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Social Development Council (Quebec) Interview

Item consists of an interview with two unidentified Québecois men from the Social Development Council. The subject is defining Québecois regional identity. Topics include consumerism and industry, a recent crisis, welfare, their place in the larger political context, and leadership.

Performance for United Nations

Item consist of an audio recording of a show put on for United Nations delegates. The first performance is of drum based folk music. The host then introduces upcamong guests. The second performance on the recording is a comedy routine by [Skoge?] Mitchell.

Aboriginal Art Interviews

Item consists of an audio recording of an interview with an unidentified Inuit woman through the aid of an interpreter. Topics include her art, the co-op in Cape Dorset where her art is sold, the finances involved, and the effect of television on the Inuit community.

Wounded Knee Press Conference

Item consists of an audio recording of a press conference regarding the treatment of Indigenous people by the authorities surrounding the circumstances of the Wounded Knee Occupation and the Pine Ridge Reservation in South Dakota. The recording begins with a statement from an unidentified speaker regarding the death of Anna Mae Aquash, the apprehension of Leonard Peltier and Frank Blackhorse at the Smallboy Camp by members of the RCMP. The recording cuts out for a moment and returns with the chairman, who then introduces the purposes for their meeting and the speakers they have brought in. The audio cuts off during the statement from Barry Travis, the first speaker, which then continues on ASC33101.

114 St Powell

Item consists of a recording of an interview with a woman discussing a film she worked on regarding conditions in public housing. She discusses why she made the film, the misconceptions many have about people who live in public housing, what she hopes people will take away from the film, the reactions to the film she has received so far, and her disappointments and expectations of those reactions. There are also interjections, and questions to, Dorothy, a woman who was interviewed in the film.

Audio recordings : "Medea"-organized sound

Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die. / James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.

Gathering in support of Cyprus

A panel of three speakers on stage with a banner on the background that reads “Long live the National Independence and the Territorial Integrity of Cyprus”. Συγκέντρωση για την υποστήριξη της Κύπρου. Στην σκηνή πάνελ τριών ομιλητών με φόντο πανό που αναγράφει "Ζήτω η Εθνική Ανεξαρτησία και η Εδαφική Ακεραιότητα της Κύπρου".

Untitled

Item consists of an audio recording of an interview with W. Duff regarding the North American Brotherhood. The main topic of discussion is the formation of the North American Brotherhood out of the Native Brotherhood of British Columbia and four other more localized organizations. Topics also include the character of Aboriginal Canadians living in British Columbia, treaty rights, reserve policy, and cultural preservation.

W. Duff Interview on George Manuel

Item consists of an audio recording of an interview with W. Duff regarding George Manuel. The topic primarily focuses on the time they both spent working with the Provincial Indian Advisory Committee (Provincial Advisory Committee on Indian Affairs in British Columbia).

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Lydian Mode/Phrygian Mode

Consists of "Lydian Mode" and "Phrygian Mode" James Tenney. Originally recorded at a concert on May 27, 1973 at the California Institute of the Arts.

Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese

Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.

Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)

Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.

Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)

Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966

Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Audio recordings : Tenney "Fabric" work tapes #34 and LO-2

Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966

Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "

Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959

Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.

Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)

Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).

Audio recordings : Tenney - "Chorales for Percussion"

Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."

Audio recordings : Third- Knoxville to Little Rock

Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.

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