Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.
The collection consists of programmes, correspondence, articles and press clippings relating to the life and career of Isadora Duncan. Also included are research notes and interview transcripts used by Lillian Loewenthal in support of her book, The Search for Isadora Duncan (1993).
Fonds consists of administrative files relating to the activities of DanceSpace and includes correspondence, posters, photographs, and various published materials relating to dance.
The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.
The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.
Collection consists of playbills and theatre programs arranged int he following series: 1. Dance companies (including ballet); 2. Theatre and drama companies; 4. Musical performances (excluding concerts); 5. Souvenir programs; 6. Film programs; 7. Concerts.
The fonds mainly documents Margaret Avison's work as a poet and writer and includes manuscripts, correspondence, clippings, printed material, music scores and photographs.
Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.
Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warners lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleurs "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.
Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.
Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.
Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.
Fonds consists of annotated drafts, continuity notes and revisions from the novels "Moody Food" (published in 2002), "Gently Down The Stream" (2005), "What Happened Later" (2007) and "David" (2009).
