Showing 633 results
Archival descriptionAudio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3"
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest"
Audio recordings : "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest"
Audio recordings : "Three Pieces for Drum Quartet" "University of Toronto Percussion Ensemble" James Tenney conducting
Audio recordings : "Three Pieces for Drum Quartet" "University of Toronto Percussion Ensemble" James Tenney conducting
Audio recordings : "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982
Audio recordings : "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : Talking with Carl and Helen, Tuesday
Audio recordings : Talking with Carl and Helen, Tuesday
Audio recordings : "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16
Audio recordings : "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100
Audio recordings : "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100
Audio recordings : "Spectral Canon" for Conlon Nancarrow
Audio recordings : "Spectral Canon" for Conlon Nancarrow
Audio recordings : "Sonata #2" movements 1 and 2
Audio recordings : "Sonata #2" movements 1 and 2
Audio recordings : Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973)
Audio recordings : Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973)
Audio recordings : "Seeds I-VI" 1956-1960 students at Kent State University recorded at Kent recital hall George Faddoul
Audio recordings : "Seeds I-VI" 1956-1960 students at Kent State University recorded at Kent recital hall George Faddoul
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second half of Tenney concert
Audio recordings : Second half of Tenney concert
Audio recordings : Second and beginning of Third day
Audio recordings : Second and beginning of Third day
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Audio recordings : "Saxony" (re-run with new tape delay York Electronic studios (10/1/79) from original tape of performance by Don MacMillan
Audio recordings : "Saxony" (re-run with new tape delay York Electronic studios (10/1/79) from original tape of performance by Don MacMillan
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Audio recordings : "Saxony" edited solo tape
Audio recordings : "Saxony" edited solo tape
Audio recordings : "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape
Audio recordings : "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts)
Audio recordings : "Quintext" Cal Arts (California Institute of the Arts)
Audio recordings : "Quiet Fan for Erik Satie" whoops!
Audio recordings : "Quiet Fan for Erik Satie" whoops!
Audio recordings : "Quiet Fan for Erik Satie"
Audio recordings : "Quiet Fan for Erik Satie"
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Audio recordings : Pitts St., "Complement I", "Hawthorne"
Audio recordings : Pitts St., "Complement I", "Hawthorne"
Audio recordings : "Pika-Don"
Audio recordings : "Pika-Don"
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Audio recordings : Piano concert
Audio recordings : Piano concert
Audio recordings : Phoenix Party July 17
Audio recordings : Phoenix Party July 17
Audio recordings : Phoenix Party July 17
Audio recordings : Phoenix Party July 17
Audio recordings : Phoenix party at Dad's July 17th
Audio recordings : Phoenix party at Dad's July 17th
Audio recordings : "Phases"
Audio recordings : "Phases"
Audio recordings : One unidentified tape which reads "Dad- seems to be recorded over "Octandre" rehearsal, good run of "Octandre" here"
Audio recordings : One unidentified tape which reads "Dad- seems to be recorded over "Octandre" rehearsal, good run of "Octandre" here"
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Nancarrow "Studies for the Player Piano" #10, #11, #12, #13, #14 (canon 4/5), #15 (canon 3/4), #16, #17 (canon 12/15/20), #18 (canon 3/4), #19 (canon 12/15/20)
Audio recordings : Nancarrow "Studies for the Player Piano" #10, #11, #12, #13, #14 (canon 4/5), #15 (canon 3/4), #16, #17 (canon 12/15/20), #18 (canon 3/4), #19 (canon 12/15/20)
Audio recordings : Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b)
Audio recordings : Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b)
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Audio recordings : Nancarrow "Studies for Player Piano #24 [and] #25: Reel #3 of coll; #33: Reel #4 of Coll
Audio recordings : Nancarrow "Studies for Player Piano #24 [and] #25: Reel #3 of coll; #33: Reel #4 of Coll
Audio recordings : Nancarrow "Studies for Player Piano" #20-#27
Audio recordings : Nancarrow "Studies for Player Piano" #20-#27
Audio recordings : Nancarrow "Studies for Player Piano #2" #8-#19
Audio recordings : Nancarrow "Studies for Player Piano #2" #8-#19
Audio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
Audio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
Audio recordings : Nancarrow Studies 49(a,b,c), 50, 2b, "Tango"
Audio recordings : Nancarrow Studies 49(a,b,c), 50, 2b, "Tango"
Audio recordings : Nancarrow Studies 46, 47, 48(a,b,c)
Audio recordings : Nancarrow Studies 46, 47, 48(a,b,c)
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Audio recordings : Music of Harry Partch 1) "Castor and Pollux" (1952) 2) "The Letter" (1943) 3) "Windsong" (1958) 4) "Cloud-Chamber Music" (#11 of eleven intrusions, 1949-50) 5) "The Bewitched" (Scene 10 and epilogue) (1955) 6) "Daphne of the Dunes" (="Windsong")(1967)
Audio recordings : Music of Harry Partch 1) "Castor and Pollux" (1952) 2) "The Letter" (1943) 3) "Windsong" (1958) 4) "Cloud-Chamber Music" (#11 of eleven intrusions, 1949-50) 5) "The Bewitched" (Scene 10 and epilogue) (1955) 6) "Daphne of the Dunes" (="Windsong")(1967)
Audio recordings : Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi
Audio recordings : Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi
Audio recordings : "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM
Audio recordings : "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM
Audio recordings : Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert
Audio recordings : Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert
Audio recordings : "Kontakte" Stockhausen
Audio recordings : "Kontakte" Stockhausen
Audio recordings : Kievman, "Kosmos"; after leader, take 2 of "Kosmos", then "No More Good Water"
Audio recordings : Kievman, "Kosmos"; after leader, take 2 of "Kosmos", then "No More Good Water"
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : John Cage: "Fontana Mix with piano solo"
Audio recordings : John Cage: "Fontana Mix with piano solo"
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Audio recordings : James Tenney: Selected Works 1956-1978 1) "Seeds I-IV for 6 Instruments" (1956-1978) 2) "Dialogue" (computer generated sound, 1963) 3) "Wake for Charles Ives," For 4 tenor drums from "Three Pieces for Drum Quartet" 1974-1975, "Harmonium #5 for String Trio" for John Cage 1978
Audio recordings : James Tenney: Selected Works 1956-1978 1) "Seeds I-IV for 6 Instruments" (1956-1978) 2) "Dialogue" (computer generated sound, 1963) 3) "Wake for Charles Ives," For 4 tenor drums from "Three Pieces for Drum Quartet" 1974-1975, "Harmonium #5 for String Trio" for John Cage 1978
Audio recordings : James Tenney "Pika-Don"
Audio recordings : James Tenney "Pika-Don"
Audio recordings : James Tenney "For Ann (rising)"
Audio recordings : James Tenney "For Ann (rising)"
Audio recordings : Ives songs, original on Mylar
Audio recordings : Ives songs, original on Mylar
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Audio recordings : Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972)
Audio recordings : Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972)
Audio recordings : Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction)
Audio recordings : Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction)
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Audio recordings : "In the Aeolian Mode" (Japanese performance)
Audio recordings : Harmonium, University of California at Santa Cruz
Audio recordings : Harmonium, University of California at Santa Cruz
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Audio recordings : "Harmonium 4"
Audio recordings : "Harmonium 4"
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Audio recordings : "For Ann (rising)"
Audio recordings : "For Ann (rising)"
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Audio recordings : "Fabric," "A" copy
Audio recordings : "Fabric," "A" copy
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Fabric"
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Audio recordings : "Ergodos/2"
Audio recordings : "Ergodos/2"
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Audio recordings : "Ergodos/1/3" second version original from stacked tapes
Audio recordings : "Ergodos/1"
Audio recordings : "Ergodos/1"
Audio recordings : "Ergodos II," "Collage #2"
Audio recordings : "Ergodos II," "Collage #2"
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : "Ergodos II (18 min.) (reverse)
Audio recordings : "Ergodos II (18 min.) (reverse)
Audio recordings : "Ergodos II" (18 min.)
Audio recordings : "Ergodos II" (18 min.)
Audio recordings : "Ergodos I" (B) 3 dubs
Audio recordings : "Ergodos I" (B) 3 dubs
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Audio recordings : "Dialogue"
Audio recordings : "Dialogue"
Audio recordings : Daniel Goode: Excerpts and condensations from three pieces: 1) "Circular Thoughts" transcribed for Gamelan, (1977) 2) "Five Thrushes-Two Fiddles and Piano" (1978) 3) "Selected Chambers" (1977)
Audio recordings : Daniel Goode: Excerpts and condensations from three pieces: 1) "Circular Thoughts" transcribed for Gamelan, (1977) 2) "Five Thrushes-Two Fiddles and Piano" (1978) 3) "Selected Chambers" (1977)
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case]
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case]
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Audio recordings : 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann
Results 401 to 500 of 633