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James Tenney fonds
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Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
York University : Class materials
York University : Class materials
Alphabetical correspondence and subject files : Bennington College
Alphabetical correspondence and subject files : Bennington College
Kasemeb, Yi Jing Jitterbug
Kasemeb, Yi Jing Jitterbug
Scores, Sketches and Notes : Programs and output for "Bridge"
Scores, Sketches and Notes : Programs and output for "Bridge"
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Alphabetical correspondence and subject files : Canadian Music Centre
Alphabetical correspondence and subject files : Canadian Music Centre
Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.)
Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.)
Carollee Schneemann
Carollee Schneemann
Performances of James Tenney's music
Performances of James Tenney's music
Audio recordings : Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi
Audio recordings : Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi
York University : 4110 (fourth year composition course)
York University : 4110 (fourth year composition course)
Performances of James Tenney's music
Performances of James Tenney's music
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney
Alphabetical correspondence and subject files : William Brooks
Alphabetical correspondence and subject files : William Brooks
Alphabetical correspondence and subject files : Perspectives of New Music
Alphabetical correspondence and subject files : Perspectives of New Music
Alphabetical correspondence and subject files : Charles Ames
Alphabetical correspondence and subject files : Charles Ames
Audio recordings : "#1 Six Instruments" 1956-1961 ; "#2 for Tuba, Alto Flute, 2 Piccolos, 2 Percussion"
Audio recordings : "#1 Six Instruments" 1956-1961 ; "#2 for Tuba, Alto Flute, 2 Piccolos, 2 Percussion"
Alphabetical correspondence and subject files : Cold Blue
Alphabetical correspondence and subject files : Cold Blue
Alphabetical correspondence and subject files : Anita Feldman
Alphabetical correspondence and subject files : Anita Feldman
Alphabetical correspondence and subject files : Fromm Foundation
Alphabetical correspondence and subject files : Fromm Foundation
[Sound recordings, 1984 : ] Musicworks 27 -- The Music of James Tenney
[Sound recordings, 1984 : ] Musicworks 27 -- The Music of James Tenney
Performances, '84 summer, New Music America Festival, Real Art Ways
Performances, '84 summer, New Music America Festival, Real Art Ways
Alphabetical correspondence and subject files : Gordon Monahan
Alphabetical correspondence and subject files : Gordon Monahan
Alphabetical correspondence and subject files : PRO/Am Music Resources
Alphabetical correspondence and subject files : PRO/Am Music Resources
Correspondence
Correspondence
Notes and computer outputs : "Stars," unfinished
Notes and computer outputs : "Stars," unfinished
Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
Notes and computer outputs : "Water on the Mountain...Fire in Heaven"
Performances of James Tenney's music
Performances of James Tenney's music
Audio recordings : "Bridge" (not the best performance)
Audio recordings : "Bridge" (not the best performance)
Alphabetical correspondence and subject files : Bennington College Chorus
Alphabetical correspondence and subject files : Bennington College Chorus
Alphabetical correspondence and subject files : Relache
Alphabetical correspondence and subject files : Relache
Alphabetical correspondence and subject files : Stuart Smith
Alphabetical correspondence and subject files : Stuart Smith
Notes and computer outputs : Notes for "Bridge II," unfinished
Notes and computer outputs : Notes for "Bridge II," unfinished
York University : Grad Program
York University : Grad Program
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Audio recordings : "Replay"
Audio recordings : "Replay"
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Audio recordings : From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay
Peter Garland, correspondence and writings
Peter Garland, correspondence and writings
Alphabetical correspondence and subject files : Princeton University
Alphabetical correspondence and subject files : Princeton University
Alphabetical correspondence and subject files : Daniel Wolf
Alphabetical correspondence and subject files : Daniel Wolf
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Computer Outputs, "Changes", Studies #61 and #62
Computer Outputs, "Changes", Studies #61 and #62
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Notes and computer outputs : "Changes": 64 studies for harp sextet
Notes and computer outputs : "Changes": 64 studies for harp sextet
Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet
Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes"
Notes and computer outputs : "Changes": 64 studies for six harps
Notes and computer outputs : "Changes": 64 studies for six harps
Notes and computer outputs : Study #4
Notes and computer outputs : Study #4
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes"
Notes and computer outputs : Studies #33 and #34
Notes and computer outputs : Studies #33 and #34
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, "Changes", Studies #39 and #40
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #43 and #44
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #45 and #46
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #47 and #48
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #49 and #50
Computer Outputs, "Changes", Studies #53 and #54
Computer Outputs, "Changes", Studies #53 and #54
Scores, Sketches and Notes : "Sneezles"
Scores, Sketches and Notes : "Sneezles"
Performances of James Tenney's music
Performances of James Tenney's music
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Personal and professional correspondence : Stan Brakhage, correspondence
Personal and professional correspondence : Stan Brakhage, correspondence
Alphabetical correspondence and subject files : Correspondence, A
Alphabetical correspondence and subject files : Correspondence, A
Alphabetical correspondence and subject files : Ellen Band
Alphabetical correspondence and subject files : Ellen Band
Alphabetical correspondence and subject files : Betty Freeman
Alphabetical correspondence and subject files : Betty Freeman
Alphabetical correspondence and subject files : Gayle Young
Alphabetical correspondence and subject files : Gayle Young
Warren Burt
Warren Burt
Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet
Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet
Notes and computer outputs : Studies #1 and #2
Notes and computer outputs : Studies #1 and #2
Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes"
Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes"
Notes and computer outputs : Studies #35 and #36
Notes and computer outputs : Studies #35 and #36
Notes and computer outputs : Studies #37 and #38
Notes and computer outputs : Studies #37 and #38
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #51 and #52
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #55 and #56
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #57 and #58
Computer Outputs, "Changes", Studies #59 and #60
Computer Outputs, "Changes", Studies #59 and #60
York University : Music Writing Skills Workshop course proposal
York University : Music Writing Skills Workshop course proposal
Performances, Aspen '85, summer, reviews
Performances, Aspen '85, summer, reviews
Audio recordings : "Deus ex Machina" 1st part
Audio recordings : "Deus ex Machina" 1st part
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting
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