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Consists of an episode featuring Shirley MacLaine, John Tracey, George Christy.

Consists of an episode featuring Chynna Phillips, Helen Vanderberg, Elaine Dembe, Ricki Lazer, Dr. Ralph Moss.

Consists of an episode featuring Eagle Eye Cherry - Singer, David Crosby - Former member of "Crosby Stills and Nash", Dr. Marcus Laux - Naturopathicdoctor/author, "Natural Woman Natural Menopause", Trivia: Martha Stewart. Revised May 17, 1999; editor Peter Christian

Consists of an episode featuring Elmore Leonard - Author, "Get Shorty" and "Be Cool", Tyler Aspin - Artist/creator, "The Canada Tree", Michael McKinlay - Skydiver, Christ of Schwarzkopf - Skydiver, and Trivia: NSYNC. Revised May 17, 1999; editor Peter Christian.

Consists of an episode featuring Julian Lennon - Singer, Dr. Rudolph Ballentine - Author, "Radical Healing", Sabrina Ward Harrison - Author, "Spilling Over", Trivia: Vanessa Williams. Revised May 17, 1999; editor Peter Christian.

Item consists of an oral history interview with Bill Namagoose for the purposes of Posluns book, "Voices from the Odeyak". 

This item consists of a recording of speeches protesting James's Bay II, the hydro-electric megaproject between the city of New York and Hydro Quebec, in front of the Canadian consulate in New York. There is an introduction by an woman speaker named Joanna. The first speaker is Matthew Coon Come, Grand Chief of the Grand Council of the Cree of Quebec, on the environmental problems caused by James' Bay I, the first such agreement. The next speaker is Mark Summer from Greenpeace Action who speaks on the economic drawbacks of the agreement. The third is Lou [Guerowitz?], an attorney working with Aboriginal groups, who speaks on how unnecessary and morally wrong the agreement is and what kind of actions need to be taken to stop the agreement. The next speaker is an unidentified man who says a prayer. Next Joanna co-ordinates the march and gives instructions. The audio cuts off during the speech of an unidentified woman who speaks about God and is planning on doing a chant.

Item consist of an audio recording consisting of interview(s) and a phone conversation pertaining to improper conduct on the part of HydroQC, behaviour of reporters, sailing with the clearwater ship in NY, Bob/Richard [Walsid?], possibilities of legal actions, news article about great whale, Richard [Dyshtavish??],difficulties journeying on river, and Doug Morgan.

Item consists of an audio recording of the radio show, "Our Native Land", hosted by Ernie and Johnny Yesno. This recording is a continuation of the report on Aboriginal land rights and the MacKenzie pipleine, started on tape 2000-050 / 00f (25) (ASC33164). It begins with the conclusion of the interview with Stewart Hodgeson, Comissioner of the Northwest Territories, by Dwayne Erickson. This is followed by closing statements from Johnny Yesno and a program sign off.

Item consists of an audio recording of the radio show, "Our Native Land", hosted by Bernelda Wheeler. It opens with a series of sound bites from Chuck Trimble, of the National Congress of American Indians; Joe Dionne, president of the Indian Association of Alberta; and Noel Starblanket, president of the National Indian Brotherhood, on the theme of self-government. This is follwed by a news report presented by Bernelda Wheeler on National Congress of American Indians, which includes statements on self-government from Jessica Macuo and Noel Starblanket, both of the National Indian Brotherhood. This is followed by interviews with Robert Manuel of British Columbia, Arnold Goodleaf of the National Indian Brotherhood, Joe Dionne of Alberta, Doug Cuthand of Saskatchewan, and Francois Paulette, giving a provincial perspective on the idea. The program ends with a summary of the concept of Indian self-government from George Manuel, the head of the Union of British Columbia Indian Chiefs, several sound bites on the theme from unidentified sources, and a program sign off from Bernelda Wheeler.

Item consists of a public speech on the culture and history of the Mohawk peoples in North America. The first speaker talks about the conflict between the Mohawk way of life and the North American way of life, pollution concerns around reservations in Ontario and Quebec, environmental concerns for the future. The second speaker talks about preserving the culture, traditions, and independence of the Mohawk Nation within the United States. The third speaker talks about living conditions and community relations in the Mohawk Nation and the importance of starting a dialogue between the Mohawk Nation and the United States.

Item consists of an audio recording of an interview with an unidentified Inuit woman through the aid of an interpreter. Topics include her art, the co-op in Cape Dorset where her art is sold, the finances involved, and the effect of television on the Inuit community.

Item consists of an audio recording of an interview, through the aid of an interpreter, with two unidentified Inuit women whose artwork was chosen to be in a Roman Catholic mass book. The topics discussed in the first interview include the picture she drew, other spiritual art she has created, her religious/spiritual beliefs, and the recent strides the Catholic church has made to be inclusive towards Aboriginal peoples. The topics for the second interview include her print for the mass book, her thoughts on being asked to participate in artwork for the Roman Catholic church, Aboriginal food sharing rituals, her thoughts in choosing the theme of the picture, and her trip to the south. The audio cuts off abruptly. Item appears to be a continuation of a recording of a conversation on tape 1989-020 / 008 (50) (ASC33128).

Item consists of an audio recording of a press conference regarding the treatment of Indigenous people by the authorities surrounding the circumstances of the Wounded Knee Occupation and the Pine Ridge Reservation in South Dakota. The recording begins with a statement from an unidentified speaker regarding the death of Anna Mae Aquash, the apprehension of Leonard Peltier and Frank Blackhorse at the Smallboy Camp by members of the RCMP. The recording cuts out for a moment and returns with the chairman, who then introduces the purposes for their meeting and the speakers they have brought in. The audio cuts off during the statement from Barry Travis, the first speaker, which then continues on ASC33101.

Item consists of an interview with George Manuel. Topics of discussion include Indigenous traditional dance, his memory of the last pow wow, contemporary efforts to re-establish Indigenous dance traditions, Manuel's experience with a charity dance group he participated in around 1962, some details about Indigenous groups in British Columbia's Cowichan Valley, Cowichan community funerary practices, and contextualizing the development of Indigenous society.

Item consists of a recording of an interview with a woman discussing a film she worked on regarding conditions in public housing. She discusses why she made the film, the misconceptions many have about people who live in public housing, what she hopes people will take away from the film, the reactions to the film she has received so far, and her disappointments and expectations of those reactions. There are also interjections, and questions to, Dorothy, a woman who was interviewed in the film.

Recording of discussions of participants in the International Indian Treaty Council on 21 February 1975. Occasionally recordings are paused and an individual identifies a previous speaker.

Video consists of several student documentary films.

Recording of a film student documentary titled "Our World" submitted to James Beveridge in his role as instructor.

Consists of an audio recording of "The First of Three Improvisations from Medea." from February, 1961 and "Collage #1 - Blue Suede," from April, 1961 by James Tenney.

Recording consists of three performances "Three Harmonic Studies" performed by the University of South Florida Orchestra, most likely in November of 1974.

Consists of audio recording of Harmonium #3 by James Tenney. It is performed by Judy Saiki and Michael Rafferty at Gallery Naga in Boston on November 24, 1981. There is a note folded inside the reel case which reads: "Sorry so late. This is from 11/24/81 perf. at Gallery Naga in Boston. Other harpists are Judy Saiki + Michael Rafferty. Close, but I'd like to get it better. Love, Susie."

Consists of an audio recording of "Inside Track" by Henry Brant and "Band" by James Tenney. It begins on 1998-038 / 030 (03) (ASC17164).

Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die. / James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.

Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "

Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.

Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963

Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"

Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).

Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."

Recording consists of James Tenney as he sets out for a cross-country road trip. He travels from New Paltz to Winchester, Virginia, discussing variou topics (anticipation, delayed satisfaction, the purpose of life, astrology, music and other topics. Later he records thoughts a a motel, including the purpose of art, he records some music he has been thinking of and finally he discusses his past relationships with women. Annotations on case include: #1 - July 8, New Paltz to Winchester Va. "it begins" re present time - anticipation + delay some music re purpose of life (Hubbard, etc.) (organization) re Gemini - Leo: a) integration, b) expansion (Jupiter) in motel = re purpose in art singing "you might as well know what it's like" private from here (not for A., M., or S. to hear!)

Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.

Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".

Consists of voice recordings made by James Tenney during a road trip, the day after visiting with Walt and Millie Chandler, travelling through Thatcher and Phoenix Arizona. Annotations on case include: ""re memory / W+M's love for me/ about J Robinson/ Coolidge dam / cactus / Globe".

Consists of voice recordings made by James Tenney during a road trip, in conversation with his father Carl Tenney and a woman named Helen (Carl Tenney's wife?).

Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.

Consists of voice recordings made by James Tenney during a road trip.

Consists of voice recordings made by James Tenney during a road trip.

Item consists of the Mariposa Folk Festival Program for 1972, held at Toronto Islands, Toronto, Ontario from 14 -16 July 1972. Featuring cover art by Ojibwe artist Saul Williams of Weagamow Ontario, and a back cover illustration of the festival's horoscope by Adrienne Leban, the festival program was published by Herbert Wise of Music Sales Corporation, edited by Carol Fein with design by Ulrich Boege. The program featured an illustrated festival schedule of performances and workshop, an alphabetical listing of festival performers and artisans and obituaries for Bob Beers (1922-1972), Rev. Gary Davis (1896-1972). The 1972 program also featured four feature articles, including an introductory essay, "Second Annual 2000 Words" by Tony Glover, "Centreville Conservatory : The Poet and His Hometown" by Bob Atkinson, "Media Inversion : Videovision versus Television" by Richard Kletter, and "Real Country Music : The Treasure in Joe Bussard's Basement".

Item consists of the 49 page Mariposa Folk Festival program for 1974, held on the Toronto Islands, Toronto, Ontario from 21-23 June, 1974. The program was designed and edited by the festival's Programme Book Committee, consisting of Joe Lewis, Enoch Kent, Paul Hornbeck, Marna Snitman, Shelley Spiegel, Ray Woodley, Eileen Keleher and Stew Cameron. Includes a schedule of evening and day concerts and workshops, a list of performer biographies, and ... Also includes several articles, including "Bluegrass Music" by Shelley Posen, "Notes on Accompaniment" by Peggy Seeger and Ewan MacColl (reprinted from "The Singing Island"), "Crafts at Mariposa" by Skye Morisson and short anonymous articles from Mariposa In The Schools and the festival's Ethnic Committee.

Item consists of the 45 page Mariposa Folk Festival program for 1975, held on the Toronto Islands, Toronto, Ontario, from 20 -22 June 1975. The program was edited by Dick Flohil, designed by Hodges Freeman & Robinson, and advertisments managed by Gay Spiegel. Program includes a schedule of evening and day concerts and workshops and a list of performer biographies. Also includes several articles, including "Mariposa : An Introduction" by festival artistic director Estelle Klein, an article by Alanis Obomsawin about the Native's People's Participation in the festival an article about crafts at the festival by Skye Morisson and a short anonymous article about Mariposa in the Schools and a financial statement from the festival foundation.

Item consists of the 52 page Mariposa Folk Festival program for 1976, held on the Toronto Islands, Toronto, Ontario, from 25-27 June, 1976. The program was edited by Bill Garrett, designed by Sharon Johnston and advertisements were managed by Mary Whiteley. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by festival artistic director Estelle Klein, an anonymous article titled "Bringing Home the Mariposa", an anonymous article about Mariposa in the Schools, "Crafts at Mariposa" by Skye Morisson, a short article introducing the children's area written by Sharon Hampson and Lois Lilienstein and a financial statement from the festival foundation.

Item consists of the 69 page Mariposa Folk Festival program for 1977, held on Toronto Islands, Toronto, Ontario, from 24-26 June, 1977. The program was edited by Bill Garrett, designed by Sharon Johnston and the advertisments were managed by Trish Short. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by Estelle Klein, Artistic Director, "Mariposa in the Schools" by Carol Kehm, "Children's Area" by Sharon Hampson and Lois Lilienstein and "Indians and Inuit at Mariposa" also by Estelle Klein. This program also contains a supplementary newsletter called "The Newsletter: A Mariposa Folk Festival Publication Special Program Edition '77" edited by Matthew Clark and Marilyn Koop, designed by Stew Cameron and with general support from Bill Garrett, Grit Laskin and Joyce Yamamoto. The supplement contains several articles including: "Fifteen Months of Music: The Folk Instruments of South America" by Quentin and Edmond Badoux, "If You Miss Me On The Picket Line.." by Matthew Clark, "Please Walk On The Grass" by Ian Robb, "Record Reviews" with contributors: Marilyn Koop, Edith Fowke and Matthew Clark and "Grit's Workshop" by Grit Laskin. Program also contains a financial statement by the festival foundation.

Item consists of a recording and may include performance(s) by Teitelbaum, Richard and Bartlett, Martin.

Item consists of a recording and may include performance(s) by Sokol, Casey; Sankeron, Trichy.

Item consists of a recording and may include performance(s) by Sokol, Casey; Sankeron, Trichy.

Item consists of a recording and may include performance(s) by Sokol, Casey; Sankeron, Trichy.

Item consists of a recording and may include performance(s) by Sokol, Casey; Sankeron, Trichy.

Item consists of a recording and may include performance(s) by Sokol, Casey; Sankeron, Trichy.

Recording of a press conference with Greek politician and (then) Deputy Minister for Foreign Affairs Dimitrios Voudouris during a visit to Toronto.

Recording from a grand opening celebration for the Alexander the Great Youth Centre at Saint John the Baptist Greek Orthodox Church in Scarborough, Ontario. Includes opening speeches and ribbon-cutting ceremony.

On the way to New York. From the right Yianni (taxi driver), George Papadatos and Eleni Demou (singer) and one of the musicians of Manos Loizos standing beside her (white top).

Beside him a man in a black sweater and on the right a woman with her hand over her mouth sitting beside a man with his jacket on his shoulder. Ο Βασίλης Βουτσινός (λευκό) καθισμένος στο περβάζι του Αεροδρομίου Πήρσον περιμένοντας τον Μάνο Λοΐζο. Δίπλα του ένας ανδρας με μαύρο πουλόβερ και δεξιά μια γυναίκα που ακουμπά το πρόσωπό της με το χέρι της δίπλα από έναν άνδρα με ριγμένο σακάκι στους ώμους.

File consists of a photocopy of a typescript presentation written by George Papadatos while at Scarborough College. The paper was translated by S. Mittler and presented at the meeting of the Assocation of Greek Students of the University of Western Ontario.

Flyer calling on "Greek patriots" to participate in an event remembering the Polytechnic student revolt, to be held on November 14, 1976 at the Danforth Technical School at 840 Greenwood Avenue.

Image of a flyer in Greek regarding events related to the Polytechnic student uprising held at York, the University of Toronto and Scarborough College.

Poster advertising an evening of remembrance held at The Hellenic Community Center, 4500 Arbutus Street, Vancouver, featuring information in Greek and English. Event includes: "actual footage of the Polytechnic student takeover in 1973, live music, open discussion period, guest speaker from Toronto George Papathatos." [sic].

Poster advertising for an event featuring Marcelo Puente, Campaneros, Nancy White, Gwedolyn MacEwan, Expresion Latina, Nightwood Theatre, and Cheryl Cashman.

Poster advertising a performance in English with an Ancient Greek chorus with forty actors and musicians, directed by Cynthia Grant, and music composed by Christos Hatzis at Nightwood Theatre.

Recording of the General Gathering at the Greek Community, DTBF from Ebvomada newspaper.

Recording of the General Gathering at the Greek Community, DTBF from Ebvomada newspaper.

Recording of Greek musician Dimitra Galanis singing (side A) and Maria Farantouri inging "Lianotragouda" songs by M. Theodorakis (side B).

Recording of Adam Kostantakis and Companeros at the Trojan Horse Coffee House, including Pablo Neruda's Canto General.

Recording of the celebration of the 29th year of the National Liberation Front (EAM), 1941-1980 at Titania Theatre, 7 October 1980.

Recording of Leontis in 1980 (side A) and Maria Farantouri in 1982 (side B), both in Toronto.