- 1998-038/032(05)
- File
- 13 Apr. 1983
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.
Audio recordings : 1) "Noise Study" 2) "Ergodos II" (for John Cage)(1964) 3) untitled (1969)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.
Part of James Tenney fonds
Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.
Part of James Tenney fonds
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of recordings by James Tenney. Annotations on case include: 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)"
Part of James Tenney fonds
Audio recordings : 1) "Collage #1 Blue Suede" 2) "Noise Study" 3) "Phases" (good dub)
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"
Part of James Tenney fonds
Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963
Part of James Tenney fonds
Consists of Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano / James Tenney. -- Collage #1 (Blue Suede) / James Tenney.
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Analytical notes re: Carl Ruggles
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Analytical notes on Debussy, "Syrinx"
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Alphabetical correspondence and subject files : Work With Dancers Co.
Part of James Tenney fonds
Alphabetical correspondence and subject files : William Brooks
Part of James Tenney fonds
Alphabetical correspondence and subject files : Tom Johnson
Part of James Tenney fonds
Alphabetical correspondence and subject files : Stuart Smith
Part of James Tenney fonds
Alphabetical correspondence and subject files : Soundings Press
Part of James Tenney fonds
Alphabetical correspondence and subject files : Robin Freeman
Part of James Tenney fonds
Alphabetical correspondence and subject files : Relache
Part of James Tenney fonds
Alphabetical correspondence and subject files : PRO/Am Music Resources
Part of James Tenney fonds
Alphabetical correspondence and subject files : Princeton University
Part of James Tenney fonds
Alphabetical correspondence and subject files : Perspectives of New Music
Part of James Tenney fonds
Alphabetical correspondence and subject files : Newcomp Big
Part of James Tenney fonds
Alphabetical correspondence and subject files : Kolsteeg
Part of James Tenney fonds
Alphabetical correspondence and subject files : Journal of Music Theory
Part of James Tenney fonds
Alphabetical correspondence and subject files : John R. Pierce
Part of James Tenney fonds
Alphabetical correspondence and subject files : Jacqueline Humbert
Part of James Tenney fonds
Alphabetical correspondence and subject files : International Symposium on Electronic Art
Part of James Tenney fonds
Alphabetical correspondence and subject files : Institute for Studies in American Music
Part of James Tenney fonds
Alphabetical correspondence and subject files : Haines
Part of James Tenney fonds
Alphabetical correspondence and subject files : Gordon Monahan
Part of James Tenney fonds
Alphabetical correspondence and subject files : Gayle Young
Part of James Tenney fonds
Alphabetical correspondence and subject files : Fromm Foundation
Part of James Tenney fonds
Alphabetical correspondence and subject files : Frog Peak Music
Part of James Tenney fonds
Alphabetical correspondence and subject files : Fernando Grillo
Part of James Tenney fonds
Alphabetical correspondence and subject files : Ellen Band
Part of James Tenney fonds
Alphabetical correspondence and subject files : Daniel Wolf
Part of James Tenney fonds
Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.)
Part of James Tenney fonds
Alphabetical correspondence and subject files : Correspondence, T-Z
Part of James Tenney fonds
Alphabetical correspondence and subject files : Correspondence, M-S
Part of James Tenney fonds
Alphabetical correspondence and subject files : Correspondence, D to L
Part of James Tenney fonds
Alphabetical correspondence and subject files : Correspondence, B and C
Part of James Tenney fonds
Alphabetical correspondence and subject files : Correspondence, A
Part of James Tenney fonds
Alphabetical correspondence and subject files : Concordia Electroacoustic Composition Group
Part of James Tenney fonds
Alphabetical correspondence and subject files : Cold Blue
Part of James Tenney fonds
Alphabetical correspondence and subject files : Charles Ames
Part of James Tenney fonds
Alphabetical correspondence and subject files : Canadian Music Centre
Part of James Tenney fonds
Alphabetical correspondence and subject files : Canadian Council Jury
Part of James Tenney fonds
Alphabetical correspondence and subject files : Betty Freeman
Part of James Tenney fonds
Alphabetical correspondence and subject files : Bennington College Chorus
Part of James Tenney fonds
Alphabetical correspondence and subject files : Bennington College
Part of James Tenney fonds
Alphabetical correspondence and subject files : Bell Labs
Part of James Tenney fonds
Alphabetical correspondence and subject files : Anita Feldman
Part of James Tenney fonds
Part of James Tenney fonds
Alphabetical correspondence and subject files : American Musical Festival of Microtonal Music
Part of James Tenney fonds
Alphabetical correspondence and subject files : American Music Centre
Part of James Tenney fonds
Alphabetical correspondence and subject files : 22nd Merzgedicht - Mac Low
Part of James Tenney fonds
About composers : Webern-"Concerto" Op.24
Part of James Tenney fonds
About composers : Schoenberg, "Suite Op. 25"
Part of James Tenney fonds
About composers : Phil Corner - pictures, copies of business correspondence
Part of James Tenney fonds
About composers : New Music Concerts
Part of James Tenney fonds
About composers : Lou Harrison
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Harry Partch
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Egard Varese-"Density 21.5"
Part of James Tenney fonds
About composers : Conlon Nancarrow, notes
Part of James Tenney fonds
About composers : Conlon Nancarrow, liner notes
Part of James Tenney fonds
About composers : Conlon Nancarrow, interview
Part of James Tenney fonds
About composers : Conlon Nancarrow, general notes, charts, etc.
Part of James Tenney fonds
About composers : Conlon Nancarrow, correspondence
Part of James Tenney fonds
About composers : Conlon Nancarrow, article originals
Part of James Tenney fonds
About composers : Conlon Nancarrow, article
Part of James Tenney fonds
About composers : Conlon Nancarrow, Arch St. liner notes original writing
Part of James Tenney fonds
About composers : Charles Ives
Part of James Tenney fonds
About composers : Carl Ruggles
Part of James Tenney fonds
About composers : Analytical notes, Cage works
Part of James Tenney fonds
About composers : Analytical notes re: Carl Ruggles
Part of James Tenney fonds
About composers : Analytical notes on Debussy, "Syrinx"
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", revision pages
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", loose papers
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'"
Part of James Tenney fonds