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Silk

Series consists of scripts and one digital betacam tape relating to François Girard’s adaptation “Silk”. Based on the novel by Alessandro’s Baricco’s novel, Silk follows to struggles of Herve Joncour (Michael Pitt) a nineteenth century French silkworm smuggler, who is caught between his wife Helene (Keira Knightely) and the Japanese concubine (Sei Ashina) he encounters while traveling in Japan. Also stars Koji Yakusho. Co-produced by Rhombus, Fandango, and Bee Vine Pictures.

Clean

Series consists of two scripts and one oversize European poster of the 2004 feature film “Clean” written and directed by Olivier Assayas
The film follows the efforts of Emily Wang (Maggie Cheung) to rebuild her fractured life after the death by overdose of her washed-up rock star lover Lee Hauser (James Johnston), and her imprisonment on charges of drug possession. She returns to Vancouver where her son Jay lives with Lee’s parents Albrecht (Nick Nolte) and Rosemary (Martha Henry).

Dido and Aeneas

Series consists of six stage designs for the 1995 critically acclaimed and provocative dance production by Mark Morris of Henry Purcell’s 1689 opera Dido and Aeneas. Dido, the noble Queen of Carthage, has fallen in love with the Trojan Prince Aeneas. While the court celebrates the imminent union of the two monarchs, the evil Sorceress with her coven of witches plots their downfall.
Romance leads to heartbreak and tragedy. Dido & Aeneas stars Mark Morris himself as Dido and the Sorceress, while supporting roles are performed by the Mark Morris Dance Group. Tafelmusik, (the award winning Toronto based Baroque orchestra) provides the accompaniment to a superb cast of vocal soloists including the great mezzo Jennifer Lane. The production was well received in the international film festival junket and received several awards.

Writings files

The series consists of research material, notes, drafts and manuscript copies of Clark's novel "Bite the stars" including drafts edited by Cynthia Holz and Iris Tupholme. The series also includes manuscript and typescript drafts of shorter works by Clark as well as an audio recording of "Pride and Joy" which was adapted as a radio drama for CBC's Morningside.

Correspondence and subject files

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

Video production files

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Editing files

Series consists of submissions, manuscripts, correspondence, notes and published materials related to Rachel Zolf's work as a literary and poetry editor. Series documents Zolf's approaches to editing as a freelance editor and in her capacity as poetry editor of The Walrus magazine. Files include information about the submission and editing process at The Walrus during Zolf's tenure. Records document Zolf's correspondence and editorial work with numerous poets, including Leonard Cohen, Lynn Crosbie, Dennis Lee, George Elliott Clarke, M.NourbeSe Philip, Christopher Dewdney, Michael Turner, P. K. Page, Robert Kroetsch, Sharon Thesen, Marilyn Hacker, Juliana Spahr, Billy Collins, Robert Creeley and Nicole Brossard.

Poetry files

Series consists of manuscripts, typesets, cover art, research materials, photographic prints and negatives, correspondence and notebooks. Series documents how Rachel Zolf researched, wrote and edited her poetry. Series also contains information about Zolf's efforts to have her work funded and published. In addition, series includes reviews of Zolf's published works. Correspondence includes letters written by or to Rachel Zolf on the subject of her poetry. Correspondents include Di Brandt, Betsy Warland, Beverley Daurio, Nathalie Stephens, Margaret Christakos, M.NourbeSe Philip, Erin Moure and Charles Berstein.

Big band arrangements

Series consists of sheet music performed by the big band styled the Rex Battle Orchestra. The music sheets are stored in envelopes with writing on them detailing performance dates, the music's key, names of songs, composers and publishers, and other information. These music sheets are arranged alphabetically.

Orchestral scores

Series consists of orchestral scores used by the Rex Battle Orchestra. Music sheets contain the parts for various instruments, sometimes featuring Battle's writing or notes.

Personal and family files

Consists of Herzberg's files related to his research on the memoir he wrote about his mother, astrophysicist Luise Herzberg. Records include research notes, book proposal, correspondence with relatives, colleagues, publishers, photocopies of certificates, translations, genealogical notes, photocopies of original diaries, letters, etc., working files and a few photographs.

Teaching : Series E. Teaching assistants

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Academic matters : Series N. Various activities

Series consists of annual reports of Herzberg's professional activities; correspondence with the departmental chair, dean, and other faculty members; the faculty strike of 1996/1997; efforts over 20 years to restrict smoking at York; and other topics.

Writing and research files

Series consists of records created and maintained by Pat Fleisher between 1940 and 2008. The records in this series pertain to Fleisher's creative and freelance art writing. These records include Fleisher's early poetry and fiction, personal memoirs, and article drafts for freelance and magazine projects. Also part of the series are files consisting of background research for Fleisher's non-fiction writing, which include newspaper and magazine articles, artist bios and CVs, as well as correspondence and notes relating to her freelance and creative writing.

Publication files

Series consists of records created and maintained by Pat Fleisher pertaining to her four art publications: Art Magazine (1969-1982), Artpost (1983-1992), Artfocus (1992-2004), and City Art (2004-2005), as well as her website, Artfocus Online (1996-2009). These records document Fleisher's work in the production of these publications, including magazine printing, article research and creation, procurement of advertisements and subscriptions, and magazine finances. Files in this series consist of correspondence, article drafts, photographs, artist bios and CVs, grant applications, invoices and financial statements, notes, art show notices, and audio cassettes. Also included in this series are copies of Society of Canadian Artists (SCA) newsletters from 1965 to 1968, edited by Fleisher.

Photographs

Series consists of photographs created and maintained by Pat Fleisher from the 1930s to the late 2000s. The photographs in this series were largely created by Fleisher, though some portraits of Fleisher and her family were created by others, and document Fleisher's work as an artist and as a magazine editor. Fleisher's art photographs were often taken on her travels and focus on the streets and scenery of cities around the world, particularly Toronto and New York. Many photographs in this series depict art galleries, artists and art shows, which were often taken for the purpose of publication in Fleisher's magazines. Also included in this series are personal photographs of Fleisher and her family.

International Association of Art Critics (AICA) files

Series consists of records created and maintained by Pat Fleisher in her capacity as a founding member and treasurer of the Canadian branch of the International Association of Art Critics (AICA). These records are primarily notices and correspondence sent to members, but some files pertain to Fleisher's role in collecting membership dues for Canadian members and her travel to London to attend the 2000 AICA Congress. Files in this series also include a copy of a letters patent, grant application materials, a constitution and by-laws, and photographs.

Correspondence

Series consists of correspondence created and maintained by Pat Fleisher between 1965 and the late 2000s. The correspondence in this series pertains to Fleisher's personal and professional life, including issues regarding her magazine publishing work, art shows, letters of recommendation, her family, and a wide variety of other topics. Files in this series also include photographs, newspaper clippings, press releases, and financial statements.

Artwork and memorabilia

Series consists of records created and maintained by Pat Fleisher from 1940 to 2007. The records in this series pertain to Fleisher's production of paintings, drawings and photographs and her accumulation of personal memorabilia relating to her life, work, and art shows. Files in this series include photographs, portfolios, CVs and artist statements, newspaper clippings, a sketchbook, a scrapbook, and an art appraisal.

Art show materials

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

Artist files

Series consists of records accumulated and created by Pat Fleisher between 1975 and 2008. The records in this series pertain to Fleisher's work as an art magazine publisher and her acquisition of content for those publications, specifically relating to artist profiles and the promotion of art shows. These records include unsolicited artist portfolios, materials submitted to Fleisher for use in her Artfocus "cybergallery", and photographs of artwork and artist biographical materials accumulated by Fleisher for use in her magazines and/or for the production of Fleisher's freelance art-related writing. Files in this series consist of artist bios and CVs, art cards, newspaper and magazine articles, photographs, computer disks, and art show promotional materials.

Administrative and subject files

Series consists of records created and maintained by Pat Fleisher between 1971 and 2008. The records in this series pertain to Fleisher's work as a freelance art consultant and a leader of Toronto Board of Education art tours, her research for and work as an art magazine publisher, and other assorted projects. These records include notebooks and day planners, photographs, video cassettes, computer disks, an audio cassette, notes, articles, business and financial records, contracts, contact lists, and research and promotional materials.

Photographs

Series consists of photographs collected by Archie Alleyne. Material includes personal and professional photographs of Alleyne and his colleagues; photographs collected of various jazz musicians in history; and photographs of emerging artists.

Audio visual records

Series consists of various sound recordings of Christie's performances, of talks by him or interviews with him during his years as an actor. It includes copies of music recorded by Christie including recordings of performances by his daughter Dinah Christie both alone and with Christie himself.There is also a recording on which Christie reflects upon his family history.

Christie family files

Series consists of correspondence, yearbooks, family histories, photographs, collected memorabilia and ephemera related to Christie's immediate and extended family. Aside from more general files, it also contains groups of files specifically related to Chrsitie's father David Wallace Christie, to his ex wife Granier Mortimer Christie and to the Stacey family as well as ephemera in the form of identification cards, awards and certificates belonging to Christie and correspondence exchanged with Margot Christie while Christie was serving with the Canadian Army. There is also information regarding Christie's death including a series of journals kept by his caretaker towards the end of his life.

Financial records

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Professorial files

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Jane Mallet and Associates files

Series consists of files containing correspondence, financial records, memos, legal documents and other material related to Christie's involvement with Jane Mallet and Associates, the production company for which Christie was a partner along with Jane Mallet and Don Harron. It contains a considerable amount of correspondence between Harron and Christie related to the staging of various productions including Earle Birney's "Turvey" and to Chrisite's portrayals of Sir John A. MacDonald as part of the Canadian Centennial Commission's celebration of the centenary.

Diaries

The series consists of chronologically arranged diaries or agendas that contain a record of Christie's day to day appointments and activities.

Scripts and production files

Series consists of scripts, notes, photographs, articles and clippings related to various theatre productions, television and radio shows with which Christie was involved. It includes material related to productions of "The dream," "Here lies Sarah Binks," "Sweeney Todd" and "Sir John A. MacDonald." It also contains published copies of plays annotated by Christie that demonstrate stage directions and other comments related to his portrayal of his characters in these plays.

Correspondence and subject files

Series consists of chronologically arranged subject files and/or scrapbooks that were maintained by Christie on an annual basis between the years 1913 and 1984. The material up to 1959 was maintained in bound scrapbooks following which they were maintained as loose material in file folders. In both cases, they contain clippings, reviews, programs, miscellaneous correspondence, photographs and ephemera that document Christie's personal and/or professional life. The early scrapbooks contain Christie's record of Baptism as well as report cards from Riverdale Collegiate and programmes related to his early acting career at Hart House Theatre while he was a student at the University of Toronto. Included are records of Christie's acting career in London, England where he acted as part of the company of the Old Vic among other companies and of his acting career in Canada where he was a long term member of the New Play Society and the Stratford Shakespearean Festival company.

Project and writing files

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

Take 30 scripts

The series consists of typescript copies of scripts for the CBC program "Take 30" for which Norquay was a writer, researcher and broadcaster.

MA Thesis files

The series includes notes, drafts and resource material related to Norquay's M.A. Thesis, "A Study of a Community Recreation Council as an Agent of Social Change" as well as the completed thesis, original correspondence, photographs and clippings created and/or accumulated while Norquay was recreation director of the Dunville Recreational Council. Series also includes minutes of that council. Norquay's thesis was successfully submitted to the University of Toronto in partial fulfillment of her Master's degree but at the direction of her thesis supervisor was not deposited in the University of Toronto library on the grounds that it would be considered libelous.

Open College files

The series consists of personal and administrative files of Open College created and/or accumulated by Margaret Norquay including clippings, student packages, contracts, correspondence, notes, diaries, journals, reports and minutes from various projects and memorabilia documenting her role as its founder and as a professor. Series also includes drafts and scripts for Norquay's course "Ethnic Relations in Canada : Understanding People of Another Culture" and audio recordings, transcripts and notes from interviews conducted by Norquay with various ethnic groups as a part of her course work.

Writing files

The series consists of research material, notes, manuscript and typescript drafts of Wiseman's novels, short stories, poetry, plays, works of non-fiction, book reviews, speeches and scripts, many of which were written for CBC radio. It also includes publicity material, reviews of her work and copies of articles written about her by others. It contains material related to her novels "The Sacrifice" and "Crackpot", to the plays "Testimonial Dinner", "The Lovebound" and "Someday Sam: A Play, Libretto or Puppet Opera for Children of All Ages" as well as other material that documents her writing process.

Editorial files

Series consists of material that documents Coles work as a literary editor and critic and includes contracts, correspondence, course timetables, critiques of students' work and other material that documents his tenure as poetry editor of "The May Studio" at the Banff Centre for the Fine Arts. It also includes drafts of works by other writers sent to Coles for his comments and criticism including manuscripts of work by Michael Redhill, Stephanie Bolster, Richard Sanger, Mark Sinnett and John Bemrose, among others, as well as material that demonstrates Coles' work as poetry judge of the Canadian Literary Awards and the CBC Literary Awards. This material consists of submissions bearing notes and comments by Coles.

Academic and teaching files

Series consists of material that documents Coles' academic career at the University of Toronto and Cambridge University, as well as his years spent as a professor in the Department of Humanities at York University in Toronto. It includes copies of essays, as well as manuscript and typescript notes taken by Coles while he was a student. Included are notes taken by Coles while completing course work with Northrop Frye, advice from Frye regarding an academic career in 1964, his rough first draft of his M.A. thesis, and columns and reports for the University of Toronto Daily Press. It also contains course files related to Coles' work as professor. These files consist of course outlines, reading lists, lecture notes, clippings related to course material, correspondence related to his teaching and other material that documents the ongoing development and delivery of the courses Man in Search, Concepts of Love, Early Times : Literature and the Imagination of the Child, Myth and the Arts and Works & Days. Records also include annotated working copies of monographs used in his courses and certificates received pertaining to his academics and teaching.

Writing files

The series consists of notes, drafts and proofs of collected and uncollected poems written by Coles including manuscript drafts of his collections "K in love," "The prinzhorn collection," "Forest of the medieval world," "Kurgan," and "How we all swiftly," among others. It contains research material, notes and drafts of his novel "Doctor Bloom's story," his autobiographical work "A dropped glove in Regent Street," a poetry collection "Where we might have been," correspondence with publishers, interviews with Coles, reviews of his work, publicity material related to his writing, and book reviews written for "The Globe and mail." It also includes the manuscript for Tomas Transtomer's "For the living and the dead," which Coles translated from Swedish as well as correspondence between Coles and Tomas and Monica Transtromer regarding this work.

Correspondence files

The series consists of personal and professional correspondence including manuscript and typescript copies of letters as well as e-mail received by Coles. It also includes many copies of letters or e-mails written by Coles himself. The series includes family correspondence as well as correspondence with writers such as Christopher Wiseman, Liliane Welch, Guy Vanderhaeghe, Al Purdy, P.K. Page, Steven Heighton, Ralph Gustafson, Adele Wiseman, John Metcalf, David O'Meara, Robyn Sarah, Jan Ruzesky, Betty Jane Wylie, Robert Fulford, Carol Shields, Philip Grover and Tomas Transtromer among others.

Remembrance files

Series consists of correspondence relating to Hans Mohr’s death, photographs of his personal library, a collection of poems entitled Memento mori: paintings and poetry published after Mohr’s death, and a book of friends and family’s notes from the funerals of Hans and Ingeborg Mohr.

Academic files of Hans Mohr

Series consists of article, reports, lectures, and presentations written by Mohr throughout his career on topics such as psychiatry, mental health, homosexuality, family equality, children's rights, sentencing, criminology, criminal law, legal reform, legal education, and sociology, as well as copies of his book reviews. Many of his articles are original annotated drafts, final editions or in offprint format. Series includes seminar papers on his course about structuralism, his course "Sociology 92-456 : The sociology of law," "Law 324 : Children and the law," his seminar on "Theory and empiricism in law," and his graduate seminar "Legal research, policy and reform." Series also includes evaluations written in 1981 by students in courses "Social foundations of law" and "Law and psychiatry." In addition, series includes drafts of conference papers and articles written by friends and colleagues such as Peter Fitzpatrick, Harry W. Arthurs, Roderick A. Macdonald, Kurt Wolff, and Marie Andree Bertrand. Some of these drafts have annotations made by Mohr. Series also includes: offprints inscribed to Mohr by friends and colleagues such as Alan Hunt, Douglas Hay and Charles David Axelrod; newspaper articles about Mohr and his work with law, psychiatry, sentencing, criminal law, and law reforms; and a collection of research articles on similar topics.

Personal files of Hans Mohr

Series consists of greeting cards, postcards, correspondence, personal notebooks, photographs and a guestbook from Ingeborg's art exhibits. Greeting cards express holiday and birthday messages, in addition to remarks on Mohr's 50th wedding anniversary and condolences on Ingeborg's death in 2004. The postcards were sent to Mohr from family and friends with images of European cities such as Dresden, Vienna, Edinburgh, Paris, and Athens, as well as Canadian cities such as Montreal and Vancouver. In addition, the series includes two handwritten personal notebooks by Mohr in German from the 1950s, two notebooks of early poetry, and handwritten correspondence between Mohr and his friends from when he travelled to Canada.

Correspondence of Hans Mohr

Series consists of personal and professional letters and cards received by J.W. (Hans) Mohr from friends and colleagues including Harry W. Arthurs, Roderick A. Macdonald, Robert (Bob) Siemens, Michel Silberfeld, Bob Glossop, Istvan Anhalt, Peter Bieselt, Richard Cullen, and Cyril Greenland discussing philosophy, law reform, law and education, the effects of law on society from the 1960s to the late 1990s, upcoming publications, criminology, sociology, publishing, current events, political theory, legal theory, psychiatry, psychology, conferences, seminars, university policies and academic standards, history, religion, perspectives on educating university students, and events in their personal lives. File also consists of correspondence regarding publication of Hans Mohr’s manuscripts, the death of Ingeborg Mohr, Hans Mohr’s illness, condolences to the Mohr family on Hans’s death, and personal notes and revisions of articles

Hans Mohr's files for professional organizations

Series consists of certificates of appreciation and membership from organizations such as The National Organization of Child Care Worker Associations Inc., The Christian Festival, The Board of Governors of Humber College of Applied Arts and Technology, The Coalition for Gun Control, the Canadian Criminal Justice Association, and a certificate of appreciation from the African National Congress signed by Nelson R. Mandela in 1995. Series includes reports, meeting minutes, research updates, memoranda, notes and articles from organizations such as the Vanier Institute of the Family, the Law Commission of Canada, the Round Table on Citizen Agency, Big Brothers of Canada, and the Church Council on Justice and Corrections, as well as correspondence between officials of the institutions and Mohr. Included in the series is the report, "Restorative justice discussion paper" from 1999, and a signed letter from Prime Minister Pierre Elliott Trudeau acknowledging receipt of Mohr's paper, "The politics of the family and the family in politics."

Audio-visual materials

Series contains the audio-visual materials collected and created by Archie Alleyne during his career as a professional musician.

Archie Alleyne Scholarship Fund

Series consists of records pertaining to Archie Alleyne's role as the sponsor of the Archie Alleyne Scholarship Fund, which provides funding for music students in post-secondary studies.

Personal and professional files

Series consists of material created by Archie Alleyne in his professional roles as a musician and memoirist, and through his involvement with projects such as Evolution of Jazz Ensemble and the Syncopation Series, and his personal collection of material which reflect his interest in music and African-Canadian history.

Audio-visual records

The series consists of audio-visual records documenting various elements of Wiseman's career as a writer and public figure. It includes recordings of Wiseman reading her own poetry as well as interviews with her. It also contains recordings of poetry readings by poets including Lillian Allen, bill bissett, Robert Priest, Susan Musgrave, b.p. Nichol and Earle Birney among others.

Loons files

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

Journals, notebooks and address books

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

Academic and teaching files

The series consists of material that documents Wiseman's career as an academic, both as a student and as a professor. It includes lecture notes, essays, examinations, assignments and other material related to her years as a student at the University of Manitoba and student submissions, publications, catalogues, minutes, notes, brochures, resumes and other material related to her years as a teacher at the University of Windsor. It also conatins materil related to her years as a writing instructor at the Banff Centre and, as such, contains correspondence with colleagus including Don Coles, Mavis Gallant, Don McKay, P.K. Page, Jay Ruzesky, Miriam Waddington, Rudy Wiebe, Chris Wiseman and Rachel Wyatt among others.

Works by others

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Subject files

Series consists of a series of files containing information that relates to Wiseman's interests, particularly around social causes such as animal rights, nuclear disarmament, race relations and the environment as well as notebooks, maps, postcards, airline tickets, memorabilia and other material related to Wiseman's travels to China.

Financial records

Series consists of material that documents Wiseman's finances and, as such, includes income tax returns including statements of all annual expenditures as well as documents related to her banking, records related to the sale of her family's home and other records related to her parents' finances. It also includes contracts and agreements reached between Wiseman and the Canadian Broadcasting Company and various publishers and material related to the finances of various members of her family.

General correspondence

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Wiseman and, in many cases, copies of letters written by Wiseman herself. It includes correspondence with friends, readers and fellow writers including Margaret Laurence, bill bissett, Don Coles, Marian Engel, Timothy Findley, Frances Itani, Jay McPherson, Mordecai Richler, Malcolm Ross, Jane Rule, Phyllis Grosskurth, Steven Heighton, Gwendolyn McEwen, Don McKay, Tillie Olsen, P.K. Page, Carol Shield and Christopher Wiseman among others.

Wiseman family files

The series consists of correspondence and other material that documents Wiseman's relationship to her family and, as such, contains copies of letters received by Wiseman as well as copies of letters sent by her to various members of her family including her husband, Dmitry Stone, her parents, Chaika and Pesach Waisman and her daughter Tamara Stone. It also contains medical records, marriage licenses, divorce papers, wills of various members of the family, photographs, memorabilia as well as collected correspondence exchanged between members of the Wiseman family but not necessarily about the author herself.

Business correspondence

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

Research and lecture notes

Series contains notes for book projects ('Hegel's development', 'Phenomenology of spirit,'), as well as notes for lectures for a seven year seminar on 'Phenomenology', and related Hegel research.

Graduate and undergraduate Studies

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Teaching

Series consists of lecture notes, reading lists, course outlines, and related material for courses taught at York in Philosophy (Modes of Reasoning, Medieval Philosophy, Phenomenology), Humanities, and Social Science, as well as Philosophy courses taught at the University of Illinois and Ohio State University

Correspondence

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Manuscripts

Series contains typescripts of Harris' thesis on Giovanni Gentile, as well as typescripts, corrected drafts, galleys and page proofs of 'Hegel's development' (vols. I and II), 'Between Kant and Hegel: texts in the development of post-Kantian idealism,' (a series of lectures translated and annotated by Harris and George di Giovanni), and for 'Origins and legacies'. There are also typescripts and drafts of translations of works by Hegel ('Difference between Fichte's and Schelling's system of Philosophy,', 'Faith and knowledge', 'Encyclopedia of logic,' ). In addition, there are photocopies of Harris' revision of 'Lectures on the philosophy of religion'. The fonds also includes typescripts and drafts of several articles by written by Harris on Hegel, Croce, Hume, and copies of typescripts and off-prints of reviews written by Harris.

Research and writing files

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

Musical performance files

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Musical scores

Series consists of copies of drafts and completed copies of Tenney's musical scores in various formats including manuscript and computer generated form. Among the compositions included in the series are "Poem for flute," "Sonata for 10 wind instruments," "Canon for bass quartet," "Thirteen ways of looking at a blackbird," "Quiet fan for Erik Satie," "Essay # 3 for string orchestra," "Quintext," and "Changes : 64 studies" among others.

Correspondence files

Series consists of personal and professional correspondence including copies of letters received by Tenney from friends and colleagues including Carolee Schneeman, Lionel Nowak, John Pierce, Morton Feldman, John Cage, Steve Reich, Warren Burt, Phil Corner, Malcolm Goldstein, Edgard Varese, Stan Brakhage, Peter Garland and Gayle Young, among others. It also includes correspondence generated in his various professional capacities at educational institutions such as Yale University, the Polytechnic Institute of Brooklyn and Bennington College as well as correspondence, which documents his relationship and work with Bell Telephone Laboratories in developing programs for computer sound-generation, the Institute for Studies in American Music, the Canadian Music Centre and musical organizations or institutions.

Publications

Series consists of serial publications in which Alison Pick's poetry and short fiction were published between 1999 and 2010. These publications include "The New Quarterly," "The Fiddlehead," "Arc," "Fireweed," "Contemporary Verse 2," "Exile," "Prairie Fire," and others.

Photographs

Series consists of photographs of or by Alison Pick, taken in the 1990s and 2000s. These photographs pertain to canoe trips taken by Pick; her attendance at literary workshops, writing retreats and readings; publicity photographs; research for her book "The Sweet Edge"; and social gatherings with Canadian writers including Michael Crummey, Michael Winter, Christine Pountney, Steven Heighton, David Seymour, Karen Solie, and many others.

Memorabilia

Series consists of records accumulated by Alison Pick pertaining to her literary career, including reviews of her books, interviews she gave about her writing, items from literary events and workshops she attended, and awards she received. Some personal memorabilia is also part of this series.The records in this series are magazine and newspaper articles, book reviews, invitations, event programs and name tags, speaking notes, correspondence, e-mail, certificates and plaques, an audio cassette, compact discs, a DVD, medals, posters, a photograph, and Pick's high school yearbooks.

Manuscripts, notebooks, and other writing

Series consists of records pertaining to the research for and writing, editing and promotion of Alison Pick's published works, including novels "The Sweet Edge" (2005), "Far to Go" (2010) and "Strangers with the Same Dream" (2017), poetry collections "Question & Answer" (2002) and "The Dream World" (2008), and her memoir "Between Gods" (2014). Also included in this series are records relating to Pick's work as a freelance writer of articles, interviews and literary reviews, her artist residencies and participation at literary events, her submissions to poetry journals, her writing while a student at the University of Guelph, and her work as a creative writing instructor. The records in this series include notebooks, notes, poetry drafts, draft and edited manuscripts, galley and page proofs, computer disks, a DVD, correspondence, speaking notes, royalty statements, invoices, research materials and grant application materials. Editorial commentary from Pick's editor Lynn Henry is included with some manuscripts. Copies of manuscripts and uncorrected novel proofs by other authors and sent to Pick are also included in this series.

Day planners and journals

Series consists of four day planners used by Alison Pick between 2005 and 2008, as well as two childhood journals from 1988 and 1989.

Correspondence

Series consists of personal and professional correspondence sent and received by Alison Pick. These records include handwritten letters and greeting cards but are predominantly e-mail correspondence. Most of the e-mail correspondence in this series was exchanged between Pick and a number of other Canadian writers and poets, her editor, literary agent and publishers. These records pertain to personal topics as well as Pick's literary career, including the writing, editing, publication, promotion and sale of Pick's 2010 novel, "Far to Go", her 2014 memoir, "Between Gods", and her 2017 novel, "Strangers with the Same Dream".

"The trouble with Evan" documentary

Series consists of records created and accumulated by Theresa Burke pertaining to the public response to CBC "Fifth estate" documentary "The trouble with Evan" (1994), on which she worked as a researcher and producer. These records document the success of the documentary and viewer feedback, the CBC's decision to run a follow-up program about stories of child abuse experienced by viewers, and the process of selecting subjects for this program. The records in this series include transcripts of phone messages, interview transcripts, a transcript of "The trouble with Evan", newspaper articles, notes, and correspondence.

Shaken baby syndrome documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about shaken baby syndrome, "Diagnosis murder" (Jan. 2012). These records primarily document the legal case of Jeffrey Smith and the death of his infant daughter, as well as research about controversy concerning the diagnosis of shaken baby syndrome. The records in this series include court transcripts and legal documents, medical records, draft scripts, correspondence, interview notes, and newspaper and journal articles.

Prisoner spouses documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about the spouses of prisoners, "The devil you know" (Feb. 2011). These records document research about the subjects of the documentary, the organization of interviews, and the construction of a final program script. The records in this series include correspondence, notes, draft scripts, interview transcripts, legal and court documents, photographs, and newspaper and journal articles.

Ludmila Ilina documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about Ludmila Ilina, "A question of innocence" (Apr. 2011), which addresses Ilina's conviction for the 1995 murder of her husband and her claim of innocence. These records document Burke's research concerning the legal case against Ilina, the involvement of York University's Innocence Project in her case, interviews with subjects in the documentary, issues involving Ilina's day parole, and Ilina's communications with Burke during the project. The records in this series include court transcripts and legal documents, interview transcripts, correspondence, newspaper articles, photographs, notes and audio cassettes.

Kevin MacKinnon research materials

Series consists of research materials accumulated by Theresa Burke pertaining to the 1994 murder conviction of Kevin MacKinnon, the legal case against him, and his claim of innocence. These records include legal and court documents, correspondence, newspaper articles, and photographs.

Gay athletes documentary

Series consists of records created and accumulated by Theresa Burke during the production of CBC "Fifth estate" documentary "The legacy of Brendan Burke" (Nov. 2010), on the subject of gay athletes. These records concern the organization of interviews and shooting schedules with members of Brendan Burke's family and the other athlete subjects of the documentary, as well as background research on gay male and female athletes in different sports. The records in this series include correspondence, interview transcripts, newspaper and journal articles, production materials, audiovisual materials, and draft scripts.

Canadian military and post-traumatic stress disorder documentary

Series consists of records created and accumulated by Theresa Burke during the production of CBC "Fifth estate" documentary "Broken heroes" (Oct. 2009), on the subject of Canadian Forces soldiers dealing with post-traumatic stress disorder. These records primarily concern the research and interviews conducted for this production. Also included are research materials and interview transcripts concerning veteran soldiers with cancer and their exposure to depleted uranium on tours of duty. The records in this series include interview and meeting transcripts, correspondence, notes, newspaper and journal articles, audio cassettes, and DVD-Rs.

Canadian Broadcasting Corporation files

Series consists of records created and accumulated by Theresa Burke pertaining to her employment at the Canadian Broadcasting Corporation (CBC). The records in this series document Burke's progression from contract researcher to permanent staff producer for "The fifth estate" as well as the nature and extent of her research and production work. Also included are records documenting her participation in CBC professional training courses, labour union agreements and other human resources topics. These records include contracts, correspondence, memoranda, income tax forms, benefit forms, booklets, handbooks, course materials, and production credits.

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