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File includes edit notes from Martha Sharpe and cover mock-ups. Page proofs have been heavily annotated.

File consists of three draft manuscripts of Crosbie's book of poetry, Pearl, as well as correspondence from Pearl publisher House of Anansi.

File consists of edit notes and comments exchanged between Crosbie and Anansi editor Martha Sharpe as well as correspondence from Crosbie pertaining to rights permissions for quotations appearing in Pearl.

File consists of correspondence exchanged between Crosbie and editor Martha Sharpe pertaining to Pearl, including a copy of a letter from Leonard Cohen declining to provide a blurb for the book, as well as correspondence and permissions agreements from W.W. Norton & Co. and Houghton Mifflin for the use of writing by Anne Sexton and Adrienne Rich in Pearl.

File consists of three poems from Paul's Case annotated with notes by Crosbie for a book reading.

File pertains to Crosbie's participation on a panel at this event, speaking about Patti Smith's "Camera Solo" exhibit at the Art Gallery of Ontario.

File pertains to a reading featuring Crosbie, Conway and Trinidad, part of The Poetry Project, held at St. Mark's Church in New York City.

File pertains to a review likely published in the Literary Review of Canada and includes accompanying letters to editor Judy Stoffman.

File consists of two published poems by Crosbie in Court Green (vol. 8, 2011).

File consists of a letter, invoice, article proofs and a partial draft article pertaining to this article by Crosbie's written for The Globe and Mail.

File consists of a draft article written by Crosbie for What! Magazine, as well as a May/June 1993 copy of the Learning Annex catalogue.

File consists of correspondence sent from publisher McClelland & Stewart pertaining to Crosbie's contract and advance for this book.

File consists of page proofs for this book and a letter from McClelland & Stewart editor Anita Chong.

File consists of correspondence from copy editor Heather Sangster and McClelland & Stewart editor Anita Chong and the first page proofs for this book.

File consists of miscellaneous notes, draft articles and manuscript fragments written by Crosbie or unattributed writing edited by Crosbie.

File consists of assorted clippings of Crosbie's poetry and short fiction published in magazines, literary journals and newspapers.

File consists of a letter sent to Elizabeth Renzetti and page proofs pertaining to this book, edited by Lisa Frank and Paul Smith.

File consists of two royalty statements pertaining to books edited by Crosbie, The Girl Wants To and Click.

File pertains to this poem by Crosbie, published in the book Poetry Nation: the North American anthology of fusion poetry, edited by Regie Cabico and Todd Swift.

Items in this file are Polaroid photographs published with this 1993 essay by Crosbie's for the journal Tessera.

File consists of a letter from House of Anansi editor Melanie Little and a letter from Karen Tisch of the Toronto Arts Council pertaining to a grant issued to Crosbie for this project.

File consists of a letter from House of Anansi publisher Sharpe to Crosbie regarding Crosbie's blurb for Esta Spalding's book, Anchoress. Included in the file is a copy of the blurb and page proofs of the book.

File consists of a letter from Natalee Caple and a manuscript for her short story collection, The Heart Is Its Own Reason.

File consists of a letter and invoice sent by Crosbie to Dan Smith pertaining to her review, which is also included in the file.

File consists of records pertaining to Crosbie's attendance at Learning Annex courses, including course handouts, course catalogues, a newspaper clipping and an invoice.

File consists of a letter from Bruce McDonald and Shadow Shows and two copies of a screenplay agreement signed by McDonald pertaining to the writing of a screenplay by Crosbie for a John Kordic movie.

File includes a letter from Crosbie to Paul Bouchard about her project to adapt Mark Zwolinski's book about John Kordic into a film script for director Bruce McDonald.

File pertains to the festival and Crosbie's activities as a participant in the House of Anansi's 25th anniversary roundtable.

File consists of a draft of this story and a letter from John Macfarlane of Toronto Life magazine inviting Crosbie to submit a story for its annual summer fiction issue. Also included are page proofs for this article, which was published by Saturday Night magazine in 2001.

File consists of two annotated copies of the first draft of this short story, as well as Crosbie's handwritten notes and notes from Jessica Johnson, editor for Saturday Night magazine.

File pertains to Crosbie's appearance at this event, where she spoke about Michael Ondaatje.

File pertains to this story written by Crosbie commissioned by Gary Michael Dault for Contact 2000, published in The Globe and Mail. Included in the file is a newspaper clipping, a copy of the published story and printed images that accompanied the story.

Items in this file pertain to various licence agreements and contracts for stories published in this anthology edited by Crosbie. Also included in the file are items relating to the closure of Coach House Press, the original publisher of this book, and efforts to get permissions signed for the book to be reprinted by Macfarlane Walter & Ross.

File consists of a letter, invoice and draft article written by Crosbie about her book, Paul's Case, sent to Sue Grimley of The Globe and Mail. Included are annotated article proofs.

File consists of a draft profile of Crosbie written by Ryerson journalism student Nicolle Charbonneau, with edit notes by Crosbie, as well as an article entitled "Pop tart: probing Lynn Crosbie's feminine mystique" by Nichole McGill.

File consists of research materials pertaining to the writing of "Dorothy L'Amour", including an excerpt from Dorothy Lamour's memoir, newspaper articles about the death of Dorothy Stratten, a photograph and a copy of Crosbie's article for This Magazine entitled "The poetry of a playmate" about Stratten.

File pertains to the licensing of song lyrics and quotations used by Crosbie in this book.

File consists of email correspondence from Heather Sangster, copy editor for Fashion Magazine, pertaining to Crosbie's outline for a proposed article, which became "So young, so bad, so what?".

File pertains to Crosbie's article for Context magazine on Harlequin romance novels.

File consists of email correspondence exchanged between Crosbie and Rinaldo Walcott, Russell Smith, Sky Gilbert, Michael Turner and Elliott Leyton pertaining to questions posed by Crosbie for this article, published in Fashion Magazine in March 2000.

File pertains to a poem written by Crosbie with David Trinidad and Jeffery Conway, published as a chapbook by The Overlook Press.

File consists of a list of actors' names annotated by Crosbie's comments pertaining to a casting session for this spoken-word video of Crosbie's poem, directed by Bruce McDonald. Included in the file is a copy of the poem, which was published in her book Queen Rat.

File consists of two published poems by Crosbie in The Last Word : An Insomniac Anthology of Contemporary Canadian Poetry, edited by Michael Holmes.

File consists of a copy of Turner's poetry manuscript, Kingsway, and Crosbie's blurb for the book, sent to Brian Lamb of Arsenal Pulp Press.

Item is a published poem by Crosbie in Fireweed: A Feminist Quarterly (issue 38, Fall 1993).

File includes Crosbie's handwritten notes prepared for her two-day interview with Al Purdy, conducted in British Columbia on 21-22 January 2000, as well her typescript notes based on an audio recording of the interviews. Some research materials are also part of the file.

File includes a photograph of Crosbie and two unidentified men sitting on a patio.

File consists of incoming correspondence from Courtney Love, John Waters, Michael Douglas, Hugh Hefner, Pamela Des Barres, Richard Prince, Erica Jong, Clayton Ruby, and Leonard Cohen.

File consists of professional incoming correspondence pertaining to the publication and reception of Crosbie's writing and the completion of her PhD.

File consists of personal incoming correspondence as well as some unsent correspondence written by Crosbie. Correspondents include David Trinidad, Bruce McDonald, Neil Eustache, Russell Smith, Jeffery Conway, Kerri Huffman and R.M. Vaughan.

File consists of a collection of correspondence and ephemera, including correspondence from Michael Turner, Steven Heighton, Bruce McDonald, David Trinidad, Pamela Des Barres, Kenneth J. Harvey, and Elliott Leyton.

File consists of mostly incoming personal correspondence and cards from Crosbie's friends and family, including Neil Brouillet, Neil Eustache, Randy Forrester, David Trinidad, Michael Holmes, David Keyes, Clint Burnham, Tony Burgess, David McGimpsey, Mary Crosbie, David Crosbie, Monty DiPietro, her mother and grandparents. Included are two photographs taken in London, England, two photographs of Crosbie, a photograph of Crosbie's uncle David McGimpsey and a photograph sent to Crosbie by her father depicting two small children and a man in May 1963.

File also includes notes and letters written to Burgess from Crosbie and several cards and postcards from Crosbie's parents and David McGimpsey, as well as a photograph of Burgess at Christmas.

File consists of correspondence sent to Crosbie from poet Al Purdy. Letters pertain to personal subjects, Purdy's health, their mutual friends and acquaintances, and writing. Poems written by Purdy are included with some letters. Also included in the file is an undated photograph of Purdy and Crosbie, a photograph of Purdy's desk after his death, and a dried rose from Purdy's burial service.

File consists of correspondence pertaining to Crosbie's employment at the University of Toronto and a press release from Toronto Arts Council regarding grants to writers, including Crosbie.

Included in the file is correspondence from Barbara Gowdy and Bruce McDonald.

File includes letters from Sky Gilbert and Jeffery Conway.

File includes notes pertaining to Daniel Jones' literary estate as well as a fragment of writing by Jones.

File consists of ephemera, a DVD of "Roadkill", photographs, correspondence from James Lahey and Bruce McDonald.

File consists of a collection of partially annotated correspondence, ephemera, photographs and a DVD. Included is correspondence from Bruce McDonald, Don McKellar, Michael Turner, Brad Phillips, Doug Stanhope, Ann Ireland and Mary Gaitskill, an early draft fragment of Life Is About Losing Everything, as well as a photograph of Michael Turner.

File consists of correspondence mainly pertaining to Crosbie's literary and teaching careers, including a license agreement for lyrics appearing in Where Did You Sleep Last Night, an editorial assignment form from Rogers, a contract from Westwood Creative Artists, a letter from the Canada Council for the Arts regarding her Public Lending Right program payment, a letter from the University of Toronto offering her a teaching position, and a letter from Insomniac Press informing her that her book Paul's Case is out of print.

File consists of e-mail correspondence exchanged between Crosbie and David Trinidad, Leah McLaren, Gil Adamson, Joanne Balles, Janet Stone, Mara Karkola, Patricia Pearson, and Julie Bot. Correspondence pertains to an article by Crosbie for Fashion Magazine about experiences breaking up with a female friend.

File consists of email correspondence exchanged between Crosbie and friends Tim White, Russell Smith, Gil Adamson, Tralee Pearce, Michael Turner, Andrew Pyper and Elizabeth Renzetti pertaining to questions posed by Crosbie for her article about pornography and fashion magazines.

File consists of incoming correspondence and some outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Michael Holmes, Clint Burnham, Martha Sharpe, Dennis Cooper, David McGimpsey, Brian Corman, and David Keyes.

File consists of incoming correspondence, including letters and postcards. Correspondents include Michael Turner, Elliott Leyton, Noel Baker, David Trinidad, Michael Holmes, and David McGimpsey.

File consists of Crosbie's incoming and some outgoing correspondence, mostly work-related. Correspondents include Sky Gilbert, Charlotte Vale Allen, David Trinidad, Elliott Leyton, Martha Sharpe. Included in the file are poems from Gilbert and Trinidad, as well as an Insomniac Press publishing agreement for Paul's Case.

File consists of incoming correspondence, including letters and cards. Correspondents include Jeffery Conway, Ziggy Lorenc, Michael Trussler and Michael Holmes.

File consists of incoming and outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Ziggy Lorenc, David Keyes, David McGimpsey, Kenneth J. Harvey, and Michael Holmes.

File consists of incoming correspondence, including letters, notes, cards and postcards. Correspondents include Jeffery Conway, Michael Holmes, David Trinidad, Kerri Hoffman, Bernadette Dyer, and Kent Nussey. Included is a photograph of Jeffery Conway and passport photos of Crosbie.

File consists mostly of incoming correspondence, including letters, cards, notes and postcards. Correspondents include Crosbie's parents and grandparents, Michael Holmes, David McGimpsey, Ziggy Lorenc, David Solway, Mamie Van Doren, Jeffery Conway, Kerri Huffman, Kenneth Harvey, Rob McLellan, and David Keyes.

File includes copies of letters sent by Crosbie to Courtney Love and Drew Barrymore pertaining to contributions to Click: Becoming Feminists.

File consists of incoming correspondence, including letters, notes, cards and postcards. Correspondents include Crosbie's parents and grandparents, David McGimpsey, Michael Holmes, David Keyes, Kent Nussey, Cathy Witlox, Stan Dragland, Daniel Jones, and Trish Thomas. Included is a contact sheet consisting of portraits of Crosbie.

File consists of incoming correspondence and some outgoing correspondence, including letters, notes, cards and postcards. Correspondents include Paul Tough, Jennie Punter, David Keyes, Colleen Murphy, David Trinidad, and Sonja Dunn.

File consists of miscellaneous correspondence and writing sent to Crosbie, as well as photographs of Crosbie and Tony Burgess on vacation and notes written by Crosbie.

File consists of mostly personal correspondence received and/or written by Crosbie, including a letter from Al Purdy. Also included is a photo booth photo of Crosbie, reviews of Paul's Case and draft writing by Crosbie.

File consists mainly of birthday and Christmas cards sent to Crosbie from friends and family. Included are photographs of baby Devon Burnham, Crosbie with her brother, and Crosbie with Michael Holmes, Steven Heighton and his family.

File consists of cards sent to Crosbie from friends and family. Included in the file are two programmes from Medieval Times: Dinner and Tournament that feature photographs of Crosbie and Michael Holmes.

File consists of birthday cards sent to Crosbie by friends and family and photographs of Crosbie and others singing karaoke, including Michael Holmes, Tony Burgess, Jim Crosbie, Mary Crosbie and Ziggy Lorenc.