Showing 164044 results

File consists of an untitled essay and two essay bibliographies on the subject of confessional poetry, Robert Lowell, Anne Sexton and Sylvia Plath.

File consists of samples of student graphic artwork relating to a lecture about Michael Jackson given by Crosbie while teaching at the Ontario College of Art and Design.

File pertains to Crosbie’s work as a teaching assistant for this course, The Culture of the Oppressed in Afro-America (AS/HUMA 1300.06), taught by Rinaldo Walcott at York University in 1993-1994. Records include notes, a syllabus, lecture notes, course assignments and course readings.

File pertains to Crosbie’s work as an instructor teaching English literature at York University between 1990 and 1992. Included are a notebook containing lecture and other notes and course syllabi and assignments.

File pertains to Crosbie’s contractually limited appointment to teach an introductory English cousre at the Ontario College of Art in 1995-1996. Included are memoranda, course assignments, lecture notes and resources, notes, course readings, correspondence, notices, and administrative forms.

File consists of multi-media art and writing projects created by Crosbie's students at the Ontario College of Art and Design.

File pertains to Crosbie's work as a tutor for this workshop at the University of Toronto.

File consists of records pertaining to a course taught by Crosbie at McLaughlin College at York University entitled "Images of women in modern Canadian literature" (MC1700.06), include a McLaughlin College course catalogue, a list of essay topics, a form pertaining to new course proposals, and a memorandum pertaining to a books and supplies allowance for part-time faculty and teaching assistants. Included in the file are two poems by Crosbie, "La pieta" and "Ma griffe".

File consists of student projects from Crosbie's Summer 2015 course, Introduction to Creative Writing, at OCAD University.

File consists of student projects from Crosbie's Summer 2015 course, Introduction to Creative Writing, at OCAD University.

File pertains to an OCAD course taught by Crosbie in the winter of 2008.

File consists of correspondence from Libby Scheier, notes, a reading list and student poems pertaining to Crosbie's work as poetry workshop facilitator and/or poetry class teacher, likely for the Toronto Writing Workshop, run by Scheier.

File pertains to Crosbie's role as a faculty member at OCAD and her teaching of a section of LS One (LBST 1D01). Records include memoranda, correspondence, syllabi, meeting agendas, reports, and Crosbie's lecture notes. Also included in the file are samples of student assignments.

File consists of assignments and student evaluations pertaining to this course taught by Crosbie.

File pertains to a course for which Crosbie served as a teaching assistant and consists of a course syllabus, reading list, assignments, readings and Crosbie's notes.

File pertains to an OCAD course taught by Crosbie in the fall of 2007.

File consists of samples of completed student assignments from this OCAD course taught by Crosbie in the fall of 2007.

File consists of outlines and draft syllabi for courses taught by Crosbie at the Ontario College of Art (English One) and the University of Toronto (Forms of Literature, Reading Poetry).

File pertains to an OCAD course taught by Crosbie in the winter of 2008.

File predominantly pertains to a University of Toronto course taught by Crosbie in 2012-2013. The notebook in this file also includes notes unrelated to this course, written in 2006-2007 and 2011.

File consists of a pay stub, performance management plan, and student assignments pertaining to Crosbie's work as an instructor at the Art Gallery of Ontario.

File consists of Crosbie's draft application letter for a position at York University as an assistant professor in humanities/creative writing (prose fiction and poetry). Included in the file is a letter from Crosbie to Leslie Sanders, handwritten notes, a copy of the job description and a sample application letter.

File consists of published examples of Crosbie’s writing.

File consists of a portfolio of original artwork and an accompanying letter and review submitted by Febbraro to McClelland and Stewart, publishers of Crosbie’s book, Missing Children (2003).

File includes zines and photographs of Sahara Sprack Linn taken by Patty Sudan.

File includes zines and small press publications as well as a photograph of Sahara Sprack Linn taken by Patty Sudan, and Crosbie’s speaking notes for a presentation about the book project.

File also includes sample correspondence, memoranda, and letters of agreement from Coach House Press for contributors to anthologies.

File pertains to Crosbie’s role as editor of this anthology and her solicitation of manuscripts.

File pertains to Crosbie’s time on the board of directors of Coach House Press. Records include memoranda, meeting minutes and agenda, notes, correspondence, articles of incorporation and a by-law.

File pertains to Crosbie’s work as editor of The Girl Wants to, published by Coach House Press. Records include a photograph Coach House Press publicist Laura MacDonald standing in front of a poster of The Girl Wants To, poetry and prose submissions, and accompanying correspondence.

File consists of two manuscripts with edit notes by Crosbie, Heather Sangster and Sara Peters.

File consists of notes about Chicken sent to Crosbie by editor Janie Yoon in 2017. These notes have been annotated by Crosbie in 2017 and 2019.

File consists of cover proof for Queen Rat, featuring a photograph of Crosbie, accompanied by a letter from Angel Guerra of Stoddart Publishing.

File consists of newspaper, magazine and literary journal reviews of Crosbie's published poetry, edited collections and novels.

File consists of published newspaper and magazine articles and reviews written by Crosbie for publications including Zoomer Magazine, NOW Toronto, Books in Canada, Chatelaine, Quill & Quire, Saturday Night, Toronto Life, Maclean's, LightNews, and On the Up.

File consists of newspaper articles, correspondence and a notice of summons issued pertaining to controversy about Crosbie's book, Paul's Case, particularly involving a threat against Crosbie by journalist Rosie DiManno.

File consists of draft copies of essays submitted for this anthology, some edited by Crosbie, as well as correspondence exchanged with contributors and potential contributors to the project. Correspondents include Julia Kristeva, Trish Thomas, June Callwood, Judy Radul, Pamela Des Barres, Marge Piercy, Lorna Crozier, Sook-Yin Lee, Barbara Ehrenreich, Helen Gurley Brown, Nawal El Saddawi, Gayl Jones, Magdalen Celestino, Carol Shields, Roberta Gregory, Lisa Jones, Susie Bright, Betty Friedan, Louise B. Halfe, Slavenka Drakulic, Urvashi Butalia, Debra Orenstein, Nikki Giovanni, Pat Califia, Sallie Tisdale, Jessica Stevenson, Aline Kominsky-Crumb, Renee Humphrey, Kembra Phahler, Naomi Klein, and Akua Dansua. Included is correspondence exchanged between Crosbie and Macfarlane Walter & Ross publisher Jan Walter, organizational notes about the project, as well a photograph of Crosbie.

File consists of correspondence, notes, contact lists, submitted essays and resource materials pertaining to Crosbie's work as editor of this anthology, published by Macfarlane, Walter & Ross. Correspondents and/or contributors include Melanie Barter, Doris Anderson, June Callwood, Slavenka Drakulic, Sook-Yin Lee, Naomi Klein, Marjorie Ingall, Sadie Plant, Marilyn Waring, Katherine V. Forrest, Florence Kirimania-Obura, Jennifer Baumgardner, Huang Qing, Sylvia Spring, Sallie Tisdale, Trish Thomas, Elizabeth Renzetti, Bonnie Sherr Klein, Nawal El Sandawi, Akua Dansua, Urvashi Butalia, Calanit Dovere, Rebecca Walker, Judy Radul, Lorna Crozier, Anna Quindlen, and Danda Prado. Also included is correspondence from Macfarlane, Walter & Ross publisher Jan Walter and editor Sara Borins.

File consists of published book reviews written by Crosbie for this newspaper.

File consists of published articles written by Crosbie, some under the Pop Tart column heading. Included in the file is a letter from Beverley Daurio pertaining to an article written by Crosbie about the suicide of Daniel Jones.

File consists of published articles on poetry and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, written for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks as well as a book review written by Crosbie.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks. Also included are book reviews and a travel article written by Crosbie.

File consists of published copies of Crosbie's column on magazines and her weekly pop culture column, Pop Rocks.

File consists of published articles, book reviews and a column on magazines written by Crosbie for this newspaper.

File consists of published articles and a column entitled "How poems work" written by Crosbie for this newspaper.

File consists of published articles and book reviews written by Crosbie for this newspaper.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of clippings of Crosbie's television column for this weekly paper.

File consists of a copy of the published article by Crosbie as well as various drafts and correspondence sent to Naomi Klein, editor of This Magazine, in which the article was published.

File pertains to Crosbie's attendance and participation at this festival on 17-18 October 1998.

File includes a letter from Daniel Jones explaining his editing decisions and a Streetcar Editions 1992-1993 catalogue.

File pertains to Crosbie's attendance at this festival, where she participated in two events on 23 October 1999.

File consists of Globe and Mail articles pertaining to Dorothy Stratten, sent to Crosbie by Elizabeth Renzetti.

File pertains to an article written by Crosbie for The Globe and Mail.

File pertains to the editing of this article, which was published in the March 2000 issue of Fashion Magazine, and includes two annotated versions of the article and correspondence from the copy editor, Heather Sangster.

File consists of two draft stories, "Miscarriage collection" and "Get smart", by Clint Burnham.

File pertains to an article written by Crosbie for This Magazine about her experience taking courses at the Learning Annex.

File consists of page proofs of this story written by Crosbie for the I.V. Lounge Reader, published by Insomniac Press. Included is a letter from Paul Vermeersch of Insomniac Press regarding edits to the proofs.

File consists of newspaper and magazine articles reviewing or mentioning Crosbie and her books, The Girl Wants To, VillainElle, and Miss Pamela's Mercy.

File includes the signed publishing agreement between Thomas Allen Publishers and Crosbie.

File pertains to the licensing of literary excerpts used by Crosbie in this book.

File consists of page proofs for this book, as well as correspondence from House of Anansi editor Adrienne Leahey.

File consists of page proofs for this book, as well as a letter from House of Anansi editor Adrienne Leahey.

File consists of catalogues from Coach House Press, MacFarlane Walter & Ross, Insomniac Press, Turtle Point Press, House of Anansi and HarperCollins featuring Crosbie's books of poetry and prose.

File consists of essays published in literary journals pertaining to Crosbie's work.

File consists of a postcard from Vaughan and a copy of his poetry manuscript, The Sand That Is Everywhere.

File consists of records pertaining to Crosbie's efforts to publish her book of poetry Miss Pamela's Mercy in 1991. These records include correspondence, grant applications, poems and a signed Coach House Press publishing agreement.

File pertains to this poem, co-written by Crosbie, David Trinidad and Jeffery Conway. Included in the file is a spring 2000 issue of The James White Review featuring writing by Trinidad.

File consists of a colour mock-up of the cover of this long-form poem by Crosbie, Jeffery Conway and David Trinidad. Included in the file is a letter to Crosbie from Conway about the cover.