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James Tenney fonds English
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Correspondence files
Correspondence files
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others]
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others]
Professional correspondence
Professional correspondence
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Personal and professional correspondence : Phil Corner
Personal and professional correspondence : Phil Corner
Personal and professional correspondence : Philip Corner: "Etudes for Non-Pianist" original composition
Personal and professional correspondence : Philip Corner: "Etudes for Non-Pianist" original composition
Alphabetical correspondence and subject files : American Music Centre
Alphabetical correspondence and subject files : American Music Centre
Alphabetical correspondence and subject files : Charles Ames
Alphabetical correspondence and subject files : Charles Ames
Alphabetical correspondence and subject files : American Society of Composers, Authors and Publishers
Alphabetical correspondence and subject files : American Society of Composers, Authors and Publishers
Alphabetical correspondence and subject files : Canadian Council Jury
Alphabetical correspondence and subject files : Canadian Council Jury
Alphabetical correspondence and subject files : Betty Freeman
Alphabetical correspondence and subject files : Betty Freeman
Alphabetical correspondence and subject files : Jacqueline Humbert
Alphabetical correspondence and subject files : Jacqueline Humbert
Alphabetical correspondence and subject files : Institute for Studies in American Music
Alphabetical correspondence and subject files : Institute for Studies in American Music
Alphabetical correspondence and subject files : Relache
Alphabetical correspondence and subject files : Relache
Alphabetical correspondence and subject files : Soundings Press
Alphabetical correspondence and subject files : Soundings Press
Alphabetical correspondence and subject files : Stuart Smith
Alphabetical correspondence and subject files : Stuart Smith
Alphabetical correspondence and subject files : Gayle Young
Alphabetical correspondence and subject files : Gayle Young
Alphabetical correspondence and subject files : Correspondence, T-Z
Alphabetical correspondence and subject files : Correspondence, T-Z
[Claudia] correspondence
[Claudia] correspondence
Carolee Schneemann, writing, published material
Carolee Schneemann, writing, published material
Oversize : Large roll of graph paper [ca. 0.7m x 3.0m] with sub-titles : A. Nebular creation and Galactic condensation B. Planetary coolings ; chemical reactions C. Beginnings of life D. no title, a plan or exploration for a composition
Oversize : Large roll of graph paper [ca. 0.7m x 3.0m] with sub-titles : A. Nebular creation and Galactic condensation B. Planetary coolings ; chemical reactions C. Beginnings of life D. no title, a plan or exploration for a composition
Oversize : "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m]
Oversize : "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m]
Print by Stephan von Huene [15 of 21]
Print by Stephan von Huene [15 of 21]
Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others]
Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others]
Personal correspondence
Personal correspondence
Personal correspondence
Personal correspondence
Warren Burt
Warren Burt
Phil Corner
Phil Corner
Peter Garland
Peter Garland
Malcolm Goldstein
Malcolm Goldstein
Yi Jing Jitterbug
Yi Jing Jitterbug
Kasemeb, Yi Jing Jitterbug
Kasemeb, Yi Jing Jitterbug
Jo Ann Tenney : photograph
Jo Ann Tenney : photograph
Letter from Donovan E. Speaker to Jim Tenney re. the estate of Carl Tenney
Letter from Donovan E. Speaker to Jim Tenney re. the estate of Carl Tenney
Musical scores
Musical scores
Music Scores by Tenney : Music exercise notebooks
Music Scores by Tenney : Music exercise notebooks
Music Scores by Tenney : Motet
Music Scores by Tenney : Motet
Music Scores by Tenney : 4 Inventions for Piano
Music Scores by Tenney : 4 Inventions for Piano
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Music Scores by Tenney : Stockastic Quartet for Strings
Music Scores by Tenney : Stockastic Quartet for Strings
Music Scores by Tenney : Crystal Canon for Edgard Varese, for four snare drums
Music Scores by Tenney : Crystal Canon for Edgard Varese, for four snare drums
Music Scores by Tenney (oversize) : String Complement (pattern)
Music Scores by Tenney (oversize) : String Complement (pattern)
Notes and computer outputs : Notes for "Bridge II," unfinished
Notes and computer outputs : Notes for "Bridge II," unfinished
Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet
Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet
Notes and computer outputs : Studies #1 and #2
Notes and computer outputs : Studies #1 and #2
Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes"
Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Notes and computer outputs : Studies #35 and #36
Notes and computer outputs : Studies #35 and #36
Notes and computer outputs : Studies #37 and #38
Notes and computer outputs : Studies #37 and #38
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Spectrum 4"
Computer Outputs, "Spectrum 4"
Computer Outputs, "Tableaux Vivants" print-out
Computer Outputs, "Tableaux Vivants" print-out
Computer Outputs, "Tableaux" programs
Computer Outputs, "Tableaux" programs
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Scores, Sketches and Notes : Programs and output for "Bridge"
Scores, Sketches and Notes : Programs and output for "Bridge"
Scores, Sketches and Notes : "Tableaux Vivants" for the ensemble "Sound Pressure"
Scores, Sketches and Notes : "Tableaux Vivants" for the ensemble "Sound Pressure"
Scores : "Chorales for Orchestra"
Scores : "Chorales for Orchestra"
Scores : "Essay #3", "Italy"
Scores : "Essay #3", "Italy"
Scores : String parts of "Listen..."
Scores : String parts of "Listen..."
Scores : "Orchestra piece", "Harmonium"
Scores : "Orchestra piece", "Harmonium"
Esprit/Evergreen
Esprit/Evergreen
Seegersong #2 for solo flute or alto flute
Seegersong #2 for solo flute or alto flute
Partch project
Partch project
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Performances of works by James Tenney
Performances of works by James Tenney
Performances, Cagewake
Performances, Cagewake
Performances of James Tenney's music
Performances of James Tenney's music
Performances of James Tenney's music
Performances of James Tenney's music
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Cage-"String Quartet", "Nocturne" (violin and piano), "Williams Mix", "Imaginary Landscape #1" (1939)
Audio recordings : Cage-"String Quartet", "Nocturne" (violin and piano), "Williams Mix", "Imaginary Landscape #1" (1939)
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Audio recordings : Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b)
Audio recordings : Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b)
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Audio recordings : C-copy
Audio recordings : C-copy
Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed
Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed
Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed
Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
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