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"A History of 'Consonance' and 'Dissonance'"

1998-038/009(01)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", loose papers

1998-038/009(02)
File

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part one, revision copy

1998-038/009(05)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part one, revision copy

1998-038/009(07)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part three, revision copy

1998-038/009(09)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part three, revision copy

1998-038/009(03)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part two

1998-038/009(04)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", Part two, revision copy

1998-038/009(08)
File
1980

Part of James Tenney fonds

"A History of 'Consonance' and 'Dissonance'", revision pages

1998-038/009(06)
File

Part of James Tenney fonds

About composers : Analytical notes on Debussy, "Syrinx"

1998-038/004(12)
File

Part of James Tenney fonds

About composers : Analytical notes re: Carl Ruggles

1998-038/004(18)
File
1977

Part of James Tenney fonds

About composers : Analytical notes, Cage works

1998-038/004(10)
File

Part of James Tenney fonds

About composers : Carl Ruggles

1998-038/004(17)
File
1959-1977

Part of James Tenney fonds

About composers : Charles Ives

1998-038/004(15)
File
1974-1988

Part of James Tenney fonds

About composers : Conlon Nancarrow, Arch St. liner notes original writing

1998-038/004(05)
File
1977

Part of James Tenney fonds

About composers : Conlon Nancarrow, article

1998-038/004(03)
File
1977

Part of James Tenney fonds

About composers : Conlon Nancarrow, article originals

1998-038/004(02)
File
1977

Part of James Tenney fonds

About composers : Conlon Nancarrow, correspondence

1998-038/004(01)
File
1974-1989

Part of James Tenney fonds

About composers : Conlon Nancarrow, general notes, charts, etc.

1998-038/004(08)
File

Part of James Tenney fonds

About composers : Conlon Nancarrow, interview

1998-038/004(04)
File
1968

Part of James Tenney fonds

About composers : Conlon Nancarrow, liner notes

1998-038/004(06)
File
1977-1989

Part of James Tenney fonds

About composers : Conlon Nancarrow, notes

1998-038/004(07)
File

Part of James Tenney fonds

About composers : Egard Varese-"Density 21.5"

1998-038/004(21)
File
1946

Part of James Tenney fonds

About composers : Feldman

1998-038/004(13)
File
1965-1988

Part of James Tenney fonds

About composers : Harry Partch

1998-038/004(16)
File
1974-1983

Part of James Tenney fonds

About composers : John Cage

1998-038/004(09)
File
1954-1989

Part of James Tenney fonds

About composers : Lou Harrison

1998-038/004(14)
File
1976-1989

Part of James Tenney fonds

About composers : New Music Concerts

1998-038/004(20)
File
1988-1989

Part of James Tenney fonds

About composers : Phil Corner - pictures, copies of business correspondence

1998-038/004(11)
File
1972-1977

Part of James Tenney fonds

About composers : Schoenberg, "Suite Op. 25"

1998-038/004(19)
File

Part of James Tenney fonds

About composers : Webern-"Concerto" Op.24

1998-038/004(22)
File
1948

Part of James Tenney fonds

Alphabetical correspondence and subject files : 22nd Merzgedicht - Mac Low

1998-038/003(31)
File

Part of James Tenney fonds

Alphabetical correspondence and subject files : American Music Centre

1998-038/003(03)
File
1986-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : American Musical Festival of Microtonal Music

1998-038/003(02)
File
1982-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : American Society of Composers, Authors and Publishers

1998-038/003(05)
File

Part of James Tenney fonds

Alphabetical correspondence and subject files : Anita Feldman

1998-038/003(18)
File
1983-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Bell Labs

1998-038/003(08)
File
1981-1982

Part of James Tenney fonds

Alphabetical correspondence and subject files : Bennington College

1998-038/003(09)
File
1982-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Bennington College Chorus

1998-038/003(10)
File
1984-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Betty Freeman

1998-038/003(19)
File
1985-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Canadian Council Jury

1998-038/003(12)
File
May and Nov. 1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Canadian Music Centre

1998-038/003(13)
File
1982-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Charles Ames

1998-038/003(04)
File
1983-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Cold Blue

1998-038/003(14)
File
1983

Part of James Tenney fonds

Alphabetical correspondence and subject files : Concordia Electroacoustic Composition Group

1998-038/003(15)
File
1988-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Correspondence, A

1998-038/003(01)
File
1985-1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Correspondence, B and C

1998-038/003(06)
File
1975-1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Correspondence, D to L

1998-038/003(17)
File
1980-1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Correspondence, M-S

1998-038/003(30)
File
1975-1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Correspondence, T-Z

1998-038/003(45)
File
1981-1991

Part of James Tenney fonds

Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.)

1998-038/003(16)
File
1982-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Daniel Wolf

1998-038/003(42)
File
1984-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Ellen Band

1998-038/003(07)
File
1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Fernando Grillo

1998-038/003(23)
File
1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Frog Peak Music

1998-038/003(21)
File
1987-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Fromm Foundation

1998-038/003(22)
File
1983-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Gayle Young

1998-038/003(44)
File
1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : Gordon Monahan

1998-038/003(32)
File
1984

Part of James Tenney fonds

Alphabetical correspondence and subject files : Haines

1998-038/003(24)
File
1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Institute for Studies in American Music

1998-038/003(26)
File
1974-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : International Symposium on Electronic Art

1998-038/003(27)
File
1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Jacqueline Humbert

1998-038/003(25)
File
1977-1978

Part of James Tenney fonds

Alphabetical correspondence and subject files : John R. Pierce

1998-038/003(34)
File
1982-1983

Part of James Tenney fonds

Alphabetical correspondence and subject files : Journal of Music Theory

1998-038/003(28)
File
1981-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Kolsteeg

1998-038/003(29)
File
1995

Part of James Tenney fonds

Alphabetical correspondence and subject files : Newcomp Big

1998-038/003(33)
File
1988-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Perspectives of New Music

1998-038/003(35)
File
1983-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Princeton University

1998-038/003(36)
File
1984-1985

Part of James Tenney fonds

Alphabetical correspondence and subject files : PRO/Am Music Resources

1998-038/003(37)
File
1984-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Relache

1998-038/003(38)
File
1984-1990

Part of James Tenney fonds

Alphabetical correspondence and subject files : Robin Freeman

1998-038/003(20)
File
1987

Part of James Tenney fonds

Alphabetical correspondence and subject files : Soundings Press

1998-038/003(39)
File
1980-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Stuart Smith

1998-038/003(40)
File
1984-1988

Part of James Tenney fonds

Alphabetical correspondence and subject files : Tom Johnson

1998-038/003(41)
File
1994

Part of James Tenney fonds

Alphabetical correspondence and subject files : William Brooks

1998-038/003(11)
File
1983-1989

Part of James Tenney fonds

Alphabetical correspondence and subject files : Work With Dancers Co.

1998-038/003(43)
File
1980-1988

Part of James Tenney fonds

Analytical notes on Debussy, "Syrinx"

1998-038/024(04)
File

Part of James Tenney fonds

Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006

Analytical notes re: Carl Ruggles

1998-038/024(05)
File
1977

Part of James Tenney fonds

Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006

Analytical notes, Cage works

1998-038/024(03)
File

Part of James Tenney fonds

Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006

Audio recordings : 1) Ben Johnston, "Suite for Microtonal Piano" (1977), "String Quartet No. 4" (1973), John Cage "Music for Wind Instruments" ; 2) Henry Brant, "Inside Track", James Tenney, "Band"

1998-038/030(03)
File
1973, 1977

Part of James Tenney fonds

Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue"

1998-038/039(01)
File
22 Apr. 1963

Part of James Tenney fonds

Audio recordings : 1) "Collage #1 Blue Suede" 2) "Noise Study" 3) "Phases" (good dub)

1998-038/037(01)
File

Part of James Tenney fonds

Audio recordings : 1) "Collage #1 Blue Suede," April 1961 2) "Collage #2 Viet Flakes" for the film by Carolee Schneemann, December 1966

1998-038/036(09)
File
1961-1966

Part of James Tenney fonds

Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)

1998-038/037(08)
File
1963

Part of James Tenney fonds

Audio recordings : 1) "Hey When I Sing these 4 Songs, Hey Look What Happens" 2) "Seeds I-IV for Six Instruments" 3) "Thirteen ways of Looking at a Blackbird" (Marvin Hayes) 4) "Monody for Solo Clarinet" (1959) 5) "Poem for Solo Flute" (1955)

1998-038/039(03)
File
1955-1959

Part of James Tenney fonds

Audio recordings : 1) "Music for Player Piano" (1964) 2) "Quintext V" (1972) String Quartet and Bass played by the Sequoia Quartet with Ed Mears, bassist

1998-038/037(06)
File
1972-1964

Part of James Tenney fonds

Audio recordings : 1) "Noise Study" 2) "Ergodos II" (for John Cage)(1964) 3) untitled (1969)

1998-038/038(03)
File
1969

Part of James Tenney fonds

Audio recordings : 1) "Quintext" (1972)(string quartet and bass) 2) "Wake for Charles Ives (1974) 3) "Chorales for Orchestra" (1974)

1998-038/037(05)
File
1972

Part of James Tenney fonds

Audio recordings : "#1 Six Instruments" 1956-1961 ; "#2 for Tuba, Alto Flute, 2 Piccolos, 2 Percussion"

1998-038/032(05)
File
13 Apr. 1983

Part of James Tenney fonds

Audio recordings : 1) "Three pieces for Drum Quartet," 1975 University of Toronto Percussion Ensemble conducted by James Tenney 2) "Spectral Canon" for Conlon Nancarrow (1974) for Harmonic Player Piano 3) "Quintext four and five" (string quartet and bass) (1972) Faculty and student players, California Institute of the Arts 4) "Collage #1 - Blue Suede" (concrete music)(1961)

1998-038/037(02)
File
1961-1975

Part of James Tenney fonds

Audio recordings : #10

1998-038/047(15)
File

Part of James Tenney fonds

Audio recordings : 10, July 20, Phoenix to Taos?; Steve and Carol, July 22

1998-038/047(06)
File

Part of James Tenney fonds

Consists of voice recordings made by James Tenney during a road trip. Includes Tenney explaining his recording activities to Steve and Carol.

Audio recordings : #11

1998-038/047(16)
File

Part of James Tenney fonds

Audio recordings : 11, July 22 to 24, Taos to Denver

1998-038/047(07)
File

Part of James Tenney fonds

Consists of voice recordings made by James Tenney during a road trip.

Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"

1998-038/031(04)
File
1974

Part of James Tenney fonds

Audio recordings : 1)"In the Lydian Mode" 2) "In the Phrygian Mode" concert May 27th California Institute of the Arts

1998-038/035(03)
File

Part of James Tenney fonds

Audio recordings : #3

1998-038/047(08)
File

Part of James Tenney fonds

Audio recordings : #4

1998-038/047(09)
File

Part of James Tenney fonds

Audio recordings : #4A Thurs. before Little Rock - Albuquerque

1998-038/046(04)
File

Part of James Tenney fonds

Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".

Audio recordings : #4B Friday night in Albuquerque with Steve and Carol

1998-038/046(05)
File

Part of James Tenney fonds

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