Toronto, Ontario. The group, consisting of violinists Trent Freeman, Karrnnel Sawitsky and Ben Plotnick, and cellist Eric Wright, won the Juno Award for Instrumental Album of the Year at the Juno Awards of 2017.” https://en.wikipedia.org/wiki/The_Fretless
“The Free Label is an Alt-Pop Partyband from Toronto, Canada. The group started their career playing house parties, local festivals and venues before their debut single “All Night” allowed them to tour internationally. The group is composed of lead vocalist Josh Daniel, guitarist Malik Mungo, keyboardist Cole Mendez, and bassist Mathew Fantini. The band is known for their free-flowing approach to creating and performing music, where all members are simultaneously vocalists, multi-instrumentalists and producers.” https://www.submithub.com/artist/the-free-label
“A family group consisting of fiddling and step dancing siblings – Tom, Kerry & Julie Fitzgerald and Alanna Jenish on guitar. These siblings, from just outside of Canada’s renowned Ottawa Valley, have come a long way from their small town roots. Featuring 3-time Canadian Grandmaster Fiddle Champions and Ontario Open Step Dance Champions, this unique act features high-energy fiddling and mind-blowing step dancing. It is the rare combination of exceptional musicianship, incomparable step dancing, audience interaction, evident love of performing, and genuine sibling connection that resonates with audiences of all ages and sets this group apart.” https://www.thefitzgeraldsmusic.com/bio
“he East Pointers are a Canadian contemporary folk music group from Prince Edward Island, who won the Juno Award for Traditional Roots Album of the Year for their album Secret Victory at the Juno Awards of 2017. The group originally consisted of guitarist Jake Charron, banjoist Koady Chaisson, and fiddler Tim Chaisson. They perform Celtic-influenced original songs and instrumentals with contemporary influences.” https://en.wikipedia.org/wiki/The_East_Pointers
“Toronto’s folk-bluegrass troubadours” https://www.vancouverisawesome.com/courier-archive/community/whats-on-this-week-aug-20-27-3016793
"The Dixie Flyers were a Canadian bluegrass band based in London, Ontario, Canada. The band first came together in 1974, and became one of Canada's best known bluegrass bands. Original members of the band were guitarist Bert Baumbach, mandolinist Ken Palmer, harmonica player Willie P. Bennett, bassist Brian Abbey and Dennis LePage on the banjo.[3] Although lead vocalists Baumbach and Palmer have been continuous members, over the years the band has seen a number of changes in the lineup." http://en.wikipedia.org/wiki/Dixie_Flyers
“The Deep Dark Woods are a Canadian folk band from Saskatoon. [...] First established in 2005, the band consisted of singer and guitarist Ryan Boldt, bass guitarist Chris Mason, guitarist Burke Barlow and drummer Lucas Goetz. Pianist and organist Geoff Hilhorst joined the group in 2009 after the release of their breakout album Winter Hours. Founding member Burke Barlow played guitar until 2012 when he left the group and was replaced by Clayton Linthicum. Founding Member Lucas Goetz left the group in late 2014, after which the band went on hiatus. In 2017 Chris Mason officially left the group.” https://en.wikipedia.org/wiki/The_Deep_Dark_Woods
"The Dardanelles are a Canadian folk music group from Newfoundland and Labrador. Led by vocalists and guitarists Tom Power and Matthew Byrne, the band also includes Emilia Bartellas on fiddle, Aaron Collis on accordion and Rich Klaas on bodhran and percussion. [...] The band's recording of "Polly Moore", from The Eastern Light, was included on the soundtrack to the 2013 film The Grand Seduction." http://en.wikipedia.org/wiki/The_Dardanelles_(band)
“The Austin-based trio of Melissa Carper [upright bass], Beth Chrisman [fiddle], and Jenn Miori [guitar] applies their signature, stunning three-part harmonies to bluegrass, old-time, country and swing tunes of the standard and original variety, pushing and honoring American musical traditions at every step.” https://www.carperfamilyband.com/bio.html
"The Brights is an exciting new duo formed by estbalished singer-songwriters and respected instrumentalists, Don Bray and Alyssa Wright. Roots music, tinged with gospel, country and blues is accompanied by guitar, cello, dobro, accordion, mandolin, and whatever new sounds have tickled their fancy. Bray and WRight have shared their musical stylings an dplayful banter with audiences at the Orilia and Newmarket Folk Societies, Museum on the Boyne, Sunflower Studios, Mersey House, and a variety of house concerts in Ontario and the East Coast." Mariposa Folk Festival programme, 2009, p. 55
“The Breakmen formed in 2005 when four of Vancouver BC's best young songwriters and acoustic musicians got together to work on each others' songs. They quickly found an enthusiastic audience for what they were doing, performing to sold out houses and playing a leading role in the flourishing West Coast roots music scene. The band's sound has matured into a potent blend of acoustic roots and bluegrass music. Known for tight vocal harmonies, creative instrumental work, and contagious stage energy the band has attracted national and international attention.” https://www.last.fm/music/The+Breakmen/+wiki
"Canadian Folk Music Award nominees The Bombadils, comprised of folk darlings Luke Fraser and Sarah Frank, bring together bluegrass and contemporary folk music with poetic lyrics and classical grace. Canadian arts journalist Bob Mersereau describes their music as "folk tunes done with musical adventure and sophistication" and Elmore Magazine calls it "an enchanting folk romp."" https://thebombadils.com/about
“a Toronto-based band bringing an acoustic folk sound and original music to the indie scene.” Their music has been described as bluegrass & roots inspired indie folk and Rowdy Folk. https://thebelleregards.bandcamp.com/album/east-to-west
The Beauties is a Canadian alternative roots/country group from Toronto, Ontario. "The band members are Shawn Creamer, Derek Downham, Paul Pfisterer, Jud Ruhl and Darin McConnell." In 2009 they were named the best roots/country band in Toronto by NOW Magazine. http://en.wikipedia.org/wiki/The_Beauties
“Established in 2012, The Barrel Boys are a 5-piece acoustic string band based in Ontario, Canada. The band’s sound is built around rich vocal harmonies and virtuosic instrumental playing, and their unique repertoire of original material is informed by their fluency in classic bluegrass, old-time, country, and Americana. Each of the 5 members writes and sings their own songs, making for a wide stylistic range within the band’s sound.” https://thebarrelboys.com/about
“The Barr Brothers is an indie folk band founded in Montreal, Quebec in 2006, consisting of two American brothers Andrew (drums, percussion, vocals, keyboards) and Brad Barr (guitar, vocals), as well as bassist Morgan Moore, pedal steel guitarist Brett Lanier, and harpist Eveline Gregoire-Rousseau.” https://en.wikipedia.org/wiki/The_Barr_Brothers
"The Arrogant Worms are a Canadian musical comedy trio that parodies many musical genres. They are well known for their humorous on-stage banter in addition to their music. Members are Trevor Strong (vocals), Mike McCormick (guitar, vocals) and Chris Patterson (bass, vocals)." http://en.wikipedia.org/wiki/The_Arrogant_Worms
The poet/scholar George Thaniel was born on 22 February 1938 in Trahila, Messinia, Greece. After WWII and the Civil War in Greece his family moved to Piraeus where George attended Ionidhios High School (1950-1956) where he also began learning English. During this time he also studied French and Latin at St. Paul's Roman Catholic School. His natural aptitude for languages was awarded with a trip to France from the Alliance Française in 1955. This trip and his love for the French Romanticism inspired him to pursue his calling as a poet in that style.
In 1956, Thaniel enrolled in the School of Philosophy of the University of Athens, graduating in 1962. His education was briefly interrupted (1960-1961) as he performed his required military service with the Greek Navy, where he served as a translator and teacher of English. After graduation, Thaniel taught briefly English at Greek high schools until he emigrated to Canada in 1964. There he taught French and Latin in various Canadian high schools in remote places in Ontario such as Sioux Lookout and Chapeau.
In 1967, Thaniel enrolled in the Classics graduate program at McMaster University in Hamilton, Ontario. The title of his PhD dissertation was "Themes of Death in Roman Religion and Poetry." After completing his PhD in 1971, Thaniel was hired by the University of Toronto as a part-time instructor of Modern Greek in the Department of Classics. In 1972 he advanced to become the University's first full-time instructor of Modern Greek. In 1977 he received tenure and went on to become the University of Toronto's first and only professor of Modern Greek in 1987.
While on a trip to Greece, Thaniel died suddenly and unexpectedly in Athens' General hospital on 22 June 1991.
“Toronto based blues/roots singer, songwriter and piano player, Jenie Thai, is excited to get back to performing live, in-person shows with her band in 2023. In 2019, Jenie supported The Legendary Downchild Blues Band’s 50thAnniversary Tour, including their SOLD OUT show at the National Arts Centre, where she performed alongside Dan Aykroyd, Tony D (MonkeyJunk) and Suzie Vinnick, to fantastic response from the audience for her lights out piano playing and sing on Downchild’s “Trying To Keep Her ‘88’s Straight”. Jenie has performed at numerous festivals, including Montreal Jazz Festival, Edmonton Folk Festival, Mariposa, Toronto Jazz Festival, and the Salmon Arm Roots & Blues Festival to name a few.Check out one of Canada’s exciting, young up and coming talents with her original material from her latest album “Night On Fire”.” https://www.kemptvillelivemusicfestival.com/jenie-thai
“Tethera is the name for a group of Cambridge, Kitchener and Hamilton musicians; Paul Morris (Concertina, Melodeon and Vocals), Brad McEwen (Citterns and Vocals) and Brian Sinclair (Mandocello, Guitar, Mandolin and various other unique stringed instruments), Gwen Potter (Vocals & Viola D’ Amore) and Bill Nesbitt (Concertina Harmonica and Vocals). The repertoire consists of mainly traditional English dance tunes and songs. However, other things have been known to creep in from Ireland, France, Brittany, Belgium as well as Canadian variants of British ballads and some Newfoundland dance tunes.” https://tethera.webs.com/
Tessera was founded in 1981 as result of conversations among its founding editors, Barbara Godard, Daphne Marlatt, Kathy Mezei and Gail Scott at a York University conference on feminist literary theory in Canada. Their goal was to foster the development of new modes of writing both creative and critical texts which was being pioneered in Quebec. Tessera
began publishing in 1984 out of Simon Fraser University and Stong College at York University. The first four issues of Tessera appeared as special issues of already established periodicals, "Doubleness in language" (Room of one's own); "Reading as writing/l'ecruture comme lecture" (La nouvelle barre du jour); "fiction/theorie" (Canadian fiction magazine) and "The state of feminist criticism/la situation de la theorie litteraire feministe"(Contemporary verse II). Between 1988 and 1993, Tessera explored poststructuralist theory in conjunction with feminist poetics in such issues as "Translating women" (1989) and "Performance/transformance" (1991). In 1993, a new editorial collective was formed by Katherine Binhammer, Jennifer Henderson and Lianne Moyes. Adding "feminist interventions in writing and culture" to the journal's title, the new collective invited contributors to include cultural studies and began to profile feminist visual artists such as Ginette Legare, Joanne Todd and Jamelie Hassan on its covers and in portfolios included within the journal. Since 1988, Tessera has been an independent publication appearing twice a year in a book-size format, printed at Coach House Printing in Toronto, and supported by grants from the Canada Council and the Ontario Arts Council.
Tessera was founded in 1981 as result of conversations among its founding editors, Barbara Godard, Daphne Marlatt, Kathy Mezei and Gail Scott at a York University conference on feminist literary theory in Canada. Their goal was to foster the development of new modes of writing both creative and critical texts which was being pioneered in Quebec. Tessera
began publishing in 1984 out of Simon Fraser University and Stong College at York University. The first four issues of Tessera appeared as special issues of already established periodicals, "Doubleness in language" (Room of one's own); "Reading as
writing/l'ecruture comme lecture" (La nouvelle barre du jour); "fiction/theorie" (Canadian fiction magazine) and "The state of feminist criticism/la situation de la theorie litteraire feministe"(Contemporary verse II). Between 1988 and 1993, Tessera explored poststructuralist theory in conjunction with feminist poetics in such issues as "Translating women" (1989)
and "Performance/transformance" (1991). In 1993, a new editorial collective was formed by Katherine Binhammer, Jennifer Henderson and Lianne Moyes. Adding "feminist interventions in writing and culture" to the journal's title, the new collective invited contributors to include cultural studies and began to profile feminist visual artists such as Ginette Legare, Joanne Todd and Jamelie
Hassan on its covers and in portfolios included within the journal. Since 1988, Tessera has been an independent publication appearing twice a year in a book-size format, printed at Coach House Printing in Toronto, and supported by
grants from the Canada Council and the Ontario Arts Council.
(from Wikipedia entry)
Nikola Tesla (Serbian Cyrillic: Никола Тесла; 10 July 1856 - 7 January 1943) was a Serbian American inventor, electrical engineer, mechanical engineer, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system.
Tesla gained experience in telephony and electrical engineering before emigrating to the United States in 1884 to work for Thomas Edison in New York City. He soon struck out on his own with financial backers, setting up laboratories and companies to develop a range of electrical devices. His patented AC induction motor and transformer were licensed by George Westinghouse, who also hired Tesla for a short time as a consultant. Tesla went on to pursue his ideas of wireless lighting and electricity distribution in his high-voltage, high-frequency power experiments in New York and Colorado Springs and made early (1893) pronouncements on the possibility of wireless communication with his devices. He tried to put these ideas to practical use in his ill-fated attempt at intercontinental wireless transmission; his unfinished Wardenclyffe Tower project. In his lab he also conducted a range of experiments with mechanical oscillator/generators, electrical discharge tubes, and early X-ray imaging. He even built a wireless controlled boat which may have been the first such device ever exhibited. Tesla's achievements and his abilities as a showman demonstrating his seemingly miraculous inventions made him world-famous. Although he made a considerable amount of money from his patents, he spent a lot financing his own projects. He lived for most of his life in a series of New York hotels although the end of his patent income and eventual bankruptcy led him to live in diminished circumstances. Tesla continued to invite the press to parties he held on his birthday to announce new inventions he was working on and make (sometimes unusual) public statements. Because of his pronouncements and the nature of his work over the years, Tesla gained a reputation in popular culture as the archetypal "mad scientist." He died on 7 January 1943.
Tesla's work fell into relative obscurity after his death, but since the 1990s, his reputation has experienced a resurgence in popular culture. His work and reputed inventions are also at the center of many conspiracy theories and have also been used to support various pseudosciences, UFO theories and New Age occultism. In 1960, in honor of Tesla, the General Conference on Weights and Measures for the International System of Units dedicated the term "tesla" to the SI unit measure for magnetic field strength. Nikola Tesla was born on 10 July (O.S. 28 June) 1856 to Serbian parents in the village of Smiljan, Austrian Empire (modern-day Croatia). His father, Milutin Tesla, was a Serbian Orthodox priest. Tesla's mother, Đuka Tesla (née Mandić), whose father was also a Serbian Orthodox priest, had a talent for making home craft tools, mechanical appliances, and the ability to memorize Serbian epic poems. Đuka had never received a formal education. Nikola credited his eidetic memory and creative abilities to his mother's genetics and influence. Tesla's progenitors were from western Serbia, near Montenegro.
Tesla was the fourth of five children. He had an older brother named Dane and three sisters, Milka, Angelina and Marica. Dane was killed in a horse-riding accident when Nikola was five. However, according to another account, Dane died after falling down the cellar stairs, but when he was unconscious and in delirium, he claimed that Nikola pushed him down. In January 1880, two of Tesla's uncles put together enough money to help him leave Gospić for Prague where he was to study. Unfortunately, he arrived too late to enroll at Charles-Ferdinand University; he never studied Greek, a required subject; and he was illiterate in Czech, another required subject. Tesla did, however, attend lectures at the university, although, as an auditor, he did not receive grades for the courses.
In 1881, Tesla moved to Budapest to work under Ferenc Puskas at a telegraph company, the Budapest Telephone Exchange. Upon arrival, Tesla realized that the company, then under construction, was not functional, so he worked as a draftsman in the Central Telegraph Office instead. Within a few months, the Budapest Telephone Exchange became functional and Tesla was allocated the chief electrician position. During his employment, Tesla made many improvements to the Central Station equipment and claimed to have perfected a telephone repeater or amplifier, which was never patented nor publicly described. In 1882, Tesla began working for the Continental Edison Company in France, designing and making improvements to electrical equipment.
In June 1884, Tesla relocated to New York City. During his trip across the Atlantic, his ticket, money, and some of his luggage were stolen, and he was nearly thrown overboard after a mutiny broke out on the ship. He arrived with only four cents in his pocket, a letter of recommendation, a few poems, and the remainder of his belongings.
Tesla was hired by Edison to work for his Edison Machine Works. Tesla's work for Edison began with simple electrical engineering and quickly progressed to solving some of the company's most difficult problems. Tesla was even offered the task of completely redesigning the Edison Company's direct current generators.
In 1885, Tesla claimed that he could redesign Edison's inefficient motor and generators, making an improvement in both service and economy. According to Tesla, Edison remarked, "There's fifty thousand dollars in it for you—if you can do it"—this has been noted as an odd statement from an Edison whose company was stingy with pay and who did not have that sort of cash on hand. After months of work, Tesla fulfilled the task and inquired about payment. Edison, claiming that he was only joking, replied, "Tesla, you don't understand our American humor." Instead, Edison offered a US$10 a week raise over Tesla's US$18 per week salary; Tesla refused the offer and immediately resigned. On 7 January 1943, Tesla, 86, died alone in Room 3327 of the New Yorker Hotel. His corpse was later found by maid Alice Monaghan after she had entered Tesla's room, ignoring the "do not disturb" sign that Tesla had placed on his door two days prior to his death. Assistant medical examiner, H.W. Wembly, was called to the scene; after examining the body, he ruled that the cause of death had been coronary thrombosis, and that there had been no suspicious circumstances.
For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/Nikola_Tesla .
Terry Savage and The Wonky Honkees
“Perfecting what they call “Roadhouse Trucker Slop Country”, this 5 piece honky-tonk band hailing from Orillia, ON, CA, is sure to keep floors filled from the first note. Coming together over a passion for keeping country music raw and true to its roots but at the same time adding an energetic kick that has been winning over all audiences from folkies to metal heads and punkers. The personnel that make up this outfit are Terry Savage (tele spanking/lead vocal), Timmay Kehoe (crying pedal steel guitar), Stanton McKinon (honky-tonk piano/other assorted keys), and let’s not forget the thundering rhythm section from hell that is Grant Lauer (bass guitar/harmony vocals) and Aaron Bennet (drums/voices).” https://cottagecountrybeertrail.ca/jv_events/terry-savage-and-the-wonky-honkees/
James Tenney (1934-2006), composer and educator, was born in Silver City, New Mexico and grew up in Arizona and Colorado where he received his early training as a composer and pianist. He was educated at the University of Denver, the Juilliard School of Music and Bennington College where he received his BA in 1958. He received an MMus from the University of Illinois in 1961. His teachers included Chou Wen-chung, Kenneth Gaburo, Lejaren Hiller, Lionel Nowak, Carl Ruggles, Edward Steuermann and Edgard Varese. As a performer, he was the co-founder and conductor of the Tone Roads Chamber Ensemble in New York City from 1963-1970 and has performed with the ensembles of John Cage, Philip Glass, Harry Partch and Steve Reich, among others. He has long been interested in the field of computer and electronic music and, as such, worked with Max Matthew and others at the Bell Telephone Laboratories in the early 1960s to develop programs for computer sound-generation and composition. He is the author of numerous articles on musical acoustics, computer music, musical form and musical perception and is the author of "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form," (1964, 1988), and "A history of consonance and dissonance," (1988). He taught in the Music Department at York University in Toronto, ON from 1976 until 2000 after teaching New School for Social Research, the California Institute for the Arts and other American schools. Tenney is a modern composer of orchestral, chamber, vocal, piano and electroacoustic music with over fifty works completed including "Quintext : five textures for string quartet and bass," "Sonata for ten wind instruments," and "Clang for orchestra." He has collaborated with Carolee Schneemann and Stan Brakhage on film projects and is an expert on the music of Conlon Nancarrow. He has also been commissioned by several organizations for compositions, has released several recordings of his compositions and arrangements and published numerous scores. Up to the time of his death on 24 August 2006, he was the Roy E. Disney Family Chair in Music in the School of Music at the California Institute of the Arts.
“Ten Strings and a Goat Skin was a Canadian folk music group from Rustico, Prince Edward Island, who performed traditional Celtic and Acadian folk music, in English and French. The band's members were Rowen Gallant (vocals, fiddle, tenor banjo, and viola), Jesse Périard (guitar, vocals, and pump organ), and Caleb Gallant (bodhran, foot percussion, snare, cajon, vocals, clawhammer banjo).” https://en.wikipedia.org/wiki/Ten_Strings_and_a_Goat_Skin
Charles Templeton (7 October 1915-), broadcaster, author and former evangelist, was born in Toronto and attended the Princeton Theological Seminary from 1948-1951. He received his D.D. from Lafayette College in 1953. From 1932 to 1936 he was a sports cartoonist with the Globe and Mail in Toronto. He was ordained at the Church of the Nazarene in 1938 and was appointed Minister, Avenue Road Church, Toronto where he remained from 1941 to 1948. From 1952-1954, Templeton was Secretary of Evangelism, National Council of the Churches of Christ, U.S.A.. He was also host of "Look Up and Live" for the CBS Network from 1952 to 1955 and Director of Evangelism, Presbyterian Church, U.S.A. from 1955-1957. Templeton was a moderator, director and/or performer on many CBC and CTV-TV programs between 1957 and 1972 and was Executive Managing Editor of the Toronto Star from 1959 to 1964, a position he resigned from in order to contest the Liberal Party Leadership in Ontario. He was defeated but remained as Vice-President of the Party for the 1964-1965 year. He was President of Technamation Canada Ltd. in 1966, Director of News and Public Affairs for CTV from 1967-1969 and co-hosted "Dialogue" with Pierre Berton on CFRB radio from 1964-1966 and CKEY from 1966-1983. He is the recipient of several ACTRA awards for his career as a journalist and has had numerous plays performed on the CBC, the BBC and the Austrian Broadcasting Corporation. He is also the author of over ten books. He received the 125th Anniversary of the Confederation of Canada Medal in 1992.
An American choreographer and founder of the Paul Taylor Dance Company.
Nathan (Nat) A. Taylor, film and theatre executive, was born on 26 May 1906 in Toronto, Ontario. He was educated at the Universty of Toronto and at Osgoode Hall Law School, graduating in 1930. Operating his first cinema in 1923, he was a pioneer in offering multiple film screenings simultaneously in the same building by subdividing the theatrical space. By 1979, Taylor founded Pan-Canadian Film Distributors Inc. with Garth Drabinsky, and as Chairman and Chief Executive Officer of Cineplex Corporation opened the 18 screen Cineplex in Toronto's Eaton's Centre. Throughout his career, Taylor has founded or served in various capacities in cinema-related organizations such as the Motion Picture Theatre Owners Association of Ontario, Exhibitor's Co-operative Limited, Exhibitors Booking Association, Film Publications of Canada Ltd., Motion Pictures Theatres Association of Ontario and International Film Distributors Limited among others. He has been a president of the Canadian Picture Pioneers and has received both its Pioneer of the Year, and Pioneer Jubilee Awards.
“Jowi Taylor is a Toronto-based radio personality, public speaker and originator of the Six String Nation guitar, also known as Voyageur. As a radio broadcaster, producer, writer and host, Taylor is known for his work at CBC Radio's weekly music and news programme, Global Village, which ran from 1997 to 2007. He also hosted and co-produced the eight-part series The Wire: The Impact of Electricity on Music, and its follow-up six-part series The Nerve: Music and the Human Experience with Chris Brookes and Paolo Pietropaolo. For his work in radio, he has received the Prix Italia, a Gabriel Award, a New York Festivals Award, and a Peabody Award.” https://en.wikipedia.org/wiki/Jowi_Taylor
Bryce Malcolm Taylor (1933-1989) was chair and director of the Department of Physical Education and Athletics at York University (1964-1976), serving as professor in that department until 1989. Educated in Canada and the United States, Taylor obtained his doctorate at Springfield (Illinois) College in 1964. Originally involved with the YMCA, Taylor was active in many amateur athletic organizations including the Canadian Gymnastic Federation (president 1974-1979), the Canadian Coaching Association (president 1976-1979), the Canadian Olympic Association (vice-president 1979-1983), the National Advisory Council on Fitness and Amateur Sport (chair, 1987), and the Olympic Winter Games Organizing Committee (1983-1988). He was the author of numerous articles, chapters and studies in the field of coaching and sports management.
Arnold C. Taylor was a translator and editor of Pali Text Society, including of "Kathāvatthu", "Paṭisambhidāmagga.", "Tipiṭaka.", "Suttapiṭaka", "Abhidhammapiṭaka."
Taylor, Albert Edward, b. 1864
Albert Edward Taylor (b. 1864), lawyer and judge, was born in Bowmanville, Ont. and was called to the Bar in 1888. He practised law in Aurora, Ontario (1889-1904). He was named a junior judge of Lambton County, Ontario (1904) and senior judge (1920). He was also a member of the Sarnia Police Commission.
A scholar studying psychology and women
Tawney, R. H. (Richard Henry), 1880-1962
Richard Henry Tawney (1880-1962), educator and author, was born in India and educated at Oxford, where he was a teacher of the Tutorial Classes Committee (1908-1914). He later served as professor of economic history, University of London (1931-1962). Tawney was a member of the Workers' Educational Association executive (1905-1947) and served as president of the organization (1928-1944). The WEA was begun in 1903 as a means of bringing university education to workers' organizations, and Tawney served as tutorial leader through the tutorial classes offered by Oxford. The organization cooperated with several English universities in developing adult education programmes, as well as teaching its own programme. By 1950 over 150,000 students (half of whom were women) were engaged in adult education through the WEA-sponsored programmes, the majority of which took place outside the universities. Tawney was also an author whose long list of titles included, 'Religion and the rise of capitalism,' (1926), 'Business and politics under James the 1st : Lionel Cranfield as Merchant and Minister,' (1958), 'The acquisitive society,' (1937), 'Equality,' (1931) and several others.
George Tatham (1907-1987) was a member of the Department of Geography and an administrator at York University, 1960-1977. He served as dean of the Faculty of Arts and Science, 1960-1962, dean of students, 1962-1966, and master of McLaughlin College, 1968-1977. He was educated at the University of Liverpool and Clark University and taught at the University of Toronto for several years before coming to York University.
"Ian Tamblyn, Order of Canada, is a Canadian folk music singer-songwriter and record producer, adventurer and playwright." https://en.wikipedia.org/wiki/Ian_Tamblyn
(from Wikipedia entry)
Neville Stuart Talbot (1879 - 1943) was Bishop of Pretoria in the Anglican Church of Southern Africa and later a robust vicar of St. Mary's Church, Nottingham and assistant Bishop of Southwell who turned down the chance to be Bishop of Croydon. He was born at Keble College, Oxford, and died at Henfield, Sussex. He was the third child and second son of his parents. His father, Edward Stuart Talbot, a younger son of a younger son of the house of Shrewsbury was the first Warden of Keble College, Oxford, and later Vicar of Leeds, and thereafter successively Bishop of Rochester, Southwark and Winchester. His mother was the third daughter of Lord Lyttelton and a member therefore of the large family which laid its characteristic mark on various departments of English life.
Neville had two brothers, the elder of whom, Edward, was to join the Community of the Resurrection, and the younger, Gilbert, was to be killed in action in the Ypres Salient in 1915. Of his sisters, May married Lionel Ford, the Headmaster of Repton and Harrow and later Dean of York, while Lavinia was after his wife's death to keep house for him and bring up his children. When Neville was nine his father moved to Leeds. Neville attended the Grammar School, and then was at Haileybury from 1892 to 1899. He joined the Army in 1898, just in time for the Boer War. Military life had an attraction for certain sides of Neville's character. It appealed to a certain simplicity in him and the need for courage. Neville was inclined to go straight at things, without weighing the risk. He blurted out untimely truths. The discipline of the Army did not affect him much. The Boer War was not a very good school for that. Much of it was like a shooting party, and the hazardous self-exposure in the clear air of the veldt remained his first taste of danger. Neville went up to Christ Church, Oxford, in October 1903. While at Oxford, he played one first-class cricket match for Oxford University as a lower-order batsman and opening bowler. In the winter of 1907 he went to Cuddesdon for his ordination training. Talbot was made deacon at Ripon Cathedral on 14 June 1908. He was an assistant curate at St. Bartholomew's Church, Armley, from 1908 to 1909. He was ordained priest in Lent 1909 and went to be Chaplain of Balliol College, Oxford, in October. During the World War I he served as a military chaplain (4th Class), he was later Assistant Chaplain-General to the Fifth Army.
In April 1918 he was married to Cecil Mary Eastwood by his father at West Stoke Church, near Chichester. On 12 April 1920 he was elected Bishop of Pretoria, in succession to Bishop Furse, and was consecrated in St. Paul's Cathedral on St John the Baptist's Day. Among the bishops who took part in the consecration were his own father, then Bishop of Winchester, the Archbishop of Cape Town, and his predecessor in the Diocese of Pretoria, Bishop Michael Furse.
In 1930 he refused the appointment as Bishop of Newcastle, New South Wales. He was appointed to St. Mary's Church, Nottingham, in 1933. Neville used to refer to St. Mary's as St. Pelican in the Wilderness. This is explained by the comment of a priest in the diocese:
"He arrived snuffing like a great war-horse, longing for the battle; determined to bring Nottingham to the feet of Christ. He was not a little handicapped by the fact that he came just when the migration from the city began, with the result that the old-fashioned kind of worshippers had largely moved into the country. This handicap was late accentuated during the war by the difficulties of transport. His congregation did not increase as he had hoped."
The parish was largely non-residential, and the church was surrounded by factories and offices which Neville used to visit carrying handbills announcing the special dinner-hour service.
Neville was in excellent relations with the non-Anglican religious bodies in Nottingham. In co-operation with Dr McNulty, the Roman Catholic Bishop of Nottingham, and Mr James, the Free Church leader, he helped to create the Nottinghamshire Christian Council, which owed much to the combination in Neville of an outspoken loyalty to his convictions with a warm spirit of fraternity.
In May 1941, Neville wrote from Nottingham :
"We had a visitation - nothing compared with some places, but still a very real taste. Began about twelve. We had gone to bed, and tried to believe that the explosions were our guns, but soon one and then another were unmistakable - one was not far off down Friar's Lane. Peering out of the top window, I soon realised that big fires had been started, so, there being a lull, I went down. I found a fire going in the South Transept of the Church. It took a long time really to put it out."
Neville was often restless within the conditions of his restriction in his parish at Nottingham - restrictions greatly increased by the war. He likened himself to "an old hulk stranded on a lee-shore". His fearless honesty made him accuse himself of ambition, but, if it was there, it did not lurk in any secret corner. In March 1939 he was offered the position of Bishop of Croydon. He would have been Suffragan and Archdeacon as well as Vicar. His first feeling was that he must accept. He felt that nine years in Nottingham were enough, and that "the call came from the Church and not from Downing Street." However, after inspecting conditions on the spot, he decided against.
With the coming of the war, there seemed to open out at last the chance for work that suited his gifts. It arose out of his interest in the Royal Air Force . In January 1941, he took a four days' mission for them at Cranwell, and in 1942 he took a mission in the Royal Air Force depot at Donington. Such experiences convinced him that far more was needed on the spiritual side in the Chaplains' department, and he began a long and unwearied bombardment of the authorities (military and ecclesiastical). He visited C. S. Lewis at Magdalen College, Oxford, staying overnight on 5 November 1941 for conversation between two men who were both involved in the RAF, Lewis as a lecturer. In November 1942, the two archbishops wrote to inform him that he had been appointed as one of the seven men that were to give the greater part of the time to visiting Air Force centres. On 9 December he wrote that he was to start on 12 January 1943. However, just when the direction of his life was moving in a direction that would more suitable employ his talents, came the tragic collapse. On 12 December 1942 he had a severe heart-attack, from which he never recovered.
He retired to Sussex for convalescence where he died. He was buried at All Hallows Barking, the religious headquarters of Toc H (Talbot House).
For more information, see Wikipedia entry at: https://en.wikipedia.org/wiki/Neville_Talbot .
(from Wikipedia entry)
Edward Stuart Talbot (19 February 1844 - 30 January 1934) was an Anglican bishop in the Church of England and the first Warden of Keble College, Oxford. He was educated at Charterhouse School until 1858. In 1862 he went up to Christ Church, Oxford and graduated in 1865. He remained there until 1869 as modern history tutor. In 1869 he was appointed first warden of Keble College, Oxford, and he stayed there until 1888 when he accepted the post of Vicar of Leeds Parish Church, where he remained for six years (1889-1895). While still in Oxford he and his wife were the founders of Lady Margaret Hall, the first hall for women, in 1878. He then held the posts of Bishops of Rochester, of Southwark and of Winchester. Farnham Castle was the traditional home of the Bishops of Winchester. His father was the Hon. John Chetwynd-Talbot, son of Charles Chetwynd-Talbot, 2nd Earl Talbot, and his mother was Caroline Jane Stuart-Wortley, daughter of James Stuart-Wortley, 1st Baron Wharncliffe.
He married the Hon. Lavinia Lyttelton (born 10 October 1849), daughter of George Lyttelton, 4th Baron Lyttelton and Mary née Glynne, on 29 June 1870. Their children were:
-Mary Catherine Talbot (2 October 1875 - 2 September 1957) who married Lionel Ford
-Revd Edward Keble Talbot (31 December 1877 - 21 October 1949)
-Rt Revd Neville Talbot, Bishop of Pretoria (21 August 1879 - 3 April 1943)
-Lavinia Caroline Talbot (15 April 1882 - 30 September 1950)
-Gilbert Walter Lyttelton Talbot (1 September 1891 - 30 July 1915, killed in action at Ypres). The Hall and Library block of Lady Margaret Hall was named the Talbot Building after him: it was opened in 1910.
The Talbot Fund at Keble College, established in 1999, also bears his name.
For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/Edward_Talbot_(bishop) .
Kanda Takahira (?? ???, 31 October 1830 - 5 July 1898) was a scholar and statesman in Meiji period Japan. He often used the pen-name Kanda K?hei.
Kanda was born in the Fuwa District of Mino Province, (present-day Gifu Prefecture). He studied rangaku and became a teacher at the Tokugawa bakufu's Bansho Shirabesho institute for researching western science and technology.
After the Meiji Restoration, Kanda was appointed governor of Hy?go Prefecture, and also worked for the new Meiji government
as an advisor on economics and governmental structures, and was
responsible for developing and implementing the Land Tax Reforms of
1873-1881, and for establishing local administration structures. He was
appointed to the House of Peers in 1890.
His translation of William Ellis's Outlines of Social Economy in 1867 is regarded as Japan
“Taj Weekes is a dreadlocked Rastafarian singer-songwriter who fronts a dynamic reggae band named Adowa.” https://tajweekes.com/bio/
(from Wikipedia entry)
James Joseph Sylvester FRS (3 September 1814 - 15 March 1897) was an English mathematician. He made fundamental contributions to matrix theory, invariant theory, number theory, partition theory and combinatorics. He played a leadership role in American mathematics in the later half of the 19th century as a professor at the Johns Hopkins University and as founder of the American Journal of Mathematics. At his death, he was professor at Oxford. Sylvester was born James Joseph in London, England. His father, Abraham Joseph, was a merchant. James adopted the surname Sylvester when his older brother did so upon emigration to the United States—a country which at that time required all immigrants to have a given name, a middle name, and a surname. At the age of 14, Sylvester was a student of Augustus De Morgan at the University of London. His family withdrew him from the University after he was accused of stabbing a fellow student with a knife. Subsequently he attended the Liverpool Royal Institution.
Sylvester began his study of mathematics at St John's College, Cambridge in 1831, where his tutor was John Hymers. Although his studies were interrupted for almost two years due to a prolonged illness, he nevertheless ranked second in Cambridge's famous mathematical examination, the tripos, for which he sat in 1837. However, Sylvester was not issued a degree, because graduates at that time were required to state their acceptance of the Thirty-Nine Articles of the Church of England, and Sylvester, being an adherent of Judaism, refused to do so. For the same reason, he was unable to compete for a Fellowship or obtain a Smith's prize. In 1838 Sylvester became professor of natural philosophy at University College London. In 1841, he was awarded a BA and an MA by Trinity College, Dublin. In the same year he moved to the United States to become a professor at the University of Virginia for about six months, and returned to England in November 1843.
On his return to England he studied law, alongside fellow British lawyer/mathematician Arthur Cayley, with whom he made significant contributions to matrix theory while working as an actuary. One of his private pupils was Florence Nightingale. He did not obtain a position teaching university mathematics until 1855, when he was appointed professor of mathematics at the Royal Military Academy, Woolwich, from which he retired in 1869, because the compulsory retirement age was 55. The Woolwich academy initially refused to pay Sylvester his full pension, and only relented after a prolonged public controversy, during which Sylvester took his case to the letters page of The Times.
One of Sylvester's lifelong passions was for poetry; he read and translated works from the original French, German, Italian, Latin and Greek, and many of his mathematical papers contain illustrative quotes from classical poetry. Following his early retirement, Sylvester (1870) published a book entitled The Laws of Verse in which he attempted to codify a set of laws for prosody in poetry.
In 1877 Sylvester again crossed the Atlantic Ocean to become the inaugural professor of mathematics at the new Johns Hopkins University in Baltimore, Maryland. His salary was $5,000 (quite generous for the time), which he demanded be paid in gold. In 1878 he founded the American Journal of Mathematics. The only other mathematical journal in the U.S. at that time was the Analyst, which eventually became the Annals of Mathematics.
In 1883, he returned to England to take up the Savilian Professor of Geometry at Oxford University. He held this chair until his death, although in 1892 the University appointed a deputy professor to the same chair.
Sylvester invented a great number of mathematical terms such as "graph" (combinatorics) and discriminant. He coined the term "totient" for Euler's totient function φ(n). His collected scientific work fills four volumes. In 1880, the Royal Society of London awarded Sylvester the Copley Medal, its highest award for scientific achievement; in 1901, it instituted the Sylvester Medal in his memory, to encourage mathematical research after his death in Oxford. In Discrete geometry he is remembered for Sylvester's Problem and a result on the orchard problem.
Sylvester House, a portion of an undergraduate dormitory at Johns Hopkins University, is named in his honor. Several professorships there are named in his honor also.
For more information, see Wikipedia entry at: http://en.wikipedia.org/wiki/James_Joseph_Sylvester .