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James Tenney fonds File English
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James Tenney playing the kithara [scanned photograph]
James Tenney playing the kithara [scanned photograph]
"IS" : correction copy of manuscript draft by Carl Tenney
"IS" : correction copy of manuscript draft by Carl Tenney
"IS" : correction copy of manuscript draft by Carl Tenney
"IS" : correction copy of manuscript draft by Carl Tenney
Garland-Revueltas article (Silvestre Revueltas)
Garland-Revueltas article (Silvestre Revueltas)
From music course, Phil Corner
From music course, Phil Corner
For Jim
For Jim
Ezra Sims
Ezra Sims
Evergreen/Esprit, Gamelan/Orchestra
Evergreen/Esprit, Gamelan/Orchestra
Esprit/Evergreen
Esprit/Evergreen
Electronic Music : Papers on electronic music
Electronic Music : Papers on electronic music
Electronic Music : National Research Council of Canada - electronic music technical translation reports
Electronic Music : National Research Council of Canada - electronic music technical translation reports
Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble
Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble
Electronic Music : Electronic music studio, Tulane University
Electronic Music : Electronic music studio, Tulane University
Electronic Music : Electronic music instrument schematics
Electronic Music : Electronic music instrument schematics
Electronic Music : Copies of journal articles related to electronic music
Electronic Music : Copies of journal articles related to electronic music
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
Correspondence, pieces submitted to Tenney
Correspondence, pieces submitted to Tenney
Correspondence [includes correspondence with Carolee Schneemann, Lionel Nowak and John Pierce among others]
Correspondence [includes correspondence with Carolee Schneemann, Lionel Nowak and John Pierce among others]
Correspondence : Jo Ann Tenney to Carl Tenney
Correspondence : Jo Ann Tenney to Carl Tenney
Correspondence : Carl Tenney to Jim Tenney
Correspondence : Carl Tenney to Jim Tenney
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Correspondence
Correspondence
Correspondence
Correspondence
Computer Outputs, Used for "Spectrum 4"
Computer Outputs, Used for "Spectrum 4"
Computer Outputs, TPC "Spectrum 1" notes
Computer Outputs, TPC "Spectrum 1" notes
Computer Outputs, "Tableaux Vivants" print-out
Computer Outputs, "Tableaux Vivants" print-out
Computer Outputs, "Tableaux" programs
Computer Outputs, "Tableaux" programs
Computer Outputs, "Spectrum 5"
Computer Outputs, "Spectrum 5"
Computer Outputs, "Spectrum 4," "Maarten Altena Ensemble"
Computer Outputs, "Spectrum 4," "Maarten Altena Ensemble"
Computer Outputs, "Spectrum 4"
Computer Outputs, "Spectrum 4"
Computer Outputs, "Spectrum 3"
Computer Outputs, "Spectrum 3"
Computer Outputs, "Spectrum 2" DPC
Computer Outputs, "Spectrum 2" DPC
Computer Outputs, "Spectrum 2"
Computer Outputs, "Spectrum 2"
Computer Outputs, "Spectrum 1"
Computer Outputs, "Spectrum 1"
Computer Outputs, Cosine graphing for "Spectrum"
Computer Outputs, Cosine graphing for "Spectrum"
Computer Outputs, "Changes", Studies #63 and #64
Computer Outputs, "Changes", Studies #63 and #64
Computer Outputs, "Changes", Studies #61 and #62
Computer Outputs, "Changes", Studies #61 and #62
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #53 and #54
Computer Outputs, "Changes", Studies #53 and #54
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #41 and #42
Computer Outputs, "Changes", Studies #41 and #42
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes"
Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes"
Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes"
Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes"
Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes"
Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes"
Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes"
Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes"
Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes"
Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes"
Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes"
Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes"
Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes"
Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes"
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
[Cognate, canons, aggregates, pitches]
[Cognate, canons, aggregates, pitches]
[Close #1]
[Close #1]
Clippings
Clippings
[Claudia] correspondence
[Claudia] correspondence
Carollee Schneemann
Carollee Schneemann
Carolee Schneemann, writing, published material
Carolee Schneemann, writing, published material
Carolee Schneemann, correspondence
Carolee Schneemann, correspondence
Carl Tenney : photograph
Carl Tenney : photograph
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy
Audio recordings : "York New Music Ensemble" concert, second half : 1) Cage, "Forever and Sunsmell" 2) Ives, "Scherzo-All the Way Around and Back" 3) Tenney-"Harmonium #1"
Audio recordings : "York New Music Ensemble" concert, second half : 1) Cage, "Forever and Sunsmell" 2) Ives, "Scherzo-All the Way Around and Back" 3) Tenney-"Harmonium #1"
Audio recordings : "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933)
Audio recordings : "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933)
Audio recordings : Woodwind Quintet Symphony (direct copy)
Audio recordings : Woodwind Quintet Symphony (direct copy)
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble
Audio recordings : "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble
Audio recordings : "Voices" mix without delay
Audio recordings : "Voices" mix without delay
Audio recordings : Two pieces, Electronic music : 1) "Fabric for Che" (November 1967) in memory of Che Guevara, "For Ann (rising)" March 1969
Audio recordings : Two pieces, Electronic music : 1) "Fabric for Che" (November 1967) in memory of Che Guevara, "For Ann (rising)" March 1969
Audio recordings : Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra
Audio recordings : Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra
Audio recordings : Tues July 17, Dad talking about sex
Audio recordings : Tues July 17, Dad talking about sex
Audio recordings : Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation"
Audio recordings : Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation"
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3"
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3"
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
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