Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
- 1998-038/033(06)
- File
- 26 Oct. 1973
Part of James Tenney fonds
Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Part of James Tenney fonds
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Part of James Tenney fonds
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3"
Part of James Tenney fonds
Part of James Tenney fonds
Consists of recordings of three performances of compositions by James Tenney.
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Talking with Carl and Helen, Tuesday
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, in conversation with his father Carl Tenney and a woman named Helen (Carl Tenney's wife?).
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Part of James Tenney fonds
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100
Part of James Tenney fonds
Audio recordings : "Spectral Canon" for Conlon Nancarrow
Part of James Tenney fonds
Audio recordings : "Sonata #2" movements 1 and 2
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Second half of Tenney concert
Part of James Tenney fonds
Audio recordings : Second and beginning of Third day
Part of James Tenney fonds
Item consists of a recording made by James Tenney while on a road trip across the United States, through Winchester, Virginia towards Tennessee in which he comments on various topics throughout the day while driving or in his motel room. Annotations on cover include: Notes on case: 2nd (+ beg 3rd) day Notes on inside of case: #2 July 9 Winchester Va to (Tennessee) I.D. / music / re. landscape in Va. / section at bad [scratched out] can be skipped at bad speed (comprehendible at 7 1/2) beginning of 3rd day, Robersville, Tennesee re beard begins again at 3 3/4 - repeats approx. then more on landscape, bear (mask, image) on the music (singing).
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Part of James Tenney fonds
Audio recordings : "Saxony" edited solo tape
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Part of James Tenney fonds
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts)
Part of James Tenney fonds
Consists of a recording of seven performances composed by James Tenney. Note on inside of case reads: Cal Arts May 27, 1973.
Audio recordings : "Quiet Fan for Erik Satie" whoops!
Part of James Tenney fonds
Consists of a musical composition by James Tenney.
Audio recordings : "Quiet Fan for Erik Satie"
Part of James Tenney fonds
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Part of James Tenney fonds
Audio recordings : Pitts St., "Complement I", "Hawthorne"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Part of James Tenney fonds
Audio recordings : Piano concert
Part of James Tenney fonds
Audio recordings : Phoenix Party July 17
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.
Audio recordings : Phoenix Party July 17
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.
Audio recordings : Phoenix party at Dad's July 17th
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona. Annotations on reel case include: "H. Julia etc."
Part of James Tenney fonds
Part of James Tenney fonds
Consists of eight musical performances of works composed by James Tenney, including the First Tone Roads Concert.
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Part of James Tenney fonds
Audio recordings : Nancarrow "Studies for Player Piano" #20-#27
Part of James Tenney fonds
Audio recordings : Nancarrow "Studies for Player Piano #2" #8-#19
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Nancarrow Studies 49(a,b,c), 50, 2b, "Tango"
Part of James Tenney fonds
Audio recordings : Nancarrow Studies 46, 47, 48(a,b,c)
Part of James Tenney fonds
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM
Part of James Tenney fonds
Audio recordings : Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert
Part of James Tenney fonds
Audio recordings : "Kontakte" Stockhausen
Part of James Tenney fonds
Audio recordings : Kievman, "Kosmos"; after leader, take 2 of "Kosmos", then "No More Good Water"
Part of James Tenney fonds
Audio recordings : John Cage rehearsal San Francisco
Part of James Tenney fonds
Audio recordings : John Cage: "Fontana Mix with piano solo"
Part of James Tenney fonds
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Part of James Tenney fonds
Consists of voice recording of a lecture by John Cage.
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
Part of James Tenney fonds
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : James Tenney "Pika-Don"
Part of James Tenney fonds
Audio recordings : James Tenney "For Ann (rising)"
Part of James Tenney fonds
Audio recordings : Ives songs, original on Mylar
Part of James Tenney fonds
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Part of James Tenney fonds
Part of James Tenney fonds
Recording consists of concert performances of James Tenney's compositions by members of the California Institute of the Arts during a spring concert in 1973. Includes: 1) Seeds 2) In the Phrygian Mode 3) 12 Ways For Looking at a Blackbird (annotated "quarter track master") 4)For 12 Strings (Rising) 5) Hey When I Sing... and 6) In the Sydian Mode (This track was recorded in reverse on the other side of the reel. Recorded at 7 1/2 ips.
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Part of James Tenney fonds
Audio recordings : Harmonium, University of California at Santa Cruz
Part of James Tenney fonds
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Part of James Tenney fonds
Audio recordings : "Harmonium 4"
Part of James Tenney fonds
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Part of James Tenney fonds
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Part of James Tenney fonds
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "For Ann (rising)"
Part of James Tenney fonds
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Part of James Tenney fonds
Recording consists of James Tenney as he sets out for a cross-country road trip. He travels from New Paltz to Winchester, Virginia, discussing variou topics (anticipation, delayed satisfaction, the purpose of life, astrology, music and other topics. Later he records thoughts a a motel, including the purpose of art, he records some music he has been thinking of and finally he discusses his past relationships with women. Annotations on case include: #1 - July 8, New Paltz to Winchester Va. "it begins" re present time - anticipation + delay some music re purpose of life (Hubbard, etc.) (organization) re Gemini - Leo: a) integration, b) expansion (Jupiter) in motel = re purpose in art singing "you might as well know what it's like" private from here (not for A., M., or S. to hear!)
Audio recordings : "Fabric," "A" copy
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Part of James Tenney fonds
Audio recordings : "Ergodos/2"
Part of James Tenney fonds
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Part of James Tenney fonds
Audio recordings : "Ergodos/1"
Part of James Tenney fonds
Audio recordings : "Ergodos II," "Collage #2"
Part of James Tenney fonds
Audio recordings : "Ergodos II," Bell Telephone Labs
Part of James Tenney fonds
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Part of James Tenney fonds
Audio recordings : "Ergodos II (18 min.) (reverse)
Part of James Tenney fonds
Audio recordings : "Ergodos II" (18 min.)
Part of James Tenney fonds
Audio recordings : "Ergodos I" (B) 3 dubs
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Part of James Tenney fonds