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James Tenney fonds File English
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Audio recordings : Pitts St., "Complement I", "Hawthorne"
Audio recordings : Pitts St., "Complement I", "Hawthorne"
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Audio recordings : "Quiet Fan for Erik Satie"
Audio recordings : "Quiet Fan for Erik Satie"
Audio recordings : "Quiet Fan for Erik Satie" whoops!
Audio recordings : "Quiet Fan for Erik Satie" whoops!
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts)
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts)
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Audio recordings : "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape
Audio recordings : "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape
Audio recordings : "Saxony" edited solo tape
Audio recordings : "Saxony" edited solo tape
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Audio recordings : "Saxony" (re-run with new tape delay York Electronic studios (10/1/79) from original tape of performance by Don MacMillan
Audio recordings : "Saxony" (re-run with new tape delay York Electronic studios (10/1/79) from original tape of performance by Don MacMillan
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : Second and beginning of Third day
Audio recordings : Second and beginning of Third day
Audio recordings : Second half of Tenney concert
Audio recordings : Second half of Tenney concert
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : "Seeds I-VI" 1956-1960 students at Kent State University recorded at Kent recital hall George Faddoul
Audio recordings : "Seeds I-VI" 1956-1960 students at Kent State University recorded at Kent recital hall George Faddoul
Audio recordings : Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973)
Audio recordings : Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973)
Audio recordings : "Sonata #2" movements 1 and 2
Audio recordings : "Sonata #2" movements 1 and 2
Audio recordings : "Spectral Canon" for Conlon Nancarrow
Audio recordings : "Spectral Canon" for Conlon Nancarrow
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Audio recordings : "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16
Audio recordings : "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16
Audio recordings : Talking with Carl and Helen, Tuesday
Audio recordings : Talking with Carl and Helen, Tuesday
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982
Audio recordings : "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982
Audio recordings : "Three Pieces for Drum Quartet" "University of Toronto Percussion Ensemble" James Tenney conducting
Audio recordings : "Three Pieces for Drum Quartet" "University of Toronto Percussion Ensemble" James Tenney conducting
Audio recordings : "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest"
Audio recordings : "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3"
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3"
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3"
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3"
Audio recordings : Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation"
Audio recordings : Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation"
Audio recordings : Tues July 17, Dad talking about sex
Audio recordings : Tues July 17, Dad talking about sex
Audio recordings : Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra
Audio recordings : Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra
Audio recordings : Two pieces, Electronic music : 1) "Fabric for Che" (November 1967) in memory of Che Guevara, "For Ann (rising)" March 1969
Audio recordings : Two pieces, Electronic music : 1) "Fabric for Che" (November 1967) in memory of Che Guevara, "For Ann (rising)" March 1969
Audio recordings : "Voices" mix without delay
Audio recordings : "Voices" mix without delay
Audio recordings : "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble
Audio recordings : "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : Woodwind Quintet Symphony (direct copy)
Audio recordings : Woodwind Quintet Symphony (direct copy)
Audio recordings : "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933)
Audio recordings : "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933)
Audio recordings : "York New Music Ensemble" concert, second half : 1) Cage, "Forever and Sunsmell" 2) Ives, "Scherzo-All the Way Around and Back" 3) Tenney-"Harmonium #1"
Audio recordings : "York New Music Ensemble" concert, second half : 1) Cage, "Forever and Sunsmell" 2) Ives, "Scherzo-All the Way Around and Back" 3) Tenney-"Harmonium #1"
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Carl Tenney : photograph
Carl Tenney : photograph
Carolee Schneemann, correspondence
Carolee Schneemann, correspondence
Carolee Schneemann, writing, published material
Carolee Schneemann, writing, published material
Carollee Schneemann
Carollee Schneemann
[Claudia] correspondence
[Claudia] correspondence
Clippings
Clippings
[Close #1]
[Close #1]
[Cognate, canons, aggregates, pitches]
[Cognate, canons, aggregates, pitches]
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes"
Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes"
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes"
Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes"
Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes"
Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes"
Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes"
Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes"
Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes"
Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes"
Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes"
Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes"
Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes"
Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes"
Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes"
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, "Changes", Studies #41 and #42
Computer Outputs, "Changes", Studies #41 and #42
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #53 and #54
Computer Outputs, "Changes", Studies #53 and #54
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #61 and #62
Computer Outputs, "Changes", Studies #61 and #62
Computer Outputs, "Changes", Studies #63 and #64
Computer Outputs, "Changes", Studies #63 and #64
Computer Outputs, Cosine graphing for "Spectrum"
Computer Outputs, Cosine graphing for "Spectrum"
Computer Outputs, "Spectrum 1"
Computer Outputs, "Spectrum 1"
Results 201 to 300 of 633