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Louis Applebaum fonds
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Professional associations

Series consists of correspondence, minutes of meetings, press clippings, contracts, and reports relating to associations in which Applebaum was involved such as Canadian Music Centre (1967-1994), Chamber Concerts Canada (1988-1989), Canadian League of Composers (1976-1996), National Arts Centre (1967-1996) and SOCAN (1990-1994).

Printed material

Series contains announcements and articles concerning Applebaum's life and work, and related material, arranged by subject (dance, festivals, film, music, opera, theatre, Stratford).

POPULAR : Stan Kenton And His Orchestra, Capitol: I Told Ya I Love Ya Now Get Out (Frigo-Ellis-Carter), vocal by June Christy & Unison Riff (Pete Rugolo), instrumental (150018); How High the Moon (Morgan Lewis-Nancy Hamilton) (from the stage production Two For the Show, arr. by Neal Hefti), vocal by June Christy & Interlude (Pete Rugolo), instrumental (15117); He Was A Good Man As Good Men Go (Teddy Powell, vocal by June Christy & How Am I To Know (Jack King-Dorothy Parker) (from the MGM picture Dynamite, instrumental (15327)

Planning Committee, 1981-1982

File contains: -Agenda -Minutes -Memoranda, December 1981 -Discussion of various cultural areas for Final Report (Heritage, Cultural Industries, Performing Arts), December 1981

Photographs

Series consists for the most part of publicity stills for productions in which Applebaum was involved, at Stratford, on CBC, Hollywood, etc. The photographs are sub-divided by form of productions (drama, music, film). In addition, there are photographs (arranged by subject) of people and events, and a photographic plate for a portrait of Applebaum (1950s).

Phonographs

Series consists of audio discs of Applebaum's works, including glass discs, some with Applebaum playing the score, many for which there are also scripts in Series 1. The recordings include, 'Coal face,' 'Dollar dance,' 'Thirteen platoon,' 'Welcome soldier,' 'Juno and the paycock,' 'The rape of Lucretia,' and other titles. In addition, there are recordings that formed part of Applebaum's private collection.

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