Showing 198 results

File pertains to Crosbie's gold award for best fiction story, "The high hard ones", published in Saturday Night.

File consists of a letter, invoice and draft article written by Crosbie about her book, Paul's Case, sent to Sue Grimley of The Globe and Mail. Included are annotated article proofs.

File includes Crosbie's handwritten notes prepared for her two-day interview with Al Purdy, conducted in British Columbia on 21-22 January 2000, as well her typescript notes based on an audio recording of the interviews. Some research materials are also part of the file.

File consists of Crosbie's draft application letter for a position at York University as an assistant professor in humanities/creative writing (prose fiction and poetry). Included in the file is a letter from Crosbie to Leslie Sanders, handwritten notes, a copy of the job description and a sample application letter.

File consists of a pay stub, performance management plan, and student assignments pertaining to Crosbie's work as an instructor at the Art Gallery of Ontario.

File consists of clippings of Crosbie's television column for this weekly paper.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of published articles on poetry and book reviews written by Crosbie for this newspaper.

File consists of published articles, book reviews and a column on magazines written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, written for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's column on magazines and her weekly pop culture column, Pop Rocks.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks. Also included are book reviews and a travel article written by Crosbie.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks as well as a book review written by Crosbie.

File consists of published articles and book reviews written by Crosbie for this newspaper.

File consists of published articles and a column entitled "How poems work" written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published book reviews written by Crosbie for this newspaper.

File consists of published articles written by Crosbie, some under the Pop Tart column heading. Included in the file is a letter from Beverley Daurio pertaining to an article written by Crosbie about the suicide of Daniel Jones.

File consists of published newspaper and magazine articles and interviews about or mentioning Crosbie.

File consists of published newspaper and magazine articles and interviews about or mentioning Crosbie.

File consists of two audio recordings of an interview conducted by Crosbie with Purdy, which was later published in the National Post, his last interview before his death.

Item is a published poem by Crosbie in Fireweed: A Feminist Quarterly (issue 38, Fall 1993).

File consists of cards sent to Crosbie from friends and family. Included in the file are two programmes from Medieval Times: Dinner and Tournament that feature photographs of Crosbie and Michael Holmes.

File consists of birthday cards sent to Crosbie by friends and family and photographs of Crosbie and others singing karaoke, including Michael Holmes, Tony Burgess, Jim Crosbie, Mary Crosbie and Ziggy Lorenc.

File consists of a copy of Turner's poetry manuscript, Kingsway, and Crosbie's blurb for the book, sent to Brian Lamb of Arsenal Pulp Press.

File predominantly pertains to a University of Toronto course taught by Crosbie in 2012-2013. The notebook in this file also includes notes unrelated to this course, written in 2006-2007 and 2011.

File consists mainly of birthday and Christmas cards sent to Crosbie from friends and family. Included are photographs of baby Devon Burnham, Crosbie with her brother, and Crosbie with Michael Holmes, Steven Heighton and his family.

File consists of two published poems by Crosbie in The Last Word : An Insomniac Anthology of Contemporary Canadian Poetry, edited by Michael Holmes.

File consists of a list of actors' names annotated by Crosbie's comments pertaining to a casting session for this spoken-word video of Crosbie's poem, directed by Bruce McDonald. Included in the file is a copy of the poem, which was published in her book Queen Rat.

File pertains to a poem written by Crosbie with David Trinidad and Jeffery Conway, published as a chapbook by The Overlook Press.

File pertains to an OCAD course taught by Crosbie in the winter of 2008.

File consists of correspondence, notes, contact lists, submitted essays and resource materials pertaining to Crosbie's work as editor of this anthology, published by Macfarlane, Walter & Ross. Correspondents and/or contributors include Melanie Barter, Doris Anderson, June Callwood, Slavenka Drakulic, Sook-Yin Lee, Naomi Klein, Marjorie Ingall, Sadie Plant, Marilyn Waring, Katherine V. Forrest, Florence Kirimania-Obura, Jennifer Baumgardner, Huang Qing, Sylvia Spring, Sallie Tisdale, Trish Thomas, Elizabeth Renzetti, Bonnie Sherr Klein, Nawal El Sandawi, Akua Dansua, Urvashi Butalia, Calanit Dovere, Rebecca Walker, Judy Radul, Lorna Crozier, Anna Quindlen, and Danda Prado. Also included is correspondence from Macfarlane, Walter & Ross publisher Jan Walter and editor Sara Borins.

File consists of draft copies of essays submitted for this anthology, some edited by Crosbie, as well as correspondence exchanged with contributors and potential contributors to the project. Correspondents include Julia Kristeva, Trish Thomas, June Callwood, Judy Radul, Pamela Des Barres, Marge Piercy, Lorna Crozier, Sook-Yin Lee, Barbara Ehrenreich, Helen Gurley Brown, Nawal El Saddawi, Gayl Jones, Magdalen Celestino, Carol Shields, Roberta Gregory, Lisa Jones, Susie Bright, Betty Friedan, Louise B. Halfe, Slavenka Drakulic, Urvashi Butalia, Debra Orenstein, Nikki Giovanni, Pat Califia, Sallie Tisdale, Jessica Stevenson, Aline Kominsky-Crumb, Renee Humphrey, Kembra Phahler, Naomi Klein, and Akua Dansua. Included is correspondence exchanged between Crosbie and Macfarlane Walter & Ross publisher Jan Walter, organizational notes about the project, as well a photograph of Crosbie.

File consists of newspaper articles, correspondence and a notice of summons issued pertaining to controversy about Crosbie's book, Paul's Case, particularly involving a threat against Crosbie by journalist Rosie DiManno.

File consists of incoming correspondence and some outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Paul Tough, Jennie Punter, David Keyes, Colleen Murphy, David Trinidad, and Sonja Dunn.

File consists mostly of incoming correspondence, including letters, cards, notes and postcards. Correspondents include Crosbie's parents and grandparents, Michael Holmes, David McGimpsey, Ziggy Lorenc, David Solway, Mamie Van Doren, Jeffery Conway, Kerri Huffman, Kenneth Harvey, Rob McLellan, and David Keyes.

File consists of incoming correspondence, including letters and cards. Correspondents include Jeffery Conway, Ziggy Lorenc, Michael Trussler and Michael Holmes.

File consists of incoming correspondence, including letters and postcards. Correspondents include Michael Turner, Elliott Leyton, Noel Baker, David Trinidad, Michael Holmes, and David McGimpsey.

File consists of email correspondence exchanged between Crosbie and friends Tim White, Russell Smith, Gil Adamson, Tralee Pearce, Michael Turner, Andrew Pyper and Elizabeth Renzetti pertaining to questions posed by Crosbie for her article about pornography and fashion magazines.

File consists of mostly personal correspondence received and/or written by Crosbie, including a letter from Al Purdy. Also included is a photo booth photo of Crosbie, reviews of Paul's Case and draft writing by Crosbie.

File consists of incoming and outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Ziggy Lorenc, David Keyes, David McGimpsey, Kenneth J. Harvey, and Michael Holmes.

File consists of correspondence mainly pertaining to Crosbie's literary and teaching careers, including a license agreement for lyrics appearing in Where Did You Sleep Last Night, an editorial assignment form from Rogers, a contract from Westwood Creative Artists, a letter from the Canada Council for the Arts regarding her Public Lending Right program payment, a letter from the University of Toronto offering her a teaching position, and a letter from Insomniac Press informing her that her book Paul's Case is out of print.

File consists of mostly incoming personal correspondence and cards from Crosbie's friends and family, including Neil Brouillet, Neil Eustache, Randy Forrester, David Trinidad, Michael Holmes, David Keyes, Clint Burnham, Tony Burgess, David McGimpsey, Mary Crosbie, David Crosbie, Monty DiPietro, her mother and grandparents. Included are two photographs taken in London, England, two photographs of Crosbie, a photograph of Crosbie's uncle David McGimpsey and a photograph sent to Crosbie by her father depicting two small children and a man in May 1963.

File consists of miscellaneous correspondence and writing sent to Crosbie, as well as photographs of Crosbie and Tony Burgess on vacation and notes written by Crosbie.

File consists of incoming correspondence, including letters, notes, cards and postcards. Correspondents include Crosbie's parents and grandparents, David McGimpsey, Michael Holmes, David Keyes, Kent Nussey, Cathy Witlox, Stan Dragland, Daniel Jones, and Trish Thomas. Included is a contact sheet consisting of portraits of Crosbie.

File includes copies of letters sent by Crosbie to Courtney Love and Drew Barrymore pertaining to contributions to Click: Becoming Feminists.

File consists of incoming correspondence, including letters, notes, cards and postcards. Correspondents include Jeffery Conway, Michael Holmes, David Trinidad, Kerri Hoffman, Bernadette Dyer, and Kent Nussey. Included is a photograph of Jeffery Conway and passport photos of Crosbie.

File consists of Crosbie's incoming and some outgoing correspondence, mostly work-related. Correspondents include Sky Gilbert, Charlotte Vale Allen, David Trinidad, Elliott Leyton, Martha Sharpe. Included in the file are poems from Gilbert and Trinidad, as well as an Insomniac Press publishing agreement for Paul's Case.

File consists of incoming correspondence and some outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Michael Holmes, Clint Burnham, Martha Sharpe, Dennis Cooper, David McGimpsey, Brian Corman, and David Keyes.

File consists of e-mail correspondence exchanged between Crosbie and David Trinidad, Leah McLaren, Gil Adamson, Joanne Balles, Janet Stone, Mara Karkola, Patricia Pearson, and Julie Bot. Correspondence pertains to an article by Crosbie for Fashion Magazine about experiences breaking up with a female friend.

File consists of email correspondence exchanged between Crosbie and Rinaldo Walcott, Russell Smith, Sky Gilbert, Michael Turner and Elliott Leyton pertaining to questions posed by Crosbie for this article, published in Fashion Magazine in March 2000.

File consists of a collection of partially annotated correspondence, ephemera, photographs and a DVD. Included is correspondence from Bruce McDonald, Don McKellar, Michael Turner, Brad Phillips, Doug Stanhope, Ann Ireland and Mary Gaitskill, an early draft fragment of Life Is About Losing Everything, as well as a photograph of Michael Turner.

File consists of a collection of correspondence and ephemera, including correspondence from Michael Turner, Steven Heighton, Bruce McDonald, David Trinidad, Pamela Des Barres, Kenneth J. Harvey, and Elliott Leyton.

File consists of ephemera, a DVD of "Roadkill", photographs, correspondence from James Lahey and Bruce McDonald.

File includes letters from Sky Gilbert and Jeffery Conway.

File includes notes pertaining to Daniel Jones' literary estate as well as a fragment of writing by Jones.

Included in the file is correspondence from Barbara Gowdy and Bruce McDonald.

File consists of correspondence pertaining to Crosbie's employment at the University of Toronto and a press release from Toronto Arts Council regarding grants to writers, including Crosbie.

File pertains to Crosbie's article for Context magazine on Harlequin romance novels.

File consists of correspondence sent to Crosbie from poet Al Purdy. Letters pertain to personal subjects, Purdy's health, their mutual friends and acquaintances, and writing. Poems written by Purdy are included with some letters. Also included in the file is an undated photograph of Purdy and Crosbie, a photograph of Purdy's desk after his death, and a dried rose from Purdy's burial service.

File consists of email correspondence from Heather Sangster, copy editor for Fashion Magazine, pertaining to Crosbie's outline for a proposed article, which became "So young, so bad, so what?".

File consists of outlines and draft syllabi for courses taught by Crosbie at the Ontario College of Art (English One) and the University of Toronto (Forms of Literature, Reading Poetry).

File consists of samples of completed student assignments from this OCAD course taught by Crosbie in the fall of 2007.

File pertains to an OCAD course taught by Crosbie in the fall of 2007.

File pertains to the licensing of song lyrics and quotations used by Crosbie in this book.

File consists of research materials pertaining to the writing of "Dorothy L'Amour", including an excerpt from Dorothy Lamour's memoir, newspaper articles about the death of Dorothy Stratten, a photograph and a copy of Crosbie's article for This Magazine entitled "The poetry of a playmate" about Stratten.

File consists of a draft profile of Crosbie written by Ryerson journalism student Nicolle Charbonneau, with edit notes by Crosbie, as well as an article entitled "Pop tart: probing Lynn Crosbie's feminine mystique" by Nichole McGill.

File consists of assignments and student evaluations pertaining to this course taught by Crosbie.

File consists of an untitled essay and two essay bibliographies on the subject of confessional poetry, Robert Lowell, Anne Sexton and Sylvia Plath.

File pertains to Crosbie's appearance at this event, where she spoke about Michael Ondaatje.

File pertains to the festival and Crosbie's activities as a participant in the House of Anansi's 25th anniversary roundtable.

File includes a letter from Crosbie to Paul Bouchard about her project to adapt Mark Zwolinski's book about John Kordic into a film script for director Bruce McDonald.

File consists of a letter from Bruce McDonald and Shadow Shows and two copies of a screenplay agreement signed by McDonald pertaining to the writing of a screenplay by Crosbie for a John Kordic movie.

File consists of records pertaining to Crosbie's attendance at Learning Annex courses, including course handouts, course catalogues, a newspaper clipping and an invoice.

File consists of a letter from Natalee Caple and a manuscript for her short story collection, The Heart Is Its Own Reason.

File consists of a letter from House of Anansi publisher Sharpe to Crosbie regarding Crosbie's blurb for Esta Spalding's book, Anchoress. Included in the file is a copy of the blurb and page proofs of the book.

File consists of a letter and invoice sent by Crosbie to Dan Smith pertaining to her review, which is also included in the file.

File consists of three versions of Crosbie's letterhead featuring an image of a rat.

File also includes notes and letters written to Burgess from Crosbie and several cards and postcards from Crosbie's parents and David McGimpsey, as well as a photograph of Burgess at Christmas.