- 1998-038/036(02)
- Item
- 1964
Part of James Tenney fonds
Consists of an audio recording of "Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano" by James Tenney.
Part of James Tenney fonds
Consists of an audio recording of "Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano" by James Tenney.
Audio recordings : 11, July 22 to 24, Taos to Denver
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Part of James Tenney fonds
Audio recordings : #12 Denver, July 24
Part of James Tenney fonds
Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : #4A Thurs. before Little Rock - Albuquerque
Part of James Tenney fonds
Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : #6B- Thatcher to Phoenix
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, the day after visiting with Walt and Millie Chandler, travelling through Thatcher and Phoenix Arizona. Annotations on case include: ""re memory / W+M's love for me/ about J Robinson/ Coolidge dam / cactus / Globe".
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, while visiting Walt and Millie Chandler. In it Walt talks about his early childhood in Texas, New Mexico, 'Old Mexico', the history of the extended Chandler families, related to freighting, railroad contracting, lumber mills, and other industrial projects in Texas in the early 1900s, Mormonism, Morman colonies in Texas and Mexico. Millie Chandler joins the conversation at about 00:15:00. The couple describe how they met and their marriage together. Walt also discusses the First World War (he served in the navy) and his travels in the North Sea and Scotland.
Part of James Tenney fonds
Audio recordings : #7 Carl Tenney Mon July 15
Part of James Tenney fonds
Consists of audio recording of James Tenney interviewing Carl Tenney in Phoenix, Arizona during a road trip.
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : 9-A, Phoenix, July 19, first tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-B, Phoenix, July 19, second tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-C, Phoenix, July 19, third tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-D, Phoenix, July 19, fourth tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney while on a road trip.
Audio recordings : 9-E, Phoenix, July 19, fifth tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : A version "For Ann (rising)"
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of "Voice(s)", performed by Joan La Barbara at Symphony Space in New York on May 15, 1985; and "Koan for Solo Violin", performed by Anne Lindsay at The Music Gallery. Both songs are composed by James Tenney.
Audio recordings : "Ann Rising", I, #1
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Part of James Tenney fonds
Audio recordings : "Bridge" (not the best performance)
Part of James Tenney fonds
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Carl and me talking about the drone, etc.
Part of James Tenney fonds
Consists of audio recording of James Tenney interviewing his father Carl Tenney in Phoenix, Arizona during a road trip, discussing specifically the impact of Carl's divorce from his mother.
Part of James Tenney fonds
Consists of an audio recording labelled "C-copy" by James Tenney.
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4
Part of James Tenney fonds
Audio recordings : Charles Ives, "Concord Sonata" with Linny Kammer
Part of James Tenney fonds
Audio recordings : "Chromatic Canon" : 1) 2 parts 2) 1st part only
Part of James Tenney fonds
Audio recordings : "Chromatic Canon" (one voice only) "Glissade I, IV, V"
Part of James Tenney fonds
Part of James Tenney fonds
Consists of a musical composition by James Tenney. Note on inside of case reads: L.A. Philharmonic, C. Lawrence Smith. Rec. surreptitiously by HK on 1 June 1972 at Bovard Hall, USC, behind a pair of verbose Music Lovers from Westwood. 2 out of 4 tracks (quarter-track pseudo stereo).
Audio recordings : "Clang Composition #1"
Part of James Tenney fonds
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Part of James Tenney fonds
Consists of compositions and sampled music titled "Collage #1". Annotations of case include: "plus original and work tapes for Carolee."
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Part of James Tenney fonds
Part of James Tenney fonds
Consists of audio recording of computer music by James Tenney. The tracks consist of "Five Stochastic Studies," "Dialogue," and "Phases."
Part of James Tenney fonds
Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)
Part of James Tenney fonds
Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.
Part of James Tenney fonds
Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.
Part of James Tenney fonds
Audio recordings : "Deus ex Machina" 1st part
Part of James Tenney fonds
Item consists of a recording of James Tenney's piece 'deus ex machina, part I.'
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Part of James Tenney fonds
Recording of James Tenney introducing his work "deus ex machina, part I" at the Music Gallery on 16 October 1982. The Music Gallery was located on St. Patrick Street in 1982.
Part of James Tenney fonds
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "
Part of James Tenney fonds
Consists of audio recording of Electronic and Computer music composed by James Tenney. The tracks are "Noise Study," from 1961; "Stochastic Studies," from 1962; "Dialogue," from 1963; and "Phases," from 1963.
Part of James Tenney fonds
Audio recordings : "Ergodos I" (B) 3 dubs
Part of James Tenney fonds
Audio recordings : "Ergodos II" (18 min.)
Part of James Tenney fonds
Audio recordings : "Ergodos II (18 min.) (reverse)
Part of James Tenney fonds
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Part of James Tenney fonds
Audio recordings : "Ergodos II," Bell Telephone Labs
Part of James Tenney fonds
Audio recordings : "Ergodos II," "Collage #2"
Part of James Tenney fonds
Audio recordings : "Ergodos/1"
Part of James Tenney fonds
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Part of James Tenney fonds
Audio recordings : "Ergodos/2"
Part of James Tenney fonds
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Consists of five tracks by James Tenney of samples for his work "Fabric". Annotations on case include: "Fabric #3 +4 (half speed) repeated ~ 20 min at 7 1/2 ips work tape #68 1. work-tape #68 (#3 + #4 (half-speed) repeated) 20 min at 7 1/2 ips 2. work tape HI (all of 12 + 24 + 68 at the higher speed 10 min. at 7 1/2 ips)".
Part of James Tenney fonds
Recording of sample recordings by James Tenney. Annotation on case include: "Fabric work tapes 1. work-tape #12 (#1 + #2 repeated) 20 min at 7 1/2 ips 2. work-tape L0-1 (first half of 12 + 34 +68 at normal (slow) speed) 10 min at 7 1/2 ips"
Audio recordings : "Fabric," "A" copy
Part of James Tenney fonds
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Part of James Tenney fonds
Recording consists of James Tenney as he sets out for a cross-country road trip. He travels from New Paltz to Winchester, Virginia, discussing variou topics (anticipation, delayed satisfaction, the purpose of life, astrology, music and other topics. Later he records thoughts a a motel, including the purpose of art, he records some music he has been thinking of and finally he discusses his past relationships with women. Annotations on case include: #1 - July 8, New Paltz to Winchester Va. "it begins" re present time - anticipation + delay some music re purpose of life (Hubbard, etc.) (organization) re Gemini - Leo: a) integration, b) expansion (Jupiter) in motel = re purpose in art singing "you might as well know what it's like" private from here (not for A., M., or S. to hear!)
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.
Audio recordings : "For Ann (rising)"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Part of James Tenney fonds
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Part of James Tenney fonds
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Part of James Tenney fonds
Audio recordings : "Harmonium #3"
Part of James Tenney fonds
Consists of audio recording of Harmonium #3 by James Tenney. It is performed by Judy Saiki and Michael Rafferty at Gallery Naga in Boston on November 24, 1981. There is a note folded inside the reel case which reads: "Sorry so late. This is from 11/24/81 perf. at Gallery Naga in Boston. Other harpists are Judy Saiki + Michael Rafferty. Close, but I'd like to get it better. Love, Susie."
Audio recordings : "Harmonium 4"
Part of James Tenney fonds
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Part of James Tenney fonds
Audio recordings : Harmonium, University of California at Santa Cruz
Part of James Tenney fonds
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Part of James Tenney fonds
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"
Part of James Tenney fonds
Audio recordings : "In the Lydian Mode"
Part of James Tenney fonds
Item consists of an audio recording of "In the Lydian Mode" by James Tenney.
Part of James Tenney fonds
Recording consists of concert performances of James Tenney's compositions by members of the California Institute of the Arts during a spring concert in 1973. Includes: 1) Seeds 2) In the Phrygian Mode 3) 12 Ways For Looking at a Blackbird (annotated "quarter track master") 4)For 12 Strings (Rising) 5) Hey When I Sing... and 6) In the Sydian Mode (This track was recorded in reverse on the other side of the reel. Recorded at 7 1/2 ips.
Part of James Tenney fonds
Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Part of James Tenney fonds
Audio recordings : Ives songs, original on Mylar
Part of James Tenney fonds
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
Part of James Tenney fonds
Consists of an audio recording of "Woodwind Quintet Symphony" by James Tenney.
Part of James Tenney fonds
Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Part of James Tenney fonds
Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Audio recordings : James Tenney "For Ann (rising)"
Part of James Tenney fonds
Audio recordings : James Tenney "Pika-Don"
Part of James Tenney fonds