Showing 2195 results

Consists of an audio recording of "Replay" (1984) by James Tenney.

Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die. / James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.

Recording of James Tenney introducing his work "deus ex machina, part I" at the Music Gallery on 16 October 1982. The Music Gallery was located on St. Patrick Street in 1982.

Recording (b) : Layer "B" (lower staves)

Recording (d) : "C" = A + B (channel separation)

Recording (a) : Layer "A" (upper staves)

Recording (c) : "C" = A + B

Recording (e) : "C" - A + B (B starts early)

Consists of "Lydian Mode" and "Phrygian Mode" James Tenney. Originally recorded at a concert on May 27, 1973 at the California Institute of the Arts.

Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.

Consists of Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano / James Tenney. -- Collage #1 (Blue Suede) / James Tenney.

Consists of an audio recording of "Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano" by James Tenney.

Consists of a recording of a concert at the California Institute of the Arts on 27 May 1973 featuring two pieces by James Tenney: 1) In The Lydian Mode and 2) In The Phrygian Mode.

Consists of audio recording of Electronic and Computer music composed by James Tenney. The tracks are "Noise Study," from 1961; "Stochastic Studies," from 1962; "Dialogue," from 1963; and "Phases," from 1963.

Consists of audio recording of computer music by James Tenney. The tracks consist of "Five Stochastic Studies," "Dialogue," and "Phases."

Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.

Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "

Item consists of a recording of percussion performances: "Three Drum Pieces" and "Crystal Canon."

Consists of recordings by James Tenney. Annotations on case include: 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)"

Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.

Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.

Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963

Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"

Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).

Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.

Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)

Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."

Consists of five tracks by James Tenney of samples for his work "Fabric". Annotations on case include: "Fabric #3 +4 (half speed) repeated ~ 20 min at 7 1/2 ips work tape #68 1. work-tape #68 (#3 + #4 (half-speed) repeated) 20 min at 7 1/2 ips 2. work tape HI (all of 12 + 24 + 68 at the higher speed 10 min. at 7 1/2 ips)".

Recording of sample recordings by James Tenney. Annotation on case include: "Fabric work tapes 1. work-tape #12 (#1 + #2 repeated) 20 min at 7 1/2 ips 2. work-tape L0-1 (first half of 12 + 34 +68 at normal (slow) speed) 10 min at 7 1/2 ips"

Consists of an audio recording labelled "C-copy" by James Tenney.

Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

Consists of an audio recording of "Woodwind Quintet Symphony" by James Tenney.

Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."

Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.

Item consists of an audio recording of the New Music concert in 1977. Performances include "Octandre" by Edgard Varese, "Juno" by Budd Schoenberg, "Blues" by James Tenney, "1st and 2nd Little Serious Pieces" by Revueltas Satie (Timar), and "Two Little Flowers" and "General William Booth...," by Ives.

Item consists of Barry Travis and an unidentified speaker giving a press conference on the events surrounding Wounded Knee and the incarceration of Black Horse and Leonard Peltier. The first speaker gives a statement on Black Horse, in reference to Peltier, the RCMP, US/Canada extradition; how the speaker got involved, their experience with security around the matter when going to interview Black Horse, questions on RCMP response (charges and imprisonment in preparation for deportation) and legal proceedings around the case. The second speaker discusses the incidents at Wounded Knee, the arrest of Indian people (including Frank Black Horse), and the circumstances leading to the arrest of Leonard Peltier.

Item consists of a public speech on the culture and history of the Mohawk peoples in North America. The first speaker talks about the conflict between the Mohawk way of life and the North American way of life, pollution concerns around reservations in Ontario and Quebec, environmental concerns for the future. The second speaker talks about preserving the culture, traditions, and independence of the Mohawk Nation within the United States. The third speaker talks about living conditions and community relations in the Mohawk Nation and the importance of starting a dialogue between the Mohawk Nation and the United States.

Item consists of an interview with George Manuel and Doug Sanders. They discuss human rights and representation for various Indigenous groups in different countries.

Item consists of an interview with George Manuel and Doug Sanders. They discuss human rights and representation for various Indigenous groups in different countries.

Item consists of an audio recording of an interview with an unidentified Inuit woman through the aid of an interpreter. Topics include her art, the co-op in Cape Dorset where her art is sold, the finances involved, and the effect of television on the Inuit community.

Item consists of an interview with George Manuel mainly on the topic of a possible settlement agreement between the government of Canada and Indigenous people. Topics of discussion include land rights, hunting and fishing rights, negotiation with the Prime Minister, Indigenous rights, the preservation of Indigenous identity. This is followed by a recording of a speaker [Professor English?] responding to a largely indecipherable question at what seems to be a panel discussion moderated by George Manuel. The response mostly addesses small business ownership in Africa.

Item consists of an interview with an unidentified man regarding totem carving. The discussion includes how he got into the profession, the intersection between his art and Christianity, and his experience selling his art at the local co-op.

Item consists of an interview with George Manuel mainly on the topic of education among Indigenous communities. Topics of discussion include government involvement, funding, Indigenous rights, negotiations with the Prime Minister, and the possibility of a settlement.

Item consists of an interview with George Manual on being a leader. Topics of discussion include what gives him strength, creating an impression, his report on the Cowichan peoples of British Columbia, environmental abuses, and establishing Indigenous cultural and economic power.

Item consists of an interview with George Manuel. Topics of discussion include deception of Indigenous peoples by White Europeans, corporate abuses, similarities between different Indigenous nations, and how Indigenous Canadians are integral to Canada.

Item consists of an interview with two unidentified Québecois men from the Social Development Council. The subject is defining Québecois regional identity. Topics include consumerism and industry, a recent crisis, welfare, their place in the larger political context, and leadership.

Item consist of an audio recording of a show put on for United Nations delegates. The first performance is of drum based folk music. The host then introduces upcamong guests. The second performance on the recording is a comedy routine by [Skoge?] Mitchell.

Item consists of an audio recording of an interview, through the aid of an interpreter, with two unidentified Inuit women whose artwork was chosen to be in a Roman Catholic mass book. The topics discussed in the first interview include the picture she drew, other spiritual art she has created, her religious/spiritual beliefs, and the recent strides the Catholic church has made to be inclusive towards Aboriginal peoples. The topics for the second interview include her print for the mass book, her thoughts on being asked to participate in artwork for the Roman Catholic church, Aboriginal food sharing rituals, her thoughts in choosing the theme of the picture, and her trip to the south. The audio cuts off abruptly. Item appears to be a continuation of a recording of a conversation on tape 1989-020 / 008 (50) (ASC33128).

Item consists of an audio recording of a press conference regarding the treatment of Indigenous people by the authorities surrounding the circumstances of the Wounded Knee Occupation and the Pine Ridge Reservation in South Dakota. The recording begins with a statement from an unidentified speaker regarding the death of Anna Mae Aquash, the apprehension of Leonard Peltier and Frank Blackhorse at the Smallboy Camp by members of the RCMP. The recording cuts out for a moment and returns with the chairman, who then introduces the purposes for their meeting and the speakers they have brought in. The audio cuts off during the statement from Barry Travis, the first speaker, which then continues on ASC33101.

Item consists of an audio recording of an interview with W. Duff regarding the North American Brotherhood. The main topic of discussion is the formation of the North American Brotherhood out of the Native Brotherhood of British Columbia and four other more localized organizations. Topics also include the character of Aboriginal Canadians living in British Columbia, treaty rights, reserve policy, and cultural preservation.

Item consists of an audio recording of an interview with W. Duff regarding George Manuel. The topic primarily focuses on the time they both spent working with the Provincial Indian Advisory Committee (Provincial Advisory Committee on Indian Affairs in British Columbia).

Item consists of an interview with George Manuel. Topics of discussion include Indigenous dance, the idea of reciprocity within community, the Christian church as a negative influence on Indigenous societies, exploitation of Indigenous groups by the early missionary church in Canada, Manuel's interest in the Shaker Church, community support within the Shaker Church, the Shaker Church's spurning of any publicity, prohibitions on Indigenous dancing, early relations between Indigenous groups and the Hudson's Bay Company.

Item consists of an interview with George Manuel. Topics of discussion include Indigenous traditional dance, his memory of the last pow wow, contemporary efforts to re-establish Indigenous dance traditions, Manuel's experience with a charity dance group he participated in around 1962, some details about Indigenous groups in British Columbia's Cowichan Valley, Cowichan community funerary practices, and contextualizing the development of Indigenous society.

Item consists of audio recording of on the street interviews with Aboriginal youth of Cornwall Island regarding their experiences with discrimination at the hands of the police on the island. This is followed by an interview with an unidentified man and woman regarding the economic, environmental, and social problems with mass tree plantings, using Piper Townshp as a specific example.

Item consists of an audio recording with an unidentified man and woman regarding the problems with corporate tree re-planting schemes. Issues discussed include corporate fraud, minimum wage, environmental impacts, bush burning, connection with tourism, affect on Metis peoples, the intersection with the lumber and fishing industries, failure to post tenures, and discrimination against Aboriginal groups.

Item consists of an interview with George Manuel mainly on the idea of the book "The Fourth World." Topics covered include capitalism, land rights, Indigenous spiritualism, the similarities between different Indigenous nations, and an old chief named Johnny [Kenhicha?].

Item consists of an interview with George Manuel. Subjects discussed include Indigenous spiritual practices, Manuel's experiences with Indigenous ceremony, community versus individual aspects of Indigenous dance, community giving as a source of strength, the difference in the experience of poverty from the time Manuel was young, community punishment, spiritual food offerings and reverence for nature, spiritual lessons Manuel was taught from his elders as a youth, and similarities in spiritual belief and ritual between different Indigenous groups. In the latter part of the recording, Manuel discusses how his attitude has changed since he began the Poslans interviews, that he no longer worries about the image he may be presenting or getting re-elected.

Item consists of a recording of an interview with a woman discussing a film she worked on regarding conditions in public housing. She discusses why she made the film, the misconceptions many have about people who live in public housing, what she hopes people will take away from the film, the reactions to the film she has received so far, and her disappointments and expectations of those reactions. There are also interjections, and questions to, Dorothy, a woman who was interviewed in the film.

Item consists of an audio recording of an interview with an unidentified Inuit woman through the aid of an interpreter. They discuss her upcoming mass book exhibit in New York. Item appears to be a continuation of a recording of a conversation on tape 1989-020 / 008 (35) (ASC33131).

Item consists of an audio recording of an interview with George Manuel. Topics discussed include Indigenous economic development, Indigenous political involvement, welfare, and Indigenous political representation. Additional annotations on tape include: B17T57.

Item consists of an audio recording of an interview with an unidentified Inuit woman through the aid of an interpreter. The main topic covered is her views on the youth in her community. Subjects discussed include how youth culture has changed since she was young, the effect of television being introduced to their community, youth involvement in maintaining Aboriginal culture, and Aboriginal art. Item may be a continuation of a recording of a conversation on tape 1989-020 / 008 (35) (ASC33131).

Consists of recording of (Jack D. Forbes) reading an essay titled "Making the White Rulers Happy".

Recording of Dr. Jack Forbes delivering a speech titled "Self-Determination colonisalsm and captive nations" to an audience. He is introduced by an unnamed colleague. The lecture may have taken place near University of California, Davis.

Recording of discussions of participants in the International Indian Treaty Council on 21 February 1975. Occasionally recordings are paused and an individual identifies a previous speaker.

Sound recording of a speech delivered by John Trudell about commitment, solidarity, self discipline, social organizing, and fighting colonialism and white supremacy. At the 19:00 mark, another speaker steps forward to speak.

Sound recording of speakers who participated in a panel discussion that was part of the Institute on Anthropology and Anti-Imperialism held in Toronto in 1972. Titled as Contemporary Political Struggles of Native Peoples, introduced by Richard Lee. Recorded speakers include John Mohawk, Tony Belcourt, Harold Cardinal and Philip Awashish. Other speakers on the panel included John Saul, Shelton H. Davis, Ben Magubane, Ernest Benedict, Paul Coe, Bernard Arcand, Howard Mitchell, Robert Vanlarope (sp?) and Boshe Richardson.

Item consists of an audio recording of a radio show hosted by Albert Angus and Bernelda Wheeler. It is called "Our Native Land" and the subtitle for this series is "Native Prisoners". It begins with a continuation of the report on discrimination faced by Aboriginal parolees, started on tape 2000-050 / 004 (10) (ASC33162). The reporter, Albert Angus, interviews Doreen Hunter, a woman who works with Aboriginal Canadian inmates, and David Rimpole, District Director of the National Parole Service, Winnipeg. Bernelda Wheeler then interviews Ronda [Sharr?] of the Native Plan, a half-way house for recent parolees, on where Aboriginal Canadian parolees usually want to resettle. This is followed by a statement from David Rimpole on what the government is willing to do to try to fix the situation and closing statements from Albert Angus and Bernelda Wheeler.

Item consists of an audio recording of a radio show hosted by Albert Angus and Bernelda Wheeler. It is called "Our Native Land" and the subtitle for this series is "Native Prisoners". The show begins with an introduction from the two hosts, then a fiddle song called "Snow deer" by Lee Cremo. Next is a segment called Getting to Know Joe [Blye?], in which the subject speaks on leaving prison and becoming a Métis and Aboriginal rights activist and leader. This is followed by several news stories on: the city council of Calgary refusing to rent office space to a Native Alcoholism Service organization, the Secretary of State refusing a grant to the Registered Nurses of Canadian-Indian Ancestry, the ongoing trial of Leonard Peltier in North Dakota, a fast by students in Ontario trying to get the MacKenzie pipeline stopped, and financial troubles faced by the Indian Brotherhood of the Northwest Territories in an ongoing legal battle over the MacKenzie pipeline and Native land rights. Next follows a segment broadcasting some of the more light-hearted moments in their ongoing coverage of the [Berger?] Inquiry into the MacKenzie Valley Pipeline and its effects their people and environment. This is followed by an segment of an ongoing series on Iroquois music by Mike Mitchell of the Akwasasne Reserve. In the segment he plays "The Handshake Song" and "The Rabbit Dance". Next is an interview with Vera Martin on her viewing of the Canadian film, "Eliza's Horoscope". The song "Dispersed" by Shannon [Tupa?] is played, followed by a report on the difficulties faced by recently paroled Aboriginal peoples. The recording cuts off shortly after this report begins.

Consists of an oral history interview with Randy Pepabano for the purposes of Posluns book, "Voices from the Odeyak". 

Consists of an oral history interview with Tom Martin for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an oral history interview with Tom Martin for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an oral history interview with Tom Martin for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an oral history interview with Josie Sam and an unidentified male speaker for the purposes of Posluns book, "Voices from the Odeyak."

Item consists of an oral history interview with Viola Pachanos and Josie Sam for the purposes of Posluns book, "Voices from the Odeyak."

Item consists of a series of interviews with First Nations and Inuit members of the community, some through interpreters. Tapes is annotated "Paul Asee, [Justice Paul Rouleau?], Mary Mickeyook, Thomassee Napartuk." Justice Paul Rouleau may be the male voice posing questions and interviewing the speakers. First interview is with an (Inuit?) Elder and hunter with an interpreter. Second interview with woman (Mary Mickeyook?) starts at 17:50 mark.

Consists of an oral history interview with Arnold Davenport on September 16 1992 for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an audio recording of the end of an interview with Mary Mickeyook, recorded for the purposes of Posluns' book, "Voices from the Odeyak."

Consists of an oral history interview with Mrs. Davenport and Arnold Davenport on September 16 1992 for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an oral history interview with Karen [Like?] for the purposes of Posluns book, "Voices from the Odeyak". 

Item consists of an oral history interview with D. Destreichen on May 26 1992for the purposes of Posluns book\, "Voices from the Odeyak".