Notes and computer outputs : "Changes": 64 studies for harp sextet
- 1998-038/015(02)
- File
- 1985
Part of James Tenney fonds
Notes and computer outputs : "Changes": 64 studies for harp sextet
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Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet
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Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
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Notes and computer outputs : "Changes": 64 studies for six harps
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Notes and computer outputs : Study #4
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Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
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Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
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Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
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Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
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Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
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Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
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Notes and computer outputs : Studies #33 and #34
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Computer Outputs, "Changes", Studies #39 and #40
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Computer Outputs, "Changes", Studies #43 and #44
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Computer Outputs, "Changes", Studies #45 and #46
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Computer Outputs, "Changes", Studies #47 and #48
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Computer Outputs, "Changes", Studies #49 and #50
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Computer Outputs, "Changes", Studies #53 and #54
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Performances of James Tenney's music
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Recording (d) : "C" = A + B (channel separation)
Alphabetical correspondence and subject files : Ellen Band
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Alphabetical correspondence and subject files : Bennington College Chorus
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Alphabetical correspondence and subject files : Gayle Young
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Notes and computer outputs : Notes for "Bridge II," unfinished
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Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet
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Notes and computer outputs : Studies #1 and #2
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Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes"
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Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
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Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
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Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
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Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
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Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
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Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
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Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
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Notes and computer outputs : Studies #35 and #36
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Notes and computer outputs : Studies #37 and #38
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Computer Outputs, "Changes", Studies #51 and #52
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Computer Outputs, "Changes", Studies #55 and #56
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Computer Outputs, "Changes", Studies #57 and #58
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Computer Outputs, "Changes", Studies #59 and #60
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Performances, Aspen '85, summer, reviews
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Recording (a) : Layer "A" (upper staves)
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Recording (c) : "C" = A + B
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Recording (e) : "C" - A + B (B starts early)
Part of James Tenney fonds
Consists of an audio recording of "Voice(s)", performed by Joan La Barbara at Symphony Space in New York on May 15, 1985; and "Koan for Solo Violin", performed by Anne Lindsay at The Music Gallery. Both songs are composed by James Tenney.
Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.)
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Alphabetical correspondence and subject files : Anita Feldman
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Alphabetical correspondence and subject files : Fromm Foundation
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Alphabetical correspondence and subject files : Princeton University
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Alphabetical correspondence and subject files : Daniel Wolf
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Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes"
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Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes"
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Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes"
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Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes"
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Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes"
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Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes"
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Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes"
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Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes"
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Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes"
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Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes"
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Computer Outputs, "Changes", Studies #41 and #42
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Computer Outputs, "Changes", Studies #63 and #64
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Scores, Sketches and Notes : Notes for the "Road to Ubud"
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Notes and computer outputs : "Stars," unfinished
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Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
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Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
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Notes and computer outputs : "Road to Ubud"
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Performances of James Tenney's music
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Performances of James Tenney's music
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Alphabetical correspondence and subject files : Robin Freeman
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Audio recordings : "Deus ex Machina" 1st part
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Item consists of a recording of James Tenney's piece 'deus ex machina, part I.'
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Alphabetical correspondence and subject files : American Musical Festival of Microtonal Music
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Alphabetical correspondence and subject files : Haines
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Alphabetical correspondence and subject files : Work With Dancers Co.
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York University : Class materials
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Alphabetical correspondence and subject files : Perspectives of New Music
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Alphabetical correspondence and subject files : Charles Ames
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Alphabetical correspondence and subject files : Institute for Studies in American Music
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Alphabetical correspondence and subject files : Soundings Press
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Alphabetical correspondence and subject files : Stuart Smith
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Performances of James Tenney's music
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Garland-Revueltas article (Silvestre Revueltas)
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Alphabetical correspondence and subject files : Frog Peak Music
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Alphabetical correspondence and subject files : International Symposium on Electronic Art
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Alphabetical correspondence and subject files : Journal of Music Theory
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Oversize : "Rune" for Lauren and the Nexus Percussion Ensemble ; 40p (21 sheets of vellum)
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About composers : Charles Ives
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Alphabetical correspondence and subject files : Concordia Electroacoustic Composition Group
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Alphabetical correspondence and subject files : PRO/Am Music Resources
Part of James Tenney fonds