Fonds F0791 - Amice Calverley fonds

Title and statement of responsibility area

Title proper

Amice Calverley fonds

General material designation

  • Moving images

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Fonds

Reference code

F0791

Edition statement

Edition statement of responsibility

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • [between 1929 and 1950] (Creation)
    Creator
    Calverley, Amice Mary

Physical description area

Physical description

115 film reels ; 16 mm

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1896-1959)

Biographical history

Amice Mary Calverley was born on 9 April 1896, in Chelsea, London, England. In 1903 her family moved to Bloemfontein, South Africa, where her father was employed as an archivist and librarian for the British colony there. After this position was abolished in 1909, the family returned to England. That same year, Calverley began attending Bedford High School for Girls and studying art at University College London’s Slade School of Fine Art. It was also during this time that Calverley took piano lessons.
In 1912, she immigrated with her family to Canada and settled in Oakville, Ontario. Calverley attended the Royal Conservatory of Music until the First World War, when she worked in a munitions factory, trained to be a nurse at the Toronto Hospital for Sick Children, and worked as a masseuse at the Christie Street Veterans’ Hospital.
In 1922, Calverley received a scholarship from the Royal College of Music and returned to England. There she studied under Ralph Vaughan Williams and George Dyson. In 1926, Calverley was hired as a draughts person at the University of Oxford’s Ashmolean Museum, where she illustrated a book by archeologist V. Gordon Childe. This work would connect her to the Egypt Exploration Society, which Calverley joined in 1927. In January 1928, Calverley was sent to Abydos, Egypt to photograph and produce manual drawings of the Temple of King Seti I.
She would make a second trip to Abydos in the winter of 1928-1929, where she would meet John D. Rockefeller. Impressed with her work, he provided funding for a publication of her illustrations and further field work. With this funding, Calverley was able to spend winter 1929 through to winter 1936-1937 with an assistant, Myrtle F. Broome. Their work was published across three volumes titled The Temple of King Sethos I at Abydos (published in 1933, 1935, and 1938). It was also during this period that Calverley began to document local life and customs on film in Egypt and in Balkan countries that she would visit between field seasons.
The outbreak of the Second World War would interrupt Calverley’s fieldwork, and she would instead pivot to various war efforts as she did in the First World War. In 1939, she became a driver for the Invalid Children’s Aid Association, assisting with evacuations from English cities. In 1941, she was sent to Cairo by the Ministry of Information to work in the propaganda unit of the British Embassy and analyzed photos for the Royal Air Force. In 1944, she signed up as civilian relief worker for the United Nations Relief and Rehabilitation Administration (UNRRA) in the Balkans. She would attempt to resume her work at Abydos in 1947, but a cholera outbreak saw her instead obtaining vaccines from Chicago and inoculating local Egyptians, as well as British and American nationals. This work was not new to her, as she had previously used her nursing background to provide basic medical treatments to locals while performing field work in Abydos.
In 1948, war between Egypt and Israel put a permanent end to her work in Abydos, and she relocated to the Greek island of Crete, with the aim of filming local daily life there. This period was a difficult one in Greece, with the Civil War still being waged. Calverley thus turned her attention to filming the conflict and using her nursing background to care for the wounded. Her experience in Crete compelled her to raise funds for disabled Greek war veterans and to support Greek war relief efforts in Europe and America.
Around 1950, with declining health affecting her ability to travel to the extent that she had become used to, Calverley returned to Oakville, Ontario, where she would become known in the Toronto arts community for her chamber music concerts and donations to the Royal Ontario Museum.
Amice Calverley suffered an aneurism and died on 10 April 1959 at her home in Oakville, Ontario. She had been preparing a concert at the time of her death and was working on the final 2 volumes of her publication of illustrations. Her legacy has been maintained by her niece Sybil Rampen, who founded an archive and cultural centre in Oakville.

Custodial history

Scope and content

Fonds consists of 16mm film reels filmed by Calverley documenting daily life in Egypt and Greece from roughly 1929-1952, including scenes from the Greek Civil War.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Item titles and scope and content for some items not possible due to inability to play reels. See general notes section for more details.

Language of material

    Script of material

      Language and script note

      Films are silent.

      Language and script note

      Films are silent.

      Location of originals

      Availability of other formats

      Some reels have been digitized. See lower-level descriptions for more details.

      Restrictions on access

      No restrictions on access.

      Terms governing use, reproduction, and publication

      Finding aids

      Generated finding aid

      Associated materials

      Related materials

      Accruals

      The fonds comprises the following accessions: 2024-011. Further accruals are not expected.

      General note

      The following reels were too damaged for playback and could not be digitized:
      2024-011/001(01)
      2024-011/001(02)
      2024-011/001(05)
      2024-011/001(12)
      2024-011/001(21)
      2024-011/001(22)
      2024-011/001(23)
      2024-011/001(24)
      2024-011/001(26)
      2024-011/001(39)
      2024-011/002
      2024-011/003
      2024-011/004
      2024-011/006
      2024-011/008
      2024-011/010
      2024-011/012
      2024-011/016
      2024-011/017
      2024-011/022
      2024-011/025
      2024-011/029B
      2024-011/029C
      2024-011/029D
      2024-011/029E
      2024-011/029F
      2024-011/030
      2024-011/032
      2024-011/044
      2024-011/049A
      2024-011/050A
      2024-011/050B
      2024-011/050C
      2024-011/050D
      2024-011/050E
      2024-011/050G
      2024-011/050H

      Alternative identifier(s)

      Standard number

      Standard number

      Access points

      Subject access points

      Place access points

      Genre access points

      Control area

      Status

      Final

      Level of detail

      Minimal

      Dates of creation, revision and deletion

      2025-02-07 - Creation. MP.
      2025/12/12 MP. Updated titles, scope and content notes, and links to digitized materials.

      Language of description

      • English

      Sources

      Accession area